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  • München UB  (8)
  • English  (8)
  • United States
  • Musicology  (5)
  • Theology  (3)
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  • English  (8)
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  • 1
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197587447
    Language: English
    Pages: ix, 257 Seiten , Diagramme , 22 cm
    Parallel Title: Erscheint auch als
    DDC: 306.630973
    RVK:
    Keywords: Nicht-Kirche-Bewegung ; Atheismus ; Areligiosität ; USA ; United States / Religion ; Ex-church members / United States ; Non-church-affiliated people / United States ; Atheists / United States ; RELIGION / Religion, Politics & State ; Atheism ; Atheists ; Irreligion ; United States ; Interviews ; Atheismus ; USA ; Nicht-Kirche-Bewegung ; Areligiosität
    Abstract: "The United States is in the midst of a religious revolution. Or, perhaps it is better to say a non-religious revolution. Around a quarter of US adults now say they have no religion. The great majority of these religious "nones" also say that they used to belong to a religion but no longer do. These are the nonverts: think "converts," but from having religion to having none. Even on the most conservative of estimates, there are currently about 59 million of them in the United States. Nonverts explores who they are, and why they joined the rising tide of the ex-religious. It draws on dozens of interviews, original analysis of high-quality survey data, and a wealth of cutting-edge studies, to present an entertaining and insightful exploration of America's ex-religious landscape. While American religion is not going to die out any time soon, ex-Christian America is a growing presence in national life. America's religious revolution is not just a religious revolution : it is catalyzing a profound social, cultural, moral, and political impact"--
    Description / Table of Contents: None the up and up -- When the saints go marching out -- None specifics -- Flatline Protestants -- Nothings come from nothing? -- Evangelicals -- The ex effect -- Recovering Catholics -- Nonvert nation
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  • 2
    ISBN: 9781479806904 , 9781479806881
    Language: English
    Pages: 225 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Digitalisierung ; Archivierung ; Musik ; Globalisierung ; Schwarze ; USA ; African Americans / Music / History and criticism ; Popular music / United States / History and criticism ; Sound recording industry / United States ; African Americans / Archival resources ; African Americans / Music ; Popular music ; Sound recording industry ; United States ; USA ; Schwarze ; Musik ; Globalisierung ; Archivierung ; Digitalisierung
    Abstract: "Black Ephemera explores the crisis and the challenge of the Black Musical archive in a moment when Black American culture has become a global import, yet the cultural DNA of that culture is becoming obscured in the transformation from analog to digital"--
    Description / Table of Contents: Introduction : The crisis and the challenge of the archive -- Love in the Stax : Death, loss and resurrection in Post-King Memphis -- "I got the blues of a fallen teardrop" : Erasure, trauma and a sonic archive of Black women -- "Promise that you will [tweet] about me" : Black death in the digital era -- 'I'll be a bridge" : Black interiority, Black invention and the American Songbook -- Decamping Wakanda : The archive as maroon -- Coda : Writing and living with Black ephemera
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  • 3
    Book
    Book
    Princeton, New Jersey : Princeton University Press
    ISBN: 9780691210643
    Language: English
    Pages: xxiii, 246 Seiten , Illustrationen , 22 cm
    Parallel Title: Erscheint auch als Dawdy, Shannon Lee, 1967- American afterlives
    DDC: 393.
    RVK:
    Keywords: Funeral rites and ceremonies / United States ; Death / Economic aspects / United States ; Death / Social aspects / United States ; Death / Economic aspects ; Death / Social aspects ; Funeral rites and ceremonies ; United States
    Abstract: "Here is the book summary: What do you think happens to you when you die? And what do you want done with your body? For three years Shannon Lee Dawdy travelled the U.S., from Vermont to California, Illinois to Alabama, posing such questions to a wide range of people from all walks of life. Many of her interlocutors recently lost loved ones. She also spoke to people who have made death their business: funeral directors, death care entrepreneurs, designers, cemetery owners, and death doulas about the changes they were seeing, and in many cases promoting, in how the bodies of recently-deceased persons are being treated, and how the memory of the deceased are being memorialized, in the U.S. Her ethnographic research resulted in this book, a wide-ranging investigation into rapidly-changing death practices in the twenty-first century United States. The author is also working on a documentary film project on this topic with cinematographer Daniel Zox. Still photos from the film work will appear in this book"--
    Abstract: "A mesmerizing trip across America to investigate the changing face of death in contemporary lifeDeath in the United States is undergoing a quiet revolution. You can have your body frozen, dissected, composted, dissolved, or tanned. Your family can incorporate your remains into jewelry, shotgun shells, paperweights, and artwork. Cremations have more than doubled, and DIY home funerals and green burials are on the rise. American Afterlives is Shannon Lee Dawdy's lyrical and compassionate account of changing death practices in America as people face their own mortality and search for a different kind of afterlife.As an anthropologist and archaeologist, Dawdy knows that how a society treats its dead yields powerful clues about its beliefs and values. As someone who has experienced loss herself, she knows there is no way to tell this story without also reexamining her own views about death and dying. In this meditative and gently humorous book, Dawdy embarks on a transformative journey across the United States, talking to funeral directors, death-care entrepreneurs, designers, cemetery owners, death doulas, and ordinary people from all walks of life. What she discovers is that, by reinventing death, Americans are reworking their ideas about personhood, ritual, and connection across generations. She also confronts the seeming contradiction that American death is becoming at the same time more materialistic and more spiritual.Written in conjunction with a documentary film project, American Afterlives features images by cinematographer Daniel Zox that provide their own testament to our rapidly changing attitudes toward death and the afterlife"--
