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  • MPI Ethno. Forsch.  (14)
  • Weltkulturen Museum
  • MARKK
  • Englisch  (14)
  • 2015-2019  (14)
  • 1995-1999
  • 1980-1984
  • 1970-1974
  • 1965-1969
  • 1940-1944
  • 2016  (14)
  • 1980
  • 1973
  • 1970
  • 1943
  • Motion pictures and television  (14)
  • Allgemeines  (14)
  • Romanistik  (1)
  • Land-, Forst-, Fischerei- und Hauswirtschaft. Gartenbau
  • Sport
Datenlieferant
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Sprache
  • Englisch  (14)
Erscheinungszeitraum
  • 2015-2019  (14)
  • 1995-1999
  • 1980-1984
  • 1970-1974
  • 1965-1969
    • +
Jahr
  • 2016  (14)
  • 1980
  • 1973
  • 1970
  • 1943
Verfasser
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  • Allgemeines  (14)
  • Romanistik  (1)
  • Land-, Forst-, Fischerei- und Hauswirtschaft. Gartenbau
  • Sport
  • Anglistik  (1)
  • 1
    Online-Ressource
    Online-Ressource
    Mediations of Disruption in Post-Conflict Cinema (2016)
    London : Palgrave Macmillan UK
    Details
    ISBN: 9781137575203
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XIV, 219 p. 1 illus)
    Serie: Springer eBook Collection
    Serie: Literature, Cultural and Media Studies
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    AP 52800
    Schlagwort(e): Culture Study and teaching ; Communication ; Motion pictures and television ; Culture Study and teaching ; Communication ; Motion pictures and television
    Kurzfassung: Mediations of Disruption in Post-Conflict Cinema is a transdisciplinary volume that addresses the cinematic mediation of a wide range of conflicts. From World War II and its aftermath to the exploration of colonial and post-colonial experiences and more recent forms of terrorism, it debates the possibilities, constraints and efficacy of the discursive practices this mediation entails. Despite its variety and amplitude in scope and width, the innovative and singular aspect of the book lies in the fact that the essays give voice to a variety of regions, issues, and filmmaking processes that tend either to remain on the outskirts of the publishing world and/or to be granted only partial visibility in volumes of regional cinema
    DOI: 10.1057/978-1-137-57520-3
    URL: Volltext  (lizenzpflichtig)
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  • 2
    Online-Ressource
    Online-Ressource
    Gender and Sexuality in Latin American Horror Cinema : Embodiments of Evil (2016)
    London : Palgrave Macmillan UK
    Details
    ISBN: 9781137564955
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XXXII, 204 p. 11 illus)
    Serie: Springer eBook Collection
    Serie: Literature, Cultural and Media Studies
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    AP 53900
    RVK:
    AP 59785
    Schlagwort(e): Culture Study and teaching ; Sex (Psychology) ; Gender expression ; Gender identity ; Motion pictures and television ; Sociology ; Culture Study and teaching ; Motion pictures and television ; Sociology ; Sex (Psychology) ; Gender expression ; Gender identity
    Kurzfassung: Gender and Sexuality in Latin American Horror Cinema explores the different mechanisms and strategies through which horror films attempt to reinforce or contest gender relations and issues of sexual identity in the continent. The book explores issues of machismo, marianismo, homosociality, bromance, among others through the lens of horror narratives and, especially, it offers an analysis of monstrosity and the figure of the monster as an outlet to play out socio-sexual anxieties in different societies or gender groups. The author looks at a wide rage of films from countries such as Cuba, Peru, Mexico and Argentina and draws points of commonality, as well as comparing essential differences, between the way that horror fictions - considered by many as low-brow cinema - can be effective to delve into the way that sexuality and gender operates and circulates in the popular imaginary in these regions
    DOI: 10.1057/978-1-137-56495-5
    URL: Volltext  (lizenzpflichtig)
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  • 3
    Online-Ressource
    Online-Ressource
    The American Civil War and the Hollywood War Film (2016)
    New York : Palgrave Macmillan US
    Details
    ISBN: 9781137497024
    Sprache: Englisch
    Seiten: 1 Online-Ressource (IX, 194 p)
    Serie: Springer eBook Collection
    Serie: Literature, Cultural and Media Studies
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    AP 52700
    RVK:
    AP 59783
    Schlagwort(e): History ; Communication ; Motion pictures and television ; Military history ; Social sciences ; Motion pictures History ; United States History ; United States—Study and teaching. ; History ; Communication ; Motion pictures and television ; Motion pictures History ; United States History ; Military history ; Social sciences
