ISBN:
9781409400516
,
9781409436652
,
1409400514
,
1409436659
Language:
English
Pages:
XIV, 266 S.
,
Ill., Notenbeisp.
,
24 cm
Series Statement:
Ashgate popular and folk music series
Keywords:
Geschichte 1960-1970
;
Popular music History and criticism 1961-1970
;
Popular music History and criticism 1961-1970
;
Women singers
;
Women singers
;
Sex role in music
;
Femininity in music
;
Girl groups (Musical groups)
;
Weiblichkeit
;
Popmusik
;
Geschlechterrolle
;
Sängerin
;
Großbritannien
;
USA
;
USA
;
Großbritannien
;
Aufsatzsammlung
;
Aufsatzsammlung
;
Aufsatzsammlung
;
USA
;
Großbritannien
;
Popmusik
;
Sängerin
;
Geschichte 1960-1970
;
USA
;
Großbritannien
;
Popmusik
;
Weiblichkeit
;
Geschlechterrolle
;
Geschichte 1960-1970
Description / Table of Contents:
Introduction: she's so fine, or why girl singers (still) matter, Laurie Stras; Part I 'Now that I'm Not a Kid Anymore': American Girls' Voices in the 50s and 60s: Voice of the beehive: vocal technique at the turn of the 1960s, Laurie Stras; Vocal decorum: voice, body, and knowledge in the prodigious singer, Brenda Lee, Robynne J. Stilwell; 'He hit me and I was glad': violence, masochism, and anger in girl group music, Jacqueline Warwick.; Part II 'Everything's Coming Up Roses': British Girls in the Mid-60s: Dusty's hair, Annie J. Randall; Brit girls: Sandie Shaw and the women of the British invasion, Patricia Juliana Smith; Mary Hopkin and the deep throat of culture, Sarah Hill.; Part III Girls on Top: Rock Chicks and Resistance at the End of the 60s: Whose tears go by? Marianne Faithfull at the dawn and twilight of rock culture, Norma Coates; Bold soul trickster: the 60s Tina signifies, Susan Fast; Response, Martha Mockus; Bibliography; Index.
Note:
Literaturverz. 239 - 249
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