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  • KOBV  (854)
  • München UB  (241)
  • MEK Berlin  (111)
  • English  (1,144)
  • Art History  (1,144)
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Material
Language
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  • 1
    Journal/Serial
    Journal/Serial
    New York, NY : Textiles Asia | Hong Kong : Textiles Asia ; Volume 1, issue 1 (June 2009)-
    ISSN: 2225-0190
    Language: English
    Dates of Publication: Volume 1, issue 1 (June 2009)-
    DDC: 700
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    Keywords: Zeitschrift ; Asien ; Traditionale Kultur ; Textilien ; Textilien ; Textilkunst ; Asien
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  • 2
    Book
    Book
    Mysore : Directorate of Archaeology & Museums
    Language: English
    Pages: 28 cm
    Edition: 1. ed.
    Series Statement: Vijayanagara Research Centre series 5
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    Keywords: Architecture ; India ; Hampī ; Themes, motives
    Note: Erschienen: 1 - 2
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  • 3
    Journal/Serial
    Journal/Serial
    [s.l.] : Cultural Heritage Administration, Republic of Korea ; Vol. 01, [no. 1] (summer 2008)-vol. 10, no. 4 (winter 2017) ; vol. 40 (spring 2018)-
    ISSN: 2005-0151
    Language: English
    Dates of Publication: Vol. 01, [no. 1] (summer 2008)-vol. 10, no. 4 (winter 2017) ; vol. 40 (spring 2018)-
    Parallel Title: Erscheint auch als Korean heritage
    DDC: 390
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    Keywords: Zeitschrift ; Korea ; Traditionale Kultur ; Korea ; Sachkultur ; Korea ; Kunst ; Korea ; Geschichte
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  • 4
    Journal/Serial
    Journal/Serial
    Berlin : de Gruyter Saur | Berlin : Dt. Zentraldr. | Frankfurt, M. : Art-Adress-Verl. Müller | München [u.a.] : Saur | Berlin : de Gruyter ; [2.]1952/53(1952); 3.1954/55(1954) - 25.2000/01(2000); 26.2002 -
    Show associated volumes/articles
    ISSN: 0074-4565 , 2699-8769 , 2699-8769
    Language: German , English
    Pages: 24 cm
    Dates of Publication: [2.]1952/53(1952); 3.1954/55(1954) - 25.2000/01(2000); 26.2002 -
    Additional Information: Regionalausgabe Kunstadressbuch für die Bundesrepublik Deutschland Frankfurt, M. : Art Address Verl., 1977
    Additional Information: Regionalausgabe Art address regional Frankfurt, M. : Art Address Verl., 1979 0172-7885
    Additional Information: Regionalausgabe Art address Frankfurt, M. : Art Address Verl., 1985 0172-7885
    Additional Information: Regionalausgabe Kunstadressbuch Berlin : De Gruyter Saur, 1989 0937-5775
    Series Statement: Teils: Edition art address
    Parallel Title: Erscheint auch als International directory of arts & museums of the world
    Parallel Title: Erscheint auch als International directory of arts
    Former Title: Vorg. Deutsches Kunst-Adressbuch
    Former Title: Internationales Kunst-Adressbuch
    Former Title: Annuario internazionale delle belle arti
    Former Title: Annuaire international des beaux-arts
    Former Title: Anuario internacional de las artes
    DDC: 700
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    Keywords: Adressbuch ; Kunst ; Museum ; Zeitschrift ; Verzeichnis ; Adressbuch ; Kunst ; Kunst ; Kunst
    Note: 7.1963/64 - 22.1995/96 inhaltliche Gliederung in Bd. 1: Museen u. Galerien, Bildende Künstler, Restauratoren, Sammler, Vereinigungen; Bd. 2: Kunst- und Antiquitätenhandlungen, Kunstverleger, Experten; ab 23.1997/98 in Bd. 1: Museen und öffentliche Galerien, Universitäten, Akademien, Schulen, Vereinigungen; Bd. 2: Kunst- und Antiquitätenhandel, Numismatik, Galerien, Auktionatoren, Restauratoren, Kunstverleger, Kunstzeitschriften, Antiquariate und Kunstbuchhandlungen; Bd. 3: Register; ab 33.2009 in Bd. 1: Museums and public galleries, universities, associations; Bd. 2: Antiques and numismatics, fairs, galleries, auctioneers, restorers, publishers, periodicals, booksellers; Bd. 3: Index , Hrsg. anfangs: Helmut Rauschenbusch , Ersch. anfangs alle 2 Jahre, später jährl.
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  • 5
    Journal/Serial
    Journal/Serial
    Berlin : de Gruyter Saur | Berlin : Dt. Zentraldr. | Frankfurt, M. : Art-Adress-Verl. Müller | München [u.a.] : Saur | Berlin : de Gruyter ; [2.]1952/53(1952); 3.1954/55(1954) - 25.2000/01(2000); 26.2002 -
    Show associated volumes/articles
    ISSN: 0074-4565 , 0074-4565 , 2699-8769
    Language: German , English
    Pages: 24 cm
    Dates of Publication: [2.]1952/53(1952); 3.1954/55(1954) - 25.2000/01(2000); 26.2002 -
    Additional Information: Regionalausgabe Kunstadressbuch für die Bundesrepublik Deutschland Frankfurt, M. : Art Address Verl., 1977-1977
    Additional Information: Regionalausgabe Art address regional Frankfurt, M. : Art Address Verl., 1979-1983 0172-7885
    Additional Information: Regionalausgabe Art address Frankfurt, M. : Art Address Verl., 1985-1987 0172-7885
    Additional Information: Regionalausgabe Kunstadressbuch Berlin : De @Gruyter Saur, 1989-[2015] 0937-5775
    Series Statement: Edition art address
    Parallel Title: Erscheint auch als International directory of arts & museums of the world
    Parallel Title: Erscheint auch als International directory of arts
    Former Title: Vorg.: Deutsches Kunst-Adressbuch
    Former Title: Internationales Kunst-Adressbuch
    Former Title: Annuario internazionale delle belle arti
    Former Title: Annuaire international des beaux-arts
    Former Title: Anuario internacional de las artes
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    Keywords: Kunst ; Zeitschrift ; Verzeichnis ; Adressbuch ; Kunst
    Description / Table of Contents: 7.1963/64 - 22.1995/96 inhaltliche Gliederung in Bd. 1: Museen u. Galerien, Bildende Künstler, Restauratoren, Sammler, Vereinigungen; Bd. 2: Kunst- und Antiquitätenhandlungen, Kunstverleger, Experten; ab 23.1997/98 in Bd. 1: Museen und öffentliche Galerien, Universitäten, Akademien, Schulen, Vereinigungen; Bd. 2: Kunst- und Antiquitätenhandel, Numismatik, Galerien, Auktionatoren, Restauratoren, Kunstverleger, Kunstzeitschriften, Antiquariate und Kunstbuchhandlungen; Bd. 3: Register; ab 33.2009 in Bd. 1: Museums and public galleries, universities, associations; Bd. 2: Antiques and numismatics, fairs, galleries, auctioneers, restorers, publishers, periodicals, booksellers; Bd. 3: Index
    Note: Hrsg. anfangs: Helmut Rauschenbusch , Ersch. anfangs alle 2 Jahre, später jährl.
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  • 6
    Journal/Serial
    Journal/Serial
    München : Verlag Georg D.W. Callwey GmbH & Co. KG ; No. 1-
    Language: German , English
    Pages: Bände , 30 cm
    Dates of Publication: No. 1-
    Additional Information: Supplement zu Restauro
    Former Title: Restauro. Spezial
    DDC: 702.8805
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    Keywords: Zeitschrift ; Zeitschrift ; Museum ; Restaurierung ; Künstlerische Technik ; Gemälderestaurierung ; Maltechnik
    Note: Ab No. 2 Text auf Deutsch, Abstracts auf Englisch
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  • 7
    ISBN: 386922522X , 9783869225227
    Language: English , German
    Series Statement: Himalayan traditions and culture series 9
    DDC: 390
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  • 8
    Journal/Serial
    Journal/Serial
    Berlin : de Gruyter Saur | Berlin : Dt. Zentraldr. | Frankfurt, M. : Art-Adress-Verl. Müller | München [u.a.] : Saur | Berlin : de Gruyter ; [2.]1952/53(1952); 3.1954/55(1954) - 25.2000/01(2000); 26.2002 -
    Show associated volumes/articles
    ISSN: 0074-4565 , 2699-8769 , 2699-8769
    Language: German , English
    Pages: 24 cm
    Dates of Publication: [2.]1952/53(1952); 3.1954/55(1954) - 25.2000/01(2000); 26.2002 -
    Additional Information: Regionalausgabe Kunstadressbuch für die Bundesrepublik Deutschland Frankfurt, M. : Art Address Verl., 1977
    Additional Information: Regionalausgabe Art address regional Frankfurt, M. : Art Address Verl., 1979 0172-7885
    Additional Information: Regionalausgabe Art address Frankfurt, M. : Art Address Verl., 1985 0172-7885
    Additional Information: Regionalausgabe Kunstadressbuch Berlin : De Gruyter Saur, 1989 0937-5775
    Series Statement: Teils: Edition art address
    Parallel Title: Erscheint auch als International directory of arts & museums of the world
    Parallel Title: Erscheint auch als International directory of arts
    Former Title: Vorg. Deutsches Kunst-Adressbuch
    Former Title: Internationales Kunst-Adressbuch
    Former Title: Annuario internazionale delle belle arti
    Former Title: Annuaire international des beaux-arts
    Former Title: Anuario internacional de las artes
    DDC: 700
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    Keywords: Adressbuch ; Kunst ; Museum ; Zeitschrift ; Verzeichnis ; Adressbuch ; Kunst ; Kunst ; Kunst
    Note: 7.1963/64 - 22.1995/96 inhaltliche Gliederung in Bd. 1: Museen u. Galerien, Bildende Künstler, Restauratoren, Sammler, Vereinigungen; Bd. 2: Kunst- und Antiquitätenhandlungen, Kunstverleger, Experten; ab 23.1997/98 in Bd. 1: Museen und öffentliche Galerien, Universitäten, Akademien, Schulen, Vereinigungen; Bd. 2: Kunst- und Antiquitätenhandel, Numismatik, Galerien, Auktionatoren, Restauratoren, Kunstverleger, Kunstzeitschriften, Antiquariate und Kunstbuchhandlungen; Bd. 3: Register; ab 33.2009 in Bd. 1: Museums and public galleries, universities, associations; Bd. 2: Antiques and numismatics, fairs, galleries, auctioneers, restorers, publishers, periodicals, booksellers; Bd. 3: Index , Hrsg. anfangs: Helmut Rauschenbusch , Ersch. anfangs alle 2 Jahre, später jährl.
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  • 9
    Journal/Serial
    Journal/Serial
    London : Apollo | London [u.a.] : Jennings ; 1.1925 - 76.1962,Febr. = Nr. 1-444; 76.1962,März=N.S. Nr. 1 -
    Show associated volumes/articles
    ISSN: 0003-6536 , 2059-5247 , 2059-5247
    Language: English
    Pages: 28 cm
    Dates of Publication: 1.1925 - 76.1962,Febr. = Nr. 1-444; 76.1962,März=N.S. Nr. 1 -
    Additional Information: Beil. Notes on British art
    Additional Information: 137,374=1993; 139,387=1994 von National Trust The National Trust historic houses and collections annual London : Apollo, 1993
    Parallel Title: Erscheint auch als Apollo
    Parallel Title: Elektronische Reproduktion Apollo
    Former Title: an international magazine of the arts
    Former Title: the international magazine of art and antiques
    Former Title: the international magazine for collectors
    DDC: 070
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    Keywords: Zeitschrift ; Kunst
    Note: Repr.: Nendeln, Liechtenstein : Kraus , Zählung ab 155.2002,486 teils fehlerhaft; 156.2002,488-489 fälschlich als 156.2002,489-490, auf d. Heft-Rücken fälschlich als 155.2002,488-489 gez.; 157.2003,491 fälschlich als 156.2003,491, auf d. Heft-Rücken fälschlich als 156.2003,491 gez.; in d. Repr.-Ausg. 76 als 75 gez.; 158.2003,500 fälschlich als 159.2003,500 gez.
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  • 10
    ISBN: 9781666904727
    Language: English
    Pages: xiii, 264 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Flanagan, Brenda Women's artistic dissent
    DDC: 305.42094371
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    Keywords: Švankmajerová, Eva ; Kriseová, Eda ; Dissenters, Artistic ; Women artists ; Women political activists ; Czechoslovakia History 1968-1989 ; Tschechoslowakei ; Künstlerin ; Dissidentin ; Geschichte 1968-1989 ; Švankmajerová, Eva 1940-2005 ; Kriseová, Eda 1940-
    Abstract: "This book explores the creative work and dissent activities of Czech surrealist Eva Švankmajerová and writer Eda Kriseová, examining the ways in which the women wrote, painted, sculpted, and supported each other while struggling to survive the totalitarian communist regime from the late 1960s to the fall of the Iron Curtain in 1989"--
    Description / Table of Contents: Exegeses -- Eva Švankmajerová: Surrealist. Dissident -- Eda Kriseová: Art of Living. Art of Dissent. -- Dissent in Women's Voices.
