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  • München BSB  (4)
  • Bayreuth UB  (3)
  • 2015-2019  (4)
  • Ethnologie
  • Musicology  (4)
  • 1
    Image
    Image
    Copenhagen K, Denmark : Nordic Institute of Asian Studies
    ISBN: 9788776942618 , 9788776942625
    Language: English
    Pages: xxv, 384 Seiten , Illustrationen , 24 cm
    Series Statement: NIAS studies in Asian topics 69
    Series Statement: NIAS studies in Asian topics
    DDC: 950
    RVK:
    RVK:
    RVK:
    Keywords: Geräusch ; Ethnologie ; Macht ; Hierarchie ; Südostasien ; Sound / Political aspects / Southeast Asia ; Sound / Sociological aspects ; Southeast Asia / Politics and government ; Southeast Asia / Social conditions ; Southeast Asia / Social life and customs ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Südostasien ; Geräusch ; Hierarchie ; Macht ; Ethnologie
    Abstract: There is no moment of our waking life in which we do not experience sounds or make sounds. The human body is a sound-making organism. In densely peopled areas like many parts of Southeast Asia, then, the potential is for tumult, an infinity of different sounds competing to be heard. Pandemonium is not unheard of in Southeast Asia - not least in times of political unrest - but in everyday situations uproar is uncommon; cultural, social, political and personal factors (among others) work to calm, channel or even silence the tumult. Providing focus to this interdisciplinary volume on sound in SE Asia are detailed descriptions of the context of sounds and sound-making within the region's diverse socio-cultural semiotic frames of hierarchy and power. Drawing on examples from Myanmar, Thailand, Malaysia, Indonesia and the Philippines, each author discusses some aspect of sound in relation to their ethnographic context. Sound examples are also found on a companion website. Varied approaches to understanding sound are offered but in some way each relates to hierarchy and power. All show the importance of sound for understanding the processual implementation of hierarchy (or its opposite) in the construction of the social environment and the role of sound in the efficacious.
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  • 2
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190263232
    Language: English
    Pages: 1 Online-Ressource (X, 372 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.967
    RVK:
    RVK:
    Keywords: Musik ; Music History and criticism ; Music and globalization ; Musik ; Musikethnologie ; Ethnologie ; Globalisierung ; Afrika ; Afrika ; Afrika ; Musik ; Ethnologie ; Globalisierung ; Afrika ; Musikethnologie
    Abstract: In "The African Imagination in Music", noted music scholar Kofi Agawy offers a fresh introduction to the vast, immensely rich and diverse set of repertoires that comprise the sound worlds of Sub-Saharan African music. Agawu introduces readers to the basic elements of African music and to the values upon which they are built. He then explores the key dimensions and resources of African music, including the place of music in society, musical instruments, the relationship between language and music, rhythm, melody, form, harmony and finally, appropriations of African music by musicians around the world. Written in an accessible styles, "The African Imagination in Music" is poised to renew interest in Black African music, and to engender discussion of its creative underpinnings by Africanists, ethnomusicologists, music theorists and musicologists. - Kofi Agawu was born in Ghana, West Africa where he received his initial education before studying in the UK and the US. He has taught and lectured at numerous universities in Africa, Europe and the United States. Agawu is a wide-ranging scholar and author of numerous articles and books on musical semiotics, the analysis of music, and West African music, which include "Playing with Signs: A Semiotic Interpretation of Classical Music" (Princeton University Press, 1991), "African Rhythm: A Northern Ewe Perspective" (Cambridge University Press, 1995), "Representing African Music: Postcolonial Notes, Queries, Positions" (Routledge, 2003) and "Music as Discourse: Semiotic Adventures in Romantic Music" (Oxford University Press, 2008). Dr. Agawu is currently a professor of music at Princeton University. (Klappentext)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    ISBN: 9789042933958 , 9782758402671
    Language: French
    Pages: x, 203 Seiten , Illustrationen, Diagramme, Karten, Notenbeispiele
    Series Statement: Ethnomusicologie 9
    Series Statement: SELAF n° 468
    Series Statement: Ethnomusicologie
    Series Statement: SELAF
    RVK:
    Keywords: Musik ; Wolof ; Ethnologie ; Senegal ; Senegal ; Wolof ; Musik ; Ethnologie
    Abstract: La musique vocale des Wolof, population majoritaire au Senegal, est ici presentee a travers une etude comparative fondee sur les chants collectes entre 1950 et 2006, dans les trois regions traditionnelles - le Kajoor, le Saalum et le Waalo. L'inventaire de ces chants, leur analyse et leur categorisation vernaculaire permettent d'eclairer la maniere dont les Wolof ordonnent leur patrimoine musical. L'organologie, l'etude de la systematique et ses liens avec les circonstances de la pratique musicale, ainsi que la comparaison de diverses versions d'un meme chant enregistrees dans ces trois regions a des epoques differentes, conduisent l'auteur a valider l'hypothese d'une seule et meme identite musicale wolof. Une telle approche - a la fois diachronique et synchronique - offre un eclairage sur les changements historiques et sociaux qui ont fortement influence le statut et le role du musicien professionnel, le gewel, depuis l'epoque des royaumes precoloniaux jusqu'a nos jours.
    Note: Literaturverzeichnis, Disko- und Filmographie Seite [137]-[144]
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  • 4
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190263201 , 9780190263218
    Language: English
    Pages: x, 372 Seiten , Illustrationen, Notenbeispiele
    DDC: 780.967
    RVK:
    Keywords: Musik ; Ethnologie ; Globalisierung ; Musikethnologie ; Afrika
    Note: Dscography Seite 335-342 , Videography Seite 343-344 , Bibliography Seite 345-363
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