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  • HeBIS  (15)
  • München UB  (1)
  • Würzburg UB  (1)
  • New York, NY : New York University Press
  • General works  (15)
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Language
Years
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Publisher
Keywords
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    Digital Unsettling : Decoloniality and Dispossession in the Age of Social Media (2023)
    New York, NY : New York University Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9781479819195
    Language: English
    Pages: 1 Online-Ressource , 3 b/w illustrations
    Series Statement: Critical Cultural Communication
    DDC: 302.23/1
    RVK:
    AP 15945
    RVK:
    AP 15965
    Keywords: Electronic books ; Electronic books.
    Abstract: How digital networks are positioned within the enduring structures of colonialityThe revolutionary aspirations that fueled decolonization circulated on paper-as pamphlets, leaflets, handbills, and brochures. Now-as evidenced by movements from the Arab Spring to Black Lives Matter-revolutions, protests, and political dissidence are profoundly shaped by information circulating through digital networks. Digital Unsettling is a critical exploration of digitalization that puts contemporary "decolonizing" movements into conversation with theorizations of digital communication. Sahana Udupa and Ethiraj Gabriel Dattatreyan interrogate the forms, forces, and processes that have reinforced neocolonial relations within contemporary digital environments, at a time when digital networks-and the agendas and actions they proffer-have unsettled entrenched hierarchies in unforeseen ways. Digital Unsettling examines events-the toppling of statues in the UK, the proliferation of #BLM activism globally, the rise of Hindu nationalists in North America, the trolling of academics, among others-and how they circulated online and across national boundaries. In doing so, Udupa and Dattatreyan demonstrate how the internet has become the key site for an invigorated anticolonial internationalism, but has simultaneously augmented conditions of racial hierarchy within nations, in the international order, and in the liminal spaces that shape human migration and the lives of those that are on the move. Digital Unsettling establishes a critical framework for placing digitalization within the longue durée of coloniality, while also revealing the complex ways in which the internet is entwined with persistent global calls for decolonization.
    DOI: 10.18574/nyu/9781479819195.001.0001
    URL: kostenfrei
    URL: kostenfrei
    URL: Cover
    URL: https://doi.org/10.18574/nyu/9781479819164.001.0001
    URL: https://www.degruyter.com/isbn/9781479819164
    URL: Cover
    URL: lizenzpflichtig
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Cover
    URL: Open Access
    URL: Open Access
    URL: Click here to view book
    URL: De Gruyter, Cover
    URL: NYU Press Open Square
    URL: EBSCOhost
    URL: De Gruyter
    URL: kostenfrei
    URL: kostenfrei
    URL: Cover
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BSZ
    GBV
    KOBV
    HeBIS
    BVB
  • 2
    Online Resource
    Online Resource
    Misogynoir Transformed : Black Women’s Digital Resistance (2021)
    New York, NY : New York University Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9781479803392
    Language: English
    Pages: 1 Online-Ressource
    Edition: 2021
    Series Statement: Intersections 18
    DDC: 302.23089/96073
    RVK:
    MS 3150
    RVK:
    AP 14000
    RVK:
    AP 15965
    RVK:
    MS 3450
    RVK:
    HD 370
    Keywords: Schwarze ; Diskriminierung ; Frauenfeindlichkeit ; Rassismus ; African American women in popular culture ; African American women in social media ; African American women Social conditions ; Misogynoir ; Misogyny ; Social media ; SOCIAL SCIENCE / Media Studies ; USA ; #FreeCeCe ; #GirlsLikeUs ; #RuinABlackGirlsMonday ; #YourSlipIsShowing ; 195 Lewis ; Adultification ; Between Women ; Black Girls ; Black queer women ; Black trans women ; Black women ; CeCe McDonald ; Defensive Digital Alchemy ; Digital Alchemy ; Drag ; Generative Digital Alchemy ; Harm Reduction ; Health ; Janet Mock ; Masculinity ; Nap Ministry ; Networks ; Nonbinary femmes ; Queer ; Reading ; Redefining Realness ; Relationships ; Skye’s The Limit ; Social Media Platforms ; Social Media ; Stereotypes ; Therapy ; Trans ; Transformation ; Transformative Justice ; Tumblr ; Twitter ; UrDoinGreat ; Web Shows ; YouTube ; “Shit Black Girls Say”
