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  • München BSB  (32)
  • New York, NY : Oxford University Press  (21)
  • New York : Oxford University Press  (10)
  • London [u.a.] : Routledge
  • Musik  (32)
  • Musicology  (32)
Datasource
Material
Language
Subjects(RVK)
  • 1
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780197555194 , 9780197555187
    Language: English
    Pages: X, 181 Seiten , 21 cm
    Series Statement: Oxford theory in ethnomusicology series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/842
    RVK:
    Keywords: Staatsangehörigkeit ; Musik ; Internationaler Vergleich ; Nationalbewusstsein ; Music / Political aspects ; Music / Social aspects ; Citizenship ; Ethnomusicology ; Musik ; Staatsangehörigkeit ; Nationalbewusstsein ; Internationaler Vergleich
    Abstract: "Citizenship is a fantasy of political community without others. How is it faring in today's world of authoritarianism, failed states, and climate crisis? In a world where democratic experiment is, by now, a networked and global proposition? What might we learn from music - and from ethnomusicology? The relationship between the idea of citizenship and music is long-standing, but it has not yet been looked at from a perspective informed by postcolonialism and today's decolonizing debates. The case studies in this volume are, consequently, drawn from across Latin America, Africa, Asia and Europe. Its first chapter locates the current ethnomusicological interest in citizenship in broad critical landscape, focusing on approaches to audience, media, voice and performance. The second surveys a growing body of recent ethnomusicological literature on citizenship, theorized in terms of identity, technocracy, and intimacy. The third comprises case studies developing an approach to citizenship and political subjectivity beyond conventional liberal categories, defined by mobility ('the citizen on his bike'), collectivity ('the citizen in the crowd') and activism ('the citizen in the square'). The conclusion offers an argument about the implications for citizenship studies of today's thinking in ethnomusicology, musicology and sound studies, reflecting on the hardening rhetoric of political belonging in Europe."
    Description / Table of Contents: Introduction. How Musical is the Citizen? -- Ethnomusicology of Citizenship, Ethnomusicology as Citizenship -- Citizenship Resounding -- Conclusion
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  • 2
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780197555224
    Language: English
    Pages: 1 Online-Ressource (x, 181 Seiten) , Illustrationen
    Series Statement: Oxford theory in ethnomusicology
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 306.4842
    RVK:
    Keywords: Music / ukslc ; Society & culture: general / thema ; Music / Political aspects ; Music / Social aspects ; Citizenship ; Ethnomusicology ; Staatsangehörigkeit ; Musik ; Internationaler Vergleich ; Nationalbewusstsein ; Musik ; Staatsangehörigkeit ; Nationalbewusstsein ; Internationaler Vergleich
    Abstract: In 'Music and Citizenship', Martin Stokes challenges the conventional understanding of citizenship in terms of nationalism and national identity though case studies of music from across Latin America, Africa, Asia, and Europe. In this way, this volume reorients key questions about citizenship towards musical ecology, sustainability, democracy, and inclusivity
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197549599
    Language: English
    Pages: 1 Online-Ressource (320 Seiten) , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.629608142
    RVK:
    Keywords: Music / Brazil / Bahia (State) / History and criticism ; Music / Brazil / Bahia (State) / African influences ; Blacks / Brazil / Bahia (State) / Music / History and criticism ; Afrikanischer Einwanderer ; Schwarze ; Musiksoziologie ; Identität ; Musik ; Bahia ; Bahia ; Schwarze ; Musik ; Identität ; Bahia ; Afrikanischer Einwanderer ; Musiksoziologie
    Abstract: In 'Africanness in Action', author Juan Diego D iaz examines musicians' agency, constructions of blackness and Africanness, musical structure, performance practices, and rhetoric in Brazil, and provides a model for the study of African-derived music in other diasporic locales
    Note: Also issued in print: 2021. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 4
