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  • München BSB  (3,954)
  • HBZ  (1,312)
  • English  (4,350)
  • French  (307)
  • Italian  (54)
  • Musicology  (4,681)
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  • 1
    Journal/Serial
    Journal/Serial
    Champaign, Ill. : University of Illinois Press | Middletown, Conn. [u.a.] : Society for Ethnomusicology ; [1.]1953/57=Nr. 1-11; 2.1958 -
    ISSN: 0014-1836
    Language: English
    Dates of Publication: [1.]1953/57=Nr. 1-11; 2.1958 -
    Additional Information: Bibliographie ab 2000 Ographies
    Parallel Title: Online-Ausg. Ethnomusicology
    Former Title: newsletter
    RVK:
    Keywords: Zeitschrift
    Note: Index 21/30(1977/1986); 31/40.1987/96 in: 41.1997,2
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  • 2
    Journal/Serial
    Journal/Serial
    Paris : Musée du Quai Branly | Paris : Musée de l'Homme ; 1.1895/96 - 5.1904; N.S. 1.1903/04 -
    ISSN: 0037-9174 , 1957-7842
    Language: French
    Pages: 28 cm
    Dates of Publication: 1.1895/96 - 5.1904; N.S. 1.1903/04 -
    Additional Information: Beil.: Société des Américanistes de Paris Actes de la Société
    Additional Information: Ab 68.1982 darin Bibliographie américaniste / Archéologie et préhistoire, anthropologie et ethnohistoire. Archéologie et préhistoire, anthropologie et ethnohistoire
    Additional Information: Bis 1964 darin u. ab 1965 Beil. Bibliographie américaniste
    Parallel Title: Digital. Ausg. Société des Américanistes de Paris Journal de la Société des Américanistes
    Parallel Title: Online-Ausg. Société des Américanistes de Paris Journal de la Société des Américanistes
    Former Title: Journal de la Société des Américanistes de Paris
    Former Title: Journal
    RVK:
    RVK:
    Keywords: Zeitschrift
    Note: Repr.: New York, NY : Johnson , Ersch. jährl. , Index 64/72.1977/86 in: 73.1987
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  • 3
    Journal/Serial
    Journal/Serial
    Grahamstown | Johannesburg | Roodeport ; 1.1954/57 - 7.1991/99; 8.2007 -
    ISSN: 0065-4019
    Language: English
    Dates of Publication: 1.1954/57 - 7.1991/99; 8.2007 -
    Parallel Title: Online-Ausg. African music
    Former Title: Vorg.: African Music Society Newsletter / African Music Society
    Former Title: journal of the African Music Society
    RVK:
    Keywords: Zeitschrift
    Note: Repr.: Amsterdam : Swets & Zeitlinger
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  • 4
    Journal/Serial
    Journal/Serial
    Grahamstown | Johannesburg | Roodeport ; 1.1954/57 - 7.1991/99; 8.2007 -
    ISSN: 0065-4019
    Language: English
    Dates of Publication: 1.1954/57 - 7.1991/99; 8.2007 -
    Parallel Title: Online-Ausg. African music
    Former Title: Vorg.: African Music Society Newsletter / African Music Society
    Former Title: journal of the African Music Society
    RVK:
    Keywords: Zeitschrift
    Note: Repr.: Amsterdam : Swets & Zeitlinger
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  • 5
    Journal/Serial
    Journal/Serial
    Champaign, Ill. : University of Illinois Press | Middletown, Conn. [u.a.] : Society for Ethnomusicology ; [1.]1953/57=Nr. 1-11; 2.1958 -
    ISSN: 0014-1836
    Language: English
    Dates of Publication: [1.]1953/57=Nr. 1-11; 2.1958 -
    Additional Information: Bibliographie ab 2000 Ographies
    Parallel Title: Online-Ausg. Ethnomusicology
    Former Title: newsletter
    DDC: 390
    RVK:
    Keywords: Zeitschrift
    Note: Index 21/30(1977/1986); 31/40.1987/96 in: 41.1997,2
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  • 6
    Journal/Serial
    Journal/Serial
    Paris : Musée du Quai Branly | Paris : Musée de l'Homme ; 1.1895/96 - 5.1904; N.S. 1.1903/04 -
    ISSN: 0037-9174 , 1957-7842
    Language: French
    Pages: 28 cm
    Dates of Publication: 1.1895/96 - 5.1904; N.S. 1.1903/04 -
