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  • MPI Ethno. Forsch.  (25)
  • Weltkulturen Museum  (2)
  • IVB
  • Undetermined  (27)
  • 1990-1994  (27)
  • [Erscheinungsort nicht ermittelbar] : Indiana University Press  (24)
  • London
Datasource
Language
Year
  • 1
    Journal/Serial
    Journal/Serial
    London ; [1.]1968; 2.1969 -
    Language: Undetermined
    Dates of Publication: [1.]1968; 2.1969 -
    DDC: 340
    Keywords: Zeitschrift
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  • 2
    ISSN: 0142-4815
    Language: Undetermined
    Dates of Publication: 1.1978 - 146.2001[?]
    Additional Information: Einzelne Bd. zugl. Bd. von British Museum. Department of Prints and Drawings New acquisitions / British Museum, Department of Prints and Drawings London, 1979
    Additional Information: 10=1 von British Museum. Department of Medieval and Later Antiquities New acquisitions London, 1980
    Parallel Title: Elektronische Reproduktion Occasional paper
    Former Title: Occasional papers
    Former Title: British Museum occasional paper
    Subsequent Title: Forts. British Museum Research publication
    DDC: 060
    Keywords: Monografische Reihe
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  • 3
    ISSN: 0142-4815
    Language: Undetermined
    Dates of Publication: 1.1978 - 146.2001[?]
    Additional Information: Einzelne Bd. zugl. Bd. von British Museum. Department of Prints and Drawings New acquisitions / British Museum, Department of Prints and Drawings London, 1979
    Additional Information: 10=1 von British Museum. Department of Medieval and Later Antiquities New acquisitions London, 1980
    Parallel Title: Elektronische Reproduktion Occasional paper
    Former Title: Occasional papers
    Former Title: British Museum occasional paper
    Subsequent Title: Forts. British Museum Research publication
    DDC: 060
    Keywords: Monografische Reihe
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  • 4
    Online Resource
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    [Erscheinungsort nicht ermittelbar] : Indiana University Press
    ISBN: 9780253061645
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: History of other lands
    Abstract: The purpose of this study is to review some of the techniques developed by Russian composers in the early part of the twentieth century, down to the active assertion of state control of the arts in the Soviet Union, which began in 1929. The study centers principally on music for the piano, with an emphasis on harmony and both tonal and nontonal structures
    Note: English
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  • 5
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    [Erscheinungsort nicht ermittelbar] : Indiana University Press
    ISBN: 9780253061621
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: History of other lands
    Abstract: Puškin Today highlights the remarkable variety and compass of a figure who by all accounts is absolutely central to Russian culture, even "Russianness" itself. A multifaceted writer whose experiments at the boundaries of genre have never been equaled, Alexander Puškin is, moreover, an ever-evolving cultural myth; his works have served as a safe haven in troubled times for the Russian intelligentsia for nearly two centuries
    Note: English
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  • 6
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    [Erscheinungsort nicht ermittelbar] : Indiana University Press
    ISBN: 9780253061669
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: History of other lands
    Abstract: Although the Soviet Union's centrally planned economic system played a significant role in world economic growth and modernization, it ultimately failed to compete with market forms of economic organization. Despite unavailing efforts at reform, it has now been abandoned, as the republics of the former USSR move painfully toward the market. In The Failure of Soviet Economic Planning: System, Performance, Reform Robert W. Campbell, one of the most respected U.S. specialists on the economy of the former Soviet Union, probes the evolution, behavior, and fatal weaknesses of the Soviet administrative-command economy
    Note: English
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  • 7
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    [Erscheinungsort nicht ermittelbar] : Indiana University Press
    ISBN: 9780253207036
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: European history
    Abstract: This book seeks to demonstrate that, with the multifaceted reform set in motion between 1963 and 1965, the Yugoslav political system acquired, domestically, the basic features of an international balance-of-power system. These features account for the basic pattern and dynamics of Yugoslav politics to the present day
    Note: English
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  • 8
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    [Erscheinungsort nicht ermittelbar] : Indiana University Press
    ISBN: 9780253061683
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: European history
    Abstract: The first behind-the-walls look at the "hidden life" of Polish prisons, this book penetrates the inmates' façade of silence and deception toward outsiders and presents a vivit portrait of the prison's secret social organization
    Note: English