    ISBN: 9780197549568 , 9780197549551
    Language: English
    Pages: XI, 304 Seiten , Illustrationen, Diagramme, Notenbeispiele (schwarz-weiß)
    Series Statement: Currents in Latin American & Iberian music
    Parallel Title: Erscheint auch als
    DDC: 781.6296081/42
    RVK:
    Keywords: Afrikanischer Einwanderer ; Identität ; Musik ; Musiksoziologie ; Schwarze ; Bahia ; Music / Brazil / Bahia (State) / History and criticism ; Music / Brazil / Bahia (State) / African influences ; Blacks / Brazil / Bahia (State) / Music / History and criticism ; Blacks ; Music ; Music / African influences ; Brazil / Bahia (State) ; Criticism, interpretation, etc ; Music ; Bahia ; Schwarze ; Musik ; Identität ; Bahia ; Afrikanischer Einwanderer ; Musiksoziologie
    Abstract: "This book discusses how musicians from Bahia, an emblematic African diasporic location in northeastern Brazil, think about, discuss, compose, rehearse, perform, and stage music inspired by what they perceive to be their own African ancestry. It argues that these musicians assert Afro-Brazilian identities and connect to the African continent and other diasporic places by creatively engaging essentialized notions about African music and culture: instead of mechanically reproducing these tropes, they emphasize them or downplay them. The book theorizes these preconceived notions about African music, culture, and performance as tropes of Africanness, emphasizing that they exist in two interrelated realms: as essentialist ideas in discourse and as concrete practices and sounds. Six commonly encountered tropes of African music are analyzed: the notions that its most important parameter is rhythm and that it is dominated by percussion; that it is meant to be danced to or deeply embodied rather than intellectualized; that it always touches on the sacred; that it is spontaneous and improvisatory; and that it reflects communalism rather than individualism. Through four case studies from Bahia (a jazz big band called Orkestra Rumpilezz, a symphony orchestra called the Orquestra Afrosinfônica, and two berimbau orchestras led by capoeira practitioners), the book demonstrates the nuances of musical creation in the African diaspora, acknowledging the genuine impact that essentialisms have on Bahian music while showing that they may not be an essential part of the musicians' African roots"--
    Description / Table of Contents: Bahia as an Epicenter of African Diasporic Culture -- Redeeming the Study of African Essentialism -- Orkestra Rumpilezz : A Big Band Playing Percussion -- Orkestra Rumpilezz : Complications of African Rhythm -- Orquestra Afrosinfônica : The Africanization of Erudite Music -- The Nzinga Berimbau Orchestra : Performances of Bantu Heritage -- The Tuned Berimbaus of OBADX : Melodic Performances of Africanness
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  • 5
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780197510483
    Language: English
    Pages: 1 Online-Ressource XI, 272 Seiten) , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.98
    RVK:
    Keywords: Geschichte ; Music / Social aspects / Latin America / History / 20th century ; Music / Political aspects / Latin America / History / 20th century ; Regionalism / Latin America ; Musik ; Lateinamerika ; Hochschulschrift ; Hochschulschrift ; Lateinamerika ; Musik ; Geschichte
    Abstract: The Invention of Latin American Music reconstructs the history of Latin American music as a genre, focusing on the intellectual, musicological, and diplomatic forces that shaped its spread and success across the globe in the 20th century
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 6
    ISBN: 9780190687410 , 9780190687403
    Language: English
    Pages: xi, 260 Seiten , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Parallel Title: Erscheint auch als
    DDC: 780.98
    RVK:
    Keywords: Geschichte ; Music / Social aspects / Latin America / History / 20th century ; Music / Political aspects / Latin America / History / 20th century ; Regionalism / Latin America ; Musik ; Lateinamerika ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Lateinamerika ; Musik ; Geschichte
    Abstract: The Invention of Latin American Music reconstructs the history of Latin American music as a genre, focusing on the intellectual, musicological, and diplomatic forces that shaped its spread and success across the globe in the 20th century.