    Additional Information: Beil.: Société des Américanistes de Paris Actes de la Société
    Additional Information: Ab 68.1982 darin Bibliographie américaniste / Archéologie et préhistoire, anthropologie et ethnohistoire. Archéologie et préhistoire, anthropologie et ethnohistoire
    Additional Information: Bis 1964 darin u. ab 1965 Beil. Bibliographie américaniste
    Parallel Title: Online-Ausg. Société des Américanistes de Paris Journal de la Société des Américanistes
    Parallel Title: Elektronische Reproduktion Société des Américanistes de Paris Journal de la Société des Américanistes
    Former Title: Journal de la Société des Américanistes de Paris
    Former Title: Journal
    DDC: 820
    RVK:
    RVK:
    Keywords: Zeitschrift
    Note: Repr.: New York, NY : Johnson , Ersch. jährl. , Index 64/72.1977/86 in: 73.1987
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  • 7
    Journal/Serial
    Journal/Serial
    Austin, Tex. : Univ. of Texas Press ; 1.1980 -
    ISSN: 0163-0350 , 1536-0199
    Language: English , Spanish , Portuguese
    Dates of Publication: 1.1980 -
    Parallel Title: Online-Ausg. Latin American music review
    Former Title: Vorg.: Yearbook for Inter-American musical research
    DDC: 780
    RVK:
    Keywords: Zeitschrift
    Note: Index 1/10.1980/89 in: 10.1989
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  • 8
    Journal/Serial
    Journal/Serial
    London : Soc. ; 1.1965/69 -
    ISSN: 0531-9684 , 2056-6166
    Language: English
    Dates of Publication: 1.1965/69 -
    Parallel Title: Online-Ausg. Folk music journal
    Former Title: Vorg.: English Folk Dance and Song Society Journal of the English Folk Dance and Song Society
    Former Title: the journal of traditional song, music & dance
    DDC: 390
    RVK:
    Keywords: Zeitschrift
    Note: Repr. 1.1965/69: Nendeln : Kraus
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  • 9
    Journal/Serial
    Journal/Serial
    Grahamstown : [Verlag nicht ermittelbar] | Johannesburg | Roodeport ; 1.1954/57 - 7.1991/99; 8.2007 -
    ISSN: 0065-4019
    Language: English
    Dates of Publication: 1.1954/57 - 7.1991/99; 8.2007 -
    Parallel Title: Online-Ausg. African music
    Former Title: Vorg.: African Music Society Newsletter / African Music Society
    Former Title: journal of the African Music Society
    DDC: 780
    RVK:
    Keywords: Zeitschrift
    Note: Repr.: Amsterdam : Swets & Zeitlinger
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  • 10
    Journal/Serial
    Journal/Serial
    Paris : Musée du Quai Branly | Paris : Musée de l'Homme ; 1.1895/96 - 5.1904; N.S. 1.1903/04 -
    Show associated volumes/articles
    ISSN: 0037-9174 , 1957-7842
    Language: French
    Pages: 28 cm
    Dates of Publication: 1.1895/96 - 5.1904; N.S. 1.1903/04 -
    Additional Information: Beil.: Société des Américanistes de Paris Actes de la Société
    Additional Information: Ab 68.1982 darin Bibliographie américaniste / Archéologie et préhistoire, anthropologie et ethnohistoire. Archéologie et préhistoire, anthropologie et ethnohistoire
    Additional Information: Bis 1964 darin u. ab 1965 Beil. Bibliographie américaniste
    Parallel Title: Digital. Ausg. Société des Américanistes de Paris Journal de la Société des Américanistes
    Parallel Title: Online-Ausg. Société des Américanistes de Paris Journal de la Société des Américanistes
    Former Title: Journal de la Société des Américanistes de Paris
    Former Title: Journal
    RVK:
    RVK:
    Keywords: Zeitschrift
    Note: Repr.: New York, NY : Johnson , Ersch. jährl. , Index 64/72.1977/86 in: 73.1987
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  • 11
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781009420198
    Language: English
    Pages: xv, 415 Seiten , 24 cm
    Series Statement: Cambridge themes in American literature and culture
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Abstract: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