    Description / Table of Contents: The Hole -- Flesh -- Bones -- Dirt -- Spirit -- Epilogue
    Note: Includes bibliographical references and index
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  • 4
    Book
    Book
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    ISBN: 9780674052819
    Language: English
    Pages: viii, 598 Seiten , Illustrationen
    DDC: 780.820973
    RVK:
    RVK:
    Keywords: Geschichte ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; African American women musicians ; African American women / Music / History and criticism ; African American women / Intellectual life ; Musical criticism / United States / History ; African American feminists ; Musical criticism ; United States ; Criticism, interpretation, etc ; History
    Abstract: "Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of African American women on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer black feminist critic of modern culture, and Pauline Hopkins as America's first black female cultural intellectual. Brooks tackles the complicated racial politics of blues music recording, collecting, and rock and roll music criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cecile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as serious cultural historians. Above all, Liner Notes for the Revolution reads black female musicians and entertainers as intellectuals. At stake is the question of who gets to tell the story of black women in popular music and how
    Note: Includes bibliographical references and index , SIDE A. Toward a black feminist intellectual tradition in sound -- "Sister, can you line it out?": Zora Neale Hurston notes the sound -- Blues feminist lingua franca: Rosetta Reitz rewrites the record -- Thrice militant music criticism: Ellen Willis & Lorraine Hansberry's What might be -- SIDE B. Not fade away: looking after Geeshie & Elvie / L.V. -- "If you should lose me": of trunks & record shops & black girl ephemera -- "See my face from the other side": catching up with Geeshie and L.V. -- "Slow fade to black": black women archivists remix the sounds -- Epilogue: Going to the territory
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  • 5
    Book
    Book
    Minneapolis ; London : University of Minnesota Press
    ISBN: 9781517910037 , 9781517910044
    Language: English
    Pages: 192 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1960-2020 ; Afroamerikanische Musik ; Kulturkontakt ; Musik ; USA ; Südasien ; African Americans / Music / History and criticism ; Popular music / United States / South Asian influences ; Popular music / United States / History and criticism ; African Americans / Music ; Popular music ; United States ; Criticism, interpretation, etc ; USA ; Afroamerikanische Musik ; Südasien ; Musik ; Kulturkontakt ; Geschichte 1960-2020
    Abstract: "A sixty-year history of Afro-South Asian musical collaborations"--
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 6
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520297791 , 9780520305533
    Language: English
    Pages: xii, 245 Seiten , 2 Illustrationen , 22 cm
    Edition: First paperback printing
    Parallel Title: Online version Beydoun, Khaled A., 1978- American Islamophobia
    DDC: 305.6970973
    RVK:
    Keywords: Islamfeindlichkeit ; USA ; Islamophobia / United States ; Islam and politics / United States ; Islam and politics ; Islamophobia ; United States ; SOCIAL SCIENCE / Ethnic Studies / General ; SOCIAL SCIENCE / Discrimination & Race Relations ; SOCIAL SCIENCE / Islamic Studies ; USA ; Islamfeindlichkeit
    Abstract: "The term "Islamophobia" may be fairly new, but irrational fear and hatred of Islam and Muslims is anything but. Though many speak of Islamophobia's roots in racism, have we considered how anti-Muslim rhetoric is rooted in our legal system? Using his unique lens as a critical race theorist and law professor, Khaled A. Beydoun captures the many ways in which law, policy, and official state rhetoric have fueled the frightening resurgence of Islamophobia in the United States. Beydoun charts its long and terrible history, from the plight of enslaved African Muslims in the antebellum South and the laws prohibiting Muslim immigrants from becoming citizens to the ways the war on terror assigns blame for any terrorist act to Islam and the myriad trials Muslim Americans face in the Trump era. He passionately argues that by failing to frame Islamophobia as a system of bigotry endorsed and emboldened by law and carried out by government actors, U.S. society ignores the injury it inflicts on both Muslims and non-Muslims. Through the stories of Muslim Americans who have experienced Islamophobia across various racial, ethnic, and socioeconomic lines, Beydoun shares how U.S. laws shatter lives, whether directly or inadvertently. And with an eye toward benefiting society as a whole, he recommends ways for Muslim Americans and their allies to build coalitions with other groups. Like no book before it, American Islamophobia offers a robust and genuine portrait of Muslim America then and now"--Provided by publisher
    Description / Table of Contents: Introduction : crossroads and intersections -- What is Islamophobia? -- The roots of modern Islamophobia -- A reoriented "clash of civilizations" -- War on terror, war on Muslims -- A "radical" or imagined threat? -- Between anti-black racism and Islamophobia -- The fire next time -- Epilogue : homecomings and goings
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  • 7
    Online Resource
    Online Resource
    Alexandria, VA : Alexander Street Press | Jackson : University Press of Mississippi
    Language: English
    Pages: 1 Online-Ressource (xxiii, 166 p.)
    Edition: Reproduction s.l
    Series Statement: Music Online Reference
    Series Statement: African American music reference
    DDC: 306.4/84
    RVK:
    RVK:
    Keywords: Jazz in literature ; Jazz ; Social aspects ; United States ; Race in literature ; Gesellschaft ; USA ; United States / Race relations
    Note: Includes bibliographical references (p. [153]-160) and index. - Erscheinungsjahr in Vorlageform:c1997
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  • 8
    Book
    Book
    New York : Negro Universities Pr.
    ISBN: 0837127904
    Language: English
    Pages: 131 S. , Ill., Notenbeisp. , 23 cm
    Edition: [Reprint der Ausg.] Nashville, Tenn. 1915
    DDC: 784.756
    RVK:
    Keywords: African Americans Music ; History and criticism ; Folk music History and criticism ; United States ; Folk songs, English History and criticism ; United States
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