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  • Regensburg UB  (17)
  • München UB  (9)
  • MEK Berlin  (8)
  • History
  • Musicology  (29)
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  • 1
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781009420198
    Language: English
    Pages: xv, 415 Seiten , 24 cm
    Series Statement: Cambridge themes in American literature and culture
    Parallel Title: Erscheint auch als
    DDC: 781.650973
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    Keywords: Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Abstract: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
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  • 2
    ISBN: 9783447111058
    Language: English
    Pages: XIX, 475 Seiten , Illustrationen
    Series Statement: Jüdische Musik Band 17
    Series Statement: Jüdische Musik
    Parallel Title: Erscheint auch als
    DDC: 780
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    Keywords: Cultural Studies ; East European Studies ; Folkore Studies ; History ; Jewish Studies ; Klezmer ; Musicology ; Religious Studies
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  • 3
    Book
    Book
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781108837057 , 9781108940030
    Language: English
    Pages: xv, 295 Seiten
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Musikleben ; Musikbranche ; K-Pop ; Popmusik ; Korea ; Popular music / Korea (South) / History and criticism ; Sound recording industry / Korea (South) / History ; Popular music / Korea (South) / Production and direction ; Music and transnationalism ; Music and transnationalism ; Popular music ; Sound recording industry ; Korea (South) ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; K-Pop ; Korea ; Popmusik ; Musikleben ; Musikbranche ; Geschichte
    Abstract: "How did Korea come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence within the rapidly changing media environment and consumerist culture in the new millennium? As an informed guide for finding answers to these questions, The Cambridge Companion to K-Pop probes the complexities of K-pop as both a music industry and a transnational cultural scene. It investigates the meteoric ascent of K-pop against the backdrop of increasing global connectivity wherein a distinctive model of production and consumption is closely associated with creativity and futurity"--
    Description / Table of Contents: Introduction. Korea's Moment in the Limelight / Suk-Young Kim -- Part I. Genealogies. Sticking It to the Man : Early Neoliberalism in Korean Pop Music / by Roald Maliangkay ; Itaewon Class, Gangnam Style, and Yeouido Star : The Industrial Revolution of Korean Pop in the 1990s / by Hyunjoon Shin -- Part II. Sounding Out K-Pop. Finding the K in K-Pop Musically : A Stylistic History / by Jung-Min Mina Lee ; Recording the Soundscape of K-Pop / by Hyewon Kim -- Part III. Dancing to K-Pop. K-Pop Dance Music Video Choreography / by Chuyun Oh ; Embodying K-Pop Hits through Cover Dance Practices / by CedarBough T. Saeiji -- Part IV. The Making of Idols. K-Pop Idols: Media Commodities, Affective Laborers, and Cultural Capitalists / by Stephanie Choi ; From K-Pop to Z-Pop : The Pan-Asian Production, Consumption, and Circulation of Idols / by So-Rim Lee -- Part V. The Band That Surprised the World. BTS, Transmedia, and Hip Hop / by Kyung Hyun Kim ; The BTS Phenomenon / by Suk-Young Kim and Youngdae Kim ; Transcultural Fandom: BTS and ARMY / by Candace Epps-Robertson -- Part VI. Circuits of K-Pop Flow. K-pop and the Participatory Condition : Vicarity, Serial Affect, and 'Real-Life Contents' / by Michelle Cho ; Idol Shipping Culture : Exploring Queer Sexuality Among Fans of K-Pop / by Thomas Baudinette ; Following the Footsteps of BTS : The Global Rise of K-Pop Tourism / by Youjeong Oh
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  • 4
    Book
    Book
    London ; New York ; Oxford ; New Delhi ; Sydney : I.B. Tauris
    ISBN: 9780755641819
    Language: English
    Pages: 284 Seiten
    Edition: Paperback edition
    Series Statement: The early and medieval Islamic world
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 800-1400 ; Musikleben ; Islam ; Musik ; Musiker ; Naher Osten ; Music / Islamic countries / History / To 1500 ; Musicians / Islamic countries / History / To 1500 ; Musicology / Islamic countries ; Islamic countries / Social conditions ; Music ; Musicians ; Musicology ; Social conditions ; Islamic countries ; To 1500 ; History ; Naher Osten ; Islam ; Musik ; Geschichte 800-1400 ; Naher Osten ; Islam ; Musikleben ; Musiker