    Note: Includes bibliographical references and index
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  • 7
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190847562
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Geschichte 2010-2011 ; Protest movements / Thailand / Bangkok / History ; Demonstrations / Thailand / Bangkok / History ; Sounds / Social aspects / Thailand / Bangkok ; Music / Social aspects / Thailand / Bangkok ; Politischer Protest ; Musik ; Geräuschkulisse ; Thailand / Politics and government / 1988- ; Bangkok ; Bangkok ; Politischer Protest ; Geräuschkulisse ; Musik ; Geschichte 2010-2011
    Abstract: 'Bangkok Is Ringing' is an on-the-ground sound studies analysis of the political protests that transformed Thailand in 2010-11. Drawing on sixteen months of ethnographic fieldwork with dissidents in Bangkok and beyond, the book analyses how political dissidents must be sensitive to the ways that their sounding is constrained and channeled
    Note: Previously issued in print: 2019. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 8
    ISBN: 9780190658359 , 9780190658366
    Language: English
    Pages: xxxii, 444 Seiten , Illustrationen, Notenbeispiele
    DDC: 780.89/927
    RVK:
    Keywords: Geschichte 1900-2000 ; Music History and criticism 20th century ; Music theory ; Music Performance ; Maqām ; Musikinstrument ; Araber ; Musik ; Musiktheorie ; Mittlerer Osten ; Mittlerer Osten ; Araber ; Musik ; Musikinstrument ; Musiktheorie ; Geschichte 1900-2000
    Note: Includes bibliographical references and index
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  • 9
    ISBN: 9780199374014 , 9780199374021
    Language: English
    Pages: xviii, 177 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Ahlgren, Angela K., author Drumming Asian America
    DDC: 786.908995073
    RVK:
    Keywords: Taiko ; Taiko (Drum ensemble) ; Music Social aspects ; Asian American musicians ; Soziale Funktion ; Asiaten ; Identität ; Musik ; Einfluss ; Taiko ; Kulturpolitik ; Performance ; Asien ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Asiaten ; Taiko ; Performance ; Soziale Funktion ; Identität ; Kulturpolitik ; USA ; Musik ; Asien ; Einfluss ; USA ; Taiko
    Note: Includes bibliographical references and index
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  • 10
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 978-0-199374-05-2
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 786.908995073
    RVK:
    Keywords: Taiko ; Taiko (Drum ensemble) / United States ; Music / Social aspects / United States ; Asian American musicians ; Asiaten ; Musik ; Kulturpolitik ; Einfluss ; Soziale Funktion ; Identität ; Performance ; Taiko ; USA ; Asien ; Hochschulschrift ; Hochschulschrift ; USA ; Taiko ; USA ; Musik ; Asien ; Einfluss ; USA ; Asiaten ; Taiko ; Performance ; Soziale Funktion ; Identität ; Kulturpolitik
    Abstract: With its dynamic choreographies and booming drumbeats, taiko has gained worldwide popularity since its emergence in 1950s Japan. Harnessed by Japanese Americans in the late 1960s, taiko's sonic largesse and buoyant energy challenged stereotypical images of Asians in America as either model minorities or sinister foreigners. While the majority of North American taiko players are Asian American, more than four hundred groups now exist across the United States and Canada, and these groups are comprised of people from a variety of racial and ethnic identities. Using ethnographic and historical approaches combined with performance description and analysis, this text explores the connections between taiko and Asian American cultural politics at the intersections of race, gender, and sexuality
    Note: Previously issued in print: 2018. - Includes bibliographical references and index
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
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  • 11
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190869366
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 781.62959720597
    RVK:
    Keywords: Hmong (Asian people) / Vietnam / Music / History and criticism ; Hmong (Asian people) / Vietnam / Social life and customs ; Folk music / Vietnam / History and criticism ; Musik ; Soziale Identität ; Miao ; Nordvietnam ; Hochschulschrift ; Hochschulschrift ; Nordvietnam ; Miao ; Musik ; Soziale Identität
