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  • München UB  (6)
  • New York [u.a.] : Routledge
  • Wiesbaden : VS Verlag für Sozialwissenschaften
  • Musicology  (6)
Material
Language
  • 1
    ISBN: 9780415808132 , 9781138849716
    Language: English
    Pages: XIV, 303 S. , Ill.
    Edition: 1. publ.
    Series Statement: Routledge studies in ethnomusicology 3
    Series Statement: Routledge studies in ethnomusicology
    Parallel Title: Erscheint auch als
    DDC: 780.95692/5
    RVK:
    Keywords: Musikleben ; Soziale Funktion ; Politik ; Unterhaltungsmusik ; Globalisierung ; Beirut ; Libanon ; Libanon ; Beirut ; Unterhaltungsmusik ; Musikleben ; Politik ; Globalisierung ; Soziale Funktion
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  • 2
    Book
    Book
    Wiesbaden : VS Verlag für Sozialwissenschaften
    ISBN: 9783531179872
    Language: German
    Pages: 196 Seiten , Diagramme
    Edition: 1. Auflage
    Series Statement: Erlebniswelten
    Parallel Title: Erscheint auch als
    DDC: 306.484209431722
    RVK:
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    Keywords: Verhalten ; Veranstaltung ; Techno ; Erlebnis ; Techno ; Veranstaltung ; Erlebnis ; Verhalten
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  • 3
    Book
    Book
    New York [u.a.] : Routledge
    ISBN: 9780415967082 , 9780415975834 , 0415967082 , 0415975832
    Language: English
    Pages: XVI, 270 S.
    DDC: 781.6509051
    RVK:
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    Keywords: Geschichte 1990-2005 ; Jazz History and criticism ; Jazz ; Jazz ; Geschichte 1990-2005
    Abstract: Is Jazz Dead? (Or Has It Moved to a New Address) examines the state of jazz in America at the turn of the 21st century. In a recent 10-part documentary on Public Television, Ken Burns spent 8 out of 10 programs on jazz before World War II; controversially dealing with the last five decades of creative work in the United States in the final episode. Musicians themselves are returning to New Orleans, Swing, and Bebop styles, while the work of the '60s avant-garde and even '70s and '80s jazz-rock is roundly ignored. Meanwhile, global jazz musicians are creating new and exciting music that is just starting to be heard in the United States, offering a viable alternative to what many critics see as rampant conservatism here
    Abstract: This book is bound to be controversial among jazz's purists and ideologues but will be welcomed by other as a celebration of renewal within the global jazz community. In looking at developments outside the United States, Is Jazz Dead? (Or Has It Moved to a New Address) will undoubtedly prompt discussion on how the music should be preserved within it, daring to ask the question on all jazz fans' minds: Can jazz survive as a living medium? And, if so, how
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  • 4
    ISBN: 0415977045 , 9780415977043
    Language: English
    Pages: XXVI, 435 S. , Ill.
    DDC: 782.42164092/396073
    RVK:
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    Keywords: Geschichte 1880-1930 ; Chanteurs noirs américains - Biographies ; Compositeurs noirs américains - Biographies ; Musique populaire - États-Unis - Histoire et critique ; Noirs américains - Musique - Histoire et critique ; Paroliers noirs américains - Biographies ; African American composers Biography ; Popular music History and criticism ; Schwarze ; Unterhaltungsmusik ; Komponist ; USA ; USA ; Biografie ; Biografie ; Biografie ; Biografie ; USA ; Unterhaltungsmusik ; Komponist ; Schwarze ; Geschichte 1880-1930
    Note: Originally published: New York : Schirmer Books, c1998.
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  • 5
    Book
    Book
    New York [u.a.] : Routledge
    ISBN: 0415967694
    Language: English
    Pages: VIII, 366 S. , Ill., graph. Darst., Notenbeisp.
    Series Statement: Critical and cultural musicology 3
    Series Statement: Critical and cultural musicology
    DDC: 780.8996
    RVK:
    Keywords: Geschichte ; Musik ; Blacks Music ; History and criticism ; Music History and criticism ; Schwarze ; Afrikaner ; Afroamerikanische Musik ; Musik ; Diaspora ; Afrika ; Afrika ; Lateinamerika ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; Musik ; Schwarze ; Lateinamerika ; Afroamerikanische Musik ; Afrikaner ; Diaspora ; Musik ; Geschichte
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  • 6
    ISBN: 0415903297 , 0415903300
    Language: German
    Pages: VIII, 436 S.
    DDC: 306.097309045
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    Keywords: Geschichte 1900-2000 ; Geschichte 1950-1990 ; Conservatisme - États-Unis - Histoire - 20e siècle ; Culture populaire - États-Unis - Histoire - 20e siècle ; Politique et culture - États-Unis - Histoire - 20e siècle ; Rock (Musique) - États-Unis - Histoire et critique ; Geschichte ; Conservatism History 20th century ; Politics and culture History 20th century ; Popular culture History 20th century ; Rock music History and criticism 1981-1990 ; Kulturwissenschaften ; Rockmusik ; Zivilisation ; Konservativismus ; Postmoderne ; Massenkultur ; USA ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Rockmusik ; Massenkultur ; Postmoderne ; Konservativismus ; Geschichte 1950-1990 ; Massenkultur ; Kulturwissenschaften ; USA ; Zivilisation ; Postmoderne ; Konservativismus
    Abstract: Consider this parodox: for many people, rock is dead, crushed by the weight of its own success and popularity, little more than a major voice of mainstream commercial entertainment. But for many others, especially among the new conservative Right, rock poses a greater threat now than ever before. What is it about rock that makes it so important in contemporary political struggles? Bringing together cultural, political, and economic analyses, Lawrence Grossberg offers an original and bold interpretation of the contemporary politics of both rock and popular culture in the United States. We Gotta Get Out of This Place explores four histories: the changing role of rock in everyday life; the emergence of an affective and popular conservatism; the crisis of contemporary capitalism; and the apparent inability of the Left to respond to these changes. These critical developments are bound together by their concern with postmodernity, understood as both a structure of everyday life and as a sensibility of popular culture. Everyone wants to get out of this place, but only the Right seems to have found a way to benefit from where we are.
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