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  • 9
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    [Erscheinungsort nicht ermittelbar] : Indiana University Press
    ISBN: 9780253055880
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Philosophy
    Abstract: Examining the constitutive role of language and narration in key areas of human experience, Narrative and the Self articulates a view of the self as the implied subject of narrative utterances. Anthony Paul Kerby draws on the diverse insights of recent work in philosophy, literary theory, and psychology to synthesize a coherent and provocative view of narrative identity and selfhood. Invoking the writings of Benveniste, Ricoeur, Merleau-Ponty, Lacan, Taylor, and other theorists, he argues that language and narration play a central role in key aspects of human experience such as emotion, values, recollection, and sense of history. Fundamental to Kerby's exposition is a defense of the quasi-narrative nature of our every- day experience. Kerby delineates a convincing narrative model of the self and offers a valuable overview of contemporary philosophical issues surrounding the place and role of narrative in human experience
    Note: English
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  • 10
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    [Erscheinungsort nicht ermittelbar] : Indiana University Press
    ISBN: 9780253055897
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Film theory & criticism
    Abstract: Ranging over the broad spectrum of contemporary literary and film theory, Breaking the Frame explores the different approaches to cinematic art that are offered by cognitive psychology, feminist theory, aesthetics, and psychoanalysis. In this study Inez Hedges looks closely at films that challenge accepted norms in both form and content. The films discussed here, including Zazie, La Nuit de Varennes, and E.T., break out of conventional frames, upsetting our expectations about how films should look (the film frame) as well as how experience is usually organized by cine- matic works of art (the psychological or cognitive frame). Hedges focuses on two primary areas: the way that the structure of film texts guides the interpretations of the spectator (hermeneutics) and the way that films reflect social models (representation). Within the hermeneutic approach, the author relates the unconventional use of film language in cinematic works of the 1960s and 1970s not only to the recent novels of Beckett and Queneau and to the French nouveau roman but also to one of the founding texts of Western literature, the Oedipus Rex of Sophocles. The discussion of representation exam- ines the social ascendancy of cinematic narrative in modern times in the light of the philosophical insights of Michel Foucault and Harold Bloom. Finally, contemporary feminist and psychoanalytic theories are brought to bear on cinematic representations of gender. Breaking the Frame will be of interest not only to scholars and students of film and literature but also to today's "filmliterate" public who enjoy exploring the theoretical and philosophical implications of cinematic works
    Note: English
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  • 11
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    [Erscheinungsort nicht ermittelbar] : Indiana University Press
    ISBN: 9780253061607
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: History of other lands
    Abstract: The purpose of this book is to tell the story of the emergency and evolution of the new Soviet cooperatives, and the evolution of the new Soviet cooperatives, and their experiences during the first four years of their existence. What is shown is that, in spite of restrictions placed on their activity, they developed extremely rapidly. It became obvious that there was a reserve of entrepreneurial talents ready to be liberated. What developed, however, over the four-year period 1987-1990 was not private enterprise in the full Western sense of the term; not all of the cooperatives were free-standing, independent organizations. On the contrary, what developed were also forms that combined the state and private sectors in a variety of ways
    Note: English
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  • 12
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    [Erscheinungsort nicht ermittelbar] : Indiana University Press
    ISBN: 9780253055873
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Literary theory
    Abstract: Signs Becoming Signs evinces a broad, transdisciplinary perspective based on the thinking of Charles Sanders Peirce. In an effort to account for our knowledge of a universe open to an infinity of interpretations, the author dissolves many of the age-old dichotomies of Western thought into complementarities, which are qualified by a pair of Peirce's key concepts, vagueness and generality.These two terms are placed within the contemporary context of the abstract disciplines (Zeno's paradoxes, the mathematical continuum, G. Spencer-Brown's laws of form, Godel's proof), physics (relativity, quantum theory, Susan Petrilli teaches in the Department of Foreign Languages and Literature at the Institute of the Philosophy of Language at the University of Bari. Bohm' s interconnectedness, Wheeler's participatory universe, Prigogine' s dissipative structures), biology (Maturana and Varel's autonomous living systems, Schrodinger's oneness of consciousness), and finally social psychology (Deleuze and Guattari's schizoanalysis)