    Abstract: 'Musical Minorities' is the first English-language monograph on the performing arts of an ethnic minority in Vietnam. Living primarily in the northern mountains, many of the one million Hmong in Vietnam have strategically maintained their cultural distance from foreign invaders and encroaching state agencies for almost two centuries. They use cultural heritage as a means of maintaining a resilient community identity, malleable to their everyday needs and to negotiations among themselves and with others in the vicinity. Case studies of revolutionary songs, countercultural rock, traditional vocal and instrumental styles, tourist shows, animist and Christian rituals, and light pop from the diaspora illustrate the diversity of their creative outputs
    Note: Previously issued in print: 2018. - Includes bibliographical references and index
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
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  • 12
    ISBN: 9780190626976 , 9780190626969
    Language: English
    Pages: xxi, 208 Seiten
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation University of Sheffield
    DDC: 781.62/959720597
    RVK:
    Keywords: Soziale Identität ; Musik ; Miao ; Nordvietnam ; Hochschulschrift ; Hochschulschrift ; Nordvietnam ; Miao ; Musik ; Soziale Identität
    Note: Includes bibliographical references and index
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  • 13
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190299590
    Language: English
    Pages: viii, 187 Seiten , Illustrationen, Diagramme
    DDC: 306.4/84240973
    RVK:
    Keywords: Geschichte ; Musik ; Identität ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Note: Literaturverzeichnis: Seite [173]-182
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  • 14
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190495039
    Language: English
    Pages: 1 Online-Ressource , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 781.6909561
    RVK:
    Keywords: Musik ; Music History and criticism ; Melancholy in music ; Affekt ; Islam ; Heilung ; Musiker ; Klassische Musik ; Melancholie ; Türkei ; Türkei ; Hochschulschrift ; Hochschulschrift ; Türkei ; Islam ; Klassische Musik ; Musiker ; Melancholie ; Affekt ; Heilung
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 15
    ISBN: 9780190651305
    Language: English
    Pages: 1 Online-Ressource , Karten, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 780.89/96
    RVK:
    RVK:
    Keywords: Geschichte ; Musik ; Blacks Music ; History and criticism ; Africans Music ; History and criticism ; Diaspora ; Kollektives Gedächtnis ; Afroamerikanische Musik ; Migration ; Schwarze ; Soziale Funktion ; Musik ; Soziokultureller Wandel ; Musiker ; Afrika ; Afrika ; Schwarze ; Musik ; Diaspora ; Soziokultureller Wandel ; Geschichte ; Afroamerikanische Musik ; Musiker ; Migration ; Soziale Funktion ; Kollektives Gedächtnis
    Abstract: Powerful and embracive, "The Transformation of Black Music"explores the full spectrum of black musics over the past thousand years as Africans and their descendants have traveled around the globe making celebrated music both in their homelands and throughout the Diaspora. Authors Samuel A. Floyd, Melanie Zeck, and Guthrie Ramsey brilliantly discuss how the music has blossomed, permeated present traditions, and created new practices. As a companion to the ground-breaking The Power of Black Music, this text brilliantly situates emerging, morphing, and influential black musics in a broader framework of cultural, political, and social histories. Grappling with subjects frequently omitted from traditional musical texts, "The Transformation of Black Music" is guided by more than just the ideals of inclusivity and representation. This work covers overlooked topics that include classical musicians of African descent, and builds upon the contributions of esteemed predecessors in the field of black music study. Providing a sweeping list of figures rarely included in conventional music history and theory textbooks, the text elucidates the findings of ethnomusicologists, cultural historians, Americanists, Africanists, and anthropologists, and weaves these accounts into a powerful and informative narrative. Taking its readers on a journey - one that has never been attempted in a single volume alone - this book reflects the musical phenomena generated by forced African migration and collective memory, and considers the kinds of powerful stories that these musics were meant to tell. Filling in critical musical and historical gaps previously ignored, authors Floyd, Zeck, and Ramsey infuse an engaging musical dialogue with a deeper understanding of the interrelationships between black musical genres and mainstream music.