    Abstract: Where racism and sexism meet—an understanding of anti-Black misogynyWhen Moya Bailey first coined the term misogynoir, she defined it as the ways anti-Black and misogynistic representation shape broader ideas about Black women, particularly in visual culture and digital spaces. She had no idea that the term would go viral, touching a cultural nerve and quickly entering into the lexicon. Misogynoir now has its own Wikipedia page and hashtag, and has been featured on Comedy Central’s The Daily Show and CNN’s Cuomo Prime Time. In Misogynoir Transformed, Bailey delves into her groundbreaking concept, highlighting Black women’s digital resistance to anti-Black misogyny on YouTube, Facebook, Tumblr, and other platforms. At a time when Black women are depicted as more ugly, deficient, hypersexual, and unhealthy than their non-Black counterparts, Bailey explores how Black women have bravely used social-media platforms to confront misogynoir in a number of courageous—and, most importantly, effective—ways. Focusing on queer and trans Black women, she shows us the importance of carving out digital spaces, where communities are built around queer Black webshows and hashtags like #GirlsLikeUs. Bailey shows how Black women actively reimagine the world by engaging in powerful forms of digital resistance at a time when anti-Black misogyny is thriving on social media. A groundbreaking work, Misogynoir Transformed highlights Black women’s remarkable efforts to disrupt mainstream narratives, subvert negative stereotypes, and reclaim their lives.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021)
    DOI: 10.18574/nyu/9781479803392.001.0001
    URL: https://www.degruyter.com/isbn/9781479803392
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    HeBIS
  • 3
    Online Resource
    Online Resource
    Misogynoir Transformed : Black Women's Digital Resistance (2021)
    New York, NY : New York University Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9781479890491
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Intersections 18
    DDC: 302.23089/96073
    RVK:
    MS 3150
    RVK:
    AP 14000
    RVK:
    AP 15965
    RVK:
    MS 3450
    RVK:
    HD 370
    Keywords: Schwarze ; Diskriminierung ; Frauenfeindlichkeit ; Rassismus ; USA
    Abstract: Where racism and sexism meet-an understanding of anti-Black misogynyWhen Moya Bailey first coined the term misogynoir, she defined it as the ways anti-Black and misogynistic representation shape broader ideas about Black women, particularly in visual culture and digital spaces. She had no idea that the term would go viral, touching a cultural nerve and quickly entering into the lexicon. Misogynoir now has its own Wikipedia page and hashtag, and has been featured on Comedy Central's The Daily Show and CNN's Cuomo Prime Time. In Misogynoir Transformed, Bailey delves into her groundbreaking concept, highlighting Black women's digital resistance to anti-Black misogyny on YouTube, Facebook, Tumblr, and other platforms. At a time when Black women are depicted as more ugly, deficient, hypersexual, and unhealthy than their non-Black counterparts, Bailey explores how Black women have bravely used social-media platforms to confront misogynoir in a number of courageous-and, most importantly, effective-ways. Focusing on queer and trans Black women, she shows us the importance of carving out digital spaces, where communities are built around queer Black webshows and hashtags like #GirlsLikeUs. Bailey shows how Black women actively reimagine the world by engaging in powerful forms of digital resistance at a time when anti-Black misogyny is thriving on social media. A groundbreaking work, Misogynoir Transformed highlights Black women's remarkable efforts to disrupt mainstream narratives, subvert negative stereotypes, and reclaim their lives.