    Note: English
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  • 13
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    [Erscheinungsort nicht ermittelbar] : Indiana University Press
    ISBN: 9780253053411
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Film: styles & genres
    Abstract: This book is concerned with the analysis of the theatrical event and all of the elements that make up a performance-the text, the actor, the space, the spectator, the social circumstances. Theatre should be the most approachable of the arts, but it is a complex phenomenon that has proven difficult to study. Here, an international group of scholars approaches theatre-viewed in its traditional guise as a physical enactment of a text before spectators-from a variety of directions and using different methodologies. While there is a general orientation toward semiotic analysis, historical, sociological, and anthropological approaches are represented as well. Conceived as an introduction to performance studies, Approaching Theatre provides both an overview of current theory as well as new tools for analyzing performances. Included are case studies of productions by Peter Brook, Antoine Vitez, Pina Bausch, and the Royal Shakespeare Company. These studies suggest how the range of theoretical approaches offered in this book might be profitably applied to specific studies of theatrical performance
    Note: English
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  • 14
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    [Erscheinungsort nicht ermittelbar] : Indiana University Press
    ISBN: 9780253055903
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Literary theory
    Abstract: Signs are the basis of all communication. Semiotics-the study of signs-has increasingly become an area of intellectual inquiry, and the word itself is now even known to the general public, thanks to the popularity ofnovels by David Lodge and the fame of Umberto Eco. No one has done more to advance the study of signs than Thomas A. Sebeok. In countless books and articles, he has written in a fascinating and erudite manner about almost every conceivable type of sign activity. This volume gathers some of his most accessibie essays, all dealing with fundamental problems of contemporary semiotics, or what Locke and Peirce, following medieval tradition, called the Doctrine of Signs. The first chapter constitutes an overview. Successive chapters consider the special relationships of semiotics to communication, linguistics, and the marketplace. Sebeok also discusses the evolution of semiosis and the natural history of language as a modeling system and superstructural modeling systems in a semiotic framework. The notion of "animal" is looked at from both a biological and a semiotic perspective, and the Clever Hans phenomenon is restudied in a historical context. Also examined are three important semiotic categories-the index, the fetish, and the second self. Sebeok concludes with some speculations about the future of semiotics and semiosis
    Note: English
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  • 15
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    [Erscheinungsort nicht ermittelbar] : Indiana University Press
    ISBN: 9780253055866
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Western classical music
    Abstract: In a single volume, Alexandra Orlova has assembled the most complete and up-to-date collection of memoirs by contemporaries of the Russian composer Modest Petrovich Musorgsky (1839-1881). These thirty-six reminiscences were written by well- known figures of the Russian musical scene at the time (including the composers Borodin, Rimsky-Korsakov, and Balakirev; the critics Vladimir Stasov and Mikhail Ivanov; and several performing musicians) as well as by little-known people who were privileged to have met the composer. A well-defined image of Musorgsky emerges from the various accounts: a small, delicate-looking man, immaculately dressed, always a welcome guest at fashionable homes; and, unfortunately, an alcoholic. Skillful as an accompanist and improviser at the piano, Musorgsky was exceedingly generous with his time and talent as a performer at concerts for the benefit of students. We see him among his musical colleagues, the so-called Balakirev circle, trying out their latest compositions for one another at social gatherings. Some of the most poignant memoirs recount emotion-filled visits with Musorgsky in the hospital during his last illness. Most of the memoirists are truthful, objective, and loving. Their accounts, coupled with Orlova' s copious notes, provide a valuable insight into Musorgsky's life and personality
    Note: English
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  • 16
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    [Erscheinungsort nicht ermittelbar] : Indiana University Press
    ISBN: 9780253055835
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Philosophy