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 16
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190495008 , 9780190495015
    Language: English
    Pages: xxvi, 256 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 781.6909561
    RVK:
    Keywords: Musik ; Music History and criticism ; Melancholy in music ; Islam ; Heilung ; Affekt ; Klassische Musik ; Melancholie ; Musiker ; Türkei ; Türkei ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Türkei ; Islam ; Klassische Musik ; Musiker ; Melancholie ; Affekt ; Heilung
    Note: Includes bibliographical references and index
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  • 17
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 978-0-19-024454-5
    Language: English
    Pages: 1 Online-Ressource (xxiv, 412 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Sozialgeschichte ; Klezmer music / History and criticism ; Jews / Music / History and criticism ; Aschkenasim ; Tanz ; Klezmer ; Musikleben ; Musikalischer Stil ; Musik ; Osteuropa ; Bibliografie ; Bibliografie ; Osteuropa ; Aschkenasim ; Klezmer ; Musikleben ; Sozialgeschichte ; Klezmer ; Musik ; Tanz ; Musikalischer Stil
    Abstract: 'Klezmer' is a comprehensive study of the musical structure and social history of klezmer music - the music of Jewish musicians' guild of Eastern Europe. Author Walter Zev Feldman includes major written sources, as well as interviews with European-born klezmorim, conducted over a period of more than thirty years. Including musical analysis, Feldman draws upon the foundational collections of the late Tsarist and early Soviet periods, plus rare klezmer and cantorial manuscripts
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 18
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190263232
    Language: English
    Pages: 1 Online-Ressource (X, 372 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.967
    RVK:
    RVK:
    Keywords: Musik ; Music History and criticism ; Music and globalization ; Musik ; Musikethnologie ; Ethnologie ; Globalisierung ; Afrika ; Afrika ; Afrika ; Musik ; Ethnologie ; Globalisierung ; Afrika ; Musikethnologie
    Abstract: In "The African Imagination in Music", noted music scholar Kofi Agawy offers a fresh introduction to the vast, immensely rich and diverse set of repertoires that comprise the sound worlds of Sub-Saharan African music. Agawu introduces readers to the basic elements of African music and to the values upon which they are built. He then explores the key dimensions and resources of African music, including the place of music in society, musical instruments, the relationship between language and music, rhythm, melody, form, harmony and finally, appropriations of African music by musicians around the world. Written in an accessible styles, "The African Imagination in Music" is poised to renew interest in Black African music, and to engender discussion of its creative underpinnings by Africanists, ethnomusicologists, music theorists and musicologists. - Kofi Agawu was born in Ghana, West Africa where he received his initial education before studying in the UK and the US. He has taught and lectured at numerous universities in Africa, Europe and the United States. Agawu is a wide-ranging scholar and author of numerous articles and books on musical semiotics, the analysis of music, and West African music, which include "Playing with Signs: A Semiotic Interpretation of Classical Music" (Princeton University Press, 1991), "African Rhythm: A Northern Ewe Perspective" (Cambridge University Press, 1995), "Representing African Music: Postcolonial Notes, Queries, Positions" (Routledge, 2003) and "Music as Discourse: Semiotic Adventures in Romantic Music" (Oxford University Press, 2008). Dr. Agawu is currently a professor of music at Princeton University. (Klappentext)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 19
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190259105
    Language: English
    Pages: 1 Online-Ressource (xix, 370 Seiten) , Illustrationen, Karten
    Edition: First edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6
    RVK:
    RVK:
    RVK:
    Keywords: Gesellschaft ; Musik ; Applied ethnomusicology ; Music Social aspects ; Sustainability ; Ecomusicology ; Musikleben ; Weltmusik ; Tradition ; Musikethnologie ; Kulturvergleich ; Nachhaltigkeit ; Aufsatzsammlung ; Aufsatzsammlung ; Weltmusik ; Musikleben ; Tradition ; Nachhaltigkeit ; Musikethnologie ; Kulturvergleich
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 20
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190263201 , 9780190263218