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  • 12
    ISBN: 9780367488789 , 9780367488796
    Language: English
    Pages: xiii, 240 Seiten , Illustrationen
    Series Statement: Transnational Studies in Jazz
    Parallel Title: Erscheint auch als
    RVK:
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  • 13
    ISBN: 9781666932966
    Language: English
    Pages: xiv, 237 Seiten
    Parallel Title: Online version Loza, Steven Joseph Ethnomusicologist's last lecture
    RVK:
    Keywords: Musik ; Musikethnologie ; Philosophie ; Religion ; Globalisierung ; Ethnomusicology ; Music and globalization ; Music / Religious aspects ; Music and philosophy ; Ethnomusicologie ; Musique et mondialisation ; Musique / Aspect religieux ; Musique et philosophie ; ethnomusicology ; Musikethnologie ; Musik ; Globalisierung ; Philosophie ; Religion
    Abstract: "This book critically addresses the conventional practices of studies on music, while taking readers through various global examples of musical expression"--
    Description / Table of Contents: Thinking Globally : Thoughts and the Ideas of Others on Philosophy, Religion, and Music -- Composers and Ideologies through a World Prism -- The Spirituality of the Blues and Related Sacred Music -- Polarities, Windmills, and the Transcendence of the Universe -- James Newton, Composer of Faith -- Masked Phantoms : Thoughts on Our Research and Scholarship in Ethnomusicology -- Challenges to the Euro-Americentric Ethnomusicological Canon : Alternatives for Graduate Readings, Theory, and Method -- Toward a Theory for Religion as Art : From Merriam to Guadalupe -- Social Justice and My Work as a Music Scholar, Teacher, and Artist -- Free Thoughts
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  • 14
    ISBN: 9781032431314 , 1032431318 , 9781032431321 , 1032431326
    Language: English
    Pages: XII, 219 Seiten
    Parallel Title: Online version Ethnomusicology and its intimacies
    RVK:
    Keywords: Musikethnologie ; Ethnomusicology ; Intimacy (Psychology) ; Ethnomusicologie ; Intimité ; ethnomusicology ; Ethnomusicology ; Intimacy (Psychology) ; Festschrift ; Festschrift ; Festschrift ; Musikethnologie
    Abstract: "Ethnomusicology and its Intimacies situates intimacy, a concept that encompasses a wide range of often informal social practices and processes for building closeness and relationality, within the ethnomusicological study of music and sound. These scholarly essays reflect on a range of interactions between individuals and communities that deepen connections and associations, and which may be played out relatively briefly or nurtured over time. Three major sections on Performance, Auto/biographical strategies, and Film are each prefaced by an interview with a scholar or practitioner with close knowledge of the subject that links the chapters in that section. Often drawing directly on fieldwork experience in a variety of contexts, authors consider how concepts of intimacy can illuminate the ethnographic study of music, addressing questions such as: how can we understand ethnomusicological and ethnographic research and performance as processes of musically-mediated intimacy? How are the longstanding relationships we develop with others particularly intimated by and through musicking? How do we understand the musically intimate relationships of others and how do these inflect our own musical intimacies? How does music represent, inscribe, constrain or provoke social or personal intimacies in particular contexts? The volume will appeal to all scholars with interests in music and how it is used to construct relationships in different contexts around the world"--
