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  • MPI Ethno. Forsch.  (3)
  • München UB
  • HeBIS
  • Bayreuth UB
  • 2020-2024  (3)
  • 1990-1994
  • 1970-1974
  • Durham : Duke University Press  (3)
  • History  (3)
  • Ethnology  (3)
  • Computer Science
Datasource
Material
Language
Years
Year
Subjects(RVK)
  • 1
    ISBN: 9781478025290 , 1478025298 , 9781478020486 , 1478020482
    Language: English
    Pages: xvii, 347 Seiten , Illustrationen, Karten , 23 cm
    Parallel Title: Online version Rijke-Epstein, Tasha, 1975- Children of the soil
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    Keywords: Architecture and society / Madagascar / Mahajanga / History ; Sociology, Urban / Madagascar / Mahajanga / History ; City planning / Madagascar / Mahajanga / History ; Mahajanga (Madagascar) / Social conditions ; Mahajanga (Madagascar) / History ; HISTORY / Africa / East ; ARCHITECTURE / General ; Architecture and society ; City planning ; Social conditions ; Sociology, Urban ; Madagascar / Mahajanga ; History ; History
    Abstract: "Children of the Soil traces the relationships between indigenous Malagasy people, Comorian migrants, and French colonizers across several generations in the Indian Ocean port city of Mahajanga, Madagascar. Focusing on the built environment, Tasha Rijke-Epstein considers the complex dynamics between African groups and the spatial and formal ways that they asserted their presence and claimed space in the city before, during, and after colonization. Rijke-Epstein focuses on the articulation of Malagasy power through indigenous architectural forms; then shifts her focus to consider how Comorian migrants shaped the city's spatial and cultural terrain, marrying into existing Malagasy families, constructing mosques, and animating street life. Yet despite their longstanding ties to Madagascar and shared cultural lexicon, Comorian migrants were targeted in a series of violent uprisings in 1976 that resulted in the deaths of at least 1,000 people and the expulsion of more than 16,000 people from Mahajanga. Children of the Soil gives readers a new way to understand the role of material environments in shaping national and urban belonging, as well as to understand the wave of expulsions that happened across post-colonial societies"--
    Description / Table of Contents: Material Histories -- Building Power -- Casting the Land: Architectural Tactics and the Politics of Durability -- Vibrant Matters: The Rova and More-than-Human Forces -- Anticipatory Landscapes -- Storied Refusals: Labor and Laden Absences -- Sedimentary Bonds: Treasured Mosques and Everyday Expertise -- Residual Lives and Afterlives -- Garnered Presences: Constructing Belonging in the Zanatany City -- Violent Remnants: Infrastructures of Possibility and Peril -- Unfinished Histories
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  • 2
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478018964 , 9781478016328
    Language: English
    Pages: xii, 386 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Erlmann, Veit Lion's share
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    Keywords: Linda, Solomon ; Music Law and legislation ; History ; Copyright Music ; History ; Music and race ; MUSIC / Ethnomusicology ; HISTORY / Africa / South / Republic of South Africa ; Südafrika ; Musikwirtschaft ; Geistiges Eigentum
    Abstract: "In the aftermath of apartheid, South Africa undertook an ambitious revision of its intellectual property system. In Lion's Share Veit Erlmann traces the role of copyright law in this process and its impact on the South African music industry. Although the South African government tied the reform to its post-apartheid agenda of redistributive justice and a turn to a post-industrial knowledge economy, Erlmann shows how the persistence of structural racism and Euro-modernist conceptions of copyright threaten the viability of the reform project. In case studies ranging from anti-piracy police raids and the crafting of legislation to protect indigenous expressive practices to the landmark lawsuit against Disney for its appropriation of Solomon Linda's song "The Lion Sleeps Tonight" for The Lion King, Erlmann follows the intricacies of musical copyright through the criminal justice system, parliamentary committees, and the offices of a music licensing and royalty organization. Throughout, he demonstrates how copyright law is inextricably entwined with race, popular music, postcolonial governance, indigenous rights, and the struggle to create a more equitable society"--
    Description / Table of Contents: Aspirations and Apprehensions : Toward an Anthropology in Law -- The Past in the Present : Copyright, Colonialism, and "The Lion Sleeps Tonight" -- Assembling Tradition, Representing Indigeneity : The Making of the Intellectual Property Laws Amendment Act 28 of 2013 -- Circulating Evidence : The Truth about Piracy -- Which Collective? The Infrastructure of Royalties -- Southern African Copyright : The Basics.
    Note: Includes index
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  • 3
    ISBN: 9781478013686 , 9781478014614 , 9781478021919 , 9781478091813
    Language: English
    Pages: XI, 299 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Schwartz, Jessica Radiation sounds
    DDC: 780.9968/3
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    Keywords: Music Political aspects 20th century ; History ; Music History and criticism ; Marshallese Music ; History and criticism ; Music History and criticism ; Radiation Health aspects ; Nuclear weapons Testing ; Marshall Islands Foreign relations ; United States Foreign relations ; MUSIC / Ethnomusicology ; HISTORY / Oceania
    Abstract: Radioactive Citizenship -- Precarious Harmonies -- MORIBA -- Uwaañañ (Spirited Noise) -- Anemkwōj.
    Abstract: "On March 1, 1954, the US military detonated "Castle Bravo," its most powerful nuclear bomb, at Bikini Atoll in the Marshall Islands. Two days later, the US military evacuated the Marshallese to a nearby atoll where they became part of a classified study, without their consent, on the effects of radiation on humans. In Radiation Sounds Jessica A. Schwartz examines the seventy-five years of Marshallese music developed in response to US nuclear militarism on their homeland. Schwartz shows how Marshallese singing draws on religious, cultural, and political practices to make heard the deleterious effects of US nuclear violence. Schwartz also points to the literal silencing of Marshallese voices and throats compromised by radiation as well as the United States' silencing of information about the human radiation study. In foregrounding the centrality of the aural and sensorial in understanding nuclear testing's long-term effects, Schwartz offers new modes of understanding the relationships between the voice, sound, militarism, indigeneity, and geopolitics"--
    Note: Includes bibliographical references and index
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