    Language: English
    Pages: x, 372 Seiten , Illustrationen, Notenbeispiele
    DDC: 780.967
    RVK:
    Keywords: Musik ; Ethnologie ; Globalisierung ; Musikethnologie ; Afrika
    Note: Dscography Seite 335-342 , Videography Seite 343-344 , Bibliography Seite 345-363
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  • 21
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190244545
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 781.62924
    RVK:
    Keywords: Sozialgeschichte ; Klezmer music History and criticism ; Jews Music ; History and criticism ; Musikleben ; Klezmer ; Aschkenasim ; Musik ; Musikalischer Stil ; Tanz ; Osteuropa ; Bibliografie ; Bibliografie ; Osteuropa ; Aschkenasim ; Klezmer ; Musikleben ; Sozialgeschichte ; Klezmer ; Musik ; Tanz ; Musikalischer Stil
    Abstract: 'Klezmer' is a comprehensive study of the musical structure and social history of klezmer music - the music of Jewish musicians' guild of Eastern Europe. Author Walter Zev Feldman includes major written sources, as well as interviews with European-born klezmorim, conducted over a period of more than thirty years. Including musical analysis, Feldman draws upon the foundational collections of the late Tsarist and early Soviet periods, plus rare klezmer and cantorial manuscripts
    Note: Previously issued in print: 2016
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 22
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190497071
    Language: English
    Pages: 1 Online-Ressource (293 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: American musicspheres
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.3/6
    RVK:
    RVK:
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    Keywords: Juden ; Judentum ; Musik ; Jews Music ; History and criticism ; Judaism Liturgy ; Kirchengesang ; Judentum ; Neue Medien ; Moderne ; Geistliche Musik ; Liturgie ; Judentum ; Geistliche Musik ; Kirchengesang ; Liturgie ; Neue Medien ; Moderne
    Abstract: Singing God's Words is the first in-depth study of the experience and meaning of chanting or "reading" Torah among contemporary American Jews. This experience has been transformed dramatically in recent years by the impact of digital technology, feminism, the empowerment of lay people and a search for self-fulfillment through involvement with community. At a time when worshippers seek deeper spiritual experience, many Jews have found new meaning in the experience of reading Torah, an act that is broadly accessible to Jewish adults even as it requires intensive immersion with the text of the Bible in Hebrew. This book examines why and how growing numbers of American Jews in all denominations see the public chanting of Biblical texts during the synagogue service as one of the most authentic and personal expressions of their religious identity. Drawing on hundreds of interviews with men and women, both professionals and congregants, Jeffrey A. Summit describes how the reading of Torah embodies their understanding of historical religious practice, even as it is shaped by contemporary views of spiritual experience. Through this act, holiness becomes manifest at the intersection of Biblical chant, sacred text, the individual, and the community. - Jeffrey A. Summit is Research Professor in the Department of Music and Judaic Studies at Tufts University, where he also serves as rabbi and Neubauer Executive Director of Tufts Hillel. He is the author of The Lord's Song in a Strange Land: Music and Identity in Contemporary Jewish Worship (OUP). His CD Abayudaya: Music from the Jewish People of Uganda was nominated for a Grammy Award.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 23
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190244514
    Language: English
    Pages: xxiv, 412 Seiten , Illustrationen, Notenbeispiele
    DDC: 781.62/924
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    Keywords: Sozialgeschichte ; Juden ; Musik ; Klezmer music History and criticism ; Jews Music ; History and criticism ; Klezmer ; Musikalischer Stil ; Aschkenasim ; Tanz ; Musik ; Musikleben ; Osteuropa ; Bibliografie ; Bibliografie ; Bibliografie ; Osteuropa ; Aschkenasim ; Klezmer ; Musikleben ; Sozialgeschichte ; Klezmer ; Musik ; Tanz ; Musikalischer Stil
