ISBN:
0521620457
,
0521629667
,
1139939300
,
9780521620451
,
9780521629669
,
9781139939300
Language:
English
Pages:
1 online resource (xi, 191 pages)
Series Statement:
Cambridge cultural social studies
Parallel Title:
Erscheint auch als Eyerman, Ron Music and social movements
DDC:
306.4/84
Keywords:
Geschichte 1900-2000
;
Geschichte 1900-1995
;
Populaire muziek
;
Sociale bewegingen
;
Sociale verandering
;
Musique / Aspect social / Histoire / 20e siècle
;
Mouvements sociaux / Histoire / 20e siècle
;
Sociologie politique / Histoire / 20e siècle
;
Culture populaire / Histoire / 20e siècle
;
Music and society / History / 20th century
;
Music / Social aspects
;
Political sociology
;
Popular culture
;
Social movements
;
POLITICAL SCIENCE / Public Policy / Cultural Policy
;
SOCIAL SCIENCE / Anthropology / Cultural
;
SOCIAL SCIENCE / Popular Culture
;
Geschichte
;
Gesellschaft
;
Musik
;
Sozialer Wandel
;
Music Social aspects 20th century
;
History
;
Social movements History 20th century
;
Political sociology History 20th century
;
Popular culture History 20th century
;
Music Social aspects
;
Soziale Bewegung
;
Musik
;
Musik
;
Soziale Bewegung
;
Geschichte 1900-1995
Description / Table of Contents:
1. On social movements and culture --- 2. Taking traditions seriously --- 3. Making an alternative popular culture: from populism to the popular front --- 4. The movements of black music: from the New Negro to civil rights --- 5. Politics and music in the 1960s --- 6. From the sixties to the nineties: the case of Sweden --- 7. Structures of feeling and cognitive praxis
Description / Table of Contents:
Building on their studies of sixties culture and theory of cognitive praxis, Ron Eyerman and Andrew Jamison examine the mobilization of cultural traditions and formulation of new collective identities through the music of activism. They combine a sophisticated theoretical argument with historical-empirical studies of nineteenth-century populists and twentieth-century labour and ethnic movements, focusing on the interrelations between music and social movements in the United States and the transfer of those experiences to Europe. Specific chapters examine folk and country music, black music, music of the 1960s movements, and music of the Swedish progressive movement
Note:
Description based on print version record
URL:
Volltext
(URL des Erstveröffentlichers)
URL:
Volltext
(URL des Erstveröffentlichers)
URL:
Volltext
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URL:
https://doi.org/10.1017/CBO9780511628139
URL:
Volltext
(lizenzpflichtig)
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