    Note: Includes bibliographical references and index
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  • 11
    ISBN: 9781478025160 , 9781478020271
    Language: English
    Pages: 554 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Alvarez, Daniela Future/present
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    Parallel Title: Erscheint auch als FUTURE/PRESENT
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    Keywords: Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: "FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity. Selected contributors. adrienne maree brown, Dahlak Brathwaite, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu"--
    Description / Table of Contents: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Note: Includes bibliographical references
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  • 12
    ISBN: 9781912520992 , 1912520990
    Language: English
    Pages: 205 Seiten , Illustrationen, Porträts
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    Keywords: Gallagher, Ellen ; Reynolds, Joshua ; Turner, Joseph Mallord William ; Copley, John Singleton ; Locke, Hew ; Shonibare, Yinka ; Kolonialismus ; Sklaverei ; Kunst ; Imperialismus ; Ausstellungskatalog Royal Academy of Arts 03.02.2024-28.04.2024 ; Aufsatzsammlung ; Ausstellungskatalog Royal Academy of Arts 03.02.2024-28.04.2024 ; Aufsatzsammlung ; Turner, Joseph Mallord William 1775-1851 ; Gallagher, Ellen 1965- ; Reynolds, Joshua 1723-1792 ; Shonibare, Yinka 1962- ; Copley, John Singleton 1738-1815 ; Locke, Hew 1959- ; Kunst ; Kolonialismus ; Imperialismus ; Sklaverei
    Abstract: Informed by ongoing research, this handsome publication features the work of artists connected with the Royal Academy in an exploration of migration, exchange, artistic traditions, identity and belonging. Contemporary and historical works are brought together as part of a conversation about art and its role in shaping narratives of empire, enslavement, abolition and colonialism, and how it may help set a course for the future. The life-size painted cut-out figures of Lubaina Himid's installation Naming the Money; Hew Locke's Armada, a flotilla of "votive boats" recalling different periods and places; paintings, photographs, sculptures, drawings and prints by Sonia Boyce, Frank Bowling, John Akomfrah, Isaac Julien, El Anatsui, Kerry James Marshall, Kara Walker, Shahzia Sikander, Mohini Chandra and Betye Saar; and historical works by artists such as Joshua Reynolds, J.M.W. Turner and John Singleton Copley create connections across time that examine questions of power, representation and history
    Note: Rückseite Titelblatt: First published on the occasion of the exhibition 'Entangled Pasts, 1768-Now: Art, Colonialism and Change', Royal Academy of Arts, London, 3 February - 28 April 2024
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  • 13
    ISBN: 9780691202723
    Language: English
    Pages: xii, 274 Seiten , Illustrationen, Karten
    DDC: 720/.483094731
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    Keywords: Stalinskie Vysotki (Moscow, Russia) ; Skyscrapers ; Architecture Composition, proportion, etc ; Communism and architecture ; Architecture and society ; Moscow (Russian Federation) Buildings, structures, etc ; Moskau ; Stalinismus ; Städtebau ; Hochhaus ; Architektur ; Monumentalarchitektur ; Stadtleben ; Geschichte 1947-1956
    Abstract: "An in-depth history of the Stalinist skyscraper"--
    Note: Includes bibliographical references and index , Quellen- und Literaturverzeichnis: Seite 249-261. - Register
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  • 14
    ISBN: 9781789387742 , 1789387744
    Language: English
    Pages: xv, 164 Seiten , Illustrationen , 21 cm
    Parallel Title: Erscheint auch als
    DDC: 700.103
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    Keywords: Homosexuality and the arts History ; Art and social action History ; Gay liberation movement History ; Gay artists Political activity ; History ; Großbritannien ; Kunsthandwerk ; LGBT ; Geschichte 2015-
    Note: Includes bibliographical references and index
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  • 15
    ISBN: 9789083350165
    Language: English
    Pages: 196 Seiten
    Edition: First edition
    Series Statement: Set Margins' 29
    Series Statement: Set margins'
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    Keywords: Rumänien ; Tracht ; Bluse ; Stickerei
    Note: Umschlagtitel
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  • 16
    ISBN: 9783981763768
    Language: German , English
    Pages: 128 Seiten
    Edition: 1. Auflage
    DDC: 740
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    Keywords: Stybor, Lisa M. ; Tuschmalerei ; Kulturerbe ; Zeichnung ; Indigenes Volk ; Queen Charlotte Islands ; Ausstellungskatalog Deutsche Umwelthilfe Berlin 24.11.2022- ; Ausstellungskatalog Deutsche Umwelthilfe 24.11.2022 ; Stybor, Lisa M. 1953- ; Zeichnung ; Stybor, Lisa M. 1953- ; Tuschmalerei ; Queen Charlotte Islands ; Indigenes Volk ; Kulturerbe
    Note: "Dieses Buch erscheint zu der Dauerausstellung 'HAIDA GWAI, zwischen den Bildern und den Zeichen'" (Seite 128) , Text parallel auf Deutsch und Englisch
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  • 17
    ISBN: 9780691236162
    Language: English
    Pages: 279 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Crow, Thomas The Artist in the Counterculture
    Parallel Title: Erscheint auch als Crow, Thomas E., 1948 - The Artist in the Counterculture
    DDC: 701/.03
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    Keywords: Art and society History 20th century ; Counterculture ; Kalifornien ; Kunst ; Kunstsoziologie ; Gegenkultur ; Geschichte 1960-1980
    Abstract: "An examination of the counterculture movement in California and how it both influenced and was influenced by art"--
    Note: Includes bibliographical references and index
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  • 18
    ISBN: 9789464363395 , 9464363398
    Language: English , Dutch
    Pages: 260 Seiten
    Edition: First edition
    DDC: 745.4
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    Keywords: Bildband ; Bildband ; Antwerpen ; Gegenkultur ; Geschichte 1998-2013 ; Scheld'Apen ; Gebrauchsgrafik ; Plakat ; Ephemera
    Abstract: From 1998 till 2013, a former railwaycanteen on d'Herbouvillekaai in Antwerp that was transformed into a cultural hub by youthful idealists, hoodlums and enthousiasts who called themselves Scheld'apen, was home to an eclectic stream of artists, with over 1300 events occurring in those 15 years, before inevitably being demolished by city expansion plans. All those events produced a flux of visual communication, an enormous flow of printed media that fascinated artists and Scheld?apen aficionados Benny Van den Meulengracht-Vrancx and Bent Vande Sompele. Collecting items and building upon an already existing physical archive, they decided to pour a selection of works into a book: Graphic Design of Scheld?apen.00?Graphic Design of Scheld?apen? is the result of two years of collecting, three archival residencies at Het Bos (the new home of the still existing Scheld?apen organisation) and a short scanning residency at Frans Masereel Centrum. The book contains over 200 graphical works from a variety of different artists, a preface by Pieter Willems and texts by Roel Griffioen and Pia Jacques
    Note: Vorwort niederländisch, Text englisch
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  • 19
    ISBN: 9780774890649
    Language: English
    Pages: 255 Seiten , Illustrationen , 28 cm
    DDC: 704.03/96071
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    Keywords: Art, Black ; Artists, Black History ; Black people History ; Art museums Curatorship ; Social aspects ; Art noir - Canada ; Artistes noirs - Canada - Histoire ; Personnes noires - Canada - Histoire ; Musées d'art - Conservation - Aspect social - Canada ; Art, Black ; Artists, Black ; Black people ; History ; Canada ; Canada History ; Aufsatzsammlung ; Canada History ; Aufsatzsammlung ; Kanada ; Kunst ; Künstler ; Person of Color ; Geschichte 2000- ; Kanada ; Schwarze ; Kunst ; Schwarzenbild ; Museum ; Kulturelle Einrichtung ; Kunstgeschichtsschreibung ; Geschichte
    Abstract: "Making History is an unprecedented reflection on the positioning of Black history and art within the Canadian cultural landscape. Featuring boundary-breaking artists and others from the art world, Making History brings together poems, artist statements, and art portfolios that showcase a careful and thoughtful understanding of Black aesthetics. This beautifully illustrated book also discusses the presence of Black contemporary art in Canadian institutions and offers artistic perspectives on contemporary and historical art practices. The many voices and points of view within this publication present ideas that corroborate the state of cultural emergency in which we are living, where museums are rethinking and rewriting the stories of their collections. The book explores alternate ways of approaching the relationship between institutions, artists, and audiences, emphasizing the significance of collaboration, resisting hierarchical and hegemonic curatorial practices, and making room for multiple perspectives to bring about transformative change. Through powerful essays and striking visual art, Making History highlights the dynamism and complexity of African and diasporic experiences seen through the lens of museological interventions and artistic practices at large."--
    Note: Includes bibliographical references , Of Africa: A Reflection on "Speaking Back" / , Opening Spaces: Of Africa, Hauntings, Hesitations, and Possible Futures / , The Into the Heart of Africa Exhibition and the Coalition for the Truth about Africa: A Personal Journey / , Lessons Learned from the Heart of Afro-Canada: Into the Heart of Africa 30 Years Later / , A Life in the Day of an Object / , Here We Are Here: Creating in the Black Atlantic / , Sweet Childhood, Art, and Memory / , From Souvenir to How She Read: The Poetry behind the Design / , Between Absence and Presence: The Politics and Poetics of (In)Visibility in the Work of Sandra Brewster / , On Sucking Teeth / , Hoodies and Regimentals: Black Attire and Access in the Canadian Art Museum / , What to Wear in Canada in Winter / , Longing and Belonging: A Personal Journey through Art and Identity / , Singularity and Strangeness: One-on-One with Eddy Firmin / , On Quiet Happiness, Charcoal, Wood, and Metal: Charmaine Lurch's Being, Belonging and Grace / , Esmaa Mohamoud: Playing the Game / , Twisted Together: The Sweet Ironies of Belonging in the Art of Bushra Junaid / , A Self-Portrait of Creation: Depi m sòti nan Ginen / , Digging Us: Making Visible Black Canadian Narratives / , Travelling Exhibition: Here We Are Here at the Montreal Museum of Fine Arts / , Why Are There No Famous Black Canadian Artists? Here We Are Here and How Diversity and Inclusion Trump Aesthetic Critique / , The Pervasive Persistence of Primitivism: Face-to-Face and Exhibition Practices in the 21st Century /
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  • 20
    ISBN: 1912520958 , 9781912520954
    Language: English
    Pages: 141 Seiten
    DDC: 700.8996073
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    Keywords: 1900-1999 ; African American art Exhibitions ; Artists, Black Exhibitions ; ART / General ; African American art ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; USA ; Künstler ; Person of Color ; Geschichte 1960- ; Schwarze ; Kunst
    Abstract: "For generations, Black artists from the American South have forged a unique art tradition. Working in near isolation from established practices, they have created masterpieces in clay, driftwood, roots, soil, recycled and cast-off objects that articulate America's painful past -- the inhuman practice of enslavement, the cruel segregationist policies of the Jim Crow era, and institutionalised racism. Their works date from the early 20th century to today and respond to issues ranging from economic inequality, oppression and social marginalisation, to sexuality, the influence of place and ancestral memory. Among the sculptures, paintings, reliefs and drawings included here are works by Thornton Dial, Lonnie Holley, Ronald Lockett, Hawkins Bolden, Bessie Harvey, Charles Williams, Mary T. Smith, Purvis Young, Mose Tolliver, Nellie Mae Rowe, Mary Lee Bendolph, Marlene Bennett Jones, Martha Jane Pettway, Loretta Pettway, and Henry and Georgia Speller. Also featured are the celebrated quiltmakers of Gee's Bend, Alabama, and the neighbouring communities of Rehoboth and Alberta."--Page four of cover
    Note: Titelblattrückseite: ... published in occasion of the exhibition "Souls Grown Deep like the Rivers: Black Artists from the American South", Royal Academy of Arts, 17 March-18 June 2023 , Includes bibliographical references and index
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  • 21
    ISBN: 9788833403779 , 9788833404141
    Language: English
    Pages: 399 Seiten , Illustrationen , 30 cm
    Parallel Title: Parallele Sprachausgabe Gli ebrei, i Medici e il ghetto di Firenze
    DDC: 709
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    Keywords: Ausstellungskatalog Galleria degli Uffizi 24.10.2023-28.01.2024 ; Ausstellungskatalog Galleria degli Uffizi 24.10.2023-28.01.2024 ; Florenz ; Juden ; Medici Familie : 13.-18. Jahrhundert ; Getto ; Geschichte
    Note: Rückseite Titelblatt: "The Jews, the Medici and the Ghetto of Florenze. History, identity, Culture, and Segregation', Florence, Uffizi Galleries, Palazzo Pitti October 24, 2023-January 28, 2024"
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  • 22
    Online Resource
    Online Resource
    Cham : Palgrave Macmillan | Cham : Springer International Publishing
    ISBN: 9783031176388
    Language: English
    Pages: 1 Online-Ressource (XIV, 182 Seiten) , Illustrationen
    Series Statement: Sociology of the Arts
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306
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    Keywords: Sociology of Culture ; Feminism and Feminist Theory ; Political Sociology ; Culture ; Feminism ; Feminist theory ; Political sociology ; Kulturpolitik ; Feminismus ; Künstlerin ; Kunst ; Kunstsoziologie ; Türkei ; Türkei ; Kunst ; Künstlerin ; Feminismus ; Kulturpolitik ; Kunstsoziologie
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 23
    Book
    Book
    Athens : The University of Georgia Press
    ISBN: 9780820360478
    Language: English
    Pages: xii, 233 Seiten , Illustrationen , 24 cm
    DDC: 700.89/96073
    RVK:
    Keywords: Geschichte 1985-2015 ; Kunst ; Schwarze ; USA ; African American art / 20th century ; African American art / 21st century ; Art and society / United States / History / 20th century ; Art and society / United States / History / 21st century ; Art noir américain / 20e siècle ; Art noir américain / 21e siècle ; Artistes noirs américains / 20e siècle ; Artistes noirs américains / 21e siècle ; African American art ; African American artists ; 1900-2099 ; USA ; Kunst ; Schwarze ; Geschichte 1985-2015
    Abstract: "Battleground is the first illustrated history of contemporary African American art. The volume offers an in-depth examination of twenty-five Black artists, discussing their artworks, practices, and philosophies, as expressed in their own words. Celeste-Marie Bernier has done extensive archival work in sources that have not been studied before, and her research provides a foundation for an intellectual and cultural history of contemporary African American artists and art movements from 1985 to 2015. The wealth of quoted material-published interviews, artist statements, and autobiographical essays-should inform and inspire additional research in the years to come. Battleground examines the paintings, drawings, sculptures, and installation, digital, and performance art produced by twenty-five Black artists living and working in the United States over the last three decades. The artists studied in this book include Emma Amos, Radcliffe Bailey, Mary Lee Bendolph, Chakaia Booker, Beverly Buchanan, Willie Cole, Leonardo Drew, Meta Vaux Warrick Fuller, Myra Greene, Lyle Ashton Harris, Ronald Lockett, Whitfield Lovell, Kerry James Marshall, Lorraine O'Grady, Jefferson Pinder, Debra Priestly, Winfred Rembert, Nellie Mae Rowe, Alison Saar, Dread Scott, Clarissa T. Sligh, LaShawnda Crowe Storm, Mickalene Thomas, Nari Ward, and Pat Ward Williams"--
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  • 24
    ISBN: 9780262048668
    Language: English
    Pages: xvii, 243 Seiten , Illustrationen , 23 cm
    Parallel Title: Erscheint auch als Anthology of Blackness
    Parallel Title: Erscheint auch als An anthology of Blackness
    DDC: 744.089/96073
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    Keywords: Graphic arts Social aspects ; Commercial art Social aspects ; African American graphic artists ; White privilege (Social structure) ; USA ; Schwarze ; Gebrauchsgrafik ; Intersektionalität
    Abstract: "Shows why the design field has consistently failed to attract Black professionals, how Eurocentric hegemony impacts Black designers & how to create an antiracist, pro-Black design industry instead"--
    Description / Table of Contents: An Introduction to Black Design Industry + Organizations / Terresa Moses and Omari Souza -- Design's Ledger of White Supremacy: Constructing a Critical Race Pedagogy to Shape Design Futures / Pierce Otlhogile-Gordon -- Amplifying Accessibility & Abolishing Ableism: Designing to Embolden Black Disability Visual Culture / Jennifer White-Johnson.
    Note: Bibliographie (Seite 234 - 243)
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  • 25
    ISBN: 9780300272963
    Language: English
    Pages: 263 Seiten
    DDC: 702.81/20973
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    Keywords: African American collage Exhibitions 21st century ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; USA ; Collage ; Person of Color ; Geschichte 1960- ; USA ; Schwarze ; Collage ; Geschichte 1980-2023
    Abstract: "The first major catalogue of contemporary Black American collage, Multiplicity: Blackness in Contemporary American Art brings together over sixty-five works of art by fifty artists that reflect the breadth and complexity of Black identity. Rather than casting their work solely in terms of a racial discourse that often portrays African Americans as a monolith, these artists employ collage to convey the intersecting facets of their lived experiences that combine to make whole individuals. Building on a technique that has roots in European and American traditions-used by canonical figures from Picasso and Hannah Höch to Robert Rauschenberg and Romare Bearden-the artists have assembled pieces of paper, photographs, fabrics, and other often salvaged materials to create unified compositions that express the endless possibilities of Black-constructed narratives despite the fragmentation of our times. As artist Deborah Roberts asserts, "With collage, I can create a more expansive and inclusive view of the Black cultural experience." In addition to eight scholarly essays, the book features 140 color images of work by artists including McArthur Binion, Mark Bradford, Zoë Charlton, Tomashi Jackson, Arthur Jafa, Rashid Johnson, Yashua Klos, Kerry James Marshall, Wangechi Mutu, Lovie Olivia, Ebony Patterson, Howardena Pindell, Jamea Richmond-Edwards, Deborah Roberts, Tschabalala Self, Devan Shimoyama, David Shrobe, Lorna Simpson, Nyugen Smith, Paul Anthony Smith, Mickalene Thomas, Kara Walker, and others. Short biographies written by honor students at Fisk University accompany each artist's entry, concluding a comprehensive and inclusive look at collage today"--
    Description / Table of Contents: Hurston's Law, or a Philosophy of Display / Richard J. Powell, PhD -- Cultural Legacies and the Transformation of the Cubist Collage Aesthetic by Romare Bearden, Jacob Lawrence, and Other African American Artists / Patricia Hills -- Changing Currents and Charting New Courses: Collage and Visioning of Black Histories and Memories / Rebecca VanDiver, PhD -- Pon tu mano con la mía: Rhizomatic Pathways and Collage / María Elena Ortiz -- Meditations on the Multivalence of Black Womanhood / Valerie Cassel Oliver -- Minor Figures, Continuous Tension / Tiffany E. Barber, PhD -- also also also and and and: Digital Stitches and the Collage as Glitch / Anita N. Bateman, PhD.