    Kurzfassung: The American Civil War was viscerally documented through panorama paintings, photography, and soldier testimonials, leaving behind representational principles that would later inform the development of war film genre codes. This book explores how each of these representational modes cemented different formulas for providing war stories with pathos
    DOI: 10.1007/978-1-137-49702-4
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 4
    Online-Ressource
    Online-Ressource
    Abel Gance and the End of Silent Cinema : Sounding out Utopia (2016)
    Cham : Springer International Publishing
    Details
    ISBN: 9783319388182
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XXXII, 241 p. 21 illus)
    Ausgabe: Springer eBook Collection. Literature, Cultural and Media Studies
    Paralleltitel: Printed edition
    RVK:
    AP 51400
    Schlagwort(e): Culture Study and teaching ; Ethnology Europe ; Civilization History ; Motion pictures and television ; Music ; Motion pictures and television. ; Music. ; Ethnology—Europe. ; Civilization—History. ; Gance, Abel 1889-1981
    Kurzfassung: This book explores the creation and destruction of Abel Gance’s most ambitious film project, and seeks to explain why his meteoric career was so nearly extinguished at the end of silent cinema. By 1929, Gance was France’s most famous director. Acclaimed for his technical innovation and visual imagination, he was also admonished for the excessive length and expense of his productions. Gance’s first sound film, La Fin du Monde (1930), was a critical and financial disaster so great that it nearly destroyed his career. But what went wrong? Gance claimed it was commercial sabotage whilst critics blamed the director’s inexperience with new technology. Neither excuse is satisfactory. Based on extensive archival research, this book re-investigates the cultural background and aesthetic consequences of Gance’s transition from silent filmmaking to sound cinema. La Fin du Monde is revealed to be only one element of an extraordinary cultural project to transform cinema into a universal religion and propagate its power through the League of Nations. From unfinished films to unrealized social revolutions, the reader is given a fascinating tour of Gance’s lost cinematic utopia
    Kurzfassung: Preface: The sublime and the ridiculous.-Part I: Overcoming the past -- Introduction -- 1. In the shadow of war -- 2. Towards utopia -- 3. Prophets of the future -- 4. Cinema and the life of space -- Summary: Part I -- Part II: Impossible dreams -- Introduction -- 5. Artistic integrity and industrial change -- 6. A history of incompletion -- Summary: Part II -- Part III: The marvels of ruins -- Introduction -- 7. Passion and performance -- 8. Fighting to be heard -- 9. The world on fire -- Summary: Part III -- Conclusion: "Why have I been only what I am?
    DOI: 10.1007/978-3-319-38818-2
    URL: Volltext  (lizenzpflichtig)
    URL: lizenzpflichtig
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  • 5
    Online-Ressource
    Online-Ressource
    Class divisions in serial television (2016)
    London : Palgrave Macmillan
    Details
    ISBN: 9781137594495
    Sprache: Englisch
    Seiten: 1 Online-Ressource (vii, 213 Seiten) , Illustrationen
    Paralleltitel: Erscheint auch als Class divisions in serial television
    DDC: 791.456552
    RVK:
    AP 35160
    RVK:
    AP 39383
    Schlagwort(e): Social classes on television ; Motion pictures and television ; Television series History and criticism ; Electronic books ; Social classes on television ; Aufsatzsammlung ; USA ; Fernsehserie ; Soziale Klasse
    Kurzfassung: This book brings the emergent interest in social class and inequality to the field of television studies. It reveals how the new visibility of class matters in serial television functions aesthetically and examines the cultural class politics articulated in these programmes. This ground-breaking volume argues that reality and quality TV's intricate politics of class entices viewers not only to grapple with previously invisible socio-economic realities but also to reconsider their class alignment. The stereotypical ways of framing class are now supplemented by those dedicated to exposing the economic and socio-psychological burdens of the (lower) middle class. The case studies in this book demonstrate how sophisticated narrative techniques coincide with equally complex ways of exposing class divisions in contemporary American life and how the examined shows disrupt the hegemonic order of class. The volume therefore also invites a rethinking of conventional models of social stratification.