    Abstract: "During the early medieval Islamicate period (800-1400 CE), discourses concerned with music and musicians were wide-ranging and contentious, and expressed in works on music theory and philosophy as well as literature and poetry. But in spite of attempts by influential scholars and political leaders to limit or control musical expression, music and sound permeated all layers of the social structure. Lisa Nielson here presents a rich social history of music, musicianship and the role of musicians in the early Islamicate era. Focusing primarily on Damascus, Baghdad and Jerusalem, Lisa Nielson draws on a wide variety of textual sources written for and about musicians and their professional/private environments -- including chronicles, literary sources, memoirs and musical treatises -- as well as the disciplinary approaches of musicology to offer insights into musical performances and the lives of musicians. In the process, the book sheds light onto the dynamics of medieval Islamicate courts, as well as how slavery, gender, status and religion intersected with music in courtly life. It will appeal to scholars of the Islamicate world and historical musicologists."--
    Note: Literaturverzeichnis Seite [255]-271
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  • 5
    Book
    Book
    New York, NY : Pegasus Books
    ISBN: 9781639362073
    Language: English
    Pages: 388 Seiten, 16 ungezählte Blätter Tafeln , Illustrationen, Porträts
    Edition: First Pegasus Books cloth edition
    Parallel Title: Erscheint auch als
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    Keywords: The Rolling Stones ; Geschichte 1962-2022 ; Rolling Stones ; Rolling Stones / History ; Rock musicians / England / Biography ; Rolling Stones ; Rock musicians ; England ; Biographies ; History ; Biographies ; Biografie ; Biografie ; The Rolling Stones ; Geschichte 1962-2022
    Abstract: "An acclaimed rock and roll journalist evokes the legacy of The Rolling Stones--iconic, granitic, commercially unstoppable as a collective; and fascinating, contradictory, and occasionally disturbing as individuals. As Lesley-Ann Jones writes, the Rolling Stones are 'still roaming the globe like rusty tanks without a war to go to. Jumping, jacking, flashing, posturing, these septuagenarian caricatures with faces that might have been microwaved but coming on like eternal thirty-year-olds.' On 12th July 1962, the Rollin' Stones performed their first-ever gig at London's Marquee jazz club. Down the line, a 'g' was added, a spark was lit and their destiny was sealed. No going back. These five white British kids set out to play the music of black America. They honed a style that bled bluesy undertones into dark insinuations of women, sex, and drugs. Denounced as 'corruptors of youth' and 'messengers of the devil,' they created some of the most thrilling music ever recorded. Now their sound and attitude seem louder and more influential than ever. Elvis is dead and the Beatles are over, but Jagger and Richards bestride the world. The Stones may be gathering moss, but on they roll. Yet how did the ultimate anti-establishment misfits become the global brand we know today? Who were the casualties, and what are the forgotten legacies? Can the artist ever be truly divisible from the art? Lesley-Ann Jones's new history tracks this contradictory, disturbing, granitic and unstoppable band through hope, glory and exile, into the juggernaut years and beyond into rock's ongoing reckoning...where the Stones seem more at odds than ever with the values and heritage against which they have always rebelled. Good, bad, and often ugly, here are the Rolling Stones as never seen before"--
    Description / Table of Contents: Karma -- Joner -- Mick'n'keef -- Drum'n'bass -- Hustlers -- Heyday -- Reaction -- Marianne -- Anita -- Redlands -- Mouche -- Christopher Robin -- Altamont -- Exile -- Crisis -- Juggernaut -- Mandy -- Cliodhna -- Resonance -- So long -- Roots -- Out of timeline -- Stones women -- Chapter notes -- Quote, unquote -- Select bibliography -- Acknowledgements -- Index
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  • 6
    ISBN: 9789004464414
    Language: English
    Pages: 1 Online-Ressource , Illustrationen, Diagramme
    Series Statement: Scottish cultural review of language and literature volume 31
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Volkslied ; Schottland ; Folk songs, Scots / Scotland / Sources ; Folk songs, English / Scotland / Sources ; Folk songs, Scots / Scotland / History and criticism ; Folk songs, English / Scotland / History and criticism ; Scots / Music / History and criticism ; Scottish Travellers (Nomadic people) / Music / History and criticism ; Music / Social aspects / Scotland / History ; Folk singers / Scotland ; Greig-Duncan folk song collection ; School of Scottish Studies Archives (Edinburgh) ; Folk singers ; Folk songs, English ; Folk songs, Scots ; Music / Social aspects ; Scotland ; Criticism, interpretation, etc ; History ; Sources ; Schottland ; Volkslied ; Geschichte
    Abstract: "This book offers a detailed analysis of two major Scottish folk song collections, the Greig-Duncan Collection, and the Scots folk song material of the School of Scottish Studies Archives. This exhaustive study of song transmission includes all contributors, not only notable singers. The scattered information, marshalled into quantifiable data, throws light on such topics as transmission within and outside the family, the role of literacy, the public reticence of women singers, the association between the Travellers and the big ballads, and the impact of social changes in the late nineteenth century, and of broadcast music in the 1920s. The new opportunities opened up by digitisation are explored here for the first time."