    Description / Table of Contents: Part I. Musical Intimacy in Performance. Introspection I -- Henry Stobart ; The Intimacy of Interlocking / Paul Berliner ; Spiritual and Emotional Dimensions of Female Lullaby Singing in Afghanistan / Veronica Doubleday ; Afghan Wars and Musical Intimacy / James Kippen -- Part II. Intimate Confessions and Biographical Strategies. Introspection II -- Margaret Sarkassian ; Radio and the Music Confessional / Stephen Cottrell ; Amīr Ḳhusraw Between Balkh and Delhi : The Transnational Legacies of an Indo-Afghan Poet-Musician / William Rees Hofmann ; Meetings With Masterly Musicians : Collaboration, Creation, and Curation in the Pursuit of Ethnomusicological Knowledge / Keith Howard ; Searching for a Voice : An Anatolian Tale / Martin Stokes -- Part III. Filmic Intimacies. Introspection III -- André Singer ; Intimacy in Ethnographic Film: Listening to How to Improve the World by Nguyễn Trinh Thi / Barley Norton ; The Sonic Intimacies of Khosrow Sinai's A Lost Requiem (1983) / Laudan Nooshin ; Intoxicated Intimacies : Drunken Heroes in Greek Popular Film and Song / Dafni Tragaki ; Epilogue. Digital Ethnomusicology in a Socially-Distanced World / Stephen Wilford
    Note: 2312
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  • 15
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197683750
    Language: English
    Pages: 1 Online-Ressource (xii, 221 Seiten)
    Series Statement: Oxford theory in ethnomusicology
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    Keywords: Music / ukslc ; Music / thema ; Ethnomusicology ; Music theory ; Musiktheorie ; Musikethnologie ; Musikethnologie ; Musiktheorie
    Abstract: 'Music Theory in Ethnomusicology' outlines a conception of music theory suited to cross-cultural research on musical practices, assessing the extent to which musical terminologies of diverse languages can be interpreted in relation to general concepts without imposing the assumptions and biases of one body of existing theory
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 16
    ISBN: 9781003043904 , 9780367490034 , 9780367630355
    Language: English
    Pages: XVII, 349 Seiten , Illustrationen
    Series Statement: Routledge music companions
    Parallel Title: Äquivalent
    DDC: 780.89
    RVK:
    Keywords: Ethik ; Musikethnologie ; Forschung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musikethnologie ; Forschung ; Ethik
    Description / Table of Contents: Includes bibliograpical references and index
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  • 17
    Online Resource
    Online Resource
    London ; New York : Bloomsbury Academic
    ISBN: 9781350287006 , 9781350286986
    Language: English
    Pages: 1 Online-Ressource (xvi, 544 Seiten) , Illustrationen, Diagramme
    Series Statement: Bloomsbury handbooks
    Series Statement: Bloomsbury collections
    Parallel Title: Erscheint auch als
    DDC: 781.64/112
    RVK:
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    Keywords: Geschichte ; Religion ; Popular music Religious aspects ; Religiosität ; Unterhaltungsmusik ; Religion ; Volksmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Unterhaltungsmusik ; Volksmusik ; Religion ; Religiosität ; Geschichte
    Abstract: "The second edition of The Bloomsbury Handbook of Religion and Popular Music provides an updated, state-of-the-art analysis of the most important themes and concepts in the field, combining research in religious studies, theology, critical musicology and sociology. It comprises 33 updated essays, a replacement of one of the chapters (on Buddhism), and six new chapters on the following areas: · Popular Music, Religion, and Performance · Musicological Perspectives · Popular Music and Religious Syncretism · Atheism and Popular Music · Industrial Music and Noise · K-pop The Handbook continues to provide a guide to methodology, key genres, and popular music subcultures, as well as an extensive updated bibliography. It remains the essential tool for anyone with an interest in popular culture generally and religion and popular music in particular."