    DOI: 10.18574/nyu/9781479890491.001.0001
    URL: https://doi.org/10.18574/nyu/9781479890491.001.0001
    URL: https://www.degruyter.com/isbn/9781479890491
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    HeBIS
  • 4
    Online Resource
    Online Resource
    Pain generation : Social Media, feminist activism, and the Neoliberal selfie (2021)
    New York, NY : New York University Press
    Details
    ISBN: 9781479808359 , 9781479808328
    Language: English
    Pages: 1 Online-Ressource (217 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.23082
    RVK:
    AP 15950
    RVK:
    MS 3200
    RVK:
    MS 7965
    Keywords: SOCIAL SCIENCE / Media Studies ; Feminism ; Sexual harassment ; Social justice ; Social media ; Soziale Gerechtigkeit ; Feminismus ; Neoliberalismus ; Social Media ; Sexuelle Belästigung ; Sexuelle Belästigung ; Social Media ; Soziale Gerechtigkeit ; Feminismus ; Social Media ; Feminismus ; Neoliberalismus
    Abstract: Explores the perils and promise of feminist social media activismSocial media has become the front-and-center arena for feminist activism. Responding to and enacting the political potential of pain inflicted in acts of sexual harassment, violence, and abuse, Asian American and Asian Canadian feminist icons such as rupi kaur, Margaret Cho, and Mia Matsumiya have turned to social media to share their stories with the world. But how does such activism reconcile with the platforms on which it is being cultivated, when its radical messaging is at total odds with the neoliberal logic governing social media?Pain Generation troubles this phenomenon by articulating a "neoliberal self(ie) gaze" through which these feminist activistssee and storify the self on social media as "good" neoliberal subjects who are appealing, inspiring, and entertaining. This book offers a fresh perspective on feminist activism by demonstrating how the problematic neoliberal logic governing digital spaces like Instagram and Twitter limits the possibilities of how one might use social media for feminist activism
    Note: In English
    DOI: 10.18574/9781479808359
    DOI: 10.18574/nyu/9781479808342.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: https://www.degruyter.com/isbn/9781479808359
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    HU Berlin
    München BSB
    BSZ
    GBV
    KOBV
    HeBIS
    BVB
  • 5
    Online Resource
    Online Resource
    Creator Culture : an introduction to Global Social Media Entertainment (2021)
    New York, NY : New York University Press
    Details
    ISBN: 9781479837601 , 9781479890118
    Language: English
    Pages: 1 Online-Ressource (ix, 315 Seiten) , 1 b/w illustration
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.23/1
    RVK:
    AP 15965
    Keywords: SOCIAL SCIENCE / Media Studies ; Creative ability ; Mass media ; Social media ; Social Media ; Unterhaltungsindustrie ; Aufsatzsammlung ; Aufsatzsammlung ; Einführung ; Aufsatzsammlung ; Einführung ; Social Media ; Unterhaltungsindustrie
    Abstract: Explores new perspectives on social media entertainmentThere is a new class of cultural producers-YouTube vloggers, Twitch gameplayers, Instagram influencers, TikTokers, Chinese wanghong, and others-who are part of a rapidly emerging and highly disruptive industry of monetized "user-generated" content. As this new wave of native social media entrepreneurs emerge, so do new formations of culture and the ways they are studied.In this volume, contributors draw on scholarship in media and communication studies, science and technology studies, and social media, Internet, and platform studies, in order to define this new field of study and the emergence of creator culture. Creator Culture introduces readers to new paradigms of social media entertainment from critical perspectives, demonstrating both relations to and differentiations from the well-established media forms and institutions traditionally within the scope of media studies.This volume does not seek to impose a uniform perspective; rather, the goal is to stimulate in-depth, globally-focused engagement with this burgeoning industry and establish a dynamic research agenda for scholars, teachers, and students, as well as creators and professionals across the media, communication, creative, and social media industries
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) , In English
    DOI: 10.18574/9781479890118
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://www.degruyter.com/isbn/9781479890118
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
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    Online Resource
    HU Berlin
    München BSB
    BSZ
    GBV
    KOBV
    HeBIS
    BVB
    MPI-MMG
  • 6
    Online Resource
    Online Resource
    Gaming Sexism : gender and identity in the era of casual video games (2020)
    New York, NY : New York University Press
    Details
    ISBN: 9781479802210
    Language: English
    Pages: 1 Online-Ressource (265 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.3
    RVK:
    AP 15963
    RVK:
    LB 44000
    RVK:
    LB 61000
    RVK:
    MS 3200
    Keywords: Active audience theory;Agency;Analog games;Casual games;Casual gaming;Casualized era;Community management ; Coping mechanisms ; Core games ; Core gaming ; Counter-hegemony ; Crisis of authority ; Critical discourse analysis ; Female gamers ; Feminism ; Feminist Media Studies ; Game development ; Game studies ; Gamer stereotypes ; Games studies ; Gender ; Hegemony ; Identity ; Ideology ; Imagined communities ; In-depth interviews ; Industry ; Inferential sexism ; Interpretive communities ; Longitudinal interviews ; Online harassment ; Overt sexism ; Player lifecycle ; Popular culture ; Press analysis ; Video games ; SOCIAL SCIENCE / Media Studies ; Gender identity ; Identity (Psychology) ; Identity (Psychology) ; Video games Social aspects ; Sexismus ; Computerspielindustrie ; Videospiel ; Videospiel ; Computerspielindustrie ; Sexismus
    Abstract: Interviews with female gamers about structural sexism across the gaming landscapeWhen the Nintendo Wii was released in 2006, it ushered forward a new era of casual gaming in which video games appealed to not just the stereotypical hardcore male gamer, but also to a much broader, more diverse audience. However, the GamerGate controversy six years later, and other similar public incidents since, laid bare the internalized misogyny and gender stereotypes in the gaming community. Today, even as women make up nearly half of all gamers, sexist assumptions about the what and how of women's gaming are more actively enforced.In Gaming Sexism, Amanda C. Cote explores the video game industry and its players to explain this contradiction, how it affects female gamers, and what it means in terms of power and gender equality. Across in-depth interviews with women-identified gamers, Cote delves into the conflict between diversification and resistance to understand their impact on gaming, both casual and "core" alike. From video game magazines to male reactions to female opponents, she explores the shifting expectations about who gamers are, perceived changes in gaming spaces, and the experiences of female gamers amidst this gendered turmoil. While Cote reveals extensive, persistent problems in gaming spaces, she also emphasizes the power of this motivated, marginalized audience, and draws on their experiences to explore how structural inequalities in gaming spaces can be overcome. Gaming Sexism is a well-timed investigation of equality, power, and control over the future of technology
    DOI: 10.18574/9781479802210
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://www.degruyter.com/isbn/9781479802210
    URL: Cover
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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    München BSB
    BSZ
    GBV
    KOBV
    HeBIS
    BVB
    MPI-MMG
  • 7
    Online Resource
    Online Resource
    The content of our caricature : African American comic art and political belonging (2020)
    New York, NY : New York University Press
    Details
    ISBN: 9781479813636
    Language: English
    Pages: 1 Online-Ressource (245 Seiten, 8 ungezählte Seiten Tafeln) , Illustrationen
    Series Statement: Postmillennial Pop Band 25
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.800973022/2
    RVK:
    AP 88916
    RVK:
    HR 1728
    RVK:
    LC 84610
    RVK:
    LC 94610
    Keywords: Geschichte ; Aaron McGruder;African American Art;African American cartoonists;African American children;African American Soldiers;African Americans;Black Aesthetics;Black Body;black liberation;black masculinity;Black Panther;Black superheroes ; Brumsic Brandon Jr ; Captain America ; Civil Rights Movement ; Comics ; Hermeneutic ; Ho Che Anderson ; Icon ; Jennifer Cruté ; Kyle Baker ; Larry Fuller ; Martin Luther King Jr ; Nat Turner ; Ollie Harrington ; R Crumb ; Richard Grass Green ; Thomas Nast ; U.S. comics ; Violence ; World War II. ; citizenship ; editorial cartoons ; equal opportunity humor ; infantile citizenship ; offensive humor ; racial melancholia ; slavery ; stereotype ; underground comix ; visual culture ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; African Americans Caricatures and cartoons ; Belonging (Social psychology) in art ; Belonging (Social psychology) ; Racism in cartoons ; Zugehörigkeit ; Comic ; Subkultur ; Karikatur ; Schwarze ; USA ; USA ; Schwarze ; Karikatur ; Zugehörigkeit ; Geschichte ; USA ; Schwarze ; Comic ; Subkultur