    Kurzfassung: Contents -- List of Figures -- Introduction: Class Di_visions and the Cultural Politics of Serial TV -- Notes -- Bibliography -- Part I: (Di)Vision: "Lower" Class Televisibility -- Framing Class, Vicarious Living, and Conspicuous Consumption -- Media Framing and the Performance of Class in Everyday Life -- The Upper Classes: Affluence and Consumerism Make People Happy -- The Poor and Homeless: "Not Me!"-Negative Role Models in the Media -- The Working Class: Historical Relics and Jokes -- Middle-Class Framing and High-Level Worrying -- Media Framing and Our Distorted View of Inequality -- The Realities of Class -- The Hangover After Hedonistic Consumerism -- Is Change Likely? Media Realities Support the Status Quo -- Media Ownership -- Old-Media Journalists: Constraints and Opportunities -- New Media: Constraints and Opportunities -- Notes -- "Hillbillies," "Welfare Queens," and "Teen Moms": American Media's Class Distinctions -- Media Framing -- Americans' Self-Identification with a Social Class -- Media Framing of the Poor -- Framing Research -- "Welfare Queens" -- Mitt Romney's Welfare Attack Ad -- Teen Moms -- Here Comes Honey Boo Boo -- Implications -- Bibliography -- The Paradoxical Class Politics in Here Comes Honey Boo Boo -- Class and Reality TV -- Class and the South in Honey Boo Boo -- "Better Redneckognize": Redneck Lifestyle -- A Different Gaze -- Conclusion -- Notes -- Bibliography -- Reality TV and Its Audiences Reconsidered: Class and Poverty in Undercover Boss (CBS) -- Undercover Boss: Representing Class and Poverty -- Audiences Reconsidered: Social Media Writes Back -- Notes -- Bibliography -- Part II: Di*Visions: Screening Exploitation, Neoliberal Lies, and Class Realignment -- Lifestyle Precarity and Creative Class Affirmation in Girls -- Precarity and the Creative Class
    Kurzfassung: Girls and Feminist Celebrations of "Real Women's" Lives -- Creative Precarity as Cultural Capital -- Precarity as Lifestyle -- Precarity as Selling Point -- Conclusion -- Notes -- Bibliography -- House of Lies and the Management of Emotions -- Emotions and Finance -- Daddy's Girls, Social Mobility, and Emotional Health -- Breaking the 4th Wall: Emotional Management 101 -- Notes -- Bibliography -- The Financialization of Domestic Space in Arrested Development and Breaking Bad -- Financialization During the Housing Boom and the Great Recession -- Tricks (Illusions) and Arrested Development -- Home Cooking: Breaking Bad and Domestic Decay -- Conclusion -- Notes -- Bibliography -- Realignment and Televisual Intellect: The Telepraxis of Class Alliances in Contemporary Subscription Television Drama -- Television's New Golden Age? -- First Wave: HBO's The Wire and Treme -- Second Wave: FX's Justified -- Crisis and Realignment -- Third Wave: Netflix's Hemlock Grove -- Notes -- Index
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  • 6
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    British Youth Television : Transnational Teens, Industry, Genre (2016)
    London : Palgrave Macmillan UK | Imprint: Palgrave Macmillan
    Details
    ISBN: 9781137445483
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XIII, 267 p. 12 illus)
    Paralleltitel: Erscheint auch als
    DDC: 306.0941
    RVK:
    AP 35580
    RVK:
    AP 39330
    RVK:
    AP 49200
    Schlagwort(e): Geschichte 2000-2016 ; Culture Study and teaching ; Ethnology Europe ; Youth Social life and customs ; Motion pictures and television ; Film genres ; Jugendfernsehen ; USA ; Großbritannien ; Großbritannien ; Jugendfernsehen ; USA ; Geschichte 2000-2016
    DOI: 10.1057/978-1-137-44548-3
    URL: http://dx.doi.org/10.1057/978-1-137-44548-3
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  • 7
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    Hand-Made Television: Stop-Frame Animation for Children in Britain, 1961-74 (2016)
    London : Palgrave Macmillan UK
    Details
    ISBN: 9781137551634
    Sprache: Englisch
    Seiten: 1 Online-Ressource (X, 132 p)
    Serie: Springer eBook Collection
    Serie: Literature, Cultural and Media Studies
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    AP 35580
    RVK:
    AP 39330
    Schlagwort(e): Culture Study and teaching ; Motion pictures and television ; Motion pictures History ; Arts ; Fine arts ; Great Britain History ; British literature ; Culture Study and teaching ; Motion pictures and television ; Motion pictures History ; Arts ; Fine arts ; Great Britain History ; British literature
