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  • München UB  (1)
  • Ethn. Museum Berlin  (1)
  • 2015-2019  (2)
  • 1995-1999
  • Fox-Amato, Matthew  (2)
  • USA  (2)
Datasource
Material
Language
Years
  • 2015-2019  (2)
  • 1995-1999
Year
Subjects(RVK)
  • 1
    ISBN: 9780190663933
    Language: English
    Pages: xii, 343 Seiten , Illustrationen (teilweise farbig) , 25 cm
    DDC: 306.3620222
    RVK:
    Keywords: Geschichte 1839-1861 ; Abolitionismus ; Fotografie ; Sklaverei ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: Within a few years of the invention of the first commercially successful photography process in 1839, American slaveholders had already begun commissioning photographic portraits of their slaves. Ex-slaves-turned-abolitionists such as Frederick Douglass also came to see how sitting for a portrait could help them project humanity and dignity amidst northern racism. In the first decade of the medium, enslaved people had begun entering southern daguerreotype saloons of their own volition, posing for cameras, and leaving with visual treasures they could keep in their pockets. And, as the Civil War raged, Union soldiers would orchestrate pictures with fugitive slaves that envisioned racial hierarchy as slavery fell. In these ways and others, photography powerfully influenced how bondage and freedom were documented, imagined, and contested. This book explores how photography altered, and was in turn shaped by, conflicts over bondage. Drawing upon an original source base that includes hundreds of unpublished and little-studied photographs of slaves, ex-slaves, and abolitionists as well as written archival materials, it puts visual culture at the center of understanding the experience of late slavery. It assesses how photography helped southerners to defend slavery, slaves to shape their social ties, abolitionists to strengthen their movement, and soldiers to imagine and pictorially enact an interracial society during the Civil War. With diverse goals, these peoples transformed photography from a scientific curiosity into a political tool. While this project sheds new light on conflicts over late American slavery, it also reveals a key moment in the much broader historical relationship between modern visual culture and racialized forms of power and resistance.
    Note: Literaturverzeichnis: Seite 297-323
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    ISBN: 9781606065495
    Language: English
    Pages: 223 Seiten , Illustrationen
    DDC: 770.973
    RVK:
    Keywords: Photography Exhibitions History 19th century ; Photography Exhibitions Processing 19th century ; History ; Photography Exhibitions Developing and developers 19th century ; History ; Photography Exhibitions Social aspects 19th century ; History ; United States Pictorial works Social life and customs 19th century ; Exhibitions ; Ausstellungskatalog J. Paul Getty Museum 27.02.2018-27.05.2018 ; Bildband ; Ausstellungskatalog J. Paul Getty Museum at the Getty Center 27.02.2018-27.05.2018 ; USA ; Fotografie ; Abzug ; Geschichte 1840-1860
    Abstract: A vast number of beautiful impressions / Mazie M. Harris -- Face value / Mazie M. Harris -- Patent politics / Mazie M. Harris -- A new kind of evidence / Christine Hult-Lewis -- Plantation tourism / Matthew Fox-Amato
    Note: Includes bibliographical references and index , Rückseite der Titelseite: "This publication is issued on the occasion of the exhibition Paper Promises: Early American Photography, on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from February 27 to May 27, 2018."
    Library Location Call Number Volume/Issue/Year Availability
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