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 18
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9781032276533 , 9781032276540
    Language: English
    Pages: xvii, 222 Seiten , Illustrationen
    Series Statement: SOAS studies in music
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1900- ; Volkslied ; Sephardim ; Spanien ; Folk songs, Ladino / History and criticism ; Folk songs, Ladino ; Criticism, interpretation, etc ; Spanien ; Sephardim ; Volkslied ; Geschichte 1900-
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  • 19
    Book
    Book
    Cambridge, United Kingdom ; New York, NY, USA ; Port Melbourne, VIC, Australia : Cambridge University Press
    ISBN: 9781009005272 , 9781316511077
    Language: English
    Pages: XX, 323 Seiten , Illustrationen
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
    DDC: 781.660943/09047
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    Keywords: Krautrock ; Krautrock (Music) / History and criticism ; Popular music / Germany / History and criticism ; MUSIC / General ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Krautrock
    Abstract: "Krautrock and its offshoots have had a tremendous impact on musical production and reception in Great Britain and the US since the 1970s. Genres such as indie, post-rock, EDM, and hip-hop have drawn heavily on Krautrock and have connected a music that initially disavowed its European American and African American origins with the lived experience of whites and blacks in the United States and Europe. At the same time, while reaching for an imagined cosmic community, Krautrock, not only by its name, stirs up essentialist notions of national identity and citizenship."
    Note: Includes index
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  • 20
    Book
    Book
    London ; New York, NY : Routledge
    ISBN: 9780367406837
    Language: English
    Pages: 44 Seiten , 22 cm
    Series Statement: Routledge advances in theatre & performance studies
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Beyoncé ; Geschichte 2013-2016 ; Afroamerikanische Musik ; Feminismus ; Karriere ; Beyoncé / 1981- / Criticism and interpretation ; Popular music / History and criticism ; African American women in popular culture ; Feminism and music ; Beyoncé / 1981- ; African American women in popular culture ; Feminism and music ; Popular music ; Criticism, interpretation, etc ; Beyoncé 1981- ; Afroamerikanische Musik ; Feminismus ; Karriere ; Geschichte 2013-2016
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  • 21
    Online Resource
    Online Resource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781108938075
    Language: English
    Pages: 1 Online-Ressource (xv, 295 Seiten)
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.63095195
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    Keywords: Geschichte ; Musikleben ; Musikbranche ; K-Pop ; Popmusik ; Korea ; Popular music / Korea (South) / History and criticism ; Sound recording industry / Korea (South) / History ; Popular music / Korea (South) / Production and direction ; Music and transnationalism ; Popular music ; Sound recording industry ; Aufsatzsammlung ; Aufsatzsammlung ; Korea ; Popmusik ; Musikleben ; Musikbranche ; Geschichte ; K-Pop
    Abstract: "How did Korea come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence within the rapidly changing media environment and consumerist culture in the new millennium? As an informed guide for finding answers to these questions, The Cambridge Companion to K-Pop probes the complexities of K-pop as both a music industry and a transnational cultural scene. It investigates the meteoric ascent of K-pop against the backdrop of increasing global connectivity wherein a distinctive model of production and consumption is closely associated with creativity and futurity"--