    Note: Seite [264]: Published in conjunction with the exhibition "Multiplicity: Blackness in Contemporary American Collage", organized by the Frist Art Museum, Nashville ... Exhibition itinerary: Frist Art Museum, September 15-December 31, 2023; Museum of Fine Arts Houston, February 18-May 12, 2024; The Philipps collection, July 6-September 22, 2024 , Includes bibliographical references
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  • 26
    Image
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    Memphis, Tennessee : Dixon Gallery and Gardens | New Haven : Yale University Press
    ISBN: 9780300273465
    Language: English
    Pages: 143 Seiten , Illustrationen , 29 cm
    RVK:
    Keywords: Porter, James A Exhibitions ; Simpson, Merton D Exhibitions ; African American art Exhibitions 20th century ; ART / American / African American & Black ; ART / American / General ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; USA ; Kunst ; Schwarze ; Geschichte 1950-1980
    Abstract: "Black Artists in America: From Civil Rights to the Bicentennial explores African American art during the turbulence of the 1950s, 1960s, and 1970s. The catalogue considers the various ways in which African American artists responded to growing civil unrest, challenging the cultural, environmental, political, racial, and social issues of the era. In the 1960s, Black artists who came of age during World War II and the increasing civil rights activity of the 1950s continued to challenge inequities in the art world. They created works that celebrated their racial identity, communicated with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives such as Spiral and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics like David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse. In addition to 140 full-color images of approximately seventy paintings, sculptures, and works on paper from public and private collections across the country, the catalogue features in-depth essays, including original research on artists James Porter and Merton Simpson"--
    Description / Table of Contents: Black Artists in America : 1960s-1970s / Celeste-Marie Bernier -- "The American Negro Artist Looks at Africa" : The Art Historian James A. Porter and African Diaspora Art Histories / Earnestine Jenkins -- A Masterful Eye : Merton D. Simpson, Artist and Connoisseur / Alaina Simone.
    Note: Seite [144]: This publication was produced in conjuntion with the exhibition "Black Artists in America: From Civil Rights to the Bicentennial", on view at the Dixon Gallery and Gardens, Memphis, October 22, 2023-January 14, 2024, and the Crocker Art Museum, Sacramento, February 4-May 19, 2024 , Includes bibliographical references and index
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  • 27
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    New Haven : Yale University Press
    ISBN: 9780300259247
    Language: English
    Pages: xvii, 517 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    DDC: 306.094309045
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    Keywords: 20. Jahrhundert (1900 bis 1999 n. Chr.) ; Europäische Geschichte ; Geschichte allgemein und Weltgeschichte ; HISTORY / Europe / Germany ; HISTORY / Modern / 20th Century ; HISTORY / Social History ; History ; Sozial- und Kulturgeschichte ; Deutschland ; Westdeutschland ; Sozialgeschichte ; Kultur ; Geschichte 1900-1999 ; Westdeutschland ; Künste ; Gesellschaft ; Geschichte 1945-1990
    Abstract: "After World War II a mood of despair and impotence pervaded the arts in West Germany. The culture and institutions of the Third Reich were abruptly dismissed, yet there was no immediate return to the Weimar period's progressive ideals. In this moment of cultural stasis, how could West Germany's artists free themselves from their experiences of Nazism? Moving from 1945 to reunification, Michael H. Kater explores West German culture as it emerged from the darkness of the Third Reich. Examining periods of denial and complacency as well as attempts to reckon with the past, he shows how all postwar culture was touched by the vestiges of National Socialism. From the literature of Günter Grass to the happenings of Joseph Beuys and Karlheinz Stockhausen's innovations in electronic music, Kater shows how it was only through the reinvigoration of the cultural scene that West Germany could contend with its past - and eventually allow democracy to reemerge"--
    Abstract: A wide-ranging, insightful history of culture in West Germany-from literature, film, and music to theater and the visual arts
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
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  • 28
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    Washington : National Gallery of Art | New Haven : Yale University Press
    ISBN: 9780300267105
    Language: English
    Pages: 356 Seiten , Illustrationen , 29 cm
    Series Statement: Studies in the history of art 83
    Series Statement: Symposium papers 60
    Series Statement: Studies in the history of art
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    Keywords: Snowden, Sylvia - 1942- ; Stovall, Lou - 1937- ; Thomas, Alma - 1891-1978 ; Donaldson, Jeff - 1932-2004 ; Porter, James A. (James Amos) - 1905-1970 ; Burwell, Lilian Thomas - 1927- ; Coleman, Floyd W - 1939- ; Driskell, David C - 1931-2020 ; Gilliam, Sam - 1933-2022 ; Morrison, Keith - 1942- ; Puryear, Martin - 1941- ; Howard University - United States ; The Phillips Collection - United States ; African American Art - United States ; Konferenzschrift National Gallery of Art, Washington, DC ; Konferenzschrift National Gallery of Art, Washington, DC ; Washington, DC ; Schwarze ; Kunst ; Ästhetik ; Geschichte 1920-
    Abstract: In a twentieth century during which modern art largely abandoned beauty as its imperative, a group of Black artists from Washington, DC, made beauty the center of their art making. This book highlights these influential artists, including David C. Driskell, Sam Gilliam, Lois Mailou Jones, and Alma Thomas, in the context of what Jeffrey C. Stewart describes as the Washington Black Renaissance. Vibrant histories of key District institutions and the city's communities of educators, critics, and collectors animate a nuanced consideration of the evolution of an aesthetic dialectic from the 1920s up to the present day. The fifteen essays in the volume are grounded by voices from a live artist panel at the National Gallery of Art in 2017, which included Lilian Thomas Burwell, Floyd Coleman, David C. Driskell, Sam Gilliam, Keith Morrison, Martin Puryear, Sylvia Snowden, and Lou Stovall
    Note: Titelblattrückseite: This volume includes proceedings of the symposium "The African American Art World in Twentieth-Century Washington, DC", organized by the Center for Advanced Study in the Visual Arts, National gallery of Art, and sponsored by the Wyeth Foundation for American Art and the Arthur Vining Davis Foundations. The symposium was held March 16-17, 2017, in Washington , Includes bibliography and index , English
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  • 29
    Online Resource
    Online Resource
    New York : Routledge, Taylor & Francis Group
    ISBN: 9781003099628
    Language: English
    Pages: 1 Online-Ressource (x, 173 Seiten) , Illustrationen
    Series Statement: Routledge critical junctures in global early modernities
    Parallel Title: Erscheint auch als Madar, Heather Albrecht Dürer and the depiction of cultural differences in Renaissance Europe
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    Keywords: Dürer, Albrecht Criticism and interpretation ; Ethnology in art ; Other (Philosophy) in art ; Art and society History ; ART / History / General ; ART / History / Renaissance ; Dürer, Albrecht 1471-1528 ; Fremdheit ; Muslim ; Afrikaner ; Das Andere ; Kulturkontakt
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  • 30
    ISBN: 9781793608567
    Language: English
    Pages: xvi, 165 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Tsangaris, Michael Radical communications
    DDC: 751.7/30949512
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    Keywords: Graffiti ; Street art ; Communication Social aspects ; Athens (Greece) Social conditions 20th century ; Athens (Greece) Social conditions 21st century ; Athen ; Streetart ; Graffito ; Kommunikation ; Stadt ; Gesellschaft
    Abstract: Alternative media and the city -- Reflexing on unauthorized urban graphics -- Understanding unauthorized urban graphics -- Recuperation of unauthorized urban graphics -- Unauthorized urban graphics and gender -- A psychogeographic research.
    Abstract: "Radical Communications explores unauthorized messages we see in the cities we live in and their impact on the construction of social reality. The author treats the city as a text and examines the political slogans, graffiti, and street art of Athens as complex visual signs in an alternative communication system"--
    Note: Includes bibliographical references and index
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  • 31
    ISBN: 0300263929 , 9780300263923
    Language: English
    Pages: 80 Seiten , Illustrationen , 30 cm
    DDC: 704.0396073
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    Keywords: Whitten, Jack ; Simpson, Lorna ; Gallagher, Ellen ; Leigh, Simone ; Cleveland Museum of Art Catalogs ; Art, Black History and criticism ; Art Moral and ethical aspects ; Art, Black ; Art - Moral and ethical aspects ; Criticism, interpretation, etc ; The Cleveland Museum of Art ; Kunst ; Person of Color ; Wahrnehmung ; Whitten, Jack 1939-2018 ; Simpson, Lorna 1960- ; Gallagher, Ellen 1965- ; Leigh, Simone 1968-
    Abstract: 'Perceptual Drift' offers a new interpretive model drawing on four key works of Black art in the Cleveland Museum of Art's collection. In its chapters, leading Black scholars from multiple disciplines deploy materialist approaches to challenge the limits of canonic art history, rooted as it is in social and racial inequities. The opening essay by Key Jo Lee introduces the concept of "perceptual drift": a means of exploring the matter of Blackness, or Blackness as matter in art and scholarship. Christina Sharpe examines Rho I (1977) by Jack Whitten; Lee explores Lorna Simpson's Cure/Heal (1992); Robin Coste Lewis analyzes Ellen Gallagher's Bouffant Pride (2003); and Erica Moiah James considers Simone Leigh's Las Meninas (2019). This approach seeks to transform how art history is written, introduce readers to complex objects and theoretical frameworks, illuminate meanings and untold histories, and simultaneously celebrate and open new entry points into Black art
    Description / Table of Contents: Director's foreword / William M. Griswold -- Introduction / Key Jo Lee -- "To decode the full spectrum": Jack Whitten's Rho I / Christina Sharpe -- An approach to Lorna Simpson's Cure/Heal / Key Jo Lee -- "Spit-bite" notes in conversation with Ellen Gallagher's Bouffant Pride: an introduction / Robin Coste Lewis -- A gust of grace: Simone Leigh's Las Meninas / Erica Moiah James.
    Note: Includes bibliographical references
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  • 32
    ISBN: 9788293400110
    Language: English , Norwegian
    Pages: 128 Seiten , Illustrationen
    DDC: 745
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    Keywords: Ausstellungskatalog Nordnorsk Kunstnersenter 18.06.2022-14.08.2022 ; Fotografie ; Installation ; Mixed media ; Menschenrecht ; Geschichte 1963-2022
    Abstract: The Hands That Unravel the Sweater is not just an exhibition, it is a statement, a conversation and a reflection about the times we are living in. It is commentary on the social realm, norms and the patterns of inequalities that have been woven together through colonialism, discrimination and power structures. Woven into this context are ten artists and collectives whose practices define contemporary realities and bring attention to the ways in which these complex issues have existed, and still remain, in society, in our institutions, in the media, in our communities and in our thoughts. Exhibition: Nordnorsk Kunstnersenter, Svolvær, Norway (18.06 - 14.08.2022)
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  • 33
    ISBN: 9789152717493 , 9152717496
    Language: English , Sami
    Pages: 119 pages , illustrations , 22 cm
    DDC: 709.2
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    Keywords: Marakatt-Labba, Britta Exhibitions ; Bildband ; Ausstellungskatalog Ikon Gallery 23.02.2022-29.05.2022 ; Marakatt-Labba, Britta 1951- ; Stickerei
    Abstract: This publication accompanies the exhibition: Under the Vast Sky by renowned Sámi (Swedish) artist Britta Marakatt-Labba. 00The exhibition strikes a balance between iconic embroidered pieces and more recent and new works, including epic panoramas chronicling the history, culture and cosmology of the Sámi, the Indigenous population of the northernmost parts of Scandinavia. These will be combined with works inspired by the vernacular, the domestic, the intimacy of daily life; works engaging in the contested and urgent issues of our time including climate catastrophe and contemporary terrorism.00The publication, includes texts by the co-curator of the exhibition Jan-Erik Lundström, a curator, critic and historian of contemporary art, and former director of the Sámi Center for Contemporary Art, Karasjok, Norway. 00Exhibition: Ikon Gallery, Birmingham, UK (23.02.?29.05.2022). --
    Note: Published to accompany the exhibition 'Under the Vast Sky', held at Ikon Gallery, 23rd February-29th May 2022 , Text in Englisch und Saamisch
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  • 34
    ISBN: 9789493246126 , 9493246124
    Language: English , Sami
    Pages: 120, 72, 56 Seiten , Illustrationen
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    Keywords: Ausstellungskatalog La Biennale di Venezia, Nordic Pavilion 23.04.2022-27.11.2022 ; Ausstellungskatalog La Biennale di Venezia, Nordic Pavilion 23.04.2022-27.11.2022 ; Samen ; Kunst ; Geschichte 2022
    Note: Umschlagtitel , Spiralbindung , Seite 120: "The Sámi Pavilion"in the Nordic Pavilion at the 59th International Art Exhibition, La Biennale di Venezia, 23 April-27 November 2022 , Text englisch, einzelne Beiträge in Samisch
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  • 35
    Book
    Book
    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Visual Arts
    ISBN: 9781501343360
    Language: English
    Pages: xiv, 266 Seiten , Illustrationen
    Series Statement: Material culture of art and design
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 747.0941/09033
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    Keywords: Wilkes, John ; Geschichte 1750-1840 ; Innenarchitektur ; Möbel ; Wohnkultur ; Großbritannien ; Interior decoration / Great Britain / History / 18th century ; Interior decoration / Great Britain / History / 19th century ; Domestic space / Great Britain / History / 18th century ; Domestic space / Great Britain / History / 19th century ; Material culture / Great Britain / History / 18th century ; Material culture / Great Britain / History / 19th century ; Great Britain / Social life and customs / 18th century ; Great Britain / Social life and customs / 19th century ; Großbritannien ; Innenarchitektur ; Wohnkultur ; Möbel ; Wilkes, John 1725-1797 ; Geschichte 1750-1840
    Abstract: "Between 1750 and 1840, the home took on unprecedented social and emotional significance. Focusing on the design, decoration, and reception of a range of elite and middling class homes from this period, Domestic Space in Britain, 1750-1840 demonstrates that the material culture of domestic life was central to how this function of the home was experienced, expressed, and understood at this time. Examining craft production and collection, gift exchange and written description, inheritance and loss, it carefully unpacks the material processes that made the home a focus for contemporaries' social and emotional lives. The first book on its subject, Domestic Space in Britain, 1750-1840 employs methodologies from both art history and material culture studies to examine previously unpublished interiors, spaces, texts, images, and objects. Utilising extensive archival research; visual, material, and textual analysis; and histories of emotion, sociability, and materiality, it sheds light on the decoration and reception of a broad array of domestic spaces. In so doing, it writes a new history of late eighteenth- and early nineteenth-century domestic space, establishing the materiality of the home as a crucial site for identity formation, social interaction, and emotional expression"--
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  • 36
    ISBN: 9781487509316
    Language: English
    Pages: 1 Online-Ressource (197 ungezählte Seiten) , Illustrationen
    Series Statement: Toronto Iberic
    Parallel Title: Erscheint auch als Infante, Catherine The arts of encounter
    DDC: 860.93823823
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    Keywords: Electronic books ; Spanien ; Christentum ; Islam ; Kulturaustausch ; Kunst ; Geschichte 1400-1700
    Abstract: The Arts of Encounter uncovers the significant role of religious images in literature, offering a new approach to understanding Christian-Muslim relations in early modern Spain.