    Kurzfassung: Hand-Made Television explores the ongoing enchantment of many of the much-loved stop-frame children's television programmes of 1960s and 1970s Britain. The first academic work to analyse programmes such as Pogles' Wood (1966), Clangers (1969), Bagpuss (1974) (Smallfilms) and Gordon Murray's Camberwick Green (1966), Trumpton (1967) and Chigley (1969), the book connects these series to their social and historical contexts while providing in-depth analyses of their themes and hand-made aesthetics. Hand-Made Television shows that the appeal of these programmes is rooted not only in their participatory address and evocation of a pastoral English past, but also in the connection of their stop-frame aesthetics to the actions of childhood play. This book makes a significant contribution to both Animation Studies and Television Studies; combining scholarly rigour with an accessible style, it is suitable for scholars as well as fans of these iconic British children's programmes
    DOI: 10.1057/9781137551634
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 8
    Online-Ressource
    Online-Ressource
    Traveling in French Cinema (2016)
    London : Palgrave Macmillan UK
    Details
    ISBN: 9781137553546
    Sprache: Englisch
    Seiten: 1 Online-Ressource (256 p)
    Serie: Springer eBook Collection
    Serie: Literature, Cultural and Media Studies
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    AP 50300
    RVK:
    AP 53970
    RVK:
    AP 59435
    RVK:
    IH 2000
    Schlagwort(e): Culture Study and teaching ; Communication ; Motion pictures and television ; Motion pictures History ; Arts ; Motion pictures—European influences. ; Culture Study and teaching ; Communication ; Motion pictures and television ; Motion pictures History ; Arts ; Frankreich ; Film ; Reise
    Kurzfassung: Travel narratives abound in French cinema since the 1980s. This study delineates recurrent travel tropes in films such as departures and returns, the chase, the escape, nomadic wandering, interior voyages, the unlikely travel, rituals, pilgrimages, migrants' narratives and emergencies, women's travel, and healing narratives
    DOI: 10.1057/9781137553546
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext
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  • 9
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    Online-Ressource
    Digital Participatory Culture and the TV Audience : Everyone’s a Critic (2016)
    London : Palgrave Macmillan UK | Imprint: Palgrave Macmillan
    Details
    ISBN: 9781137500007
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XXIV, 191 p. 4 illus., 3 illus. in color)
    Paralleltitel: Erscheint auch als
    DDC: 302.30285
    RVK:
    AP 37700
    RVK:
    AP 37800
    Schlagwort(e): Culture Study and teaching ; United States Study and teaching ; Social media ; Motion pictures and television ; Humanities Digital libraries ; Ethnography
    DOI: 10.1057/978-1-137-50000-7
    URL: http://dx.doi.org/10.1057/978-1-137-50000-7
    URL: Inhaltsverzeichnis
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  • 10
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    The Academic Book of the Future (2016)
    London : Palgrave Macmillan UK
    Details
    ISBN: 9781137595775
    Sprache: Englisch
    Seiten: Online-Ressource (XII, 120 p, online resource)
    Serie: SpringerLink
    Serie: Bücher
    Serie: Springer eBook Collection
    Paralleltitel: Erscheint auch als The academic book of the future
    RVK:
    AK 28100
    RVK:
    AN 40000
    RVK:
    AN 96300
    Schlagwort(e): Screen Studies ; Motion pictures and television ; Science ; Books-History ; Television broadcasting. ; Motion pictures. ; Wissenschaftliches Manuskript ; Buch ; Prognose ; Wissenschaftliches Manuskript ; Buch ; Prognose
    Kurzfassung: This book is open access under a CC-BY licence. Part of the AHRC/British Library Academic Book of the Future Project, this book interrogates current and emerging contexts of academic books from the perspectives of thirteen expert voices from the connected communities of publishing, academia, libraries, and bookselling
    Anmerkung: Open Access
    DOI: 10.1057/9781137595775
    URL: Volltext  (kostenfrei)
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  • 11
    Online-Ressource
    Online-Ressource
    Gender and the Nuclear Family in Twenty-First-Century Horror (2016)
    New York : Palgrave Macmillan US | Imprint: Palgrave Macmillan
    Details
    ISBN: 9781137532756 , 9781349561551
    Sprache: Englisch
    Seiten: 1 Online-Ressource (IX, 218 p)
    DDC: 305
    RVK:
    AP 53900
    RVK:
    AP 59783
    Schlagwort(e): Social sciences ; Motion pictures and television ; Motion pictures History ; Film genres ; Arts ; Sociology ; Sex (Psychology) ; Gender expression ; Gender identity
    DOI: 10.1057/9781137532756
    URL: http://dx.doi.org/10.1057/9781137532756
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Abstract
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  • 12
    Online-Ressource
    Online-Ressource
    Irony in film (2016)
    London, [England] : Palgrave Macmillan
    Details
    ISBN: 9781137329936
    Sprache: Englisch
    Seiten: 1 online resource (230 pages)
    Serie: Palgrave Close Readings in Film and Television
    Serie: Palgrave Close Readings in Film and Television Ser.