    Description / Table of Contents: Introduction -- Weighing the Catch -- Did Greig and Duncan Neglect the Travellers? -- Song Transmission -- The Reticence of Female Singers -- The Devolution of the Child Ballads to the Travellers -- Social Change and Education versus Tradition -- The Missing Singers of the 1920s -- Conclusions
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 7
    Book
    Book
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 9780815391784 , 9780815391777
    Language: English
    Pages: xii, 236 Seiten , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    DDC: 781.640943
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    Keywords: Geschichte ; Unterhaltungsmusik ; Deutschland ; Popular music / Germany / History and criticism ; Popular music / Social aspects / Germany / History ; Popular music / Political aspects / Germany / History ; Popular music ; Popular music / Political aspects ; Popular music / Social aspects ; Germany ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Unterhaltungsmusik ; Geschichte
    Abstract: "Made in Germany: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary German popular music. Each essay, written by a leading scholar of German music, covers the major figures, styles, and social contexts of pop music in Germany and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music in Germany, followed by essays organized into thematic sections: Historical Spotlights; Globally German; Also "Made in Germany"; Explicitly German; and Reluctantly German"--
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  • 8
    Book
    Book
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    ISBN: 9780674052819
    Language: English
    Pages: viii, 598 Seiten , Illustrationen
    DDC: 780.820973
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    Keywords: Geschichte ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; African American women musicians ; African American women / Music / History and criticism ; African American women / Intellectual life ; Musical criticism / United States / History ; African American feminists ; Musical criticism ; United States ; Criticism, interpretation, etc ; History
    Abstract: "Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of African American women on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer black feminist critic of modern culture, and Pauline Hopkins as America's first black female cultural intellectual. Brooks tackles the complicated racial politics of blues music recording, collecting, and rock and roll music criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cecile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as serious cultural historians. Above all, Liner Notes for the Revolution reads black female musicians and entertainers as intellectuals. At stake is the question of who gets to tell the story of black women in popular music and how
    Note: Includes bibliographical references and index , SIDE A. Toward a black feminist intellectual tradition in sound -- "Sister, can you line it out?": Zora Neale Hurston notes the sound -- Blues feminist lingua franca: Rosetta Reitz rewrites the record -- Thrice militant music criticism: Ellen Willis & Lorraine Hansberry's What might be -- SIDE B. Not fade away: looking after Geeshie & Elvie / L.V. -- "If you should lose me": of trunks & record shops & black girl ephemera -- "See my face from the other side": catching up with Geeshie and L.V. -- "Slow fade to black": black women archivists remix the sounds -- Epilogue: Going to the territory
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  • 9
    Online Resource
    Online Resource
    London ; New York : Rowman & Littlefield International
    ISBN: 9781786607386
    Language: English
    Pages: 1 Online-Ressource (viii, 213 Seiten)
    Series Statement: Popular musics matter: social, political and cultural interventions
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1980-1990 ; Musikleben ; Punk ; Punk Rock ; Großstadt ; Deindustrialisierung ; Heavy Metal ; Postpunk ; Sozialer Wandel ; Europa ; Tampere ; Turin ; Manchester ; Düsseldorf ; Popular music / Social aspects / Europe / History ; Punk rock music / Social aspects / Europe / History ; Post-punk music / Social aspects / Europe / History ; Deindustrialization / Europe ; Deindustrialization ; Popular music / Social aspects ; Europe ; Electronic books ; History ; Turin ; Tampere ; Manchester ; Düsseldorf ; Deindustrialisierung ; Punk ; Heavy Metal ; Musikleben ; Sozialer Wandel ; Geschichte 1980-1990 ; Europa ; Großstadt ; Deindustrialisierung ; Punk Rock ; Postpunk ; Musikleben ; Sozialer Wandel
    Abstract: "The book offers a new and unique point of view on industrial cities and their popular music cultures based on interdisciplinary research and methods"--
    Description / Table of Contents: Introduction. Metal on Metal -- The Industrial City -- A Genealogy of 'Industrial City Music' -- Manchester -- Düsseldorf -- Torino -- Tampere -- Industrial Heritages -- From Vanishing Mediator to Cultural Catalyst : Music, Space and Place
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  • 10
    Book
    Book
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    ISBN: 9781108477246