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  • 37
    Online Resource
    Online Resource
    New York : Routledge, Taylor & Francis Group
    ISBN: 9781000627084
    Language: English
    Pages: 1 Online-Ressource (xiv, 152 Seiten) , Illustrationen
    Series Statement: Routledge research in art and race
    Parallel Title: Erscheint auch als Hamilton, Elizabeth Carmel Charting the Afrofuturist imaginary in African American art
    DDC: 700.89/96073
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    Keywords: Electronic books ; USA ; Kunst ; Künstlerin ; Afrofuturismus
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  • 38
    ISBN: 9783775753074 , 3775753079
    Language: English
    Pages: 186 Seiten , Illustrationen , 30.5 cm x 21 cm
    Series Statement: Kulturgeschichte
    Parallel Title: Parallele Sprachausgabe Stückwerk
    DDC: 708.949432
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    Keywords: Ausstellungskatalog Museum der Kulturen 29.04.2022-22.01.2023 ; Ausstellungskatalog ; Ausstellungskatalog Museum der Kulturen 29.04.2022-22.01.2023 ; Ausstellungskatalog Museum der Kulturen 29.04.2022-22.01.2023 ; Sachkultur ; Fragment ; Reparatur ; Museum der Kulturen Basel
    Note: Im Kolophon: "This book has been produced in connection with the exhibition "Fragments: Pots, patchworks, power figures". The exhibition will be presented at the Museum der Kulturen Basel 29 April 2022-22 January 2023."
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  • 39
    ISBN: 9783000691331
    Language: German , English
    Pages: 560 Seiten
    Edition: 2. Auflage
    DDC: 750
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    Keywords: Bildband ; Bildband ; Hamburg ; Graffito ; Subkultur ; Geschichte 1980-2000
    Abstract: Diese umfangreich recherchierte Publikation widmet sich der Geschichte der Hamburger Graffiti-Szene in den 1980er und 1990er Jahren.Bis heute ist die Hamburger Graffiti-Landschaft tief in dieser Zeit verwurzelt. Ihre Protagonisten gelten nicht nur in der Szene als Wegbereiter - sie haben Hamburg als Stadt visuell verändert und weitreichend geprägt.Die Publikation enthält exklusive Fotostrecken und Originalzitate von damaligen aktiven Graffiti-Writern sowie wissenschaftliche Abhandlungen von namhaften Autoren, die Graffiti als ein weitvernetztes subkulturelles Phänomen aufzeigen und gleichzeitig Auskunft über Praktiken der Aneignung des öffentlichen Stadtraums geben
    Note: Text deutsch und englisch
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  • 40
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    Evanston, IL : Mary and Leigh Block Museum of Art | Princeton ; Oxford : Princeton University Press
    ISBN: 9780691209272
    Language: English
    Pages: 133 Seiten , 23 x 28 cm
    DDC: 709.73
    RVK:
    Keywords: Gewalt ; Diskriminierung ; Schwarze ; Rassismus ; Unterdrückung ; USA ; Art, American ; Black people in art ; Black people / Violence against ; Violence in art ; Art américain ; Noirs dans l'art ; Noirs / Violence envers ; Violence dans l'art ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; USA ; Schwarze ; Rassismus ; Diskriminierung ; Unterdrückung ; Gewalt
    Note: Impressum: This publication accompanies the exhibition "A Site of Struggle: American Art against Anti-Black Violence", organized by the Mary and Leigh Block Museum of Art, Northwestern University, on view at the Block January 26-July 10, 2022, and the Montgomery Museum of Fine Arts, August 13-November 6, 2022
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  • 41
    ISBN: 9781916275966
    Language: English
    Pages: 218 Seiten
    Edition: First edition
    DDC: 301
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    Keywords: Bildband ; Bildband ; Bildband ; Fragateiro, Fernanda 1962-
    Abstract: In 2015 artist Fernanda Fragateiro presented a series of plywood boxes containing research material to students of Anthropology at the Harvard Art Museums. The materials offered the audience an opportunity to explore the artist?s practice through a collection of objects as an alternative to documentary photographs of completed works. This event was the beginning of the artist?s seminal work Materials Lab.0Materials Lab sits between sculpture, installation, documentation and research. Material Lab is a landscape? of materials such as silk threads, books, book segments, exhibition catalogues, models, text fragments, magazine pages, inkjet prints, notes, drawings, marble, steel, bricks, dirt, dust and fragments of artworks drawn from the artist?s personal archive. Documenting the work in detail, this book demonstrates how Materials Lab is a navigation tool for probing the social and political history of modernism, the practices of the artist?s own work and how looking at the ?cracks? between ?accepted? knowledge is essential for a progressive future
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  • 42
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    London : Ridinghouse
    ISBN: 1909932698 , 9781909932692
    Language: English
    Pages: 253 Seiten , Illustrationen , 23 cm
    DDC: 306.76094237
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    Keywords: Sexual minorities History ; Arts History ; Arts ; Manners and customs ; Sexual minorities ; History ; St. Ives (Cornwall, England) Social life and customs ; St. Ives (Cornwall, England) History ; England ; St. Ives (Cornwall) ; Saint Ives ; Kunst ; LGBT ; Geschichte 1945-1980
    Abstract: This first ever queer history of St Ives weaves together biography with art and social history to shine new light on a pivotal era in the development of British modernism. At its centre is the sculptor John Milne (1931-1978), who arrived in the town in 1952 to work as an assistant to Barbara Hepworth.0Hidden behind 20-foot-high granite walls, Milne's house, Trewyn, became a meeting point for queer figures from the arts as well as the scene of legendary parties. The large cast - both queer and otherwise - featured in Queer St Ives and Other Stories includes artists Francis Bacon, Alan Lowndes, Marlow Moss, Patrick Procktor, Mark Tobey, Keith Vaughan and Brian Wall; Whitechapel Art Gallery director Bryan Robertson; actors Keith Barron and Richard Wattis; potter Janet Leach; and writers Tony Warren and Richard Blake Brown. There is also the extraordinary Julian Nixon, a queer Everyman whose involvement in the group has been little explored until now.0Based on original interviews and previously unpublished letters and diaries, Queer St Ives and Other Stories reveals a fascinating, previously undocumented history, adding vital new insights into the history of this fabled Cornish art colony. Publication supported by the Paul Mellon Centre
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  • 43
    ISBN: 1734248513 , 9781734248517
    Language: English
    Pages: 269 Seiten , 27 cm
    Edition: First edition
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    Keywords: Taylor, Breonna Exhibitions ; Racism Exhibitions History 21st century ; Social movements in art Exhibitions ; African Americans Exhibitions Social conditions 21st century ; African American artists Exhibitions ; African American artists ; African Americans ; Social conditions ; Race relations ; Racism ; Social movements in art ; Exhibition catalogs ; Exhibition catalogs ; Louisville (Ky.) Exhibitions Race relations 21st century ; History ; Kentucky ; Louisville ; United States ; Ausstellungskatalog Speed Art Museum 07.04.2021-13.06.2021 ; Bildband ; Ausstellungskatalog Speed Art Museum 07.04.2021-13.06.2021 ; Bildband ; Kentucky ; Kunst ; Rassismus ; Protestbewegung ; Geschichte 2020- ; Louisville, Ky. ; Rassismus ; Polizei ; Gewalttätigkeit ; Schwarze Frau ; Geschichte 2020-2022 ; Rezeption ; Kunst ; Taylor, Breonna 1993-2020
    Abstract: The New York Times called the Speed Art Museum's Promise, Witness, Remembrance--centered around artist Amy Sherald's portrait of Breonna Taylor and originally commissioned by Ta-Nehisi Coates for the cover of Vanity Fair magazine--one of the best art exhibitions of 2021. In the words of critic Holland Cotter, "the show was assembled in four months--warp speed in museum-time--and created a prototype for institutional responses to history-as-it's-happening." This breathtaking book documents not just the 32 works featured in the exhibition, but also the process by which the Speed used this opportunity to memorialize the life of Breonna Taylor, who was killed by Louisville police in March 2020, and to serve its community through art, featuring real-time quotations from Curator Allison Glenn, Community Engagement Strategist Toya Northington, Director Stephen Reily, Tamika Palmer (Breonna Taylor's mother), artist Amy Sherald, and others. With 200 photos, featuring work by 22 Black artists, including Sam Gilliam, Lorna Simpson, Kerry James Marshall, Hank Willis Thomas, and Theaster Gates, Promise, Witness, Remembrance is a vital addition to the canon of Black American art
    Note: Titelblattrückseite: Published to document the exhibition "Promise, Witness, Remembrance", organized by the Speed Art Museum in Louisville, Kentucky, on view from April 7 to June 13, 2021 , Includes bibliographical references
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  • 44
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    Baltimore, MD : Baltimore Museum of Art | Jackson, MS : Mississippi Museum of Art | New Haven and London : Baltimore Museum of Art and Mississippi Museum of Art, in association with Yale University Press
    ISBN: 9780300265736 , 0300265735
    Language: English
    Pages: 151 Seiten , 28 cm
    DDC: 305.896073075
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    Keywords: Great Migration, ca. 1914-ca. 1970 Pictorial works ; Exhibitions ; African American art Exhibitions 21st century ; Art ; Exhibition catalogs ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; USA ; Kunst ; Fotografie ; Schwarze ; USA ; Schwarze ; Migration ; Geschichte 1915-1970 ; Rezeption ; Kunst ; Geschichte 2021-2022
    Abstract: The Great Migration (1915-70) saw more than six million African Americans leave the South for destinations across the United States. This incredible dispersal of people across the country transformed nearly every aspect of Black life and culture. Offering a new perspective on this historical phenomenon, this incisive volume presents immersive photography of newly commissioned works of art by Akea, Mark Bradford, Zoë Charlton, Larry W. Cook, Torkwase Dyson, Theaster Gates Jr., Allison Janae Hamilton, Leslie Hewitt, Steffani Jemison, Robert Pruitt, Jamea Richmond-Edwards, and Carrie Mae Weems. The artists investigate their connections to the Deep South through familial stories of perseverance, self-determination, and self-reliance and consider how this history informs their working practices. Essays by Kiese Laymon, Jessica Lynne, Sharifa Rhodes-Pitts, and Willie Jamaal Wright explore how the Great Migration continues to reverberate today in the public and private spheres and examine migration as both a historical and a political consequence, as well as a possibility for reclaiming agency
    Note: Seite [172]: Published in conjunction with the exhibition "A Movement in Every Direction: Legacies of the Great Migration", presented at the Mississippi Museum of Art, April 9-September 11, 2022; the Baltimore Museum of Art, October 30, 2022-January 29, 2023; the Brooklyn Museum, March 3-June 25, 2023; and the California African American Museum, August 5, 2023-March 3, 2024 , Includes bibliographical references
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  • 45
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    London : Book Works | Southend-on-Sea : Focal Point Gallery
    ISBN: 9781912570140 , 1912570149
    Language: English
    Pages: 141 Seiten , Illustrationen , 20 cm
    Additional Material: 2 Beilagen (1 Leporello, 1 Blatt mit Stickern)
    Series Statement: Co-series no. 22
    Series Statement: Printet matter / Focal Point Gallery #107
    Series Statement: Co-Series
    Series Statement: Printed matter
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    Keywords: 2000-2099 ; Art, Modern 21st century ; Feminism ; Women, Black ; Popular culture ; Women artists, Black ; Black people in art Exhibitions ; Performance art ; Art, Modern ; Feminism ; Popular culture ; Women, Black ; Great Britain ; Großbritannien ; Schwarze ; Frauenkunst ; Performance ; Geschichte 2000-
    Abstract: "Comprising of new writing and works drawn from, and a part of, Uddoh's 2021 exhibition at Focal Point Gallery, Practice Makes Perfect focuses on themes of radical self-love, inspired by black feminist practice and writing. Through performance, film, installation and sound, Uddoh explores an infatuation with places, objects and celebrities in British popular culture, and the effects of these on self-formation. She is influenced by her architectural background, rooting stories in specific spaces and materials. Co-published by Book Works and Focal Point Gallery as part of our Co-Series, in association with the Bluecoat, and The Bower." -- publisher's description
    Note: Umschlagtitel
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  • 46
    ISBN: 9783777439167
    Language: English
    Pages: 375 Seiten , Karten
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    Keywords: Rindenmalerei ; Aborigines ; Nordaustralien ; Kunst- und Kulturgeschichte ; Malerei ; Museen und Sammlungen ; Ausstellungskatalog Museum Fünf Kontinente 18.03.2022-18.09.2022 ; Bildband ; Aborigines ; Nordaustralien ; Rindenmalerei
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  • 47
    ISBN: 9781526156471 , 9781526169044
    Language: English
    Pages: xxi, 323 Seiten , Illustrationen
    Series Statement: RHA:Rethinking art's histories
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Duke University 2013
    DDC: 305.4209497
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    Keywords: Abramović, Marina ; Iveković, Sanja ; Sozialismus ; Künstlerin ; Kunst ; Kulturpolitik ; Jugoslawien ; Feminism / Yugoslavia ; Feminism and the arts / Yugoslavia ; Féminisme / Yougoslavie ; Féminisme et arts / Yougoslavie ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Jugoslawien ; Sozialismus ; Künstlerin ; Kulturpolitik ; Kunst ; Iveković, Sanja 1949- ; Abramović, Marina 1946-
    Abstract: Coining the term "Jugoslovenka" to designate the unique history of Yugoslav women's resistance to patriarchy during and after socialism, this book shows how Yugoslavia's anti-fascist, transnational and feminist legacies manifest in performance, conceptual, video and activist works
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  • 48
    Online Resource
    Online Resource
    New York, NY : Columbia University Press
    ISBN: 9780231555807
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Literature Now
    DDC: 810.9/896073
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    Keywords: LITERARY CRITICISM / American / African-American
    Abstract: The works of African American authors and artists are too often interpreted through the lens of authenticity. They are scrutinized for "positive" or "negative" representations of Black people and Black culture or are assumed to communicate some truth about Black identity or the "Black experience." However, many contemporary Black artists are creating works that cannot be slotted into such categories. Their art resists interpretation in terms of conventional racial discourse; instead, they embrace opacity, uncertainty, and illegibility.John Brooks examines a range of abstractionist, experimental, and genre-defying works by Black writers and artists that challenge how audiences perceive and imagine race. He argues that literature and visual art that exceed the confines of familiar conceptions of Black identity can upend received ideas about race and difference. Considering photography by Roy DeCarava, installation art by Kara Walker, novels by Percival Everett and Paul Beatty, drama by Suzan-Lori Parks, and poetry by Robin Coste Lewis, Brooks pinpoints a shared aesthetic sensibility. In their works, the devices that typically make race feel familiar are instead used to estrange cultural assumptions about race. Brooks contends that when artists confound expectations about racial representation, the resulting disorientation reveals the incoherence of racial ideologies. By showing how contemporary literature and art ask audiences to question what they think they know about race, The Racial Unfamiliar offers a new way to understand African American cultural production
    Note: In English
    URL: Cover  (lizenzpflichtig)
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  • 49
    ISBN: 9783897906815
    Language: English , German
    Pages: 391 Seiten , Illustrationen , 30 cm
    DDC: 749.074432122
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    Keywords: Ausstellungskatalog Grassi Museum für Angewandte Kunst Leipzig 24.11.2022-26.03.2023 ; Bildband ; Polstermöbel ; Polsterhandwerk ; Geschichte 1600-2000 ; Grassi Museum für Angewandte Kunst Leipzig ; Polstermöbel ; Polsterhandwerk ; Polsterung ; Sitzmöbel ; Ausstellung ; Geschichte
