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  • München BSB  (21)
  • Online Resource  (21)
  • Schwarze  (21)
  • Musicology  (21)
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  • 1
    Online Resource
    Online Resource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781009019804
    Language: English
    Pages: 1 Online-Ressource (xi, 324 Seiten) , Diagramme
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/84249
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    Keywords: Geschichte 1985-2020 ; Rap (Music) / Political aspects / United States ; African Americans / Social conditions ; African Americans / Political activity ; Hip-Hop ; Politik ; Recht ; Rassendiskriminierung ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Rassendiskriminierung ; Recht ; Politik ; Hip-Hop ; Geschichte 1985-2020
    Abstract: Taking inspiration from Public Enemy's lead vocalist Chuck D - who once declared that 'rap is the CNN of young Black America' - this volume brings together leading legal commentators to make sense of some of the most pressing law and policy issues in the context of hip-hop music and the ongoing struggle for Black equality. Contributors include MSNBC commentator Paul Butler, who grapples with race and policing through the lens of N.W.A.'s song 'Fuck tha Police', ACLU President Deborah Archer, who considers the 2014 uprisings in Ferguson, Missouri, and many other prominent scholars who speak of poverty, LGBTQ+ rights, mass incarceration, and other crucial topics of the day. Written to 'say it plain', this collection will be valuable not only to students and scholars of law, African-American studies, and hip-hop, but also to everyone who cares about creating a more just society
    Note: Title from publisher's bibliographic system (viewed on 24 Jan 2022) , From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby
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  • 2
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478023500
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1975-1990 ; Rundfunksender ; Rap ; Schwarze ; New York, NY ; New York, NY ; Rap ; Schwarze ; Rundfunksender ; Geschichte 1975-1990
    Note: Bevorzugte Informationsquelle Ladingpage (Duke), da weder Titelblatt nocht Impressum vorhanden
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  • 3
    Online Resource
    Online Resource
    Ann Arbor, Michigan : University of Michigan Press
    ISBN: 9780472902446 , 047290244X
    Language: English
    Pages: 1 Online-Ressource (XVII, 240 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.4216213073
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    Keywords: Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Abstract: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings--including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton--contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element--a sonic rhetoric--for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power of folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes' archive and other repositories of historicized sound. Throughout Listening to the Lomax Archive, there are a number of audio resources for readers to listen to, including songs, oral histories, and radio program excerpts. Each resource is marked with a k&in the text. Visit https://doi.org/10.3998/mpub.9871097#resources to access this audio content
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  • 4
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197549599
    Language: English
    Pages: 1 Online-Ressource (320 Seiten) , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.629608142
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    Keywords: Music / Brazil / Bahia (State) / History and criticism ; Music / Brazil / Bahia (State) / African influences ; Blacks / Brazil / Bahia (State) / Music / History and criticism ; Afrikanischer Einwanderer ; Schwarze ; Musiksoziologie ; Identität ; Musik ; Bahia ; Bahia ; Schwarze ; Musik ; Identität ; Bahia ; Afrikanischer Einwanderer ; Musiksoziologie
    Abstract: In 'Africanness in Action', author Juan Diego D iaz examines musicians' agency, constructions of blackness and Africanness, musical structure, performance practices, and rhetoric in Brazil, and provides a model for the study of African-derived music in other diasporic locales
    Note: Also issued in print: 2021. - Includes bibliographical references and index
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  • 5
    ISBN: 9781912685806
    Language: English
    Pages: 1 Online-Ressource (171 Seiten) , Illustrationen
    Series Statement: Sonics series
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 2000-2015 ; Musik ; Musikethnologie ; Schwarze ; Musik ; Schwarze ; Musikethnologie ; Geschichte 2000-2015
    URL: Volltext  (kostenfrei)
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  • 6
    ISBN: 9781479849697 , 9781479800360
    Language: English
    Pages: 1 Online-Ressource (247 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 781.65089/6073
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    Keywords: Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Islam ; Jazz ; Schwarze ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Abstract: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa
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  • 7
    Online Resource
    Online Resource
    Ithaca : Cornell University Press
    ISBN: 9781501759857
    Language: English
    Pages: 1 Online-Ressource (368 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.48428
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    Keywords: Geschichte 1870-1990 ; Musicians, Black Germany ; History ; 20th century ; Musicians, Black Austria ; History ; 20th century ; Musicians, Black Germany ; History ; 19th century ; Schwarze ; Musiker ; Österreich ; Deutschland ; Deutschland ; Österreich ; Schwarze ; Musiker ; Geschichte 1870-1990
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  • 8
    ISBN: 9780190903220
    Language: English
    Pages: 1 Online-Ressource , Illustrationen, Karte
    Series Statement: Currents in Latin American & Iberian music
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.6409861
    RVK:
    Keywords: Folk music / Colombia / History and criticism ; Blacks / Colombia / Music / History and criticism ; Blacks / Colombia / Social conditions ; Soziale Situation ; Volksmusik ; Schwarze ; Kolumbien ; Einführung ; Einführung ; Kolumbien ; Schwarze ; Soziale Situation ; Volksmusik
    Abstract: Colombia has the largest black population in the Spanish-speaking world, but Afro-Colombians have long remained at the nation's margins. Their recent irruption into the political, social, and cultural spheres is tied to appeals to cultural difference, dramatized by the traditional music of Colombia's majority-black Southern Pacific region, often called currulao. Yet that music remains largely unknown and unstudied despite its complexity, aesthetic appeal, and social importance. 'Rites, Rights & Rhythms' is a book-length academic study of currulao, inquiring into the numerous ways that it has been used: to praise the saints, to grapple with modernization, to dramatize black politics, to demonstrate national heritage, to generate economic development, and to provide social amelioration in a context of war
    Note: Previously issued in print: 2019. - Includes bibliographical references and index
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  • 9
    ISBN: 9788523218720
    Language: Portuguese
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
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    Keywords: Schwarze ; Soul ; Rio de Janeiro ; Music ; Rio de Janeiro ; Soul ; Schwarze
    Abstract: Em A cena musical da Black Rio, Luciana Xavier de Oliveira apresenta o surgimento, na década de 1970, dos bailes de soul music nos subúrbios carioca, iniciados na esteira do movimento de empoderamento da comunidade negra, sob o lema do black is beatiful. A autora realiza uma análise comunicacional desse cenário, analisa as influências deixadas na moda e no mercado fonográfico e mostra as contribuições dos jovens negros da época a fim de legitimar uma negritude mais positiva e consciente
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  • 10
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190466954 , 0190466952
    Language: English
    Pages: 1 Online-Ressource , illustrations (black and white)
    Series Statement: Currents in Latin American & Iberian music
    DDC: 793.319468
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    Keywords: Flamenco ; Flamenco Social aspects ; Dance and race ; Spanien ; Flamenco ; Tanz ; Rasse ; Person of Color ; Schwarze ; Sinti ; Roma ; Geschichte 1492-1933
    Abstract: How is the politics of Blackness figured in the flamenco dancing body? What does flamenco dance tell us about the construction of race in the Atlantic world? Sonidos Negros traces how, between 1492—when Christian reconquest of the Iberian Peninsula coincided with Christopher Columbus’s landing on Hispaniola—and 1933—when Andalusian poet Federico García Lorca published his “Theory and Play of the Duende”—the vanquished Moor became Black; and how the imagined Gitano (“Gypsy,” or Roma) embodies the warring images and sounds of this process. By the nineteenth-century nadir of its colonial reach, Spanish identity was paradoxically enacted in terms of a minstrelized Gitano, a hybrid of Spanish and American representations of Blackness. Flamenco’s imagined Gypsy, teetering between ostentatious ignorance and the humility of epiphany, references an earlier trope: the pastor bobo (foolish shepherd), who, seeing an angelic apparition, must decide whether to accept the light of Christ—or remain in darkness. Spain’s symbolic linkage of this religious peril with the Blackness of abjection scripts the evangelical narrative which defeated the Moors and enslaved the Americas. The bobo’s confusion, appealingly comic but holding the pathos of the ultimate stakes of his decision—heaven or hell, safety or extermination—bares a teeming view of the embodied politics of colonial exploitation and creole identity formation. Flamenco’s Sonidos Negros live in this precarious balance, amid the purposeful ruckus cloaking danced resistance, the lament for what has been lost, and the values and aspirations of those rendered imperceptible by slavery and colonization.
