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  • München BSB  (5)
  • English  (5)
  • Ogden, Daniel  (3)
  • Berlin, Edward A.  (2)
  • Oxford : Oxford University Press  (5)
  • Ann Arbor, Michigan : ProQuest
Datasource
Material
Language
  • English  (5)
Years
Publisher
  • 1
    Book
    Book
    Oxford : Oxford University Press
    ISBN: 9780198854319
    Language: English
    Pages: xiv, 261 Seiten , Illustration (farbig)
    Edition: First edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 398.2454
    RVK:
    Keywords: Werewolves / History / To 1500 ; Folklore / Rome ; Folklore / Greece ; Werwolf ; Antike ; Werwolf ; Antike
    Abstract: Tales of the werewolf are by now well established as a rich sub-strand of the popular horror genre; less widely known is just how far back in time their provenance lies. This text shows how in antiquity werewolves thrived in a story-world shared by witches, ghosts, demons, and soul-flyers, and argues for the primary role of story-telling - as opposed to rites of passage - in the ancient world's general conceptualisation of the werewolf. It also seeks to demonstrate how the comparison of equally intriguing medieval tales can be used to fill in gaps in our knowledge of werewolf stories in the ancient world, thereby shedding new light on the origins of the modern phenomenon
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 9780191868542
    Language: English
    Pages: 1 Online-Ressource (480 Seiten) , Illustrationen
    Edition: First edition
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 398.2454
    RVK:
    Keywords: Dragons ; Drache ; Christentum ; Mythos ; Englisch ; Legende ; Literatur ; Römisches Reich ; Griechenland ; Römisches Reich ; Griechenland ; Drache ; Mythos ; Christentum ; Legende ; Englisch ; Literatur ; Drache
    Abstract: How did the dragon get its wings? Everyone in the modern West has a clear idea of what a dragon looks like and of the sorts of stories it inhabits, not least devotees of the fantasies of J.R.R. Tolkien, J.K. Rowling, and George R.R. Martin. A cross between a snake and some fearsome mammal, often sporting colossal wings, they live in caves, lie on treasure, maraud, and breathe fire. They are extraordinarily powerful, but even so, ultimately defeated in their battles with humans. What is the origin of this creature? 'The Dragon in the West' is a serious and substantial account of the evolution of the modern dragon from its ancient forebears
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 9780191888601 , 0191888605 , 9780192596284 , 0192596284
    Language: English
    Pages: 1 Online-Ressource (xvii, 261 Seiten)
    Edition: First edition
    Parallel Title: Erscheint auch als Ogden, Daniel, 1963 - The werewolf in the ancient world
    DDC: 398.24/54
    RVK:
    Keywords: Werewolves History To 1500 ; Folklore ; Folklore ; Folklore ; Werewolves ; History ; Greece ; Rome (Empire) ; Electronic books ; Werwolf ; Geschichte 500 v. Chr.-500
    Abstract: Cover -- The Werewolf in the Ancient World -- Copyright -- Preface -- Acknowledgements -- Contents -- List of Abbreviations -- Note on Orthography and Translations -- Note on Conventions in Relation to the Alexander Romance -- Introduction -- The Ancient Werewolf Introduced: Petronius -- Terms and Definitions -- Folklore First: the Project of the Book -- Why Werewolves? -- 1: The Curse of the Werewolf: Witches and Sorcerers -- Homer's Circe -- Herodotus' Neuri -- Virgil's Moeris -- The Strix-witch (i): Witches, Screech Owls and Werewolves in Early Imperial Latin Literature
    Abstract: The Paradigm of the Strix-witch -- The Paradigm of the Bawd-witch -- Tibullus' Bawd-witch -- Propertius' Bawd-witch Acanthis -- Ovid's Bawd-witch Dipsas and Medea -- Petronius' Niceros and Trimalchio -- The Strix-witch (ii): Apuleius' Thessalian She-wolves -- Lupulae -- Pamphile's Transformation into an Owl -- Meroe and Panthia as Lamias -- The Thelyphrons -- The Curse of the Werewolf -- Magic and Werewolfism in Medieval Texts -- Conclusion -- 2: Werewolves, Ghosts, and the Dead -- Wolves and Death in Greece and Italy -- Wolves and Death in the Greek world? -- Etruscan Aita-Calu
    Abstract: The Etruscan Tityos Painter's Wolfman -- The Faliscan Hirpi Sorani of Soracte -- Herodotus' Neuri (again) -- Virgil's Moeris and Tibullus' Bawd-witch -- Petronius' Niceros -- Phlegon of Tralles' Red Wolf and the Talking Head of Publius (potential case) -- Marcellus of Side's Medical Lycanthropes -- Pausanias' Hero of Temesa -- Philostratus' Dog-demon of Ephesus -- Later Comparanda -- Conclusion -- 3: The Werewolf, Inside and Out -- Inside and Out (i): Carapace and Core -- Human Carapace around a Wolf Core -- Hairy Hearts -- Wolf Carapace around a Human Core -- The Identifying Wound
    Abstract: Inside and Out (ii): Ingestion -- From Man to Wolf -- From Wolf to Man -- Inside and Out (iii): Civilization and the Wilderness Beyond -- Inside and Out (iii): Civilization and the Wilderness Beyond Into the Woods -- Across the Water -- Conclusion -- 4: Werewolves and Projected Souls -- Werewolves and Projected Souls: Medieval, Early Modern, and Modern -- The Medieval Period (i): Latin and Irish Texts -- The Medieval Period (ii): Werewolves, Were-bears, and Projected Souls in Norse Texts -- The Early Modern Period (i): Western Europe -- The Early Modern Period (ii): Livonia -- The Modern Period
