ISBN:
9781136182099
Sprache:
Englisch
Seiten:
1 Online-Ressource (351 pages)
Serie:
Routledge Studies in Ethnomusicology Ser v.4
Paralleltitel:
Erscheint auch als Krüger, Simone The Globalization of Musics in Transit : Music Migration and Tourism
DDC:
306.4842
Schlagwort(e):
Music and tourism.;Emigration and immigration.;Music and globalization.;Ethnomusicology
;
Music and tourism
;
Emigration and immigration
;
Music and globalization
;
Ethnomusicology
Kurzfassung:
Cover -- The Globalization of Musics in Transit -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- List of Figures -- Acknowledgments -- Introduction: Touristic and Migrating Musics in Transit -- Part I Music and Tourism -- 1 Heritage Rocks! Mapping Spaces of Popular Music Tourism -- 2 Negotiating Musical Boundaries and Frontiers: Tourism, Child Performers, and the Tourist-Ethnographer in Bali, Indonesia -- 3 The Staged Desert: Tourist and Nomad Encounters at the Festival au Désert -- 4 The Golden Fleece: Music and Cruise Ship Tourism -- 5 Mobilizing Music Festivals for Rural Transformation: Opportunities and Ambiguities -- 6 Branding the City: Music Tourism and the European Capital of Culture Event -- 7 Goatrance Travelers: Psychedelic Trance and Its Seasoned Progeny -- Part II Music and Migration -- 8 Global Balkan Gypsy Music: Issues of Migration, Appropriation, and Representation -- 9 From the Shtetl to the Gardens and Beyond: Identity and Symbolic Geography in Cape Town's Synagogue Choirs -- 10 Reimagining the Caucasus: Music and Community in the Azerbaijani Aşıq Tradition -- 11 From Burger Highlife to Gospel Highlife: Music, Migration, and the Ghanaian Diaspora -- 12 Transnational Samba and the Construction of Diasporic Musicscapes -- 13 Music in Cyberspace: Transitions, Translations, and Adaptations on Romanian Diasporic Websites -- Afterword: Identities and Tourisms in Globalized Neoliberal Capitalism -- Contributors -- Index.
Kurzfassung:
This book traces the particularities of music migration and tourism in different global settings, and provides current, even new perspectives for ethnomusicological research on globalizing musics in transit. The dual focus on tourism and migration is central to debates on globalization, and their examination-separately or combined-offers a useful lens on many key questions about where globalization is taking us: questions about identity and heritage, commoditization, historical and cultural representation, hybridity, authenticity and ownership, neoliberalism, inequality, diasporization, the relocation of allegiances, and more. Moreover, for the first time, these two key phenomena-tourism and migration-are studied conjointly, as well as interdisciplinary, in order to derive both parallels and contrasts. While taking diverse perspectives in embracing the contemporary musical landscape, the collection offers a range of research methods and theoretical approaches from ethnomusicology, anthropology, cultural geography, sociology, popular music studies, and media and communication. In so doing, Musics in Transit provides a rich exemplification of the ways that all forms of musical culture are becoming transnational under post-global conditions, sustained by both global markets and musics in transit, and to which both tourists and diasporic cosmopolitans make an important contribution
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