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  • München BSB  (2)
  • Image  (2)
  • 1990-1994  (2)
  • Geschichte 1900-2000
  • Gesellschaft
  • 1
    ISBN: 3861083086
    Language: German
    Pages: 267 Seiten , Illustrationen
    DDC: 306.4/7/094709041
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    Keywords: Kommunističeskaja Partija Sovetskogo Sojuza ; Geschichte 1900-2000 ; Geschichte 1930-1960 ; Art - URSS - 20e siècle - Congrès ; Cultuurbeleid ; Stalinisme ; Kommunistische Partei, Kulturpolitik ; Kulturpolitik ; Stalinismus ; Geschichte ; Kunst ; Soviet Union -- Cultural policy -- Congresses ; Arts -- Soviet Union -- History -- 20th century -- Congresses ; Künste ; Kultur ; Stalinismus ; Geschichte ; URSS - Politique culturelle - Congrès ; URSS - Vie intellectuelle - 1917-1970 - Congrès ; Sowjetunion ; Sowjetunion ; Soviet Union -- Intellectual life -- 1917-1970 -- Congresses ; Soviet Union -- Civilization -- Congresses ; Sowjetunion ; Sowjetunion ; Stalinismus ; Kultur ; Geschichte 〈1930-1960〉 ; Kongress ; Kassel 〈1993〉 ; Konferenzschrift 25.11.1993-27.11.1993 ; Sowjetunion ; Stalinismus ; Kultur ; Geschichte 1930-1960 ; Sowjetunion ; Stalinismus ; Künste ; Geschichte
    Note: Beiträge deutsch, 1 Beitrag in englisch
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  • 2
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    Bloomington ; Indianapolis : Indiana University Press
    ISBN: 0253325552
    Language: English
    Pages: xi, 947 Seiten , zahlr. Ill.
    Series Statement: Indiana University Turkish studies 11
    Series Statement: Indiana University Turkish studies
    DDC: 745/.09561/09048
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    Keywords: Geschichte 1900-2000 ; Art populaire - Turquie - 20e siècle ; Volkskunst ; Geschichte ; Folk art History 20th century ; Kunsthandwerk ; Volkskunst ; Türkei ; Türkei ; Türkei ; Volkskunst ; Kunsthandwerk ; Türkei
    Abstract: Turkish Traditional Art Today presents the living arts and artists of Turkey. It is simultaneously an ethnographic inquiry into the nature of art, an introduction to modern Turkey, and a model study of folk art, combining the theories of folklore, anthropology, cultural geography, and art history. Describing his research in the cities, towns, and mountain villages, Glassie ranges widely across media. He tells of architecture, calligraphy, woodworking, and earthenware, but lays particular emphasis on the brilliant, underglaze-painted ceramics of Kutahya and the rich, piled carpets for which Turkey has been famed for centuries. While searching for the traits that define art and the stylistic complexities that characterize Turkish creativity, Glassie focuses on the artists and their theories and practices as well as the works they produce. The result is an account of the current state of Islamic art and a comprehensive analysis of a deep and lively artistic tradition.
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