ISBN:
9780520963412
Language:
English
Pages:
1 Online-Ressource (xvi, 261 Seiten)
,
Illustrationen
Series Statement:
Music of the african diaspora 18
Parallel Title:
Erscheint auch als
Parallel Title:
Erscheint auch als
DDC:
781.6508996073044361
Keywords:
Geschichte 1900-2000
;
Geschichte 1945-1961
;
Jazz musicians 20th century
;
African American musicians 20th century
;
Jazz History and criticism
;
African American authors 20th century
;
Amerikanischer Einwanderer
;
Schriftsteller
;
Kulturkontakt
;
Ethnische Identität
;
Jazzmusiker
;
Schwarze
;
Frankreich
;
Paris (France) Race relations 20th century
;
Paris
;
Paris
;
Amerikanischer Einwanderer
;
Jazzmusiker
;
Schriftsteller
;
Schwarze
;
Ethnische Identität
;
Kulturkontakt
;
Geschichte 1945-1961
Abstract:
"At the close of the Second World War, waves of African American musicians migrated to Paris, eager to thrive in its reinvigorated jazz scene. Jazz Diasporas challenges the notion that Paris was a color-blind paradise for African Americans. On the contrary, musicians...and African American artists based in Europe like writer and social critic James Baldwin...adopted a variety of strategies to cope with the cultural and social assumptions that greeted them throughout their careers in Paris, particularly in light of the cultural struggles over race and identity that gripped France as colonial conflicts like the Algerian War escalated. Through case studies of prominent musicians and thoughtful analysis of personal interviews, music, film, and literature, Rashida K. Braggs investigates the impact of this post-war musical migration. Examining a number of players in the jazz scene, including Sidney Bechet, Inez Cavanaugh, and Kenny Clarke, Braggs identifies how they performed both as musicians and as African Americans. The collaborations that they and other African Americans created with French musicians and critics complicated racial and cultural understandings of who could play and represent "authentic" jazz. Their role in French society challenged their American identity and illusions of France as a racial safe haven. In this post-war era of collapsing nations and empires, African American jazz players and their French counterparts destabilized set notions of identity. Sliding in and out of black and white and American and French identities, they created collaborative spaces for mobile and mobilized musical identities, what Braggs terms 'jazz diasporas.'"...Provided by publisher
DOI:
10.1525/california/9780520279346.001.0001
URL:
Volltext
(URL des Erstveröffentlichers)
URL:
Volltext
(URL des Erstveröffentlichers)
URL:
http://dx.doi.org/10.1525/california/9780520279346.001.0001
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