    Abstract: Reinhardt Grossmann holds that a realistic ontology in regard to perceptual, physical, and mathematical objects can be combined with an empiricistic theory of knowledge. In the first part of the book he shows that the traditional distinction between primary and secondary qualities leads to idealism, while the common Cartesian conception of knowledge by way of ideas leads to skepticism. In an effort to avoid these twin scourges of modem philosophy, the author argues for the existence of ordinary perceptual objects and explains how we know these objects directly through simple acts of perception. The second part of the book is concerned with the way in which we know what is in our minds. Grossmann maintains that this kind of knowledge is just as fallible as perception. In the third part the author concludes that logic, arithmetic, and set theory concern matters of fact and that we discover these facts through empirical knowledge
    Note: English
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  • 17
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    [Erscheinungsort nicht ermittelbar] : Indiana University Press
    ISBN: 9780253053268
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Philosophy
    Abstract: What happens when "thinking" no longer secures a rational foundation for knowledge and "acting" no longer means conforming one's daily enterprises, public and private, to that foundation? In his brilliant deconstructionist analysis Reiner Schürmann provides a comprehensive interpretation of Heidegger's thinking from the perspective of this question. Focusing on the relationship between theory and practice in an era in which metaphysical rationality has come to an end, Schürmann explicates an economy of presencing in which thinking can no longer be called upon to legitimize praxis by measuring it against some enduring principle or archē. Thinking and acting, he concludes, can then become an-archic
    Note: English
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  • 18
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    [Erscheinungsort nicht ermittelbar] : Indiana University Press
    ISBN: 9780253055828
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Philosophy
    Abstract: Charles E. Scott's challenging book advances the broad claim that ethics as a way of judging and thinking has come into question as philosophers have confronted suffering and conflicts that arise from our traditional systems of value. The question of ethics arises from nineteenth-century European thought and finds its most effective early expression in Nietzsche's writings. The book shows how the self-overcoming movement of Nietzsche's thought recoils on his own values and, in the context of the ascetic ideal, prevents the formation of a normative ethics. After tracing a movement in Foucault's work on the formation of ethical subjectivity similar to that found in Nietzsche's thought, Scott turns to Heidegger, in whose work the question of ethics plays a prominent role but lapses in Heidegger's Rector's Address of 1933. Why did this lapse take place and what were its consequences? Scott shows that Nietzsche's ascetic ideal continued to play a role in Heidegger's thought, mitigating the constructive possibilities of the question of ethics, a question that Heidegger at times brings to bear with exceptional force
    Note: English
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  • 19
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    [Erscheinungsort nicht ermittelbar] : Indiana University Press
    ISBN: 9780253055781
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Film theory & criticism
    Abstract: Issues in Feminist Film Criticism brings together a wide variety of writings and methodologies by U.S. and British feminist film scholars. The twenty-seven essays represent some of the most influential work on Hollywood film, women's cinema, and documentary filmmaking to appear during the past decade and beyond. Among the subjects treated are images of women on the screen; questions of film realism; the notion of counter-cinema; the concept of "reading against the grain," the use of psychoanalytic theories; concerns over female spectatorship; women's place in specific genres, especially film melodrama; and issues related to the representation of lesbians and women of color. Authors represented are Lucie Arbuthnot, Linda Artel, Pam Cook, Teresa de Lauretis, Mary Ann Doane, Elizabeth Ellsworth, Lucy Fischer, Jane Gaines, Mary C. Gentile, Bette Gordon, Florence Jacobowitz, Claire Johnston, E. Ann Kaplan, Annette Kuhn, Julia Lesage, Judith Mayne, Sonya Michel, Tania Modleski, Laura Mulvey, B. Ruby Rich, Gail Seneca, Kaja Silverman, Lori Spring, Jackie Stacey, Maureen Turim, Diane Waldman, Susan Wengraf, Linda Williams, and Robin Wood
    Note: English
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  • 20
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    [Erscheinungsort nicht ermittelbar] : Indiana University Press
    ISBN: 9780253055620
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Literary theory