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  • 11
    Online Resource
    Online Resource
    Albany : State University of New York Press
    ISBN: 9781438469881
    Language: English
    Pages: 1 Online-Ressource (228 pages)
    Series Statement: SUNY Series, Philosophy and Race
    Series Statement: SUNY Series, Philosophy and Race Ser.
    Parallel Title: Erscheint auch als Thompson, Mark Christian, 1970 - Anti-music
    DDC: 781.6508996073043
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    Keywords: Philosophy, German-20th century ; Jazz-Germany-20th century-History and criticism ; Blacks-Race identity-Germany-History-20th century ; Electronic books ; Deutschland ; Afroamerikanische Musik ; Jazz ; Kulturpolitik ; Geschichte 1919-1939 ; Deutschland ; Schwarze ; Jazz ; Afroamerikanische Musik ; Ethnische Identität ; Nationalsozialismus ; Geschichte 1918-1939
    Abstract: Intro -- Contents -- List of Figures -- Acknowledgments -- Introduction -- Chapter One The Jazz Paradox -- I. Bloch's Blacks -- II. Jonny's Jimmy -- III. Parodic Primitivism -- IV. Nazi Neger -- Chapter Two The Jazz Machine -- I. The Jazz Machine -- II. The Principle of Looking -- III. Jazz Vulgarity -- IV. The Astaire Automaton -- Chapter Three The Monkey's Trick -- I. The Monkey's Trick -- II. The Track of the Divine -- III. Jazzman Mozart -- Chapter Four The Music of Fascism -- I. Jazz at War -- II. That Ol' Wagnerian Rag -- III. Slave to Jazz -- IV. Sacrificial Jazz -- Chapter Five Jazz-Heinis -- I. The Inner Crisis -- II. The Nazi Princess -- III. Stop, Thief -- IV. The White-Face Minstrel -- Conclusion -- Notes -- Bibliography -- Index
    URL: Volltext  (lizenzpflichtig)
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  • 12
    Online Resource
    Online Resource
    New York : Peter Lang Inc., International Academic Publishers
    ISBN: 9781433145711
    Language: English
    Pages: 1 Online-Ressource (252 Seiten) , 9 ill
    Edition: 1st, New ed
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Akademisierung ; Identität ; Jazz ; Musikerziehung ; Jazzmusiker ; Schwarze ; USA ; Interview ; Interview ; USA ; Schwarze ; Jazz ; Jazzmusiker ; Musikerziehung ; Akademisierung ; Identität
    Description / Table of Contents: How does academic jazz education impact the Black cultural value of soulfulness and esthetic standards in contemporary jazz music? Through candid conversations with nine of the country's most highly respected jazz practitioners and teachers, What Is This Thing Called Soul explores the potential consequences of forcing the Black musical style of jazz into an academic pedagogical system that is specifically designed to facilitate the practice and pedagogy of European classical music. This work tests the belief that the cultural, emotional and esthetic elements at the very core of jazz's unique identity, along with the music's overt connection to Black culture, are effectively being "lost in translation" in traversing the divide between academic and non-academic jazz spheres. Each interviewee commands significant respect worldwide in the fields of jazz performance and jazz pedagogy. Noteworthy subjects include: Rufus Reid, Lewis Nash, Nicholas Payton and Wycliffe Gordon-along with the late jazz masters Marcus Belgrave and Phil Woods. Interviews are supplemented by original analysis of the nature and validity of these issues contributed by the author. What Is This Thing Called Soul offers a candid and objective look into pressing issues of race, culture and ethnic value in relation to both jazz music and jazz education. Sensitivity, marginalization and even a fear of offending others has limited open discussion of how the soul of jazz music can be lost in technical boundaries. What Is This Thing Called Soul is the first attempt to directly address such culturally urgent issues in jazz music
    Note: Online resource; title from title screen (viewed June 10, 2019)
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  • 13
    Online Resource
    Online Resource
    Chicago, Illinois ; London, [England] : The University of Chicago Press
    ISBN: 9780226451787
    Language: English
    Pages: 1 online resource (371 pages)
    Parallel Title: Erscheint auch als Roberts, Brian, 1957- Blackface nation : race, reform, and identity in American popular music, 1812 - 1925
    DDC: 781.64089/96073
