ISBN:
3791353004
,
9783791353005
Language:
English
Pages:
240 S
,
zahlr. Ill
,
300 mm x 235 mm
DDC:
700
Keywords:
Geers, Kendell Exhibitions
;
Art, South African Exhibitions
;
Conceptual art Exhibitions
;
Installations (Art) Exhibitions
;
Video art Exhibitions
;
Race in art Exhibitions
;
Violence in art Exhibitions
;
Politics in art Exhibitions
;
Ausstellungskatalog 2013
;
Ausstellungskatalog 2013
;
Geers, Kendell 1968-
Abstract:
"This book explores how the life and work of South African artist Kendell Geers can be seen to constitute a living archive of political turmoil, protest against injustice, and the effects of globalization. In his provocative, often humorous, but always compelling work, Kendell Geers employs various media such as installation, drawing, video, performance, and photography. For two decades his art has been closely linked to the political and cultural environments of his home--whether in South Africa or Europe. This volume explores in particular the trajectories of two decade-long periods. The first, a political phase, runs from 1988 to 2000, during which time Geers explored the moral and ethical contradictions of apartheid. By appropriating historical events and ideas, he focused on questions of the relationship between individual and society. The second period was initiated by Geers's move to Brussels in 2000. This European period is characterized by a poetic aesthetic as Geers transferred his artistic practice into a postcolonial and increasingly global context, exploring themes such as terrorism, spirituality, and mortality. This volume features a number of essays addressing aspects of Geers's work as well as an interview with the artist."--Publisher's website
Note:
Foreword
,
The perversity of my birth: The birth of my perversity
,
Kendell Geers: A proletarian gnosis
,
On the aesthetic and political language of art: A conversation between Kendell Geers and William Kentridge
,
On the political in Kendell Geers' early work, 1988-2000
,
(With your) back to the wall: The murals of Kendall Geers
,
Kendell Geers, or the denial of the evident
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