    Note: Impressum: "Die vorliegende Publikation erscheint anlässlich der Ausstellung BESESSEN. Die geheime Kunst des Polsterns | GRASSI Museum für Angewandte Kunst Leipzig 24.11.2022-26.03.2023
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  • 50
    ISBN: 9789887470748
    Language: English , Chinese
    Pages: 194 Seiten
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    Keywords: Hinterglasmalerei ; China ; Bildband ; Ausstellungskatalog University Museum and Art Gallery 24.09.2021-30.01.2022 ; Hinterglasmalerei ; China
    Note: Aus dem Impressum: "Published for the exhibition 'Reflected beauty: Chinese reverse glass paintings from the Mei Lin collection' at the University Museum and Art Gallery, The University of Hong Kong, 24 September 2021-30 January 2022." , Text englisch und chinesisch
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  • 51
    ISBN: 9783945880876
    Language: German , English
    Pages: 298 Seiten , Illustrationen, Karten , 29.7 cm x 23.5 cm
    Edition: 1. Auflage
    Series Statement: Beiträge zur Denkmalpflege in Berlin. Sonderband
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    Keywords: Geschichte 900-1930 ; Keramikhandel ; Produktion ; Keramikherstellung ; Handel ; Keramik ; Steinzeug ; Berlin ; Europa ; Brandenburg ; Aufsatzsammlung ; Festschrift ; Konferenzschrift 2020 ; Aufsatzsammlung ; Festschrift ; Konferenzschrift 2020 ; Brandenburg ; Berlin ; Keramik ; Steinzeug ; Produktion ; Handel ; Europa ; Keramik ; Keramikhandel ; Geschichte 900-1930 ; Berlin ; Brandenburg ; Keramik ; Keramikherstellung ; Geschichte 900-1930
    Note: "Die enthaltene Beiträge sollten auf dem 53. Internationalen Keramik-Symposium 2020 in Berlin vorgestellt werden, das aufgrund der Corona-Pandemie jedoch nicht durchgeführt werden konnte." - Vorwort , "Das Erscheinungsjahr des Bandes fällt mit dem 75. Geburtstag von Eberhard Kirsch zusammen, [...] was die Herausgeber veranlasst, ihm den Band zu widmen." - Vorwort , Beiträge überwiegend deutsch, ein Beitrag englisch
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  • 52
    ISBN: 9783943770681
    Language: German , English
    Pages: 71 Seiten , Illustrationen
    Additional Information: Ergänzung zu Chic! Schmuck. Macht. Leute. Chemnitz : smac - Staatliches Museum für Archäologie Chemnitz, 2022 9783943770674
    DDC: 730
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    Keywords: Führer ; Führer ; Schmuck ; Kunst ; Vor- und Frühgeschichte ; Archäologie ; Siedlungsarchäologie ; Funde ; Schmuck ; Ausstellung ; Chemnitz ; Geschichte 2022
    Abstract: Das Bedürfnis, den menschlichen Körper zu schmücken, reicht weit in die Vergangenheit zurück und ist geprägt von Vielfalt und Wandel, Extravaganz und Ausgrenzung ... Führer durch die Ausstellung "Chic! Schmuck. Macht. Leute." (aus dem Text der 4. Umschlagseite)
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  • 53
    ISBN: 9780691236261
    Language: English
    Pages: 1 Online-Ressource (288 pages) , 90 color + 52 b/w illus
    Parallel Title: Erscheint auch als Crow, Thomas E., 1948 - The artist in the counterculture
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    Keywords: Art and society History 20th century ; Counterculture ; ART / History / Contemporary (1945-) ; Kalifornien ; Kunst ; Kunstsoziologie ; Gegenkultur ; Geschichte 1960-1980
    Abstract: How California’s counterculture of the 1960s to 1980s profoundly shaped—and was shaped by—West Coast artistsThe 1960s exert a special fascination in modern art. But most accounts miss the defining impact of the period’s youth culture, largely incubated in California, on artists who came of age in that decade. As their prime exemplar, Bruce Conner, reminisced, “I did everything that everybody did in 1967 in the Haight-Ashbury. . . . I would take peyote and walk out in the streets.” And he vividly channeled those experiences into his art, while making his mark on every facet of the psychedelic movement—from the mountains of Mexico with Timothy Leary to the rock ballrooms of San Francisco to the gilded excesses of the New Hollywood. In The Artist in the Counterculture, Thomas Crow tells the story of California art from the 1960s to the 1980s—some of the strongest being made anywhere at the time—and why it cannot be understood apart from the new possibilities of thinking and feeling unleashed by the rebels of the counterculture.Crow reevaluates Conner and other key figures—from Catholic activist Corita Kent to Black Panther Emory Douglas to ecological witness Bonnie Ora Sherk—as part of a generational cohort galvanized by resistance to war, racial oppression, and environmental degradation. Younger practitioners of performance and installation carried the mindset of rebellion into the 1970s and 1980s, as previously excluded artists of color moved to the forefront in Los Angeles. Mike Kelley, their contemporary, remained unwaveringly true to the late countercultural flowering he had witnessed at the dawn of his career.The result is a major new account of the counterculture’s enduring influence on modern art
    Note: Frontmatter , Contents , Prologue: Neuroplasticity , One. Peyote frontier , Two. Movies and Mexico , Three. Boston and the Leary Lure , Four. Psychedelphic oracle , Five. Living up to their reputations , Six. Bearing witness to war , Seven. From war abroad to oppression at home , Eight. Toward 1970: “the ever-deepening spiral of politics” , Nine. The art of disappearance , Ten. Noir vortex , Eleven. Secret ceremonies , Twelve. Last artist of the counterculture , Notes , Acknowledgments , Index , Illustration and copyright credits , In English
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 54
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    Winnenden : Eigenverlag Nunnemann
    ISBN: 9783000708701 , 3000708707
    Language: English
    Pages: 248 Seiten , Illustrationen, Karte
    Edition: First edition
    DDC: 720
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    Keywords: Bildband
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 55
    ISBN: 9783927270817
    Language: English
    Pages: 131 Seiten , Illustrationen, Karte
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    Keywords: Indigenes Volk ; Sachkultur ; Kunstwerk ; Aitutaki ; Aitutaki ; Indigenes Volk ; Sachkultur ; Aitutaki ; Indigenes Volk ; Kunstwerk
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  • 56
    ISBN: 9781350140127 , 1350140120
    Language: English
    Pages: xxx, 238 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
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    Keywords: Kunstmuseum ; Feldforschung ; Kunstbetrieb ; Lima ; Art, Peruvian / Peru / Lima / 21st century ; Art and society / Peru / Lima / History / 21st century ; Art and globalization / Peru / Lima / History / 21st century ; Lima (Peru) / Intellectual life ; Art and globalization ; Art and society ; Art, Peruvian ; Intellectual life ; Peru / Lima ; 2000-2099 ; History ; Lima ; Kunstbetrieb ; Kunstmuseum ; Feldforschung
    Abstract: "This book examines the contemporary art world in Latin America from an anthropological and historical perspective, and recognises the recent reconfiguration of Lima's art scene. Giuliana Borea traces the practices of artists, curators, collectors, art dealers and museums in order to identify three key moments in this reconfiguration of contemporary art in Lima: artistic explorations and new curatorial narratives; museum reinforcement and the strengthening of Latin American art networks; and of the rise of the art market. In so doing, Borea highlights the different actors that come into play in activating and de-activating, directions and imaginations. The book exposes the practices of the local, global, indigeneity and politics in the arts, and reveals that the strengthening of the Lima art scene has fostered the expansion of dominant art views and formats mobilized by transnational elite actors. Featuring analytical chapters interspersed with personal stories, Borea's book presents an in-depth analysis of a specific art scene to open up a new way of understanding contemporary art practices in relation to globalization"--
    Description / Table of Contents: Triggering change : Lima Biennial and the social re-engagement of art -- Democratic effervescence : the renewal of Lima and artists' experimentations -- Enlarging the contemporary : the rise of the curator and indigenous artists -- Reinforcement of the museum : debates and institutional articulations -- Networking Latin America : transnational actors and the new role of art collectors -- The celebration of culture : creative Lima and the growth of the art market
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  • 57
    Online Resource
    Online Resource
    Wien : Verlag der österreichischen Akademie der Wissenschaften
    Language: English , German
    Pages: 1 Online-Ressource (XV, 441 Seiten) , Illustrationen
    Series Statement: Veröffentlichungen zur Sozialanthropologie Band 29
    Series Statement: Denkschriften / Österreichische Akademie der Wissenschaften, Philosophisch-Historische Klasse Band 534
    Parallel Title: Erscheint auch als Early West Tibetan Buddhist monuments
    DDC: 390
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Tibet West ; Buddhismus ; Architektur ; Geschichte
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  • 58
    Book
    Book
    Berlin : Ruby Press
    ISBN: 9783944074368
    Language: English , German
    Pages: 87 Seiten , Illustrationen, Karten
    DDC: 912.43155
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    Keywords: Stadtentwicklung ; Topografie ; Berlin ; Atlas ; Berlin ; Berlin ; Topografie ; Stadtentwicklung
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  • 59
    ISBN: 9783944425115
    Language: German , English
    Pages: 157 Seiten , Illustrationen , 31 cm x 23 cm
    Edition: 2. durchges. u. korr. Auflage
    DDC: 745.509431074431531
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    Keywords: Ausstellungskatalog Dokumentationszentrum Alltagskultur der DDR 09.04.2019-07.03.2020 ; Bauhaus ; Rezeption ; Deutschland ; Deutschland ; Industriedesign ; Gebrauchsgrafik ; Geschichte ; Deutschland ; Industriedesign ; Gebrauchsgrafik ; Bauhaus
    Abstract: Der Umgang mit dem Erbe des Bauhauses in der DDR ist widersprüchlich: Frühen Ansätzen einer Wiederbelebung in Architektur und Städtebau folgt eine heftige Anfeindung in der Formalismus-Debatte während der Hochphase des Kalten Krieges. Eine vorsichtige Rehabilitierung ermöglicht der industrielle Wohnungsbau. In den späten 1970er Jahren wird das Bauhaus, dessen wichtigste Wirkungsstätten auf dem Territorium der DDR lagen, schließlich zum Nationalen Kulturerbe erhoben. Dieser Entwicklung geht das Buch anhand der Kulturpolitik, Gestaltungspraxis sowie Biografien und Wirkungsorten von Bauhäuslern in der DDR nach. Denn trotz der wechselnden politischen Bewertung der Moderne prägen ehemalige Bauhäusler*innen durch ihre Gestaltungspraxis und Lehre eine neue Generation Gestalter*innen, die die Alltagskultur der DDR wesentlich beeinflussen werden. Funktional, langlebig, ornamentlos und optimiert für die industrielle Massenproduktion: Alltag formen! zeigt Objekte der Alltagskultur der DDR – Möbel, Gefäße, Technik, Grafik – sowie ihre Gestalter*innen, die in Tradition und Weiterentwicklung der Gestaltungsprinzipien des Bauhauses und der Moderne stehen
    Note: Impressum: "Katalog zur Ausstellung im Dokumentationszentrum Alltagskultur der DDR, Eisenhüttenstadt, 9.4.2019-7.3.2020" , Text deutsch und englisch
    URL: Cover
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  • 60
    ISBN: 9783777435893 , 3777435899
    Language: German , English
    Pages: 212 Seiten , Illustrationen , 29 cm
    Parallel Title: Parallele Sprachausgabe
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    Keywords: Shonibare, Yinka ; Ausstellungskatalog Museum der Moderne Salzburg 22.05.-12.09.2021 ; Bildband ; Shonibare, Yinka 1962-
    Note: Erscheint anlässlich der Ausstellung: "Yinka Shonibare CBE - End of Empire", Museum der Moderne Salzburg, 22. Mai-12. September 2021. - Bibliografie (Auswahl): Seite 201 , Text deutsch und englisch
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  • 61
    ISBN: 9781839094316
    Language: English
    Pages: xiv, 226 Seiten , Illustrationen
    Edition: First edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 307
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    Keywords: City planning ; Urban policy ; Social Science ; Sociology ; Urban ; bisacsh ; Urban & municipal planning ; bicssc ; Aufsatzsammlung
    Abstract: Lessons from the British and French New Towns: Paradise Lost? explores the evolution of the New Towns in both France and the UK from several perspectives including public policy, sociology, geography and heritage. UK and French New Towns have many similarities in terms of the role of the national state in tackling urgent problems of housing and urban growth and in promoting innovative design and architecture. These innovative planned settlements have left a contested and complex legacy, but are once again on the political and urbanisation agenda in Europe, where a push for growth of housing and the desire for sustainability are the new drivers of urban planning and design. After years of the private development market being seen as the principal instrument of urban growth and planning, it is time to assess the urban legacy and the heritage of the UK and French New Towns. This book contrasts their evolution on both sides of the Channel and shows what can be learned about post war state planning and the future planning of new settlements
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  • 62
    Book
    Book
    New Delhi : Rupa Publications India Pvt. Ltd
    ISBN: 9390918464 , 9789390918461
    Language: English
    Pages: 168 Seiten , Illustrationen
    DDC: 391.00954552
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  • 63
    ISBN: 9783961713066 , 3961713065
    Language: English , German
    Pages: 174 Seiten , 287 Illustrationen , 30 cm x 23.5 cm
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    Keywords: Asien ; Tradition ; Peking ; Beijing ; Reportage ; Megacity ; Handwerk ; Hutong ; Wohnhöfe ; Schanghai ; Provinz ; Kultur ; Konfuzius ; Chinesische Mauer ; Porträtfotografie ; Fotografie ; Straßenfotografie ; Asia ; Documentary ; Craft ; Courtyard ; Shanghai ; Province ; Culture ; Confucius ; Chinese Wall ; Portrait photography ; Photography ; Bildband
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  • 64
    ISBN: 9781787331785
    Language: English
    Pages: 406 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 306.09410904
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    Keywords: Bewohner ; Alltag ; Herrenhaus ; Instandhaltung ; Großbritannien ; Historic buildings / Great Britain / History / 20th century ; Aristocracy (Social class) / Dwellings / Great Britain / History / 20th century ; Country life / Great Britain / History / 20th century ; Great Britain / Social conditions / 1945- ; Country life ; Historic buildings ; Social conditions ; Great Britain ; Since 1900 ; History ; Großbritannien ; Herrenhaus ; Bewohner ; Alltag ; Instandhaltung
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  • 65
    ISBN: 1934351199 , 9781934351192
    Language: English
    Pages: xiii, 282 Seiten , Illustrationen , 28 cm
    DDC: 700.8996073075
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    Keywords: African American art Exhibitions 20th century ; African American art Exhibitions 21st century ; Material culture Exhibitions ; African Americans Music ; African Americans Religion ; African American art Political aspects ; African American art ; African Americans ; African Americans ; Religion ; Material culture ; Exhibition catalogs ; Music ; Southern States In art ; Exhibitions ; Southern States ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; USA ; Kunst ; Schwarze ; Geschichte 1945- ; Musik ; Literatur
    Abstract: Director's foreword / Alex Nyerges -- What you know about the Dirty South? / Valerie Cassel Oliver -- a poem for black art / Fred Moten -- Landscape : the politics and poetics of dirt. Cosmic encounter / Charlie R. Braxton ; Bevery Buchanan : forms of ruination / Andrea Barnwell Brownlee, Jennifer Burris, and Park MacArthur ; Quilted beats bound at the rut : a theorization of the Dirty South / Regina N. Bradley ; Plates -- Systems of thought : the vision of envisioning. Songs that are sacred and pure (for Toni Morrison) / Charlie R. Braxton ; Dreaming empire, conjuring freedom : Renée Stout, African American landscape representation, and the imperial South / Kirsten Pai Buick ; Bible Belt swag : Houston hip-hop and Black religion / Anthony B. Pinn ; Dreaming of the South in stereo : Black music's American journey / Guthrie P. Ramsey Jr. ; Plates -- The Black body : repository/site/agent. Bluesosophy (for Julius Thompson) / Charlie R. Braxton ; Picturing the South : how photographers have imaged the region / Rhea L. Combs ; Changing the rules, the practice of pleasure : the linguistic possibilities of dirt / Roger Reeves ; Plates -- Epilogue. Code Black : the Dirty South / Paul D. Miller ; The Dirty South playlist ; Plates -- Artist biographies -- Contributor biographies -- Exhibition checklist and image credits.