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    Keywords: Geschichte 1812-1925 ; African Americans Music ; History and criticism ; Popular music History and criticism 19th century ; Popular music History and criticism 20th century ; Minstrel music History and criticism ; Music and race History ; Mittelstand ; Unterhaltungsmusik ; Ethnische Identität ; Nationalismus ; Schwarze ; USA ; USA ; Schwarze ; Unterhaltungsmusik ; Mittelstand ; Ethnische Identität ; Nationalismus ; Geschichte 1812-1925
    Note: Includes index , Description based on print version record
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  • 14
    ISBN: 9780190651305
    Language: English
    Pages: 1 Online-Ressource , Karten, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 780.89/96
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    Keywords: Geschichte ; Musik ; Blacks Music ; History and criticism ; Africans Music ; History and criticism ; Diaspora ; Kollektives Gedächtnis ; Afroamerikanische Musik ; Migration ; Schwarze ; Soziale Funktion ; Musik ; Soziokultureller Wandel ; Musiker ; Afrika ; Afrika ; Schwarze ; Musik ; Diaspora ; Soziokultureller Wandel ; Geschichte ; Afroamerikanische Musik ; Musiker ; Migration ; Soziale Funktion ; Kollektives Gedächtnis
    Abstract: Powerful and embracive, "The Transformation of Black Music"explores the full spectrum of black musics over the past thousand years as Africans and their descendants have traveled around the globe making celebrated music both in their homelands and throughout the Diaspora. Authors Samuel A. Floyd, Melanie Zeck, and Guthrie Ramsey brilliantly discuss how the music has blossomed, permeated present traditions, and created new practices. As a companion to the ground-breaking The Power of Black Music, this text brilliantly situates emerging, morphing, and influential black musics in a broader framework of cultural, political, and social histories. Grappling with subjects frequently omitted from traditional musical texts, "The Transformation of Black Music" is guided by more than just the ideals of inclusivity and representation. This work covers overlooked topics that include classical musicians of African descent, and builds upon the contributions of esteemed predecessors in the field of black music study. Providing a sweeping list of figures rarely included in conventional music history and theory textbooks, the text elucidates the findings of ethnomusicologists, cultural historians, Americanists, Africanists, and anthropologists, and weaves these accounts into a powerful and informative narrative. Taking its readers on a journey - one that has never been attempted in a single volume alone - this book reflects the musical phenomena generated by forced African migration and collective memory, and considers the kinds of powerful stories that these musics were meant to tell. Filling in critical musical and historical gaps previously ignored, authors Floyd, Zeck, and Ramsey infuse an engaging musical dialogue with a deeper understanding of the interrelationships between black musical genres and mainstream music.
    Note: Includes bibliographical references and index
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  • 15
    Online Resource
    Online Resource
    Oakland, California : University of California Press
    ISBN: 9780520963412
    Language: English
    Pages: 1 Online-Ressource (xvi, 261 Seiten) , Illustrationen
    Series Statement: Music of the african diaspora 18
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6508996073044361
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    Keywords: Geschichte 1900-2000 ; Geschichte 1945-1961 ; Jazz musicians 20th century ; African American musicians 20th century ; Jazz History and criticism ; African American authors 20th century ; Amerikanischer Einwanderer ; Schriftsteller ; Kulturkontakt ; Ethnische Identität ; Jazzmusiker ; Schwarze ; Frankreich ; Paris (France) Race relations 20th century ; Paris ; Paris ; Amerikanischer Einwanderer ; Jazzmusiker ; Schriftsteller ; Schwarze ; Ethnische Identität ; Kulturkontakt ; Geschichte 1945-1961