    Language: English
    Pages: xviii, 365 Seiten , 10 Illustrationen , 26 cm
    Parallel Title: Online version Collins, Marcus, 1971- The Beatles and sixties Britain
    DDC: 782.42166092/2
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    Keywords: The Beatles ; Geschichte 1960-1970 ; Politik ; Soziokultur ; Großbritannien ; Beatles ; Popular music / Social aspects / Great Britain / History / 20th century ; Popular music / Great Britain / 1961-1970 / History and criticism ; Nineteen sixties ; Beatles ; Nineteen sixties ; Popular music ; Popular music / Social aspects ; Great Britain ; 1900-1999 ; Criticism, interpretation, etc ; History ; Großbritannien ; The Beatles ; Soziokultur ; Politik ; Geschichte 1960-1970
    Abstract: "This book seeks to understand what the Beatles meant to people in 1960s Britain. It argues that they were iconic, divisive, atypical and prefigurative: themes introduced and illustrated in the preface using contemporary cartoons. Their depiction as icons in the 1964 Daily Mail cartoon contrasted starkly with their first appearance in a Fleet Street cartoon twelve months previously, when theirs was one of a barrage of British records raining down on the Kremlin in a display of soft power. They received minor billing in February 1963 compared to Susan Maughan, Helen Shapiro, Cliff Richard, Adam Faith, Marty Wilde and the Tornados, as befitted a band whose second single (Please Please Me) was competing for the number one spot with Frank Ifield's The Wayward Wind (1963). Over the following year, they achieved what commentators agreed to be an unprecedented celebrity"--
    Description / Table of Contents: The Other Sixties : An Anti-Permissive Permissive Society? -- Society, 1963-65 : The Beatles and Modernity -- Society, 1966-70 : The Beatles Go Too Far -- Culture : The Beatles as Artists -- Politics : The Beatles, Parliament and Revolution
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  • 11
    Book
    Book
    Jefferson, North Carolina : McFarland & Company, Inc., Publishers
    ISBN: 9781476674698
    Language: English
    Pages: viii, 169 Seiten
    Parallel Title: Erscheint auch als
    DDC: 782.42165092
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    Keywords: Holiday, Billie ; Holiday, Billie / 1915-1959 ; Holiday, Billie / 1915-1959 / Influence ; Holiday, Billie / 1915-1959 / Criticism and interpretation ; Civil rights movements / United States / History / 20th century ; Civil rights movements / United States / History / 21st century ; African American women jazz singers / Biography ; Women jazz singers / Biography ; Jazz singers / United States / Biography ; Holiday, Billie / 1915-1959 ; African American women jazz singers ; Civil rights movements ; Influence (Literary, artistic, etc.) ; Jazz singers ; Women jazz singers ; United States ; 1900-2099 ; Biography ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Holiday, Billie 1915-1959
    Abstract: ""Eleanora "Lady Day" Fagan, better known as Billie Holiday, played a primary role in the development of American jazz culture and in African American history. Devoted to the enduring jazz icon, covering many aspects of her career, image and legacy, these essays range from musical and vocal analyses, to critical assessments of film depictions of the singer, to analysis of the social movements and protests addressed by her signature songs, including her impact on contemporary movements such as #BlackLivesMatter. More than a century after her birth, Billie Holiday's abiding relevance and impact is a testament to the power of musical protest. This collection pays tribute to her creativity, bravery and lasting legacy."--
    Description / Table of Contents: Introduction / Jessica McKee and Michael V. Perez -- In stereotragic hi-fidelity : performing Billie Holiday / Michael V. Perez -- Billie reverberates her blues : advertising Love for sale that costs More than you know / Tammie Jenkins -- Lady sings the blues? : tragedy, autobiography and reassessment / Anna Maria Barry -- Merging artists : the legacy of Motown's Lady sings the blues / Claudius Stemmler -- "Owning" Billie Holiday in several representative jazz poems / William Levine -- Brigitte loves Billie : channeling Holiday in Domino (1988) / Fernando Gabriel Pagnoni Berns -- Seeing is believing? : reading Billie Holiday through photography / Matthew Duffus -- Shouting back : cohering Lady Day through Kevin Young's jazz poem anthology / Taylor Joy Mitchell -- Reevaluating Lady sings the blues and What's love got to do with it : ambivalent representations of black female artistry / Jesse Schlotterbeck -- Easy to love : representations of Billie Holiday in contemporary American poetry / Tara Betts -- The fruit is on the ground : the impact of "Strange fruit" on Black Lives Matter / Devona Mallory
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  • 12
    ISBN: 9783631672310
    Language: English
    Pages: 296 Seiten , Illustrationen, Notenbeispiele , 22 cm
    Series Statement: Eastern European studies in musicology Volume 8
    Series Statement: Eastern European studies in musicology
    Parallel Title: Erscheint auch als Perković, Ivana, 1970 - Musical Identities and European Perspective
    DDC: 780.94