    Abstract: "This exhibition catalog to the Virginia Museum of Fine Arts’ The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse chronicles the pervasive visual and sonic parallels in the work of Black artists from the southern United States. It looks to contemporary southern hip-hop as a portal into the roots and aesthetic legacies that have shaped contemporary art from the 1920s to the present. It features multiple generations of both academically trained and 'outsider' artists working in a variety of genres and disciplines, including Thornton Dial, Allison Janae Hamilton, Arthur Jafa, Jason Moran, Sister Gertrude Morgan, Sun Ra, Kara Walker, and William Edmondson. Creating a capacious understanding of southern expression in visual art, material culture, and music, this richly illustrated volume documents the exhibition’s artworks and includes critical essays, poems, artist biographies, and an extended bibliography"--https://vmfashop.com/dirty-south/the-dirty-south-exhibition-catalog.html
    Note: "This catalogue accompanies the exhibition 'The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse', presented at the Virginia Museum of Fine Arts, May 22-September 6, 2021; Contemporary Arts Museum Houston, October 28, 2021-February 6, 2022; Crystal Bridges Museum of American Art, March 12-July 25, 2022; Museum of Contemporary Art Denver, September 2022-February 2023"--Page iv , Includes artists: Terry Adkins, Charles Henry Alston, Emma Amos, Benny Andrews, Radcliffe Bailey, Romare Bearden, Kevin Beasley, Paul Stephen Benjamin, Julia Beverly, John Biggers, Sanford Biggers, Herman Poole Blount (AKA Sony'r Ra or Sun Ra), Sheila Pree Bright, Beverly Buchanan, Bisa Butler, Elizabeth Catlett, Nick Cave, Mel Chin, Sonya Clark, Bethany Collins, Eldzier Cortor, Abraham Lincoln Criss, Jamal Cyrus, Bruce Davenport Jr. (AKA Dapper Bruce Lafitte), Beauford Delaney, Thornton Dial, Nathaniel Donnett, Aaron Douglas, William Edmondson, Melvin Edwards, Winton and Rosa Eugene, Minnie Evans, Leonard Freed, Theaster Gates, Sam Gilliam, Allison Janae Hamilton, David Hammons, Bessie Harvey, Palmer Hayden (AKA Peyton Cole Hedgeman), Robert Hodge, Earlie Hudnall, Jr., Clementine Hunter, Arthur Jafa, Anderson Johnson, William H. Johnson, Richard FIEND Jones (aka International Jones), Jacob Lawrence, El Franco Lee II, Samella Lewis, James Little, Whitfield Lovell, Jonathan Mannion, Kerry James Marshall, James Martin (AKA Spider Martin), Rodney McMillian, Michi Meko, Jason Moran, Sister Gertrude Morgan, Marilyn Nance (AKA Soulsista), Rashaad Newsome, Tameka Jenean Norris (AKA T.J. Dedeaux-Norris and Meka Jean), Demetrius Oliver, Joe Overstreet, Fahamu Pecou, Rita Mae Pettway, Robert Pruitt, Deborah Roberts, Nadine Robinson, Sulton Rogers, RaMell Ross, Nellie Mae Rowe, Kenneth Royster, Paul Rucker, Augusta Savage, Joyce J. Scott, John Sims, Kevin Sipp, Kaneem Smith, Renée Stout, Jimmy Lee Sudduth, Felandus Thames, Alma Thomas, James Thomas (AKA Son Ford), Bob Thompson, Mildred Thompson, Mose Tolliver, Bill Traylor, Freeman Vines, Kara Walker, Nari Ward, Arliss Watford, Jack Whitten, William T. Williams, Purvis Young
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  • 66
    ISBN: 9789462702363
    Language: English , Dutch
    Pages: 268 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 700.411
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    Keywords: Geschichte 2000- ; Kolonialismus ; Museum ; Kunst ; Antwerpen ; Demokratische Republik Kongo ; Belgien ; Ausstellungskatalog Middelheim Museum 29.05.2021-03.10.2021 ; Ausstellungskatalog, Middelheim Museum, 29.05.2021-03.10.2021, Antwerpen ; Ausstellungskatalog Middelheim Museum 29.05.2021-03.10.2021 ; Antwerpen ; Belgien ; Demokratische Republik Kongo ; Kunst ; Kolonialismus ; Geschichte 2000- ; Museum
    Abstract: One hundred years after the founding of the École Coloniale Supérieure in Antwerp, the adjacent Middelheim Museum invites Sandrine Colard, researcher and curator, to conceive an exhibition that probes silenced histories of colonialism in a site-specific way. For Colard, the term Congoville encompasses the tangible and intangible urban traces of the colony, not on the African continent but in 21st-century Belgium: a school building, a park, imperial myths, and citizens of African descent. In the exhibition and this adjoining publication, the concept Congoville is the starting point for 15 contemporary artists to address colonial history and ponder its aftereffects as black flâneurs walking through a postcolonial city.00Due to the multitude of perspectives and voices, this book is both a catalogue and a reference work comprised of artistic and academic contributions. Together, the participating artists and invited authors unfold the blueprint of 'Congoville', an imaginary city that still subconsciously affects us, but also encourages us to envision a decolonial utopia.00With contributions by: Pieter Boons, Sandrine Colard, Filip De Boeck, Bas De Roo, Nadia Yala Kisukidi, Sorana Munsya & Léonard Pongo, Herman Van Goethem, Sara Weyns, Nabilla Ait Daoud.00Participating artists: Sammy Baloji, Bodys Isek Kingelez, Maurice Mbikayi, Jean Katambayi, KinAct Collective, Simone Leigh, Hank Willis Thomas, Zahia Rahmani, Ibrahim Mahama, Ângela Ferreira, Kapwani Kiwanga, Sven Augustijnen, Pascale Marthine Tayou, Elisabetta Benassi, Pélagie Gbaguidi
    Note: "This publication has been issued on the occasion of the exhibition 'Congoville', Middelheim Museum, Antwerp, Belgium (29 May 2021 - 3 October 2021) , Text auf Englisch und Niederländisch
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  • 67
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    Köln : Verlag der Buchhandlung Walther und Franz König
    ISBN: 9783753300573 , 3753300578
    Language: English , German
    Pages: 120 Seiten , Karte , 30 cm x 23 cm
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    Keywords: Geschichte ; Teke ; Holzplastik ; Kultgegenstand ; Mensch ; Afrika ; Ethnologie ; Teke ; Afrikanische Kultur ; Masken ; Bildband ; Bildband ; Teke ; Kultgegenstand ; Holzplastik ; Mensch ; Geschichte
    Note: Text deutsch und englisch
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  • 68
    ISBN: 9782960137552
    Language: French , English
    Pages: 295 Seiten , Karten , 30 cm
    DDC: 749
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    Keywords: Katalog ; Bildband ; Katalog ; Bildband
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  • 69
    ISBN: 9791186625330
    Language: English , Korean
    Pages: 463 Seiten , Illustrationen, Karte
    Series Statement: Overseas Korean Cultural Heritage 15
    Series Statement: Kugoe han'guk munhwajae
    DDC: 709.52074433698
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    Keywords: Missionsmuseum der Erzabtei St. Ottilien ; Kunst ; Korea ; Katalog Missionsmuseum der Erzabtei St. Ottilien ; Katalog Missionsmuseum der Erzabtei St. Ottilien ; Korea ; Kunst ; Missionsmuseum der Erzabtei St. Ottilien
    Note: Text auf Englisch, teilweise auf Koreanisch
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  • 70
    Image
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    Prinsenbeek : JAP SAM Books
    ISBN: 9789492852335 , 9492852330
    Language: English , Dutch
    Pages: 191 Seiten
    DDC: 700.411
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    Keywords: Bildband ; Bildband ; Niederlande ; Kunst ; Landleben ; Geschichte 2019 ; Rotterdam ; Zuwanderung ; Landbevölkerung ; Andenken
    Abstract: Boerenzij The Rural Side' questions the hegemony of urban culture through encounters with the countryside in the city. This art project created with and by Rotterdammers places rural migration, mindsets, memories, objects and en plein air drawings in the midst of the current gentrification of Rotterdam-Zuid. Boerenzij demands critical awareness of the naturalness with which rural culture is being swallowed up and urbanized worldwide.0
    Note: Text englisch und niederländisch
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  • 71
    ISBN: 9788792596109
    Language: English
    Pages: 295 Seiten
    Edition: 1st edition
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    Keywords: Waffe ; Islamische Staaten ; Ausstellungskatalog The David Collection 26.03.2021-26.07-2021 ; Bildband ; Ausstellungskatalog The David Collection 26.03.2021-26.07-2021 ; Bildband ; Ausstellungskatalog The David Collection 26.03.2021-26.07-2021 ; Bildband ; Islamische Staaten ; Waffe
    Note: Impressum: Catalogue published in conjunction with the exhibition Fighting, Hunting, Impressing - Arms and Armour from the Islamic World 1500-1850. The David Collection, 26 March 2021 - 26 September 2021"
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  • 72
    ISBN: 9781941366325 , 1941366325
    Language: English
    Pages: 627 Seiten , Illustrationen , 23 cm
    DDC: 704.03/096/073
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    Keywords: African American art 20th century ; African American artists History 20th century ; Art and society History 20th century ; Black power History 20th century ; Black Arts movement ; Arts Political aspects ; African American art ; African American artists ; Art and society ; Arts ; Political aspects ; Black Arts movement ; Black power ; Art criticism ; Essays ; History ; Essays ; Art criticism ; United States ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kunstsoziologie ; Schwarze ; Künstler ; Person of Color ; Black power ; Geschichte 1960-1980
    Abstract: "A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition. What is “Black art”? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what “Black art” meant. Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as “Black art” in the first place. Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time. Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever." --
    Note: "Originating in research for the landmark traveling exhibition Soul of a nation: art in the age of Black power, this anthology brings together more than two hundred texts, most of them rare and long out of print"--Page 4 of cover , Contributors include: Lawrence Alloway, Emma Amos, Benny Andrews, Tomie Arai, Ralph Arnold, Dore Ashton, Malcolm Bailey, Amiri Baraka, Romare Bearden, Fred Beauford, Cleveland Bellow, LeGrace G. Benson, Dawoud Bey, Camille Billops, Gloria Bohanon, Claude Booker, Frank Bowling, David Bradford, Peter Bradley, Gwendolyn Brooks, Kay Brown, Milton Brown, Vivian Browne, Linda Goode Bryant, Margaret G. Burroughs, Debbie Butterfield, Steve Cannon, Yvonne Parks Catchings, Elizabeth Catlett, Dana Chandler, Claudia Chapline, Charles Childs, Edward Clark, A.D. Coleman, Dan Concholar, John Coplans, Hugh M. Davies, Douglas Davis, Bing Davis, Alonzo Davis, Dale Davis, Melvin Dixon, Jeff Donaldson, Robert Doty, Emory Douglas, John Dowell, Louis Draper, David C. Driskell, Tony Eaton, Eugene Eda, Melvin Edwards, Ray Elkins, Ralph Ellison, Marion Epting, Elton Fax, Elsa Honig Fine, Frederick Fiske, Babatunde Folayemi, Clebert Ford, Edmund Barry Gaither, Addison Gayle, Henri Ghent, Ray Gibson, Sam Gilliam, Robert H. Glauber, Lynda Goode-Bryant, Allan M. Gordon, Earl G. Graves, Carroll Greene, Abdul Alkalimat, David Hammons, David Henderson, Napoleon Henderson, M.J. Hewitt, Richard Hunt, Sam Hunter, Josine Ianco-Starrels, Nigel Jackson, Jay Jacobs, Jae Jarrell, Wadsworth Jarrell, Daniel LaRue Johnson, Marie Johnson, Walter Jones, Lois Mailou Jones, Barbara Jones-Hogu, Cliff Joseph, Paul Keene, Martin Kilson, Wee Kim, April Kingsley, Hilton Kramer, Jacob Lawrence, Carolyn Lawrence, Don L. Lee, Hughie Lee-Smith, Samella Lewis, Tom Lloyd, Al Loving, Howard Mallory, Earl Roger Mandle, Jan van der Marck, Phillip Mason, James Mellow, Paul Mills, Evangeline J. Montgomery, Toni Morrison, Keith Morrison, Larry Neal, Cindy Nemser, Senga Nengudi, Robert Newman, Lorraine O'Grady, Ademola Olugebefola, John Outterbridge, Joe Overstreet, Marion Perkins, Marcy S. Philips, Howardena Pindell, Mimi Poser, Helaine Posner, Noah Purifoy, Ishmael Reed, Gary Rickson, Clayton Riley, Faith Ringgold, Mark Rogovin, Barbara Rose, Victoria Rosenwald, Joseph Ross, Bayard Rustin, Betye Saar, Raymond Saunders, Robert Sengstacke, Jeanne Siegel, Lowery Stokes Sims, Steve Smith, Beuford Smith, Frank Smith, Val Spaulding, Edward Spriggs, Nelson Stevens, James Stewart, Edward K. Taylor, Alma Thomas, Ruth Waddy, William Walker, Francis and Val Gray Ward, Timothy Washington, Burton Wasserman, Diane Weathers, John Weber, JoAnn Whatley, Charles White, Jack Whitten, Roy Wilkins, William T. Williams, Gerald Williams, Randy Williams, William Wilson, Hale Woodruff and Cherilyn C. Wright , Includes bibliographical references
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  • 73
    ISBN: 9783777436883 , 3777436887
    Language: English
    Pages: 255 Seiten , 28 cm
    Parallel Title: Parallele Sprachausgabe Kirchner und Nolde
    DDC: 709.4307448913
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    Keywords: Ausstellungskatalog SMK - the National Gallery of Denmark 13.02.2021-24.05.2021 ; Ausstellungskatalog Stedelijk Museum Amsterdam 10.07.2021-17.10.2021 ; Ausstellungskatalog Brücke-Museum 22.11.2021-20.03.2022 ; Bildband ; Ausstellungskatalog SMK - the National Gallery of Denmark 13.02.2021-24.05.2021 ; Ausstellungskatalog Stedelijk Museum Amsterdam 10.07.2021-17.10.2021 ; Ausstellungskatalog Brücke-Museum 22.11.2021-20.03.2022 ; Bildband ; Ausstellungskatalog SMK - the National Gallery of Denmark 13.02.2021-24.05.2021 ; Ausstellungskatalog Stedelijk Museum Amsterdam 10.07.2021-17.10.2021 ; Ausstellungskatalog Brücke-Museum 22.11.2021-20.03.2022 ; Bildband ; Afrika ; Ozeanien ; Kultur ; Rezeption ; Kirchner, Ernst Ludwig 1880-1938 ; Nolde, Emil 1867-1956 ; Expressionismus ; Geschichte 1908-1918
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  • 74
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    München : Museum Fünf Kontinente
    Language: German , English
    Pages: 104 Seiten , Illustrationen
    DDC: 750
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    Keywords: Manga ; Rimpa-Schule ; Ausstellungskatalog Museum Fünf Kontinente 24.11.2021-09.01.2022 ; Ausstellungskatalog Museum Fünf Kontinente 24.11.2021-09.01.2022 ; Bildband ; Ausstellungskatalog Museum Fünf Kontinente 24.11.2021-09.01.2022 ; Bildband ; Rimpa-Schule ; Manga
    Note: Text parallel auf Deutsch und Englisch
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  • 75
    Journal/Serial
    Journal/Serial
    Grünwald : Stiebner Verlag GmbH | München : Bruckmann | München : SMG Stiebner Medien GmbH | München : Stiebner ; 43.1972 - 67.1996; 1997-21, 01/02
    Show associated volumes/articles
    ISSN: 1438-1753 , 0302-9794 , 0340-1987
    Language: German , English
    Pages: 30 cm
    Dates of Publication: 43.1972 - 67.1996; 1997-21, 01/02
    Additional Information: Anfangs Beil Fine art printer
    Parallel Title: Erscheint auch als Novum
    Former Title: Fortsetzung von Gebrauchsgraphik
    Former Title: Novum Gebrauchsgraphik
    Former Title: international advertising art
    Former Title: graphisme publicitaire
    Former Title: arte graf́ico publicitario
    Subsequent Title: Aufgegangen in Page
    DDC: 070
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    Keywords: Gebrauchsgraphik ; Zeitschrift ; Zeitschrift ; Gebrauchsgrafik ; Kommunikationsdesign
    Note: Ab 1999 ungezählte Beil.: Novum + , Ersch. monatl. , Text dt. u. engl
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  • 76
    Online Resource
    Online Resource
    Cheltenham, UK ; Northampton, MA, USA : Edward Elgar Publishing
    ISBN: 9781788978033
    Language: English
    Pages: 1 Online-Ressource (xii, 244 Seiten)
    Series Statement: Elgar research agendas
    Parallel Title: Erscheint auch als
    DDC: 303.372
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    Keywords: Political geography ; Geopolitics ; POLITICAL SCIENCE / Geopolitics ; Social justice ; Strukturelle Gewalt ; Anthropogeografie ; Politische Geografie ; Umweltschaden ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Umweltschaden ; Strukturelle Gewalt ; Anthropogeografie ; Politische Geografie
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 77
    ISBN: 978-605-76853-5-3
    Language: English
    Pages: 276 Seiten , Illustrationen, Faksimiles , 24 cm
    Edition: 1st edition
    Uniform Title: Avrupa Şark′ı Bilmez : Eleştirel Bir Söylem (1872-1932)
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    Keywords: Geschichte 1872-1932 ; Rezeption ; Orientalismus ; Orientbild ; Europa ; Türkei ; Osmanisches Reich ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Europa ; Orientbild ; Orientalismus ; Rezeption ; Osmanisches Reich ; Türkei ; Geschichte 1872-1932
    Abstract: A century before the publication of Edward Said’s Orientalism, a passionate discourse emerged in the Ottoman Empire, rebutting politicized Western representations of the East. Until the 1930s, Ottoman and early Turkish Republican intellectuals, well acquainted with the European political and cultural scene and charged with their own ideological agendas, deconstructed tired clichés about "the Orient." In this book, Zeynep Çelik recontextualizes Eurocentric postcolonial studies, unearthing an important episode in modern Middle Eastern intellectual history and curating a selection of primary texts illustrating the debates.