    Abstract: Traces the history of racial caricature and the ways that Black cartoonists have turned this visual grammar on its headRevealing the long aesthetic tradition of African American cartoonists who have made use of racist caricature as a black diasporic art practice, Rebecca Wanzo demonstrates how these artists have resisted histories of visual imperialism and their legacies. Moving beyond binaries of positive and negative representation, many black cartoonists have used caricatures to criticize constructions of ideal citizenship in the United States, as well as the alienation of African Americans from such imaginaries. The Content of Our Caricature urges readers to recognize how the wide circulation of comic and cartoon art contributes to a common language of both national belonging and exclusion in the United States.Historically, white artists have rendered white caricatures as virtuous representations of American identity, while their caricatures of African Americans are excluded from these kinds of idealized discourses. Employing a rich illustration program of color and black-and-white reproductions, Wanzo explores the works of artists such as Sam Milai, Larry Fuller, Richard "Grass" Green, Brumsic Brandon Jr., Jennifer Cruté, Aaron McGruder, Kyle Baker, Ollie Harrington, and George Herriman, all of whom negotiate and navigate this troublesome history of caricature. The Content of Our Caricature arrives at a gateway to understanding how a visual grammar of citizenship, and hence American identity itself, has been constructed
    DOI: 10.18574/9781479813636
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://www.degruyter.com/isbn/9781479813636
    URL: Cover
    URL: lizenzpflichtig
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    München BSB
    BSZ
    HeBIS
    BVB
  • 8
    Online Resource
    Online Resource
    Racialized Media : the design, delivery, and decoding of race and ethnicity (2020)
    New York, NY : New York University Press
    Details
    ISBN: 9781479807826
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.23089
    RVK:
    AP 14000
    RVK:
    LB 31960
    RVK:
    LC 13000
    RVK:
    MS 3530
    RVK:
    MS 7850
    Keywords: NPR. ; activist;adoption;aesthetics;anitracism;black feminism;black films;black lives matter;black women;circuit of culture;circulation;civic discourse;consumption;criminalization of immigrants;critical memory;cyberspace;decolonization;digital protest;distribution;dramaturgy;filmmakers of color;folk devils;foreign-born directors;going global;harriet tubman;korean adoptee;Lakota Sioux;latino cyber-moral panic;Latinx;mafia iii;moral entrpreneurs ; news media ; objectivity ; online comics ; political economy ; primetime television ; production ; public memory ; public radio ; race ; racial capitalism ; racial justice ; reparative reading ; shonda rhimes ; social media ; social movements ; stereotypes ; testimony ; transnational adoption ; transracial adoption ; twenty dollar bill ; undocumented immigration ; visual economies ; war on drugs ; watch dogs 2 ; white ignorance ; white nationalist media ; whiteness ; witnessing ; SOCIAL SCIENCE / Media Studies ; Mass media and minorities ; Mass media and race relations ; Randgruppe ; Massenmedien ; Rassendiskriminierung ; Aufsatzsammlung ; Aufsatzsammlung ; Massenmedien ; Randgruppe ; Rassendiskriminierung
    Abstract: How media propagates and challenges racismFrom Black Panther to #OscarsSoWhite, the concept of "race," and how it is represented in media, has continued to attract attention in the public eye. In Racialized Media, Matthew W. Hughey, Emma González-Lesser, and the contributors to this important new collection of original essays provide a blueprint to this new, ever-changing media landscape.With sweeping breadth, contributors examine a number of different mediums, including film, television, books, newspapers, social media, video games, and comics. Each chapter explores the impact of contemporary media on racial politics, culture, and meaning in society. Focusing on producers, gatekeepers, and consumers of media, this book offers an inside look at our media-saturated world, and the impact it has on our understanding of race, ethnicity, and more. Through an interdisciplinary lens, Racialized Media provides a much-needed look at the role of race and ethnicity in all phases of media production, distribution, and reception
    DOI: 10.18574/9781479807826
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://www.degruyter.com/isbn/9781479807826
    URL: Cover
    URL: https://doi.org/10.18574/nyu/9781479859924.001.0001
    URL: https://www.degruyter.com/isbn/9781479859924
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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    München BSB
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    BVB
  • 9
    Online Resource
    Online Resource
    Race and Media : Critical Approaches (2020)
    New York, NY : New York University Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9781479823222
    Language: English
    Pages: 1 Online-Ressource , 11 b/w illustrations
    Edition: 2020
    Series Statement: Critical Cultural Communication
    DDC: 302.2308
    RVK:
    LB 31960
    RVK:
    AP 14000
    RVK:
    MS 3530