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    Keywords: Music Social aspects ; History ; Nationalism in music ; Aufsatzsammlung ; Europa ; Musik ; Kulturelle Identität ; Europa ; Musik ; Kulturelle Identität ; Nationalbewusstsein
    Abstract: Music and Identity: defining "self" and "other." The Velvet Curtain : European identities and Lithuanian musical imagination in the post-Communist era / Râuta Stanveiéciåutçe. Karol Szymanowski and his concept of modern music culture / Ma±gorzata Janicka-S±ysz. From "good other" to "ideal self" : images of Russian otherness in France and the Iberian Peninsula at the turn of the 20th century / Paulo F. de Castro. Ambiguity, mimicry and war : zlla turca in Contredanse K 535 by Wolfgang Amadeus Mozart / Ivana Perkoviâc. Defining identity : in question of "Lithuanianness" in piano performance art / Lina Navickaitçe-Martinelli -- Unity in diversity. Influence, imitation, and the reshaping of identitites in European popular music / Franco Fabbri. Rock me Lane moje : European identifications of transitory Yugoslav/West Balkans' identities at the Eurovision song contest / Vesna Mikiéc. Memory, spectacle, and the image of songs . Saskia Jaszoltowski. The Estonian singing revolution : musematic insights / Kaire Maimets -- (Re)conceptualizing approaches to music and "Europness." Short correspondence between Edgard Varáese and John Cage : zround, about and above "organized sound" / Dragana Stojanoviâc-Noviéciâc. The facets of the decline of avant-garde exclusivity as the cause of specific stylistic connotations of the musical avant-garde today / Mirjana Veselinoviâc-Hofman. Types of transtextuality in selected works of Serbian musical postmodernism / Marija Masnikosa. The musical text and the ontology of the musical work / Tijana Popoviâc Mladjenoviâc
    Note: Includes bibliographical references
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  • 13
    ISBN: 9780190610753 , 9780195384864
    Language: English
    Pages: xi, 292 Seiten , Illustrationen
    Edition: First issued as an Oxford University Press paperback
    DDC: 306.48426097309046
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    Keywords: Geschichte 1900-2000 ; Sozialgeschichte 1960-1970 ; Geschichte ; Gesellschaft ; Rock music Social aspects 20th century ; History ; Rock music Social aspects 20th century ; History ; Rock music History and criticism 1961-1970 ; Rock music History and criticism 1961-1970 ; Rockmusik ; USA ; USA ; Vietnam ; Rock music / Social aspects / History / 20th century / United States ; Rock music / Social aspects / History / 20th century / Vietnam ; Rock music / History and criticism / 1961-1970 / United States ; Rock music / History and criticism / 1961-1970 / Vietnam ; USA ; Vietnam ; Rockmusik ; Sozialgeschichte 1960-1970
    Note: Includes bibliographical references and index
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  • 14
    Online Resource
    Online Resource
    Ann Arbor : University of Michigan Press | The Hague : OAPEN Foundation
    ISBN: 9780472122660
    Language: English
    Pages: 1 Online-Ressource (xi, 311 Seiten) , Illustrationen
    Series Statement: Social history, popular culture, and politics in Germany
    DDC: 306.4/8425094309042
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    Keywords: Kultur ; Jazz ; Modernität ; Ethnische Beziehungen ; Deutschland ; Electronic books ; Criticism, interpretation, etc ; History ; Electronic book ; Electronic book ; Criticism, interpretation, etc. ; History ; Electronic books.
    URL: Volltext  (Kostenfrei)
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    URL: JSTOR
    URL: OAPEN
    URL: OAPEN
    URL: Image  (Thumbnail cover image)
    URL: FULL  ((Currently Only Available on Campus))
    URL: Volltext  (kostenfrei)
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  • 15
    ISBN: 9783839434246
    Language: German
    Pages: 1 online resource
    Series Statement: Histoire 88
    DDC: 900
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    Keywords: 1960er Jahre ; 1960s ; 1968 ; 1970er Jahre ; 1970s ; Contemporary History ; Cultural History ; Deutsche Geschichte ; Deutschland ; Europa ; Europe ; German History ; Germany ; Geschichte des 20. Jahrhunderts ; Geschichtswissenschaft ; History of the 20th Century ; History ; Kulturgeschichte ; Music ; Musik ; Pop Music ; Popkultur ; Popmusik ; Populärkultur ; Transnational History ; Transnationale Geschichte ; USA. ; Usa ; Zeitgeschichte ; HISTORY / Europe / Germany ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: Als experimentelle bundesdeutsche Popmusik im Laufe der 1970er Jahre zu transnationalem Ruhm kam, begann eine neue Ära der Popmusik. Zum ersten Mal in der Geschichte des Pop kamen neueste Innovationen nicht mehr aus den Vereinigten Staaten oder dem Vereinigten Königreich, sondern aus der Bundesrepublik. Für einige Jahre galten Bands wie Kraftwerk, Can, Tangerine Dream, Amon Düül, Popol Vuh oder Faust - neben vielen anderen - als Pop-Avantgarde: in Europa, Nordamerika und weit darüber hinaus.Alexander Simmeth erforscht die Wurzeln des sogenannten Krautrock im Umfeld der jugendlichen Revolte am Ende der 1960er Jahre, die Rezeption zu Hause und in den beiden Ursprungsländern des Pop, und die Gründe für den andauernden Einfluss des Phänomens. Er identifiziert Krautrock als zentrales Moment kultureller Transnationalisierung in der Bundesrepublik, indem er grenzübergreifende Erfahrungen ebenso in den Blick nimmt wie den Austausch von Konzepten und Ideen