    Description / Table of Contents: Introduction. Korea's Moment in the Limelight / Suk-Young Kim -- Part I. Genealogies. Sticking It to the Man : Early Neoliberalism in Korean Pop Music / by Roald Maliangkay ; Itaewon Class, Gangnam Style, and Yeouido Star : The Industrial Revolution of Korean Pop in the 1990s / by Hyunjoon Shin -- Part II. Sounding Out K-Pop. Finding the K in K-Pop Musically : A Stylistic History / by Jung-Min Mina Lee ; Recording the Soundscape of K-Pop / by Hyewon Kim -- Part III. Dancing to K-Pop. K-Pop Dance Music Video Choreography / by Chuyun Oh ; Embodying K-Pop Hits through Cover Dance Practices / by CedarBough T. Saeiji -- Part IV. The Making of Idols. K-Pop Idols: Media Commodities, Affective Laborers, and Cultural Capitalists / by Stephanie Choi ; From K-Pop to Z-Pop : The Pan-Asian Production, Consumption, and Circulation of Idols / by So-Rim Lee -- Part V. The Band That Surprised the World. BTS, Transmedia, and Hip Hop / by Kyung Hyun Kim ; The BTS Phenomenon / by Suk-Young Kim and Youngdae Kim ; Transcultural Fandom: BTS and ARMY / by Candace Epps-Robertson -- Part VI. Circuits of K-Pop Flow. K-pop and the Participatory Condition : Vicarity, Serial Affect, and 'Real-Life Contents' / by Michelle Cho ; Idol Shipping Culture : Exploring Queer Sexuality Among Fans of K-Pop / by Thomas Baudinette ; Following the Footsteps of BTS : The Global Rise of K-Pop Tourism / by Youjeong Oh
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 22
    Book
    Book
    Charlottesville ; London : University of Virginia Press
    ISBN: 9780813949826 , 9780813949819
    Language: English
    Pages: x, 276 Seiten , Illustrationen
    Series Statement: New world studies
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Princeton University 2023
    DDC: 781.649
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    Keywords: Hip-Hop ; Rapmusiker ; Politischer Protest ; Haiti ; Brasilien ; Kuba ; Rap (Music) / Cuba / History and criticism ; Rap (Music) / Brazil / History and criticism ; Rap (Music) / Haiti / History and criticism ; Rap (Music) / Political aspects / Cuba ; Rap (Music) / Political aspects / Brazil ; Rap (Music) / Political aspects / Haiti ; Rap (Music) ; Rap (Music) / Political aspects ; Brazil ; Cuba ; Haiti ; Criticism, interpretation, etc ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Kuba ; Brasilien ; Haiti ; Rapmusiker ; Hip-Hop ; Politischer Protest
    Abstract: "Drawing on ethnographic fieldwork and an archive of hundreds of songs by more than sixty hip hop artists, this book examines how rap's political messages are adapted and reinterpreted to reflect the unique situations in Cuba, Brazil, and Haiti"
    Note: Titel auf dem Umschlag: "Break & flow"
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  • 23
    ISBN: 9783832556280
    Language: English
    Pages: xiv, 204 Seiten , Illustrationen
    Series Statement: Musikkulturen im Fokus Band 3
    Series Statement: Musikkulturen im Fokus
    Uniform Title: Preserving traditional music in South Asia
    Dissertation note: Dissertation Freie Universität Berlin 2022
    DDC: 780.8991495
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    Keywords: Gebrauchsmusik ; Volksmusikpflege ; Musikethnologie ; Nepal ; Ethnomusicology ; Nepal ; Traditional Music ; Cultural Preservation ; South Asia ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Nepal ; Volksmusikpflege ; Gebrauchsmusik ; Musikethnologie
    Note: Titel der Dissertation: Preserving traditional music in South Asia
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  • 24
    ISBN: 9781789387315
    Language: English
    Pages: xviii, 256 Seiten , Illustrationen, Karten, Porträts , 21 cm
    Series Statement: Global punk
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Demob ; Geschichte 1981-2011 ; Geschichte 1981-2017 ; Musikleben ; Subkultur ; Rezeption ; Punk Rock ; Jugoslawien ; Balkanhalbinsel ; Phillips, Barry / Travel / Former Yugoslave republics ; Demob / No room for you ; Punk rock music / Yugoslavia / History and criticism ; Yugoslavia / Social life and customs ; Former Yugoslav republics / Description and travel ; Erlebnisbericht ; Erlebnisbericht ; Erlebnisbericht ; Erlebnisbericht ; Demob No Room For You ; Rezeption ; Jugoslawien ; Geschichte 1981-2011 ; Balkanhalbinsel ; Punk Rock ; Subkultur ; Musikleben ; Geschichte 1981-2017
    Note: das r in search ist im Haupttitel spiegelverkehrt dargestellt