    Abstract: The Elusive Covenant takes a fresh look at the book of Genesis, at the foundational text of the Hebrew bible. Uniting the studies of literary form, sign theory, and kinship structures, Terry J. Prewitt demonstrates the close relationship between the unfolding genealogies and the narrative structures of Genesis. The links between kinship structure and narrative structure, fashioned from diverse written and oral sources, underscore the sense of Genesis as a political document, created by a particular priesthood. The ingenious and informed method of The Elusive Covenant breaks from traditional biblical analysis. Prewitt's "whole-text" perspective and his search for a unified structure in Genesis results in innovative character treatments and a rich appreciation of the scriptural integration of history, social depiction, and spatial representation. At the same time, the author remains cognizant of source-critical and form-critical approaches. Overall, Prewitt's detailed analyses and broad interpretation establish important new connections between Genesis and other biblical scriptures (Exodus, Numbers, Joshua, and so on) and lead to conclusions of broad significance for those in the fields of anthropology, religion, and semiotics
    Note: English
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  • 21
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    [Erscheinungsort nicht ermittelbar] : Indiana University Press
    ISBN: 9780253055637
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Folklore, myths & legends
    Abstract: The Ballad Matrix examines the William Motherwell ballad collection, one of the largest collections of songs gathered during the golden age of ballad collecting in Scotland (1780 to 1830). The collected repertoire of Agnes Lyle of Kilbarchan, Motherwell's most prolific informant, consists of twenty-two full texts, some with tunes, and a number of additional fragments. Revealing how Agnes Lyle relied on the narrative techniques of ballad singing, these songs also show how she achieved expression of personal values and concerns even though her medium, the ballad, was a highly traditional one. When in her ballads Agnes Lyle expressed traditional attitudes toward luxury, sexuality, or death, her expression was uniquely vehement. Furthermore, she was able to express radical social and political attitudes, which are not traditional in balladry. Study of Agnes Lyle's ballads thus allows a better understanding of what it meant for a traditional singer to "learn" a ballad and to what extent she was free to make the song her own
    Note: English
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  • 22
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    [Erscheinungsort nicht ermittelbar] : Indiana University Press
    ISBN: 9780253055798
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Film theory & criticism
    Abstract: Indiscretions follows the path of U.S. avant-garde film and video from the underground of the 1960s to the academy of the 1980s. Patricia Mellencamp traces and charts the intersections of Lacanian psychoanalysis and the desiring male subject, Roland Barthes and texts of pleasure, Michel Foucault and the disciplinary society, the grotesque body and Mikhail Bakhtin, the rhizomatic alogic of Gilles Deleuze and Felix Guattari, and the female subject of feminist film theory. She creates a dialogue among theory and popular culture and politics through inventive readings of the films of Owen Land, Hollis Frampton, Ken Jacobs, Bruce Conner, Robert Nelson, Michael Snow, Yvonne Rainer, and Sally Potter, and videotapes by Ant Farm, TVTV, Michael Smith, William Wegman, and Cecelia Condit
    Note: English
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  • 23
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    [Erscheinungsort nicht ermittelbar] : Indiana University Press
    ISBN: 9780253053329
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Literary theory
    Abstract: The Semiotics of French Gestures is an important contribution in the field of semiotics, described on the original 1990 front cover flap text as follows: "Everyone gestures while speaking, in a specific and generally unconscious manner. What are the functions of gestures? What relationship do they have to speech? How do gestures work to create meaning? In this valuable book, Genevieve Calbris undertakes to answer those questions. Based on the author's own extensive experimental research, The Semiotics of French Gestures presents a systematic description and a detailed semiotic analysis of French gestures. The book aims to establish a structural semantics of the set of expressive gestures and facial expressions that accompany or replace spoken language
    Note: English
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  • 24
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    [Erscheinungsort nicht ermittelbar] : Indiana University Press
    ISBN: 9780253055811
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Philosophy
    Abstract: Memory, reminiscence, and writing have been a central issue throughout the history of Western philosophy. Socrates' wax tablet of the soul, Aristotle's signet ring impressing memories in the mind, Descartes' ceraceous pineal gland, Hobbes' and Locke's tabula rasa, Freud's "mystic writing pad" of the psyche, and the contemporary neurophysiologist's computer storage depot-all are variations on the theme of how we remember. Identifying typography, iconography, and engrammatology as the basic characteristics of these models, in Part One David Farrell Krell traces the history of memory from Plato to the present. Turning in Part Two to the deconstruction of the metaphysics of presence by Nietzsche, Heidegger, and Derrida, Krell finds that the traditional models of memory and reminiscence, which promised to recollect and restore the past to full presence, have broken down. Emerging from their writings, he concludes, is a new and more modest appreciation of memory as being always on the verge of a never present past. Readers in philosophy, cognitive psychology, and literary theory will be challenged by this provocative book