    Paralleltitel: Erscheint auch als
    DDC: 301
    RVK:
    AP 59783
    Schlagwort(e): Motion pictures and television ; Irony in literature ; Electronic books ; Electronic books
    Kurzfassung: "Acknowledgements" -- "Contents" -- "List of Figures " -- "Chapter 1: Introduction" -- "Irony" -- "In" -- "Film" -- "Notes" -- "Bibliography" -- "Chapter 2: Irony in Film: Theorising Irony for a Mongrel Medium" -- "The Irony in Moving Pictures: Pictorial, Situational, and Filmic" -- "Pictures and Film: Ironic Points of View, Tones, and Intentions" -- "Picturing Situational Irony in Dr. Strangelove" -- "Irony in Movement, Patterns of Imagery, and Sound" -- "Filming Ironic Dramas: Drama, Dramatic Irony, and Film" -- "Drama and Irony in Film: Perspective, Staging, and Performance in Rope" -- "Filming Dramatic Irony" -- "âDramaticâ and âNarrativeâ Techniques: Ironic Points of View in Film" -- "Ironic Narration: Prose Fiction, Communicative Irony, and Film" -- "Communicative Irony, Pretence, and Narration" -- "Pretence, Parody, and Tone" -- "Ironic Narration, Conventions, and Tonal Distance in Film" -- "Communicative (and Dramatic) Irony in Thereâs Always Tomorrow" -- "Notes" -- "Bibliography" -- "Chapter 3: Ironic Filmmaking: Properties, Devices, and Conventions" -- "Irony and Film Sound" -- "Music: Pre-existing and Scored" -- "Voice-over: Ironised and Ironic" -- "Irony and Editing" -- "Irony and Mise-en-Scène" -- "Irony and the Camera" -- "Irony and Performance" -- "Notes" -- "Bibliography" -- "Chapter 4: Interpreting Irony in Film: Intention, Rhetoric, and Ironyâs Edge" -- "Apocalypse Nowâs âRide of the Valkyriesâ" -- "Irony and Interpretation" -- "Irony, Intention, and Rhetoric" -- "The Irony in Apocalypse Now: Rhetoric and its Contexts" -- "Ironic Pretence: Music and Incongruity" -- "Dramatic Irony (and Ironic Pretence): Kilgore" -- "Ironyâs Edge, Interpretation, and Evaluation" -- "Notes" -- "Bibliography
    Anmerkung: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
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  • 13
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    Online-Ressource
    Humor in Latin American Cinema (2016)
    New York : Palgrave Macmillan US | Imprint: Palgrave Macmillan
    Details
    ISBN: 9781137543578 , 9781349563142
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XIII, 279 p)
    Serie: New Directions in Latino American Cultures
    DDC: 306.098
    RVK:
    AP 52400
    RVK:
    AP 59785
    Schlagwort(e): Culture Study and teaching ; Ethnology Latin America ; Motion pictures and television ; Motion pictures United States ; Motion pictures History ; Motion pictures, American ; Sociology ; Sex (Psychology) ; Gender expression ; Gender identity ; Aufsatzsammlung
    DOI: 10.1007/978-1-137-54357-8
    URL: http://dx.doi.org/10.1007/978-1-137-54357-8
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Abstract
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  • 14
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    British TV Comedies : Cultural Concepts, Contexts and Controversies (2016)
    London : Palgrave Macmillan
    Details
    ISBN: 9781137552952
    Sprache: Englisch
    Seiten: Online-Ressource (400 p, online resource)
    Serie: SpringerLink
    Serie: Bücher
    Serie: Springer eBook Collection
    Serie: Literature, Cultural and Media Studies
    Paralleltitel: Erscheint auch als
    DDC: 306.091
    RVK:
    AP 35040
    RVK:
    AP 39330
    RVK:
    HN 1228
    Schlagwort(e): Social sciences ; Mass media ; Social Sciences ; Culture Study and teaching ; Communication ; Motion pictures and television ; Motion pictures History ; Arts ; Sociology ; Aufsatzsammlung ; Aufsatzsammlung
    Kurzfassung: This collection offers an overview of British TV comedies, ranging from the beginnings of sitcoms in the 1950s to the current boom of 'Britcoms'. It provides in-depth analyses of major comedies, systematically addressing their generic properties, filmic history, humour politics and cultural impact
    DOI: 10.1057/9781137552952
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Abstract
    URL: http://dx.doi.org/10.1057/9781137552952
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Abstract
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