    Abstract: A foundational collection of essays that demonstrate how to study race and mediaFrom graphic footage of migrant children in cages to #BlackLivesMatter and #OscarsSoWhite, portrayals and discussions of race dominate the media landscape. Race and Media adopts a wide range of methods to make sense of specific occurrences, from the corporate portrayal of mixed-race identity by 23andMe to the cosmopolitan fetishization of Marie Kondo. As a whole, this collection demonstrates that all forms of media—from the sitcoms we stream to the Twitter feeds we follow—confirm racism and reinforce its ideological frameworks, while simultaneously giving space for new modes of resistance and understanding. In each chapter, a leading media scholar elucidates a set of foundational concepts in the study of race and media—such as the burden of representation, discourses of racialization, multiculturalism, hybridity, and the visuality of race. In doing so, they offer tools for media literacy that include rigorous analysis of texts, ideologies, institutions and structures, audiences and users, and technologies. The authors then apply these concepts to a wide range of media and the diverse communities that engage with them in order to uncover new theoretical frameworks and methodologies. From advertising and music to film festivals, video games, telenovelas, and social media, these essays engage and employ contemporary dialogues and struggles for social justice by racialized communities to push media forward.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020)
    DOI: 10.18574/nyu/9781479823222.001.0001
    URL: https://www.degruyter.com/isbn/9781479823222
    URL: Cover
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    HeBIS
  • 10
    Online Resource
    Online Resource
    Beyond Hashtags : Racial Politics and Black Digital Networks (2019)
    New York, NY : New York University Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9781479807185
    Language: English
    Pages: 1 Online-Ressource
    Edition: 2019
    Series Statement: Critical Cultural Communication 19
    DDC: 302.23089/96073
    RVK:
    AP 15965
    RVK:
    MS 3530
    Keywords: Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: How black Americans use digital networks to organize and cultivate solidarityUnrest gripped Ferguson, Missouri, after Mike Brown, an unarmed black teenager, was shot and killed by Officer Darren Wilson in August 2014. Many black Americans turned to their digital and social media networks to circulate information, cultivate solidarity, and organize during that tumultuous moment. While Ferguson and the subsequent protests made black digital networks visible to mainstream media, these networks did not coalesce overnight. They were built and maintained over years through common, everyday use.Beyond Hashtags explores these everyday practices and their relationship to larger social issues through an in-depth analysis of a trans-platform network of black American digital and social media users and content creators. In the crucial years leading up to the emergence of the Movement for Black Lives, black Americans used digital networks not only to cope with day-to-day experiences of racism, but also as an incubator for the debates that have since exploded onto the national stage. Beyond Hashtags tells the story of an influential subsection of these networks, an assemblage of podcasting, independent media, Instagram, Vine, Facebook, and the network of Twitter users that has come to be known as “Black Twitter.” Florini looks at how black Americans use these technologies often simultaneously to create a space to reassert their racial identities, forge community, organize politically, and create alternative media representations and news sources. Beyond Hashtags demonstrates how much insight marginalized users have into technology.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Okt 2020)
    DOI: 10.18574/nyu/9781479892464.001.0001
    URL: https://www.degruyter.com/isbn/9781479807185
    URL: Cover
    URL: Volltext  (kostenfrei)
    URL: lizenzpflichtig
    URL: Volltext  (kostenfrei)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (kostenfrei)
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    Online Resource
    München UB
    Würzburg UB
    Regensburg UB
    KOBV
    HeBIS
    BVB
    Bayreuth UB
  • 11
    Online Resource
    Online Resource
    Antisocial Media : Anxious Labor in the Digital Economy (2018)
    New York, NY : New York University Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9781479870592
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Postmillennial Pop 21
    DDC: 306.36
    RVK:
    AP 15945
    Keywords: Electronic books
    Abstract: The debate surrounding the transformation of work at the hands of digital technology and the anxieties brought forth by automation, the sharing economy, and the exploitation of leisure We have been told that digital technology is now threatening the workplace as we know it, that advances in computing and robotics will soon make human labor obsolete, that the sharing economy, exemplified by Uber and Airbnb, will degrade the few jobs that remain, and that the boundaries between work and play are collapsing as Facebook and Instagram infiltrate our free time.In this timely critique, Greg Goldberg examines the fear that work is being eviscerated by digital technology. He argues that it is not actually the degradation or disappearance of work that is so troubling, but rather the underlying notion that society itself is under attack, and more specifically the bonds of responsibility on which social relations depend. Rather than rushing to the defense of the social, however, Goldberg instead imagines the appeal of refusing the hard work of being a responsible and productive member of society.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jun 2020)