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  • 78
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469664668 , 9781469664651
    Language: English
    Pages: 1 Online-Ressource (xiii, 231 pages) , Illustrations (black and white).
    Series Statement: North Carolina scholarship online
    DDC: 302.23082
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    Keywords: Künste ; Frau ; Sklaverei ; Gewalt ; Violence in literature ; Violence in motion pictures ; Violence on television ; Violence in women in literature ; Women in popular culture ; Women in popular culture ; Violence in women in popular culture ; Violence in women in popular culture ; Slavery History ; Literature ; Literature: history & criticism ; USA ; Karibik
    Abstract: This text examines how violence between women in contemporary Caribbean and American texts is rooted in plantation slavery. Amy King's work goes beyond any other study to date to examine the intersections of gender, sexuality, race, ethnicity, class, ability, and nationality in US and Caribbean depictions of violence between women in the wake of slavery.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 79
    ISBN: 9781452965789
    Language: English
    Pages: 1 Online-Ressource (xiv, 282 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Sprinkle, Annie, 1954 - Assuming the ecosexual position
    DDC: 304.2
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    Keywords: Electronic books ; Electronic books ; Performance ; Ökologie ; Sexualverhalten
    Note: Description based on publisher supplied metadata and other sources
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  • 80
    ISBN: 9780691208190
    Language: English
    Pages: VII, 254 Seiten , Illustrationen, Pläne
    Parallel Title: Erscheint auch als
    DDC: 745.40973/0904
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    Keywords: Geschichte 1950-1959 ; ART / History / General ; Decorative arts Marketing ; Design Social aspects 20th century ; History ; Modernism (Aesthetics) Social aspects ; Power (Social sciences) History 20th century ; Geschlecht ; Design ; Rasse ; Industriedesign ; USA ; USA ; Industriedesign ; Geschichte 1950-1959 ; USA ; Design ; Geschlecht ; Rasse
    Abstract: The first investigation of how race and gender shaped the presentation and marketing of Modernist decor in postwar AmericaIn the world of interior design, mid-century Modernism has left an indelible mark still seen and felt today in countless open-concept floor plans and sleek, geometric furnishings. Yet despite our continued fascination, we rarely consider how this iconic design sensibility was marketed to the diverse audiences of its era. Examining advice manuals, advertisements in Life and Ebony, furniture, art, and more, Mid-Century Modernism and the American Body offers a powerful new look at how codes of race, gender, and identity influenced-and were influenced by-Modern design and shaped its presentation to consumers.Taking us to the booming suburban landscape of postwar America, Kristina Wilson demonstrates that the ideals defined by popular Modernist furnishings were far from neutral or race-blind. Advertisers offered this aesthetic to White audiences as a solution for keeping dirt and outsiders at bay, an approach that reinforced middle-class White privilege. By contrast, media arenas such as Ebony magazine presented African American readers with an image of Modernism as a style of comfort, security, and social confidence. Wilson shows how etiquette and home decorating manuals served to control women by associating them with the domestic sphere, and she considers how furniture by George Nelson and Charles and Ray Eames, as well as smaller-scale decorative accessories, empowered some users, even while constraining others. A striking counternarrative to conventional histories of design, Mid-Century Modernism and the American Body unveils fresh perspectives on one of the most distinctive movements in American visual culture
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  • 81
    ISBN: 9781946433275 , 1946433276
    Language: English
    Pages: 215 Seiten , Illustrationen
    Edition: First edition
    DDC: 709.47
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    Keywords: Rudd, Wayland ; Art ; Mass media ; Black people in art ; Black people in mass media ; Black people ; Art - URSS ; Médias - URSS ; Personnes noires dans l'art ; Personnes noires dans les médias ; Noirs - URSS ; Art ; Mass media ; Race relations ; Soviet Union Race relations ; Soviet Union ; Sowjetunion ; Kunst ; Massenmedien ; Person of Color ; Rassismus ; Geschichte 1923-1980 ; Schwarze
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  • 82
    Book
    Book
    Charlottesville : University of Virginia Press
    ISBN: 9780813943749
    Language: English
    Pages: xviii, 194 Seiten , Illustrationen
    Series Statement: Midcentury: architecture, landscape, urbanism, and design
    Parallel Title: Erscheint auch als Grubiak, Margaret M Monumental jesus
    DDC: 306.6/773
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    Keywords: Christianity and culture ; Cultural landscapes ; Popular culture Religious aspects ; Christianity ; United States Religion ; USA ; Religiöse Kunst ; Architektur ; Monumentalplastik
    Abstract: Touchdown Jesus! -- Dorothy, The Wizard of Oz, and the Mormon Temple -- Adventures in the evangelical theme park -- Charles Darwin's Night at the Creation Museum -- Gumby Jesus.
    Abstract: "This book explores how religious doubt is made manifest in the built environment by taking seriously the humorous, satirical, blasphemous, and popular culture responses to religious architecture and image in modern America. It challenges how audiences typically consider religious architecture by shifting the focus from believers to doubters and from architectural producers to architectural consumers. Its chapters explore landscapes of doubt created by "Touchdown Jesus" at the University of Notre Dame in Indiana; the Mormon temple outside Washington, D.C., recast as something from The Wizard of Oz; Jerry Falwell's waterslide plunge photograph and The Simpson's "Praiseland" episode satirizing Jim and Tammy Faye Bakker's Heritage USA evangelical theme park in South Carolina; the doctored photograph making fun of Oral Roberts's claim of seeing a 900-foot Jesus at Oral Roberts University in Tulsa, Oklahoma; MAD magazine's "Charles Darwin's Night at the Creation Museum" parody of the Creation Museum in Kentucky; and the "Gumby Jesus" renaming of the Christ of the Ozarks statue in Eureka Springs, Arkansas. These expressions of doubt activate the religious built environment in ways unanticipated but illuminating, asking Americans to consider and clarify what it is they believe"--
    Note: Includes bibliographical references and index
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  • 83
    Book
    Book
    Gainesville (und neun weitere] : University Press of Florida
    ISBN: 9780813066622
    Language: English
    Pages: xv, 217 Seiten , Illustrationen, Karten , 24 cm
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Sachkultur ; Frau ; Wikinger ; Textilherstellung ; Nordische Staaten ; Textile fabrics, Viking / Scandinavia / History ; Women weavers / Scandinavia / History ; Textile fabrics / Scandinavia / History ; Vikings / Clothing / Scandinavia ; Women, Viking / History ; Textile fabrics / North Atlantic Region / History ; Textile fabrics ; Textile fabrics, Viking ; Women, Viking ; Women weavers ; North Atlantic Region ; Scandinavia ; History ; Nordische Staaten ; Wikinger ; Frau ; Textilherstellung ; Sachkultur ; Geschichte
    Abstract: "Michèle Hayeur Smith uses Viking textiles as evidence for the little-known work of women in the Norse colonies that expanded from Scandinavia across the North Atlantic in the 9th century AD"--
    Description / Table of Contents: "Cold are the Counsels of Women": Bloodied Warps and Gilded Wefts -- the Engendered Economy of Cloth in the North Atlantic -- Weaving in the Viking Age: Iceland and the North Atlantic Expansion -- Textiles, Weaving, and Currency in Iceland during the Middle Ages -- Textiles in Greenland During the Medieval Period -- Cloth, Currency, Climate Change and Subsistence in Greenland -- Textiles and Trade in the North Atlantic during the Late Middle Ages and Early Modern Period -- The Danish Trade Monopoly in the North Atlantic and the Transformation of Women's Roles in Textile Production
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  • 84
    Online Resource
    Online Resource
    Cham : Palgrave Macmillan
    ISBN: 9783030371371
    Language: English
    Pages: 1 Online-Ressource (xvii, 252 Seiten)
    Series Statement: New directions in Latino American cultures
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.098
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    Keywords: Geschichte 2000-2019 ; Latin American Culture ; Arts ; Latino Culture ; Ethnology—Latin America ; Arts ; Künste ; Kunstbetrieb ; Kultur ; Brasília ; Brasília ; Kultur ; Künste ; Kunstbetrieb ; Geschichte 2000-2019
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 85
    ISBN: 9781350187139
    Language: English
    Pages: 1 Online-Ressource (xvi, 280 Seiten)
    Parallel Title: Erscheint auch als Feminism and art in postwar Italy
    DDC: 305.42094509045
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    Keywords: Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Italien ; Frauenkunst ; Feminismus ; Geschichte 1964-1980 ; Lonzi, Carla 1931-1982
    Abstract: Cover -- Contents -- List of illustrations -- List of contributors -- Acknowledgements -- Introduction Against culture: Feminism and art in postwar Italy Francesco Ventrella and Giovanna Zapperi -- Part One Art writing against art -- 1 Carla Lonzi: Encountering American art Judith Russi Kirshner -- 2 Magnetic encounters: Listening to Carla Lonzi's tape recordings Francesco Ventrella -- 3 (Post-)normative silence Sabeth Buchmann -- Part Two Creativity and the feminist subject -- 4 The making of a feminist subject: Autonomy, authenticity and withdrawal Giovanna Zapperi -- 5 Turbulence zone: Diasporic resonances across Carla Lonzi's archive Liliana Ellena -- 6 'I thought art was for women' Suzanne Santoro interviewed by Francesco Ventrella and Giovanna Zapperi -- Part Three Art as relation -- 7 The end of the affair: Carla Lonzi and the politics of Rapporto Leslie Cozzi -- 8 Reimagining the family album: Carla Lonzi's Autoritratto Teresa Kittler -- 9 The Cooperativa Beato Angelico: A feminist art space in Rome Katia Almerini -- Part Four Genealogies and resonances -- 10 Free escape Elisabeth Lebovici -- 11 Feminism and art c. 1970: Writing (art) otherwise Griselda Pollock -- Index.
