ISBN:
9780226738680
Language:
English
Pages:
1 Online-Ressource (347 Seiten)
,
Illustrationen
Series Statement:
Big issues in music
Parallel Title:
Erscheint auch als
Parallel Title:
Erscheint auch als
DDC:
780.78
Keywords:
Live-Auftritt
;
Festival
;
Sozialer Wandel
;
Rockmusik
;
Konzert
;
Rock music / Social aspects / United States
;
Rock music / Social aspects / Europe
;
Music festivals / Social aspects / United States
;
Music festivals / Social aspects / Europe
;
Rockmusik
;
Festival
;
Konzert
;
Live-Auftritt
;
Sozialer Wandel
Abstract:
Introduction. The Social Study of Musical Performance Institutions -- Conceptualizing Musical Performance Culture Clubs in Everyday Urban Life -- The Social Study of Music in Cities -- The Commercial Institutionalization of Rock Clubs in New York -- How Did Institutionalization Evolve in Europe? : Music Festivals in the Summer Season -- A Worldview History of Music Festivals -- The Evolution of Anglophone Global Culture -- Three Industry Evolutions That Changed Festival Culture -- New Media, New Festival Worlds
Abstract:
"In Everyone Loves Live Music, Fabian Holt takes us through transformations in musical performance culture that explain how live music became the wildly popular industry it is today--and what these changes mean for fans. Holt looks at two realms of live music subject to the same commercializing trends: rock clubs, a feature of everyday life in major American and European cities and blowout musical festivals, venues for over-the-top experiences. As both clubs and festivals are being bought up and managed by a shrinking number of corporate entities such as Live Nation, they are becoming increasingly homogenous, showcasing a narrow roster of mostly Anglophone musicians. While many of the clubs and festivals Holt studies began as highly local scenes, they have fallen prey to media conglomerates, affecting the social worlds not only of fans, but of the cities and neighborhoods that are home to these musical cultures. As a result, Holt shows, our social worlds are transforming as particular forms of music, place, lifestyle, and leisure come to dominate our cultural lives"
Note:
Includes bibliographical references and index
DOI:
10.7208/9780226738680
URL:
Volltext
(URL des Erstveröffentlichers)
URL:
Volltext
(URL des Erstveröffentlichers)
URL:
Volltext
(URL des Erstveröffentlichers)
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