    Abstract: When West-German experimental pop rose to transnational fame in the early 1970s, it marked nothing less than the beginning of a new era. For the first time in pop history, the latest innovations originated outside the United States and the United Kingdom; for several years, bands such as Kraftwerk, Can, Tangerine Dream, Amon Düül or Faust - among many others - were considered pop avant-garde, across Europe and the United States. In his book, Alexander Simmeth traces the roots of the so-called Krautrock in West Germany's late 1960s, its zealous reception at home and in the two motherlands of pop, and the reasons for its lasting impact in the decades to come. He identifies Krautrock as a key site of the transnational in West-German cultural history, focusing on the exchange of concepts and ideas, on shared experiences across borders, as well as on mutual key concepts such as authenticity and identity
    URL: Cover
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 16
    ISBN: 9783830927303
    Language: German
    Pages: 374 Seiten , Illustrationen, Karten
    Additional Information: Rezensiert in Steiert, Thomas, 1949 - [Rezension von: Noa, Miriam, Volkstümlichkeit und Nationbuilding, zum Einfluss der Musik auf den Einigungsprozess der deutschen Nation im 19. Jahrhundert] 2016
    Series Statement: Populäre Kultur und Musik 8
    Series Statement: Populäre Kultur und Musik
    Dissertation note: Zugl.: Berlin, Humboldt-Univ., Diss., 2012
    DDC: 780
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    Keywords: Music Political aspects 19th century ; History ; Music Social aspects 19th century ; History ; Nationalism History 19th century ; Nationalism in music ; Folk songs, German History and criticism ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Nationenbildung ; Volkstümlichkeit ; Volkslied ; Geschichte 1800-1900 ; Deutschland ; Volksliteratur ; Liederbuch ; Geschichte 1800-1900 ; Herder, Johann Gottfried von 1744-1803 ; Schubert, Franz 1797-1828 ; Beethoven, Ludwig van 1770-1827 ; Schumann, Robert 1810-1856 ; Brahms, Johannes 1833-1897 ; Rousseau, Jean-Jacques 1712-1778 ; Musik ; Gesellschaftskritik ; Deutschland ; Nationenbildung
    Note: Literaturverzeichnis: Seite 348-368. - Personenregister
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  • 17
    Book
    Book
    Cambridge [u.a.] : Cambridge Univ. Press
    ISBN: 9780521110549
    Language: English
    Pages: XI, 292 S. , Notenbeisp.
    Edition: 1. publ.
    DDC: 306.4/842094309034
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    Keywords: Wagner, Richard ; Geschichte 1815-1870 ; Geschichte ; Geschichte ; Gesellschaft ; Musik ; Politik ; Music Political aspects 19th Century ; History ; Music Social aspects 19th Century ; History ; Gesellschaft ; Musik ; Musikästhetik ; Politik ; Deutschland ; Deutschland ; Deutschland ; Musik ; Gesellschaft ; Geschichte 1815-1870 ; Deutschland ; Musikästhetik ; Politik ; Geschichte 1815-1870 ; Wagner, Richard 1813-1883 ; Musik ; Gesellschaft ; Geschichte ; Wagner, Richard 1813-1883 ; Musikästhetik ; Politik ; Geschichte
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  • 18
    Online Resource
    Online Resource
    Ann Arbor : University of Michigan Press | Baltimore, Md. : Project MUSE
    ISBN: 9780472027477 , 0472027476
    Language: English
    Pages: 1 Online-Ressource (292 p. :) , Ill.
    DDC: 780.89/96
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    Keywords: Geschichte ; Afroamerikanische Musik ; Afroamerikanischer Tanz ; Amerika ; Karibik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Criticism, interpretation, etc ; History ; Aufsatzsammlung
    Note: Includes bibliographical references and index , Description based on print version record
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 19
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 019533664X , 0195336658 , 9780195336641 , 9780195336658
    Language: English
    Pages: XI, 292 S. , Ill., Notenbeisp. , 24 cm
    DDC: 780.9/04
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    Keywords: Music Political aspects 20th century ; History ; Avant-garde (Music) ; Nineteen sixties ; Konferenzschrift ; Konferenzschrift 2004 ; Konferenzschrift 2004 ; Konferenzschrift 2004 ; Konferenzschrift ; Edited volumes ; Musik ; Geschichte 〈1960-1970〉
    Note: Includes bibliographical references and index , Avant-garde : some introductory notes on the politics of a label , Ideologies. "Demolish serious culture!" : Henry Flynt and Workers World Party , Rethinking the popular. "Music is a universal human right" : Musica Elettronica Viva , The problem of the political in Steve Reich's Come out , Politicising performance. ONCE and the sixties , The challenge of institutionalization. After the October revolution : the jazz avant-garde in New York, 1964-65
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  • 20
    ISBN: 9780226292151 , 0226292150
    Language: English
    Pages: XV, 335 S. , Ill.