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  • 86
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Pivot
    ISBN: 9783030453985
    Language: English
    Pages: 1 Online-Ressource (VIII, 145 p. 1 illus)
    Edition: 1st ed. 2020
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.098
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    Keywords: Geschichte 2000-2020 ; Latin American Culture ; Digital/New Media ; Latin American/Caribbean Literature ; Culture and Technology ; Literature and Technology/Media ; Poetry and Poetics ; Ethnology—Latin America ; Digital media ; Latin American literature ; Culture ; Technology ; Technology in literature ; Poetry ; Computerkunst ; Internetliteratur ; Neue Medien ; Lateinamerika ; Computerkunst ; Internetliteratur ; Neue Medien ; Lateinamerika ; Geschichte 2000-2020
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 87
    ISBN: 9781788740142
    Language: English
    Pages: xviii, 324 Seiten , Illustrationen
    Series Statement: Cultural memories vol. 13
    Series Statement: Cultural memories
    DDC: 306.47
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    Keywords: Fontana di Trevi (Rome, Italy) ; Fountains ; Memory Social aspects ; Rome (Italy) Buildings, structures, etc ; Fontana di Trevi ; Macht ; Repräsentation ; Kollektives Gedächtnis ; Fontana di Trevi ; Kollektives Gedächtnis ; Macht ; Repräsentation
    Abstract: "Why do you throw a coin into the Trevi Fountain and make a wish? This book links cultural memory with the materiality of the Trevi Fountain as historical monument and uses this perspective to examine its imagery in art, literature, film and music, concluding with the e-Trevi on the internet. How memory takes different pathways is of current interest in memory studies and the cross-disciplinary approach taken here considers how memory travels between media as well as exploring related issues such as forgetting and media convergence. Yet there is a dark side to the Trevi, previously unexplored, of memory linked to water, which runs counter to its usual blue sky image. This ambiguity is unravelled. The book also conveys the international, national and localized meanings of the Fountain and describes the changing ideologies that are hidden in the many performances the monument is made to give. The Trevi is symbolic of commodification and misogyny, symbols that flow with changing and contemporary meanings. Throw your coin with care!"--
    Note: Includes bibliographical references and index
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  • 88
    ISBN: 9784866581354 , 4866581352
    Language: English
    Pages: 167 Seiten , Illustrationen, Karten , 28 cm
    Edition: First English edition
    Series Statement: Japan Library
    Uniform Title: Motto shiritai Itō Jakuchū
    Parallel Title: Übersetzung von Satō, Yasuhiro Motto shiritai Itō Jakuchū
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    Keywords: Itō, Jakuchū ; Malerei ; Japan ; Itō, Jakuchū / 1716-1800 ; Artists / Japan / Biography ; Artists ; Japan ; Biographies ; Biographies ; Bildband ; Itō, Jakuchū 1716-1800 ; Malerei ; Japan
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  • 89
    Online Resource
    Online Resource
    Charlottesville : University of Virginia Press
    ISBN: 9780813943800
    Language: English
    Pages: 1 Online-Ressource (xi, 287Seiten) , Illustrationen
    Series Statement: New World Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Electronic books
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  • 90
    ISBN: 9781108741651
    Language: English
    Pages: xv, 360 Seiten , Illustrationen
    Edition: First paperback edition
    Parallel Title: Erscheint auch als Japan's castles
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  • 91
    ISBN: 9788290625974 , 8290625979
    Language: English
    Pages: 232 Seiten , Illustrationen, Karten , 24 cm
    DDC: 704.039457
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    Keywords: Samisk kunst ; Kunsthistorie ; Kunstnere ; Kunstnarar ; Samer ; Samar ; Mázejoavku ; Geschichte 1978-1983
    Abstract: The book documents the history of the legendary Sámi artist collective Mázejoavku (1978-1983), and deals with the importance of the group historically and also in relation to other Sámi artists and Indigenous collectives and practitioners globally today. The Sámi Artist Group was the first generation of young Sámi artists to regain pride in their Sámi heritage, to express their Sáminess freely, and to reclaim a renewed space within Sápmi by advocating and negotiating Sámi thinking and being through the arts. The book is based on individual interviews and extensive research by author Susanne Hætta. In addition it includes a rich selection of archival photographic material, as well as texts by Yorta Yorta curator and writer Kimberley Moulton, Spanish/British art historian Katya García-Antón and Sámi scholar and duojár Liisa-Rávná Finbog. The publication is edited by Katya García-Antón, and is co-published by Office for Contemporary Art Norway (OCA) and the Sámi publishing house DAT. ___________________ Boken handler om det samiske kunstnerkollektivet Mázejoavku/Masigruppen (1978-1983) og deres betydning betydning historisk i relasjon til andre samiske kunstnere, samt urfolkskollektiver og utøvende kunstnere globalt. Mázejoavku var første generasjon samiske kunstnere som med stolthet åpent stod frem med sin bakgrunn, hevdet sin rett til å være samer, og re-definerte og høynet statusen for samisk kunst. Boken er tuftet på personlige intervjuer og omfattende forskning av forfatteren Susanne Hætta. I tillegg har den et rikt billedmateriale og tekstbidrag fra Yorta Yorta-kurator og skribent Kimberley Moulton, forsker og duojár Liisa-Rávná Finbog, samt den spansk-britiske kunsthistorikeren Katya García-Antón, som også har vært bokens redaktør. Boken publiseres i samarbeid mellom Office for Contemporary Art Norway, OCA, og det samiske forlaget DAT
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  • 92
    ISBN: 9781405198509 , 9781119642046
    Language: English
    Pages: lv, 594 Seiten, 16 ungezählte Seiten , Illustrationen
    Edition: Paperback edition, first edition
    Series Statement: The international handbooks of museum studies
    Parallel Title: Äquivalent
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    Keywords: Kollektives Gedächtnis ; Postkolonialismus ; Entkolonialisierung ; Museum ; Museumspädagogik ; Kulturpolitik ; Kulturerbe ; Aufsatzsammlung ; Aufsatzsammlung ; Museum ; Entkolonialisierung ; Postkolonialismus ; Kulturpolitik ; Museumspädagogik ; Kollektives Gedächtnis ; Kulturerbe
    URL: Cover
    URL: Cover
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  • 93
    ISBN: 9789493148413 , 9493148416
    Language: English
    Pages: 381 Seiten , Illustrationen
    Series Statement: Onomatopee 196
    DDC: 700.411
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Kunst ; Niederlande ; Deutschland ; COVID-19 ; Geschichte ; COVID-19 ; Pandemie ; Gesellschaft ; Kultur ; Zukunft ; Utopie
    Abstract: Sixteen culture makers who are "Zeitzeugen" (contemporary witnesses) of the COVID-19 pandemic sketch how things can be different in the future. Their visions for the future came about as a reaction to the disruption of their plans for 2020, and have one thing in common: the ambition to change and to widen the limits of our imagination.00The visions and recipes of these writers, academics, philosophers, singers, visual artists, theatre makers and designers working in the Netherlands and Germany, paint a heterogeneous picture. They develop through themes such as real utopias, sustainability, the new domesticity, and the role of cultural institutions in our society,00This collection is flavoured with the food recipes that every maker has contributed. The menu ranges from eating earth to corona ice cream, from French toast to Mushrooms at the end of the world, and tastes like more
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  • 94
    ISBN: 9781350070387
    Language: English
    Pages: xv, 227 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als Stitching the self
    DDC: 746.4
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    Keywords: Needlework History ; Needlework Social aspects ; Expression in art ; Expression in art ; Needlework ; History ; Konferenzschrift 2015 ; Stickerei ; Bildstickerei ; Selbstbild ; Art brut ; Geschichte 1850-2008 ; Geschlechterrolle ; Frau ; Identität
    Note: Includes bibliographical references and index
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  • 95
    ISBN: 9781472121097 , 9781472121080
    Language: English
    Pages: xxiii, 855 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen, Portraits
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    Keywords: McLaren, Malcolm ; Geschichte 1946-2010 ; Musikmanager ; Musiker ; Künstler ; Großbritannien ; McLaren, Malcolm / 1946-2010 ; Sound recording executives and producers / Great Britain / Biography ; Musicians / Great Britain / Biography ; Biographies ; Biografie ; Biografie ; McLaren, Malcolm 1946-2010 ; Großbritannien ; Musiker ; Künstler ; Musikmanager ; Geschichte 1946-2010
    Abstract: Malcolm McLaren was one of the most culturally significant but misunderstood figures of the modern era. Ten years after his life was cruelly cut short by cancer, The Life & Times of Malcolm McLaren sheds fascinating new light on the public achievements and private life of this cultural iconoclast and architect of punk, whose championing of street culture movements including hip-hop and Voguing reverberates to this day. With exclusive contributions from friends and intimates and access to private papers and family documents, this biography uncovers the true story behind this complicated figure. McLaren first achieved public prominence as a rebellious art student by making the news in 1966 after being arrested for burning the US flag in front of the American Embassy in London. He maintained this incendiary reputation by fast-tracking vanguard and left-field ideas to the centre of the media glare, via his creation and stewardship of the Sex Pistols and work with Adam Ant, Boy George and Bow Wow Wow. Meanwhile McLaren's ground-breaking design partnership with Vivienne Westwood and his creation of their visionary series of boutiques in the 1970s and early '80s sent shockwaves through the fashion industry. The Life & Times of Malcolm McLaren also essays McLaren's exasperating Hollywood years when he broke bread with the likes of Steven Spielberg though his slate of projects, which included the controversial Surf Nazis Must Die and Wilde West, in which Oscar Wilde introduced rock'n'roll to the American mid-west in the 1880s, proved too rich for the play-it-safe film business. With a preface by Alan Moore, who collaborated with McLaren on the unrealised film project Fashion Beast, and an essay by Lou Stoppard casting a twenty-first-century perspective over his achievements, The Life & Times Of Malcolm McLaren is the explosive and definitive account of the man dubbed by Melvyn Bragg 'the Diaghilev of punk'
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  • 96
    ISBN: 9783038601883 , 3038601888
    Language: English , German
    Pages: 216 Seiten , Illustrationen , 29.7 cm x 13.5 cm
    DDC: 709.43155090512
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Modellprojekt Haus der Statistik ; Stadtentwicklung ; Sozialer Wandel ; Kunst ; Öffentlicher Raum ; Geschichte 2015-2020 ; Deutschland ; Staatskunst ; Architektur ; Modellprojekt Haus der Statistik ; Stadtentwicklung ; Sozialer Wandel ; Kunst ; Öffentlicher Raum ; Geschichte 2015-2020
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  • 97
    ISBN: 9789490153328 , 949015332X
    Language: English
    Pages: 184 Seiten , Illustrationen
    Series Statement: KA series 32
    Parallel Title: Parallele Sprachausgabe
    DDC: 700.411
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    Keywords: 20.10 art and society: general ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; USA ; New York- Harlem ; Kunstsoziologie ; Kunst ; Künstler ; Person of Color ; Geschichte 1920-2010 ; USA ; Schwarze ; Kunst ; Geschichte 1920-2020
    Abstract: Tell Me Your Story' starts with the Harlem Renaissance. Harlem in the 1920s saw a flurry of activity by African American authors, musicians and theatre makers, resulting in a vibrant visual arts scene. Black culture is currently enjoying another renaissance, and African American artists are more visible than ever in the United States. The exhibition places contemporary artists in the context of their predecessors.00'Tell Me Your Story' focuses on five chronological periods: the Harlem Renaissance, Post Harlem Renaissance, Civil Rights, Black Renaissance and the Bloom Generation. The artists in each of these distinct periods shared one common characteristic: the need to express themselves and safeguard the vital African tradition of storytelling.00The exhibition is being organised as part of Kunsthal KAdE's 2020 trilogy on the United States, inspired by the upcoming presidential election on 3 November. This is a key moment in a politically and socially polarised nation. Over the course of the elections KAdE will be holding a presentation exploring the role of artists in the current US environment. The summer period will see the launch of an exhibition on Art Activism in New York during the 1980s, another decade shaped by politically engaged artists.00Exhibition: Kunsthal KAdE, Amersfoort, The Netherlands (08.02.-17.05.2020)
    Note: Umschlagtitel , Seite 184: Exhibition catalogue published on the occasion of the exhibition "Tell me your story. 100 years of storytelling in African American art", February 8, 2020-May, 17, 2020
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  • 98
    ISBN: 9789492660176
    Language: English
    Pages: 95 Seiten , Illustrationen
    Series Statement: Studies in history Vol. 2
    Series Statement: Studies in history
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    Keywords: Grootveld, Robert Jasper 1932-2009 ; Einklebebuch ; Gegenkultur
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  • 99
    Title: よみがえる正倉院宝物 : 再現模造にみる天平の技 : 御大典記念 特別展
    Publisher: [大阪] : 朝日新聞社
    Language: Japanese , English
    Pages: 223 Seiten , 28 cm
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    Keywords: Shōsōin (Nara-shi, Japan) Exhibitions ; Shōsōin (Nara-shi, Japan) ; 正倉院 ; 正倉院 (Nara-shi, Japan) ; Exhibitions ; Decorative arts Exhibitions ; Decorative arts Exhibitions ; Decorative arts ; Shōsōin ; Exhibition catalogs ; 展覧会カタログ ; 美術(日本) 歴史 ; 奈良時代 ; 図集 ; Japan ; Nara-shi ; Japan ; Ausstellungskatalog Nara Kokuritsu Hakubutsukan 18.04.2020-14.06.2020 ; Ausstellungskatalog Matsumotoshi Bijutsukan 18.07.2020-30.08.2020 ; Ausstellungskatalog Matsuzakaya Bijutsukan 03.10.2020-23.11.2020 ; Ausstellungskatalog Okinawa Kenritsu Hakubutsukan Bijutsukan 09.02.2021-28.03.2021 ; Ausstellungskatalog Kyūshū Kokuritsu Hakubutsukan 20.04.2021-13.06.2021 ; Ausstellungskatalog Niitaga Kenritsu Kindai Bijutsukan 03.07.2021-29.08.2021 ; Ausstellungskatalog Hokkaidōritsu Kindai Bijutsukan 15.09.2021-07.11.2021 ; Ausstellungskatalog Santorī Bijutsukan 26.01.2022-27.03.2022 ; Bildband ; Ausstellungskatalog Nara Kokuritsu Hakubutsukan 18.04.2020-14.06.2020 ; Ausstellungskatalog Matsumotoshi Bijutsukan 18.07.2020-30.08.2020 ; Ausstellungskatalog Matsuzakaya Bijutsukan 03.10.2020-23.11.2020 ; Ausstellungskatalog Okinawa Kenritsu Hakubutsukan Bijutsukan 09.02.2021-28.03.2021 ; Ausstellungskatalog Kyūshū Kokuritsu Hakubutsukan 20.04.2021-13.06.2021 ; Ausstellungskatalog Niitaga Kenritsu Kindai Bijutsukan 03.07.2021-29.08.2021 ; Ausstellungskatalog Hokkaidōritsu Kindai Bijutsukan 15.09.2021-07.11.2021 ; Ausstellungskatalog Santorī Bijutsukan 26.01.2022-27.03.2022 ; Bildband ; Ausstellungskatalog
    Note: 会期・会場: 2020年4月18日(土)-6月14日(日):奈良国立博物館, 2020年7月18日(土)-8月30日(日):松本市美術館, 2020年10月3日(土)-11月23日(月・祝):松坂屋美術館, 2021年2月9日(火)-3月28日(日):沖縄県立博物館・美術館, 2021年4月20日(火)-6月13日(日):九州国立博物館, 2021年7月3日(土)-8月29日(日):新潟県立近代美術館, 2021年9月15日(水)-11月7日(日):北海道立近代美術館, 2022年1月26日(水)-3月27日(日):サントリー美術館 , 主催: 宮内庁正倉院事務所, サントリー美術館, 朝日新聞社, NHK [ほか] , 学術協力: 奈良国立博物館, 九州国立博物館 , その他の編集: 奈良国立博物館, 九州国立博物館, 朝日新聞社 , Zeittafel: Seite 160-163 , Bibliographie: Seite 206 , Liste der Werke: Seite 207-211 , In Japanese, with greetings and list of plates also in English
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  • 100
    ISBN: 9783960988571 , 3960988575
    Language: English , German
    Pages: 235 Seiten , Illustrationen , 23 cm x 16 cm
    Series Statement: n.b.k.-Diskurs / Neuer Berliner Kunstverein 14
    Series Statement: VALIE EXPORT Center Linz Schriften Band 1
    Series Statement: VALIE EXPORT Center Linz Schriften
    DDC: 306.4613
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    Keywords: VALIE EXPORT ; Körper ; Virtuelle Realität ; Kultur ; Medien ; Prothese ; Ausstellungskatalog Neuer Berliner Kunstverein 23.11.2019-26.01.2020 ; Ausstellungskatalog Neuer Berliner Kunstverein 23.11.2019-26.01.2020 ; Ausstellungskatalog Neuer Berliner Kunstverein 23.11.2019-26.01.2020 ; VALIE EXPORT 1940- ; Körper ; Prothese ; Virtuelle Realität ; Medien ; Kultur
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