Note: Zsfassung in engl. Sprache , Sprache der Zusammenfassung: Englisch

Note: Literaturangaben , Introduction : power and architecture : the construction of capitals, the politics of space, and the space of politics , Capital architecture and national identity , A city of the people, by the people, for the people? : democracy and capital building in Washington, DC, Ottawa, Canberra and Brasília , Capital-building in post-war Germany , Berlin : three centuries as capital , Image, itinerary and identity in the "third" Rome , "A capital without a nation" : red Vienna, power, and spatial politics between the world wars , The ruins of socialism : reconstruction and destruction in Warsaw , State building as an urban experience : the making of Ankara , Building capital mindscapes for the European Union

Note: Includes bibliographical references (pages 279-304) and index

Note: Text dt. und engl. - Literaturangaben , Text dt. und engl.

Note: Aus dem Impressum "Dieses Buch erscheint in Kooperation mit der Universität für Angewandte Kunst Wien" , Übersetzer im Impressum genannt , Text deutsch und englisch

Note: Text dt. und engl. - Literaturverz. S. 466 - 468 , Literaturangaben , Text dt. und engl.

Note: International conference proceedings , Literaturverz. S. 160-161

Note: International conference proceedings , Literaturverz. S. 160-161

Note: Literaturangaben , Beitr. in dt., eng. u. ital. Sprache

Note: Beitr. teilw. dt., teilw. engl

Note: Text dt. und engl , Text dt. und engl.

Note: Includes bibliographical references and index , "... accompanies an exhibition that opened at the Fowler Museum in February 2011 and will travel to venues in Washington, D.C., Stanford, and Paris" - Preface. - Includes bibliographical references , The Lower Benue: fluid artistic identities ; Introduction: reimagining Lower Benue art history , Idoma art and the intersection of Benue histories and geographies , Interleaf A: Idoma and Tiv artists , Interleaf B: Umale: an Igala artist , The ancestral masquerade: a paradigm of Benue Valley art history , The Igala Egwu Afia , Ebira masquerade and its histories , Ndako Gboya masquerades of the Nupe , Power and gender in the history of Egungun , Dead fathers of Okpella , Ebira and the Niger-Benue confluence: material culture and masquerade; artifact and identity revisited , Igala masquerades and figure sculpture , Lost-wax casting along the Benue , Interleaf C: A note on the "Igala" bell , Interleaf D: A note on Idoma bells and smoking pipes , The Middle Benue: visual resemblances and connected histories ; Introduction: the Middle Benue , The quick and the dead: versatile wooden figures from Middle Benue , Interleaf E: Wurbo Jukun sculpture from the Taraba and Wase river valleys , A memoir: the Jukun of the Middle Benue with a brief entry on the Goemai , Hybrids: theranthropic horizontal masquerades from the Middle Benue , Interleaf F: Mining the Rubin archive: mid-twentieth-century documentation of two Mumuye Vaa-Bong masquerades , Seen or heard? masquerades that cry and figures that talk among the Mumuye , Interleaf G: Heavy metal: the prestige of iron in the Middle Benue , Kantana, Kulere, and their neighbors south of the Jos plateau , Interleaf H: A myriad of Mangam masks , Embodiments large and small: sacred wood sculpture of the Wurkun and Bikwin , Enigmatic embodiments: vertical masks in cross-cultural perspective , The Upper Benue: expressive and ritual capacities of clay ; Introduction to Upper Benue arts , Modeling therapies: vessels for healing and protection in the Western Gongola valley , Containing power: identities in clay in the Eastern Gongola valley, the Ga'anda , Containing power: identities in clay in the Eastern Gongola valley, the 'Bena, Yungur, and Dera , Interleaf I: Vestiges in wood: ancestor sculptures of the Eastern Gongola valley , Epilogue: making the market for Benue arts: notes on the French connection

Note: Includes bibliographical references and index , "... accompanies an exhibition that opened at the Fowler Museum in February 2011 and will travel to venues in Washington, D.C., Stanford, and Paris" - Preface. - Includes bibliographical references , The Lower Benue: fluid artistic identities ; Introduction: reimagining Lower Benue art history , Idoma art and the intersection of Benue histories and geographies , Interleaf A: Idoma and Tiv artists , Interleaf B: Umale: an Igala artist , The ancestral masquerade: a paradigm of Benue Valley art history , The Igala Egwu Afia , Ebira masquerade and its histories , Ndako Gboya masquerades of the Nupe , Power and gender in the history of Egungun , Dead fathers of Okpella , Ebira and the Niger-Benue confluence: material culture and masquerade; artifact and identity revisited , Igala masquerades and figure sculpture , Lost-wax casting along the Benue , Interleaf C: A note on the "Igala" bell , Interleaf D: A note on Idoma bells and smoking pipes , The Middle Benue: visual resemblances and connected histories ; Introduction: the Middle Benue , The quick and the dead: versatile wooden figures from Middle Benue , Interleaf E: Wurbo Jukun sculpture from the Taraba and Wase river valleys , A memoir: the Jukun of the Middle Benue with a brief entry on the Goemai , Hybrids: theranthropic horizontal masquerades from the Middle Benue , Interleaf F: Mining the Rubin archive: mid-twentieth-century documentation of two Mumuye Vaa-Bong masquerades , Seen or heard? masquerades that cry and figures that talk among the Mumuye , Interleaf G: Heavy metal: the prestige of iron in the Middle Benue , Kantana, Kulere, and their neighbors south of the Jos plateau , Interleaf H: A myriad of Mangam masks , Embodiments large and small: sacred wood sculpture of the Wurkun and Bikwin , Enigmatic embodiments: vertical masks in cross-cultural perspective , The Upper Benue: expressive and ritual capacities of clay ; Introduction to Upper Benue arts , Modeling therapies: vessels for healing and protection in the Western Gongola valley , Containing power: identities in clay in the Eastern Gongola valley, the Ga'anda , Containing power: identities in clay in the Eastern Gongola valley, the 'Bena, Yungur, and Dera , Interleaf I: Vestiges in wood: ancestor sculptures of the Eastern Gongola valley , Epilogue: making the market for Benue arts: notes on the French connection

Note: Erscheint anlässlich der Ausstellung von Judy Raduls "World Rehearsal Court" im Henie Onstad Kunstsenter, Oslo, 19.06.-02.10. 2011

Note: Mit Reg , "Der Kaisertrutz ist der zentrale Ausstellungsort der Landesausstellung. [...] Im Anschluss an die Landesausstellung geht der Kaisertrutz in die Nutzung für Dauer- und Sonderausstellungen des Kulturhistorischen Museums Görlitz über." (http://www.landesausstellung-viaregia.museum/index.php?id=kaisertrutz) , Beitr. dt. mit poln., tschech. und engl. Zusammenfassung. - Auf dem Umschlag mit dem Zusatz: Essays, 3. Sächsische Landesausstellung , Textbeitr. dt., jeweils mit engl., poln. und tschech. Zsfassung

Note: Text in engl. u. dt. Sprache