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  • Frobenius-Institut  (4)
  • Weltkulturen Museum
  • Online Resource  (4)
  • 2020-2024  (4)
  • 2005-2009
  • 2000-2004
  • 2023
  • 2021  (4)
  • Ethnologie  (4)
  • 1
    ISBN: 978-1-00-018581-2
    Language: English
    Pages: 1 Online-Ressource (xviii, 282 Seiten) , Illustrationen
    Edition: First published
    Keywords: Materielle Kultur Anthropologie, soziale ; Anthropologie ; Ethnographie ; Ethnologie ; Feldforschung ; Methodologie
    Abstract: This volume comprises a curated conversation between members of the Material Culture Section of UCL Anthropology. Many of the chapters explicitly lay out the state of play in the field, challenging how the anthropology of material culture is being done, and arguing for new directions of enquiry or new methods of investigation. The contributors foreground research methods, with many of the contributors exploring the ramifications of specific methods, and exploring new methodological frameworks to address areas of human experience that require a new analytical approach.The 15 original case studies draw from a range of research contexts, including digital objects, infrastructure, digital objects, data, extra-terrestriality, ethnographic curation, medical materiality, and include timely reappraisals of now classical analytical models that have shaped the way we understand the object, the discipline, knowledge formation, and the artefact. (Umschlagtext)
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  • 2
    ISBN: 978-3-11-072636-7 (EPUB) , 978-3-11-072630-5 (PDF) , 978-3-11-072636-7 (ISBN der parallelen Ausgabe) , 978-3-11-072630-5 (ISBN der parallelen Ausgabe)
    Language: English
    Pages: xv, 272 Seiten , Illustrationen (teils farbig), Karte
    Edition: 10.1515_9783110726305 ZMO-41.pdf
    Series Statement: ZMO-Studien Band 41
    Keywords: Ägypten Arabischer Frühling ; Ethnologie ; Schriftsteller ; Anthropologie, politische
    Abstract: Shared Margins tells of writers, writing, and literary milieus in Alexandria, Egypt`s second city. It de-centres cosmopolitan avant-gardes and secular-revolutionary aesthetics that have been intensively documented and studied since 2011. Instead, it offers a fieldwork-based account of various milieus and styles, and their common grounds and lines of division.Structured in two parts, Shared Margins gives an account of literature as a social practice embedded in milieus that at once enable and limit literary imagination, and of a life-worldly experience of plurality in absence of pluralism that marks literary engagements with the intimate and social realities of Alexandria after 2011.Literary writing, this book argues, has marginality as an at once enabling and limiting condition. It provides shared spaces of imaginary excess that may go beyond the taken-for-granted of a societal milieu, and yet are never unlimited. Literary imagination is part and parcel of such social conflicts and transformations, its role being neither one of resistance against power nor of guidance towards norms, but rather one of open-ended complicity. (Verlagsangaben)
    Description / Table of Contents: Acknowledgments -- On names, pronouns, and spelling -- List of illustrations -- Map of Alexandria -- Introduction: Where is Literature? -- Part 1. About Writing -- 1 Why write, and why not stop? -- 2 Infrastructures of imagination -- 3 The writing of lives -- Part 2I: Writing About -- 4 Can poetry change the world? -- 5 Where is Alexandria? -- 6 Writing on walls -- 7 Is prose poetry a conspiracy against the Noble Qur'an? -- 8 The search for a clear vision -- Afterword: On exiles and alternatives -- Bibliography
    Note: Literaturverzeichnis: Seite [259]-272
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  • 3
    ISBN: 978-3-8394-5423-7 , 978-3-8376-5423-3 (ISBN der Printausgabe)
    Language: German
    Pages: 1 Online-Ressource (271 Seiten)
    Series Statement: Edition Museum 51
    Keywords: Deutschland Migration ; Arbeitsmigration ; Türkei ; Geschichte ; Flüchtling ; Museum ; Museumskunde ; Ausstellung ; Öffentlichkeit ; Zivilgesellschaft ; Kollektives Gedächtnis ; Ethnologie ; Soziologie ; DOMiD - Dokumentationszentrum und Museum über die Migration in Deutschland
    Abstract: Das Leben in der Bundesrepublik Deutschland wird von Millionen Migrant*innen mitgeprägt. Lange blieb ihre Geschichte ungeschrieben, doch 1990 begannen die aus der Türkei stammenden Pionier*innen des »Dokumentationszentrums und Museums über die Migration in Deutschland e.V.« (DOMiD) damit, alltagskulturelle Objekte aus der Ära der so genannten »Gastarbeiter*innen« zusammenzutragen und in Ausstellungen zu präsentieren.Heute umfasst die Sammlung über 150.000 Zeitzeugnisse aus der Migrationsgeschichte Deutschlands seit 1945 bis heute. Unzählige unerzählte Geschichten multipler Migrationen knüpfen sich daran.Das Buch zeichnet die Geschichte des Vereins nach.