    Abstract: Klezmer: Music, History, and Memory is the first comprehensive study of the musical structure and social history of klezmer music, the music of the Jewish musicians' guild of Eastern Europe. Emerging in 16th century Prague, the klezmer became a central cultural feature of the largest transnational Jewish community of modern times - the Ashkenazim of Eastern Europe. Much of the musical and choreographic history of the Ashkenazim is embedded in the klezmer repertoire, which functioned as a kind of non-verbal communal memory. The complex of speech, dance, and musical gesture is deeply rooted in Jewish expressive culture, and reached its highest development in Eastern Europe. Klezmer: Music, History, and Memory reveals the artistic transformations of the liturgy of the Ashkenazic synagogue in klezmer wedding melodies, and presents the most extended study available in any language of the relationship of Jewish dance to the rich and varied klezmer music of Eastern Europe. Author Walter Zev Feldman expertly examines the major sources principally in Russian, Yiddish, Hebrew, and Romanian from the 16th to the 20th centuries, including interviews with authoritative European-born klezmorim conducted over a period of more than thirty years in America, Eastern Europe, and Israel. In its musical analysis, this book draws upon the foundational collections of the late Tsarist and early Soviet periods, plus rare cantorial and klezmer manuscripts from the late 18th to the early 20th centuries. - Walter Zev Feldman is a leading researcher in both Ottoman Turkish and Jewish music. During the 1970s he spearheaded the revival of klezmer music. His book, Music of the Ottoman Court (Berlin, 1996) is taught as a basic text world wide. He is also an authority on East European Jewish dance, forming part of his current research on the role of gesture in the performing arts.
    Note: Includes bibliographical references and index
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  • 24
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190454951
    Language: English
    Pages: 1 Online-Ressource (xvii, 433 Seiten) , Notenbeispiele, Illustrationen, Diagramme
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.5/920952090512
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    Keywords: Kernkraftwerk Fukushima ; Geschichte 2011-2015 ; Geschichte ; Politik ; Popular music Political aspects 21st century ; History ; Protest songs History and criticism 21st century ; Fukushima Nuclear Disaster, Japan, 2011 Songs and music ; Nuclear power plants Public opinion ; Protest movements History 21st century ; Kerntechnischer Unfall ; Musik ; Politischer Protest ; Japan ; Japan ; Kernkraftwerk Fukushima ; Kerntechnischer Unfall ; Musik ; Politischer Protest ; Geschichte 2011-2015
    Note: Published to Oxford Scholarship Online: October 2016
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 25
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780199334681 , 9780199334698
    Language: English
    Pages: xvii, 433 Seiten , Illustrationen
    DDC: 781.5/920952090512
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    Keywords: Kernkraftwerk Fukushima ; Geschichte 2011-2015 ; Antikernkraftbewegung ; Protestsong ; Popmusik ; Kerntechnischer Unfall ; Musik ; Politischer Protest ; Japan
    Note: Literaturverzeichnis: Seite 403-417
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  • 26
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199367504
    Language: English
    Pages: 1 Online-Ressource (XVII, 302 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 780.89/924043
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    Keywords: Geschichte 1900-2000 ; Geschichte 1945-2014 ; Juden ; Musik ; Jews Music History and criticism ; Music History and criticism 20th century ; National socialism and music ; Judentum ; Kollektives Gedächtnis ; Musik ; Deutschland ; Deutschland ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Judentum ; Musik ; Kollektives Gedächtnis ; Geschichte 1945-2014
    Abstract: This title draws together three significant areas of inquiry: Jewish music, German culture, and the legacy of the Holocaust. Jewish music - a highly debated topic - encompasses a multiplicity of musics and cultures, reflecting an inherent and evolving hybridity and transnationalism. German culture refers to an equally diverse concept that, in this volume, includes the various cultures of prewar Germany, occupied Germany, the divided and reunified Germany, and even 'German (Jewish) memory,' which is not necessarily physically bound to Germany.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 27
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199352210
    Language: English