    Note: English
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  • 25
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    [Erscheinungsort nicht ermittelbar] : Indiana University Press
    ISBN: 9780253055767
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Film theory & criticism
    Abstract: The title of this book takes as its point of reference those early, primitive films in which mostly men, but occasionally women, peek through keyholes, offering bold demonstrations of the voyeuristic pleasure that has been central to virtually every contemporary theory of cinema. When we imagine a "woman" and a "keyhole," it is usually a woman on the other side of the keyhole, as the proverbial object of the look, that comes to mind. In this work the author is not necessarily reversing the conventional image, but rather asking what happens when women are situated on both sides of the keyhole. The question is not only who or what is on either side of the keyhole, but also what lies between them, what constitutes the threshold that makes representation possible. In all of the films discussed, the threshold between subject and object, between inside and outside, between virtually all opposing pairs, is a central figure for the reinvention of cinematic narrative. Films discussed include Helke Sander's Redupers, Julie Dash's Illusions, Patricia Rozema's I've Heard the Mermaids Singing, Yvonne Rainer's The Man Who Envied Women, Chantal Akerman's Je tu il elle, Ulrike Ottinger's Ticket of No Return, Anne Severson's Near the Big Chakra, Suzan Pitt's Asparagus, Germaine Dulac's The Smiling Madame Beudet, Agnes Varda's Cleo from 5 to 7, Chantal Akerman's Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles, Trin T. Minh-ha's Reassem-blage, Laleen Jayamanne's A Song of Ceylon, and the films of Dorothy Arzner
    Note: English
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  • 26
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    [Erscheinungsort nicht ermittelbar] : Indiana University Press
    ISBN: 9780253055804
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Literary theory
    Abstract: The postmodern response to the century-old crisis of classical discourse (which called into question the possibility of a fixed, objective, and absolute knowledge) has been to declare the death of the subject, and the end or absence of meaning. The Potential of Modern Discourse seeks to recover for contemporary discourse an alternative possibility by returning to the modernist project of linking ethics, politics, and the discourse of knowledge. In the multiple, ironic discourses of Robert Musil, the semiotics of Charles Sanders Peirce, and the physics of Werner Heisenberg, Marike Finlay finds the basis for a new discourse of knowledge. In her pragmatic, consensualmodel, meaning and truth are not objectively or unilaterally established, but rather "triadically" co-constructed as realtionship among "object," "representamen" (or "sign"), and "interpretant" (the terms are Peirce's), and this triadic realtionship is constantly shifting through time and space. By approaching Musil's The Man without Qualities as discourse, Finlay finds in it a re-presentation of the theory of knowledge implicit in the Peircean triadicity and Heisenber's philosophy of physics. Her reading constitutes one of the first attempts to apply Peircean semiotics to a literary work. in Musil's modernist response to the crisis of representation, Finlway discovers an alternative to the postmodernist complete deconstruction of sense
    Note: English
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  • 27
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    [Erscheinungsort nicht ermittelbar] : Indiana University Press
    ISBN: 9780253055705
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Philosophy
    Abstract: Nietzsche and Heidegger were both lovers of language, and author Jean Graybeal argues that their writing styles demonstrate a relationship with the feminine dimension of language. Using as a framework the theories of Julia Kristeva concerning the "symbolic" and "semiotic" dispositions in language, Graybeal reads Nietzsche and Heidegger as writers and thinkers whose experimentation with language is directly relevant both to their quests for nonmetaphysical ways of thinking and to the feminist project of moving beyond male dominance. The chapters on Nietzsche discuss portions of The Gay Science, Thus Spoke Zarathustra, and Ecce Homo with the question of woman in the forefront of the analysis. The chapters on Heidegger deal, first, with Being and Time, describing the ways in which Heidegger evokes the feminine and semiotic dimensions in language. Finally, eight of Heidegger's later essays are read with attention to feminine, maternal, and erotic imagery. Uniquely influential in contemporary philosophy, Nietzsche's and Heidegger's attempts to overcome metaphysics may also contribute to the task of moving beyond androcentric thinking. Graybeal' s sensitive critical study enables readers of philosophy, theology, and criticism to imagine how the work of Nietzsche and Heidegger is relevant to our understandings of what it is to be women and men
    Note: English
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