    Description / Table of Contents: Grußwort Armin Laschet -- Vorwort Jagoda Marinic -- Point of Departure -- Die Gründungsphase. Migrationshintergründe - Mit dem Kopf in der Türkei -- Die Reifeprüfung - Von der Schaffung einer (Gegen-)Öffentlichkeit -- Ins Zentrum der Aufmerksamkeit -- Das Projekt Migration I - Erweiterte Feldforschung -- Das Projekt Migration II - Erweiterte Ausstellungspraxis -- Die Forderung nach einem Migrationsmuseum -- Professionalisierung oder: Auf dem Weg zur öffentlichen Institution -- Die nächste Generation -- Für eine erweiterte Sammlungspolitik -- DOMiD als begehbarer Lernort: Die Öffnung nach außen -- Refugee Stories Collection: DOMiD und die sogenannte Flüchtlingskrise -- Das virtuelle Migrationsmuseum -- Raus auf die Straße! - DOMiD schwärmt aus -- Der Durchbruch zum Migrationsmuseum -- Haus der Einwanderungsgesellschaft -- Danksagung DOMiD-Vorstand
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  • 4
    Online Resource
    Online Resource
    Leiden : Nationaal Museum van Wereldculturen
    ISBN: 978-90-8890-998-6 (ISBN der Printausgabe)
    Language: English
    Pages: 153 Seiten , Illustrationen
    Edition: 2021 NMVW Provenance 2 (Benin) e-book.pdf
    Series Statement: Provenance #2
    Keywords: Niederlande Museum ; Ethnologie ; Sammler und Sammlung ; Benin-Bronze ; Nationaal Museum van Wereldculturen
    Abstract: Since 2019, the National Museum of World Cultures in the Netherlands has undertaken focused research into the provenance of the collections related to the Kingdom of Benin, and more specifically those artworks connected to the attack on, and looting of, Benin City in 1897. In recognition of this painful history and the consequent sense of loss that these artworks represent, we are making accessible the full extent of our research on all the collections historically attributed to the Kingdom of Benin. This is part of our commitment to transparency and to provide access to our collections and their histories.The freely downloadable e-book presents our most up-to-date provenance research on the Benin City collections. It is based on the range of archival documents inside and outside the National Museum of World Cultures, biographical information and historical sources. In this manner it examines the way in which each artwork entered the collections, in order to contribute to research on Benin City collections and establish the nature of the link between these artworks with the military looting of Benin City in 1897.In October 2020, the Dutch Council for Culture (Raad voor Cultuur) presented a report entitled `Colonial Collections and a Recognition of Injustice`. The museum acknowledges the systemic injustice that the looting of Benin City is part of, and the need for repair of this injustice as one of the tasks of the museum. The publication of The Benin Collections at the National Museum of World Cultures is a step in this process and an invitation for further dialogue and action. (Verlagsangaben)
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