    DDC: 306.484209430973
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    Keywords: Geschichte 1850-1920 ; Music Social aspects ; History ; Music German influences ; Nationalism in music ; Musik ; Kulturaustausch ; Deutschland ; USA ; USA ; Musik ; Nationalismus ; Deutschland ; Musik ; Kulturaustausch ; USA ; Geschichte 1850-1920
    Note: Includes bibliographical references and index
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  • 21
    ISBN: 9783631591482
    Language: German
    Pages: 209 S. , Notenbeisp. , 22 cm
    Series Statement: Beiträge zur Geschichte der Musikpädagogik 18
    Series Statement: Beiträge zur Geschichte der Musikpädagogik
    Dissertation note: Zugl.: München, Univ., Diss., 2008
    DDC: 782.32083/0943
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    Keywords: Geschichte 1900-2000 ; Geschichte 1900-1930 ; Christliche Jugendbewegung - Singen - Geschichte 1900-1930 ; Geschichte ; Religion ; Christian youth History 20th century ; Church music ; Music and youth History 20th century ; Singing Religious aspects 20th century ; History ; Youth movements History 20th century ; Christliche Jugendbewegung ; Singen ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Christliche Jugendbewegung ; Singen ; Geschichte 1900-1930
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  • 22
    Book
    Book
    Rochester, NY : Univ. of Rochester Press
    ISBN: 9781580462723
    Language: English
    Pages: XIX, 260 S. , Ill.
    Edition: 1. publ.
    Series Statement: Eastman studies in music 54
    Series Statement: Eastman studies in music
    DDC: 306.4/842094409034
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    Keywords: Geschichte 1900-2000 ; Geschichte 1800-1900 ; Geschichte 1870-1939 ; Geschichte ; Musik ; Politik ; Music Political aspects 20th century ; History ; Music Political aspects 19th century ; History ; Nationalism in music ; Musik ; Kultur ; Nation ; Frankreich ; Frankreich ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Frankreich ; Musik ; Kultur ; Nation ; Geschichte 1870-1939
    Abstract: Here, essays from musicologists, historians, art historians and literary scholars reconsider the relationship of Debussy, Gaugin, Jolivet, Zola, and other great French creative artists to cultural and political trends (for example, the rise of the press, nationalism, etc.) during the Third Republic.
    Note: Includes bibliographical references and index
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  • 23
    Book
    Book
    Tutzing : Schneider
    ISBN: 9783795212261
    Language: German
    Pages: 464 S , Ill., graph. Darst., Notenbeisp. , 25 cm
    Dissertation note: Zugl.: Innsbruck, Univ., Diss, 2006 u.d.T.: Bloderer, Joan Marie: Zitherspiel in Wien 1800 - 1850
    DDC: 780
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    Keywords: Zither History 19th century ; Zither Performance 19th century ; History ; Zither music History and criticism 19th century ; Vienna (Austria) Social life and customs 19th century ; Hochschulschrift ; Wien ; Zitherspiel ; Geschichte 1800-1850
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  • 24
    ISBN: 3110177374
    Language: German
    Pages: XXIX, 609 S. , zahlr. Ill., graph. Darst., Notenbsp. , 24 cm
    Series Statement: Theatrum Scientiarum Bd. 1
    Series Statement: Theatrum scientiarum
    DDC: 720.10509032
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    Keywords: Communication in learning and scholarship Europe ; History ; 17th century ; Congresses ; Kongress ; Wissenschaft ; Berlin 〈2002〉 ; Geschichte 〈1600-1700〉 ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift 23.05.2002-25.05.2002 ; Konferenzschrift 23.05.2002-25.05.2002 ; Konferenzschrift 23.05.2002-25.05.2002 ; Wissensrepräsentation ; Wissenschaft ; Raritätenkammer ; Theater ; Geschichte 1600-1700
    Description / Table of Contents: Gesamtliteraturverz. S. [555] - 585
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  • 25
    ISBN: 9783205991359 , 3205991354
    Language: German
    Pages: 415 S., 22 ungez. S. , Ill. , 21 cm
    Series Statement: Damit es nicht verlorengeht ... 46
    Series Statement: Damit es nicht verlorengeht
    DDC: 780.93
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    Keywords: Music Social aspects ; History ; 20th century ; Austria ; Music Social aspects ; History ; 20th century ; Germany ; Austria Social life and customs ; 20th century ; Germany Social life and customs ; 20th century ; Aufsatzsammlung ; Österreich ; Musikpflege ; Geschichte 1902-1997 ; Deutschland ; Musikpflege ; Geschichte 1902-1997
    Abstract: Wie wurde Musik in Zeiten erlebt, in denen noch nicht in jedem Zimmer der Wohnung ein Radio, eine HIFI-Anlage oder ein Fernseher stand, als von "musikalischer Umweltverschmutzung" noch keine Rede war? 60 Autorinnen und Autoren aus Österreich und Deutschland, geboren zwischen 1902 und 1960, geben in ihren lebensgeschichtlichen Erzählungen einen lebendigen Eindruck in persönliche Musikerfahrungen und dokumentieren zugleich einen radikalen historischen Wandel im Umgang mit Musik. Bis zur ersten Begegnung mit Grammophon und Radio war Musik "handgemacht.