    Abstract: "At the close of the Second World War, waves of African American musicians migrated to Paris, eager to thrive in its reinvigorated jazz scene. Jazz Diasporas challenges the notion that Paris was a color-blind paradise for African Americans. On the contrary, musicians...and African American artists based in Europe like writer and social critic James Baldwin...adopted a variety of strategies to cope with the cultural and social assumptions that greeted them throughout their careers in Paris, particularly in light of the cultural struggles over race and identity that gripped France as colonial conflicts like the Algerian War escalated. Through case studies of prominent musicians and thoughtful analysis of personal interviews, music, film, and literature, Rashida K. Braggs investigates the impact of this post-war musical migration. Examining a number of players in the jazz scene, including Sidney Bechet, Inez Cavanaugh, and Kenny Clarke, Braggs identifies how they performed both as musicians and as African Americans. The collaborations that they and other African Americans created with French musicians and critics complicated racial and cultural understandings of who could play and represent "authentic" jazz. Their role in French society challenged their American identity and illusions of France as a racial safe haven. In this post-war era of collapsing nations and empires, African American jazz players and their French counterparts destabilized set notions of identity. Sliding in and out of black and white and American and French identities, they created collaborative spaces for mobile and mobilized musical identities, what Braggs terms 'jazz diasporas.'"...Provided by publisher
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  • 16
    Online Resource
    Online Resource
    Rochester, NY : University of Rochester Press
    ISBN: 9781782046936
    Language: English
    Pages: 1 Online-Ressource (x, 242 Seiten)
    Series Statement: Eastman studies in music v. 131
    Parallel Title: Erscheint auch als
    DDC: 781.640973/0954
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    Keywords: Popular music / India / History and criticism ; Popular music / United States / History and criticism ; Popular music / India / American influences ; African American musicians / India ; Afroamerikanische Musik ; Unterhaltungsmusik ; Musiker ; Popmusik ; Schwarze ; Britisch-Indien ; USA ; USA ; Schwarze ; Musiker ; Britisch-Indien ; USA ; Popmusik ; Afroamerikanische Musik ; Britisch-Indien ; USA ; Unterhaltungsmusik ; Britisch-Indien
    Abstract: 〈I〉American Popular Music in Britain's Raj〈/I〉 is the first systematic study to address the character and scope of American popular music in India during British rule. Drawing on ethnographic and archival research, it examines blackface minstrel shows, ragtime, jazz, and representations of Hollywood film music in Bombay cabarets and Hindi film songs, identifying key musical moments in the development of these styles between the middle 1800s and the middle 1900s, outlining the entertainment idioms and frameworks that supported their growth, and examining a variety of historical contexts under colonialism that influenced their meaning and commercial value.〈BR〉 Focusing on Calcutta (modern Kolkata), Lucknow, and Bombay (modern Mumbai), Bradley Shope traces the movement of music across time and space -- including between the United States, England, and India -- and addresses a variety of groups and communities, including the US military in Calcutta during World War II, Anglo-Indians in Lucknow in the 1930s and 1940s, and British residents across North India in the nineteenth and twentieth centuries.〈BR〉〈BR〉 Bradley G. Shope is assistant professor of music at Texas A & M-Corpus Christi
    Description / Table of Contents: Introduction -- Entertainment globalization, 1850s to 1910s -- Technologies, exoticism, and entrepreneurs, 1920s and 1930s -- Calcutta in the war -- The case of Lucknow -- Cabaret sequences in Hindi films -- Afterword
    Note: Title from publisher's bibliographic system (viewed on 23 Feb 2018)
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  • 17
    Online Resource
    Online Resource
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226362687
    Language: English
    Pages: 1 Online-Ressource (xx, 307 Seiten) , Illustrationen, Notenbeispiele, Karte
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.63096822/1
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    Keywords: Geschichte 1994-2014 ; Gesellschaft ; Politik ; Kwaito (Music) Social aspects ; Kwaito (Music) Philosophy and aesthetics ; Kwaito (Music) Political aspects ; Musicians, Black ; Soziale Funktion ; Kwaito ; Jugend ; Politischer Wandel ; Schwarze ; Südafrika (Staat) ; South Africa Social conditions 1994- ; Südafrika ; Südafrika ; Kwaito ; Politischer Wandel ; Jugend ; Schwarze ; Soziale Funktion ; Geschichte 1994-2014