    Abstract: Werewolves and Projected Souls in the Ancient World -- Werewolves and Innkeepers: a Kaleidoscoping of Werewolf-tale Motifs -- Conclusion -- 5: The Demon in a Wolfskin: a Werewolf at Temesa? -- The Sources -- The Proverb -- Some Scholarship on Euthymus and the Hero -- Differentiation (i): Pausanias' Narrative vs Callimachus-Death and the Maiden -- Differentiation (ii): Pausanias' Narrative (Pausanias-A) vs Pausanias' Picture (Pausanias-B)-the Other Tale of the Hero of Temesa -- Serpentine Monsters -- The Hero in the Wolfskin: a Werewolf? -- Conclusion -- 6: The Werewolves of Arcadia
    Abstract: Tales of the werewolf are well established as a sub-strand of the popular horror genre; less widely known is how far back in time their provenance lies. This is the first book in any language devoted to the werewolf tales that survive from antiquity, exploring their place alongside witches, ghosts, demons, and soul-flyers in a shared story-world
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 9780190245221
    Language: English
    Pages: 1 Online-Ressource (xvi, 434 Seiten) , Illustrationen, Notenbeispiele
    Edition: Second edition
    Parallel Title: Erscheint auch als
    DDC: 780.92
    RVK:
    RVK:
    Keywords: Joplin, Scott ; Joplin, Scott ; Geschichte 1868-1917 ; Composers Biography ; Ragtime music History and criticism ; Ragtime ; USA ; USA ; Biografie ; Biografie ; USA ; Joplin, Scott 1868-1917 ; Ragtime ; Geschichte 1868-1917
    Abstract: When it was first published in 1994, "King of Ragtime: Scott Joplin and his Era" was widely heralded not only as the most thorough investigation of Scott Joplin's life and music, but also as a gripping read, almost a detective story. This new and expanded edition-more than a third larger than the first-goes far beyond the original publication in uncovering new details of the composer's life and insights into his music. It explores Joplin's early, pre-ragtime career as a quartet singer, a period of his life that was previously unknown. The book also surveys the nature of ragtime before Joplin entered the ragtime scene and how he changed the style. Author Edward A. Berlin offers insightful commentary on each of all of Joplin's works, showing his influence on other ragtime and non-ragtime composers. He traces too Joplin's continued music studies late in life, and how these reflect his dedication to education and probably account for the radical changes that occur in his last few rags. And he puts new emphasis on Joplin's efforts in musical theater, bringing in early versions of his Ragtime Dance and its precedents. Joplin's wife Freddie is shown to be a major inspiration to his opera Treemonisha, with her family background and values being reflected in that work. Joplin's reputation faded in the 1920s-30s, but interest in his music slowly re-emerged in the 1940s and gradually built toward a spectacular revival in the 1970s, when major battles ensued for possession of rights.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Book
    Book
    Oxford : Oxford University Press
    ISBN: 9780199740321
    Language: English
    Pages: xvi, 434 Seiten , Illustrationen, Notenbeispiele
    Edition: 2nd edition
    Parallel Title: Erscheint auch als
    DDC: 780.92
    RVK:
    RVK:
    Keywords: Joplin, Scott ; Joplin, Scott ; Geschichte 1868-1917 ; Composers Biography ; Ragtime music History and criticism ; Ragtime ; USA ; USA ; Biografie ; Biografie ; USA ; Joplin, Scott 1868-1917 ; Ragtime ; Geschichte 1868-1917
    Abstract: When it was first published in 1994, "King of Ragtime: Scott Joplin and his Era" was widely heralded not only as the most thorough investigation of Scott Joplin's life and music, but also as a gripping read, almost a detective story. This new and expanded edition-more than a third larger than the first-goes far beyond the original publication in uncovering new details of the composer's life and insights into his music. It explores Joplin's early, pre-ragtime career as a quartet singer, a period of his life that was previously unknown. The book also surveys the nature of ragtime before Joplin entered the ragtime scene and how he changed the style. Author Edward A. Berlin offers insightful commentary on each of all of Joplin's works, showing his influence on other ragtime and non-ragtime composers. He traces too Joplin's continued music studies late in life, and how these reflect his dedication to education and probably account for the radical changes that occur in his last few rags. And he puts new emphasis on Joplin's efforts in musical theater, bringing in early versions of his Ragtime Dance and its precedents. Joplin's wife Freddie is shown to be a major inspiration to his opera Treemonisha, with her family background and values being reflected in that work. Joplin's reputation faded in the 1920s-30s, but interest in his music slowly re-emerged in the 1940s and gradually built toward a spectacular revival in the 1970s, when major battles ensued for possession of rights.
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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