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  • 26
    ISBN: 3861356805
    Language: German , English
    Pages: 264 Seiten , Illustrationen , 25 cm
    DDC: 016.7816200266
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    Keywords: Folk music History and criticism ; Sound recordings Collectors and collecting ; Germany ; Berlin ; Berliner Phonogramm-Archiv ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Berliner Phonogramm-Archiv ; Geschichte ; Berliner Phonogramm-Archiv ; Geschichte
    Abstract: Inhaltsverzeichnis: György Ligety: Grußwort / Greeting address Artur Simon: Einleitung / Introduction Farbtafeln I-VIII / Color Plates I-VIII E.M. v. Hornbostel & A. Simon: Geschichte des Phonogramm-Archives (1900-2000) / History of the Phonogramm-Archiv (1900-2000) Artur Simon: Die musikalischen Traditionen der Menschheit im Berliner Phonogramm-Archiv 1900-2000. Sammeln, Bewahren, Forschen und Vermitteln / The Musical Traditions of Mankind in the Berlin Phonogramm-Archiv 1900-2000. Collecting, Preserving, Researching and Communicating Carl Stumpf: Das Berliner Phonogrammarchiv / The Berlin Phonogrammarchiv Erich M. v. Hornbostel: Über den gegenwä,rtigen Stand der vergleichenden Musikwissenschaft / On the Current State of Comparative Musicology Erich M. v. Hornbostel: Die Erhaltung ungeschriebener Musik / The Preservation of Unwritten Music Erich M. v. Hornbostel: Phonogramm-Archiv des Psychologischen Instituts der Universität, Berlin C.2, Schloss / Phonogramm-Archiv of the Psychological Institute of the University, Berlin C2, Schloß (Castle) Erich M. v. Hornbostel: Demonstrations-Sammlung / Demonstration Collection Carl Stumpf: Antrag an S. Excellenz den Minister für Wissenschaft, Kunst und Volksbildung / Applikation to the Minister of Science, Art and Popular Education Curt Sachs & Erich M. v. Hornbostel: Denkschrift über die Vereinigung der Sammlung alter Musikinstrumente mit dem Phonogrammarchiv beim Psychologischen Institut zu einem Staatlichen Museum der Tonkunst / Memorandum on the Amalgamation of the Collection of Old Musical Instruments with the Phonogrammarchiv at the Psychological Institute into a Staatliches Museum der Tonkunst Erich M. v. Hornbostel: Carl Stumpf und die Vergleichende Musikwissenschaft (Zum 21. April 1933) / Carl Stumpf and Comparative Musicology (On the 21st of April 1933) Jaap Kunst: Zum Tode Erich von Hornbostel's / On the Death of Erich von Hornbostel Marius Schneider: Das Phonogramm-Archiv des Museum für Völkerkunde Berlin.
    Note: Literaturverzeichnis: Seite 253-261 , Text deutsch und englisch
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  • 27
    ISBN: 3631477376
    Language: German
    Pages: 157 S , 21 cm
    Series Statement: Beiträge zur Geschichte der Musikpädagogik 2
    Series Statement: Beiträge zur Geschichte der Musikpädagogik
    Dissertation note: Zugl.: München, Univ., Diss., 1993
    DDC: 780/.7/0433
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    Keywords: Geschichte 1898-1945 ; School music Instruction and study 20th century ; History ; Hochschulschrift ; Bayern ; Musikerziehung ; Gymnasium ; Geschichte 1898-1945
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  • 28
    ISBN: 3901014128
    Language: German
    Pages: 387 Seiten , Illustrationen , 23 x 24 cm
    Series Statement: Jahresschrift des Salzburger Museums Carolino Augusteum Bd. 37/38.1991/92
    Series Statement: ... Sonderausstellung / Salzburger Museum CA 152
    Series Statement: Sonderschau des Dommuseums zu Salzburg 15
    DDC: 943.6/303/0744363
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    Keywords: Salzburg ; History ; Exhibitions ; Salzburg (Austria) ; History ; Exhibitions ; Katalog ; Ausstellungskatalog ; Katalog ; Ausstellungskatalog ; Salzburger Museum Carolino Augusteum ; Salzburg ; Geschichte 1753-1800
    Note: Exhibition catalog , Enthält Teil 1, Salzburg - Die Bürgerstadt , Teil 2, Salzburg - Die Fürstenstadt
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  • 29
    Book
    Book
    Berlin : Wegweiser-Verl.
    Language: German
    Pages: 268, [32] S. , Ill. , 20 cm
    Series Statement: Jahresreihe für die Mitglieder des Volksverbandes der Bücherfreunde 7,2
    Parallel Title: Digitalisierte Ausg. Boehn, Max von, 1860 - 1932 Der Tanz
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    Keywords: Dance ; History ; Tanz ; Sportart ; Sport
    Note: Literaturverz. S. 261
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