    DOI: 10.18574/nyu/9781479829989.001.0001
    URL: https://www.degruyter.com/isbn/9781479870592
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 12
    Online Resource
    Online Resource
    Culture Jamming : Activism and the Art of Cultural Resistance (2017)
    New York, NY : New York University Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9781479850815
    Language: English
    Pages: 1 Online-Ressource , 51 black and white illustrations, 9 Illustrations, color
    DDC: 302.23
    RVK:
    AP 14350
    Keywords: Aufsatzsammlung ; Aufsatzsammlung
    Abstract: A collaboration of political activism and participatory culture seeking to upend consumer capitalism, including interviews with The Yes Men, The Guerrilla Girls, among others. Coined in the 1980s, “culture jamming” refers to an array of tactics deployed by activists to critique, subvert, and otherwise “jam” the workings of consumer culture. Ranging from media hoaxes and advertising parodies to flash mobs and street art, these actions seek to interrupt the flow of dominant, capitalistic messages that permeate our daily lives. Employed by Occupy Wall Street protesters and the Russian feminist punk band Pussy Riot alike, culture jamming scrambles the signal, injects the unexpected, and spurs audiences to think critically and challenge the status quo. The essays, interviews, and creative work assembled in this unique volume explore the shifting contours of culture jamming by plumbing its history, mapping its transformations, testing its force, and assessing its efficacy. Revealing how culture jamming is at once playful and politically transgressive, this accessible collection explores the degree to which culture jamming has fulfilled its revolutionary aims. Featuring original essays from prominent media scholars discussing Banksy and Shepard Fairey, foundational texts such as Mark Dery’s culture jamming manifesto, and artwork by and interviews with noteworthy culture jammers including the Guerrilla Girls, The Yes Men, and Reverend Billy, Culture Jamming makes a crucial contribution to our understanding of creative resistance and participatory culture.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jun 2020)
    DOI: 10.18574/nyu/9781479850815.001.0001
    URL: https://www.degruyter.com/isbn/9781479850815
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 13
    Online Resource
    Online Resource
    Environment and Society : A Reader (2017)
    New York, NY : New York University Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9781479844746
    Language: English
    Pages: 1 Online-Ressource , 9 black and white illustrations
    DDC: 304.2
    RVK:
    AR 28100
    RVK:
    MS 9000
    Keywords: Aufsatzsammlung ; Aufsatzsammlung
    Abstract: Environment and Society connects the core themes of environmental studies to the urgent issues and debates of the twenty-first century. In an era marked by climate change, rapid urbanization, and resource scarcity, environmental studies has emerged as a crucial arena of study. Assembling canonical and contemporary texts, this volume presents a systematic survey of concepts and issues central to the environment in society, such as: social mobilization on behalf of environmental objectives; the relationships between human population, economic growth and stresses on the planet’s natural resources; debates about the relative effects of collective and individual action; and unequal distribution of the social costs of environmental degradation. Organized around key themes, with each section featuring questions for debate and suggestions for further reading, the book introduces students to the history of environmental studies, and demonstrates how the field’s interdisciplinary approach uniquely engages the essential issues of the present.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jun 2020)
    DOI: 10.18574/nyu/9781479844746.001.0001
    URL: https://www.degruyter.com/isbn/9781479844746
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Bayreuth UB
  • 14
    Online Resource
    Online Resource
    The social media reader (2012)
    New York, NY : New York University Press
    Details
    ISBN: 081476407X , 0814764053 , 0814764061 , 9780814764077 , 9780814764053 , 9780814764060
    Language: English
    Pages: Online-Ressource (1 online resource (x, 289 p.)) , ill
    Edition: Online-Ausg. 2011 Electronic reproduction; Available via World Wide Web
    Parallel Title: Druckausg. The social media reader
    DDC: 302.23/1
    RVK:
    MS 7965
    RVK:
    AP 15965
    Keywords: Social media ; Technological innovations Social aspects ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: With the rise of web 2.0 and social media platforms taking over vast tracts of territory on the internet, the media landscape has shifted drastically in the past 20 years, transforming previously stable relationships between media creators and consumers. The Social Media Reader is the first collection to address the collective transformation with pieces on social media, peer production, copyright politics, and other aspects of contemporary internet culture from all the major thinkers in the field. Culling a broad range and incorporating different styles of scholarship from foundational pieces
    Description / Table of Contents: Introduction / Michael MandibergThe people formerly known as the audience / Jay Rosen -- Sharing nicely : On shareable goods and the emergence of sharing as a modality of economic production / Yochai Benkler -- Open source as culture/culture as open source / Siva Vaidhyanathan -- What is Web 2.0 : design patterns and business models for the next generation of software / Tim O'Reilly -- What is collaboration anyway? / Adam Hyde, Mike Linksvayer, kanarinka, Michael Mandiberg, Marta Peirano, Sissu Tarka, Astra Taylor, Alan Toner, Mushon Zer-Aviv -- Sociality -- Participating in the always-on lifestyle / danah boyd -- From Indymedia to demand media : journalism's visions of its audience and the horizons of democracy / C.W. Anderson -- Humor -- Phreakers, hackers, and trolls and the politics of transgression and spectacle / E. Gabriella Coleman -- The language of (internet) memes / Patrick Davison -- Money -- The long tail / Chris Anderson -- Law -- Remix : how creativity is being strangled by the law / Lawrence Lessig -- Your intermediary is your destiny / Fred von Lohmann -- On the fungibility and necessity of cultural freedom / Fred Benenson -- Giving it away is hard work : three creative commons case studies / Michael Mandiberg -- Labor -- Quentin Tarantino's star wars? : grassroots creativity meets the media industry / Henry Jenkins -- Gin, television, and social surplus / Clay Shirky -- Between democracy and spectacle : the front-end and back-end of the social web / Felix Stalder -- D. I. Y. academy? : cognitive capitalism, humanist scholarship, and the digital transformation / Ashley Dawson -- About the contributors -- Index.
    Note: Includes bibliographical references and index , Electronic reproduction; Available via World Wide Web
    URL: Volltext
    URL: https://www.degruyter.com/isbn/9780814763025
    URL: Cover
    URL: https://doi.org/10.18574/nyu/9780814764077.001.0001
    URL: https://www.degruyter.com/isbn/9780814764077
    URL: Cover
    URL: Volltext
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 15
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    Online Resource
    Global TV : Exporting Television and Culture in the World Market (2008)
    New York, NY : New York University Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9780814739167
    Language: English
    Pages: 1 Online-Ressource
    DDC: 302.23/45
    RVK:
    AP 33200
    RVK:
    AP 39000
    Abstract: A reporter for the Los Angeles Times once noted that “I Love Lucy is said to be on the air somewhere in the world 24 hours a day.” That Lucy’s madcap antics can be watched anywhere at any time is thanks to television syndication, a booming global marketplace that imports and exports TV shows. Programs from different countries are packaged, bought, and sold all over the world, under the watch of an industry that is extraordinarily lucrative for major studios and production companies.In Global TV, Denise D. Bielb and C. Lee Harrington seek to understand the machinery of this marketplace, its origins and history, its inner workings, and its product management. In so doing, they are led to explore the cultural significance of this global trade, and to ask how it is so remarkably successful despite the inherent cultural differences between shows and local audiences. How do culture-specific genres like American soap operas and Latin telenovelas so easily cross borders and adapt to new cultural surroundings? Why is The Nanny, whose gum-chewing star is from Queens, New York, a smash in Italy? Importantly, Bielby and Harrington also ask which kinds of shows fail. What is lost in translation? Considering such factors as censorship and other such state-specific policies, what are the inevitable constraints of crossing over?Highly experienced in the field, Bielby and Harrington provide a unique and richly textured look at global television through a cultural lens, one that has an undeniable and complex effect on what shows succeed and which do not on an international scale.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
    DOI: 10.18574/nyu/9780814739167.001.0001
    URL: https://www.degruyter.com/isbn/9780814739167
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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