    Pages: 1 Online-Ressource (XIII, 206 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Applied ethnomusicology ; Sustainability ; Language maintenance ; Musik ; Sprache ; Musikethnologie ; Nachhaltigkeit ; Kulturerbe ; Gefährdung ; Musikethnologie ; Musik ; Sprache ; Gefährdung ; Kulturerbe ; Nachhaltigkeit
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 28
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199354962 , 9780199354955
    Language: English
    Pages: 1 Online-Ressource (XV, 280 Seiten) , Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 780.89924
    RVK:
    Keywords: Geschichte ; Juden ; Musik ; Music / Israel / History and criticism ; Music by Jewish composers / History and criticism ; Jews / Music / History and criticism ; Musik ; Religiöse Identität ; Juden ; Komponist ; Israel ; Israel ; Juden ; Komponist ; Musik ; Religiöse Identität ; Geschichte
    Abstract: Shelleg revolutionizes the study of modern Israeli art music by tracking the surprising itineraries of Jewish art music in the move from Europe to Mandatory Palestine and Israel. Leaving behind clich es about East and West, Arab and Jew, this book provocatively exposes the legacies of European antisemitism and religious Judaism in the making of Israeli art music
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 29
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199345908
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 780.9598
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    Keywords: Gesellschaft ; Musik ; Music / Indonesia / Bali Island / History and criticism ; Music / Social aspects / Indonesia / Bali Island ; Gamelan ; Musik ; Musikethnologie ; Interkulturalität ; Bali ; Bali ; Musik ; Gamelan ; Interkulturalität ; Musikethnologie
    Abstract: In this work, author Andrew Clay McGraw shows how Balinese contemporary music, music kontemporer, embodies the tensions between culture as represented and lived. Through a highly interdisciplinary approach, this book presents an all-encompassing social and musical history of musik kontemporer
    Note: Published to Oxford Scholarship Online: January 2014 , Includes bibliographical references and index
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  • 30
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199354467
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 306.1
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    Keywords: Geschichte 1940-1970 ; Gesellschaft ; Counterculture / United States ; Popular music / Social aspects / United States ; Hippie ; Musik ; Soziale Bewegung ; USA ; USA ; USA ; Hippie ; Soziale Bewegung ; Musik ; Geschichte 1940-1970
    Abstract: 'Dig' argues that in hip culture it is sound itself, and the faculty of hearing, that is the privileged part of the sensory experience. Through a string of lucid and illuminating examples author Phil Ford shows why and how music became a central facet of hipness and the counterculture
    Note: Includes bibliographical references and index
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  • 31
    ISBN: 0199932301 , 9780199932306
    Language: English
    Pages: 1 Online-Ressource (XV, 191 S.)
    Parallel Title: Erscheint auch als
    DDC: 782.42082/09519
    RVK:
    Keywords: Geschichte ; Gesellschaft ; Musik ; Songs, Korean History and criticism ; Women singers ; Music Social aspects ; Comfort women History ; Comfort women History ; Identität ; Lied ; Zwangsprostituierte ; Koreanerin ; Koreanerin ; Zwangsprostituierte ; Lied ; Identität
    Abstract: In the wake of the wartime experience of sexual slavery for the Japanese military during the Asia-Pacific War (1930-45), Korean survivors lived under great pressure not to speak about what had happened to them. These sexual slaves were known as 'comfort women,' and this book brings us into the lives of three of them
    Note: Includes bibliographical references and index
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  • 32
    Book
    Book
    London [u.a.] : Routledge
    ISBN: 0415773520 , 0415773539 , 9780415773522 , 9780415773539
    Language: English
    Pages: XIII, 208 S.
    Edition: 2. ed.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 791/.09730904
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    Keywords: Performing arts / Social aspects ; Music / Performance ; Trials ; Acteren ; Massamedia ; Muziek ; Toneel ; Gesellschaft ; Medien ; Musik ; Theater ; Music Performance ; Performing arts Social aspects ; Trials ; Rockmusik ; Live-Sendung ; Massenmedien ; Gerichtsverhandlung ; Live-Auftritt ; Rockmusik ; Live-Auftritt ; Massenmedien ; Gerichtsverhandlung ; Live-Sendung ; Massenmedien
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