    Abstract: In mid-1990s South Africa, apartheid ended, Nelson Mandela was elected president, and the country s urban black youth developed "kwaito" a form of electronic music (redolent of North American house) that came to represent the post-struggle generation. In this book, Gavin Steingo examines kwaito as it has developed alongside the democratization of South Africa over the past two decades. Tracking the fall of South African hope into the disenchantment that often characterizes the outlook of its youth today who face high unemployment, extreme inequality, and widespread crime Steingo looks to kwaito as a powerful tool that paradoxically engages South Africa s crucial social and political problems by, in fact, seeming to ignore them. Politicians and cultural critics have long criticized kwaito for failing to provide any meaningful contribution to a society that desperately needs direction. As Steingo shows, however, these criticisms are built on problematic assumptions about the political function of music. Interacting with kwaito artists and fans, he shows that youth aren t escaping their social condition through kwaito but rather using it to expand their sensory realities and generate new possibilities. Resisting the truism that music is always political, Steingo elucidates a music that thrives on its its radically ambiguous relationship with politics, power, and the state. - Gavin Steingo is assistant professor of music at the University of Pittsburgh.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 18
    Online Resource
    Online Resource
    Jackson, Mississippi : University Press of Mississippi
    ISBN: 9781626740846 , 9781628461572
    Language: English
    Pages: 1 Online-Ressource (XIX, 256 Seiten)
    Series Statement: American Made Music Series
    Uniform Title: Free jazz - black power
    Parallel Title: Erscheint auch als
    DDC: 781.65089/96073
    RVK:
    RVK:
    Keywords: Geschichte ; Geschichte 1945-1970 ; Geschichte ; Gesellschaft ; Schwarze. USA ; Jazz History and criticism ; Free jazz History and criticism ; African Americans History 1964- ; Jazz Social aspects ; Black power ; Free Jazz ; Schwarze ; USA ; USA ; Free Jazz ; Black power ; Geschichte ; USA ; Free Jazz ; Schwarze ; Geschichte 1945-1970
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 19
    Online Resource
    Online Resource
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780195128253
    Language: English
    Pages: 1 Online-Ressource (XI, 402 S.) , Ill., graph. Darst., Notenbeisp.
    Series Statement: Oxford scholarship online
    DDC: 781.65/1599
    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte 1950-1970 ; African-Americans - Civil rights ; History - 20th century - United States ; Jazz - History and criticism - 1951-1960 ; Jazz - History and criticism - 1961-1970 ; Jazz - Political aspects - United States ; Jazz - Social aspects - United States ; Geschichte ; Gesellschaft ; Politik ; Jazz History and criticism 1951-1960 ; Jazz History and criticism 1961-1970 ; Jazz Social aspects ; Jazz Political aspects ; African-Americans Civil rights 20th century ; History ; Politik ; Jazz ; Bürgerrechtsbewegung ; Gesellschaft ; Schwarze ; USA ; USA ; Jazz ; Geschichte 1950-1970 ; USA ; Jazz ; Gesellschaft ; Politik ; Geschichte 1950-1970 ; USA ; Schwarze ; Bürgerrechtsbewegung ; Geschichte 1950-1970
    Note: Includes bibliographical references (p. ) and index
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  • 20
    Online Resource
    Online Resource
    New York : Routledge
    ISBN: 9781306110433
    Language: English
    Pages: 1 online resource (xxvi, 435 pages) , illustrations
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.42164092/396073
    RVK:
    RVK:
    Keywords: Geschichte 1880-1930 ; African American composers / Biography ; Popular music / United States / History and criticism ; Unterhaltungsmusik ; Komponist ; Schwarze ; USA ; USA ; Biografie ; Biografie ; USA ; Unterhaltungsmusik ; Komponist ; Schwarze ; Geschichte 1880-1930
    Note: Originally published: New York : Schirmer Books, c1998. - Includes bibliographical references (p. [419]-420) and indexes
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  • 21
    ISBN: 9780203700617
    Language: English
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64/089/96073
    RVK:
    RVK:
    Keywords: African Americans / Music / History and criticism ; Popular music / United States / History and criticism ; African Americans in popular culture ; Geschichte ; Musik ; Popmusik ; Kultur ; Schwarze ; Afroamerikanische Musik ; USA ; USA ; Kultur ; Musik ; Schwarze ; Geschichte ; USA ; Popmusik ; Schwarze ; Geschichte ; USA ; Afroamerikanische Musik ; Geschichte
    Note: Includes bibliographical references and index
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