    URL: Register  (// Gemischte Register)
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  • 25
    ISBN: 9783955932626 , 3955932621
    Language: English , German
    Pages: 328 Seiten , Illustrationen , 23.8 cm x 15.8 cm, 400 g
    Edition: Bilingual edition, 1. edition
    DDC: 780.92
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    Keywords: Geschichte 1960-2023 ; Diaspora ; Afroamerikanische Musik ; Neue Musik ; Komponist ; Schwarze ; Europa ; Afrodiaspora ; afrodiasporic musicians ; afrodiasporic composing ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afroamerikanische Musik ; Europa ; Schwarze ; Diaspora ; Komponist ; Neue Musik ; Geschichte 1960-2023
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  • 26
    Book
    Book
    New York ; London : Routledge
    ISBN: 9780367534141 , 9780367630324
    Language: English
    Pages: xv, 498 Seiten , Illustrationen, Diagramme
    Series Statement: Routledge music companions
    Parallel Title: Erscheint auch als
    DDC: 781.6509
    RVK:
    Keywords: Geschlechtsidentität ; Jazz ; Jazz / History and criticism ; Jazz / Social aspects / History ; Jazz / Historiography ; Jazz / Instruction and study / History ; Gender identity in music ; Women jazz musicians ; Aufsatzsammlung ; Aufsatzsammlung ; Jazz ; Geschlechtsidentität
    Abstract: Part I. Historical Perspectives. "The Frivolous, Scantily Clad 'Jazzing Flapper,' Irresponsible and Undisciplined" : Jazz as a Feminine Domain / Bruce Johnson ; "I've Got the Haitian Blues" : Mamie Desdunes and the Gendered Inflections of the Common Wind / Ben Barson ; Lil Hardin Armstrong and Helen Joyner : The Forgotten Patrons of Jazz / Jeremy Brown ; Queer Aesthetics and the Performing Subject in Jazz in the 1920s / Magdalena Fürnkranz ; Black Against the Stave : Black Modern Girls in British Interwar Jazz / Jessica Chow ; Trumpet Men : Performances of Masculinity in Jazz / Aaron J. Johnson ; Hard Bop Cool Pose : Bebop, the Blues, and Masculinity in the Music of Lee Morgan / Keith Karns ; Toward a Feminist Understanding of Jazz Curatorship / Kara Attrep ; The Girl in the Other Room : Generating New Open Knowledge for the Women of Jazz / M. Cristina Pattuelli and Karen Li-Lun Hwang ; The Rise of Queermisia in Jazz : Medicalization, Legislation, and Its Effects / Chloe Resler ; Constructing a Diverse and Inclusive Jazz Tradition : A Uchronic Narrative / Michael Kahr --
    Abstract: Part II. Identity and Culture. Playing the Part : A Social-Psychological Perspective on Being a Girl in Jazz / Erin L. Wehr ; Gender, Sexuality, and Jazz Saxophone Performance / Yoko Suzuki ; A Clash of Identities : How Aspects of Gender and Identity in Jazz Influence Both the Music and Its Perception / Wolfram Knauer ; "I'm Just One of Them" : Gender in Jazz Competitions / Matthias Heyman ; Gendered Interventions in European Jazz Festival Programming : Keychanges, Stars, and Alternative Networks / Kristin McGee ; Resurrecting Masculinity : Gender, Jazz Timbre, and the Afterlife of Dennis Irwin's Bass / Ken Tianyuan Ge ; Jazz Dance, Gender, and the Commodification of the Moving Body : Examining Patriarchal and White Supremacist Structures in Social and Commercial Jazz Dance Forms / Brandi Coleman ; Women's Access to Professional Jazz : From Limiting Processes to Levers for Transgression / Marie Buscatto ; "It Ain't Who You Are" : Authenticity, Sexuality, and Masculinity in Jazz / Ann Cotterell --
    Abstract: Part III. Society and Education. Oppression and Hope : Students' Perceptions of Gender and Stereotypes in Jazz Appreciation and History / James Reddan ; Picturing Women in Jazz : An Analysis of Three Jazz History Textbooks / Ramsey Castaneda and Amanda Quinlan ; Degendering Jazz Guitar : Reimagining the Past - Realigning the Future / Tom Williams ; "Music Saved My Live" : Jennifer Leitham on Life, Music, and Gender ; Joshua Palkki, Carl Oser, and Jennifer Leitham ; Can E-Flat Be Sexist? Canonical Keys as Marginalizing Practice in Jazz / Wendy Hargreaves and Melissa Forbes ; Inclusive Jazz History Pedagogy / Sonya R. Lawson ; Negotiating Hegemonic Masculinity in Australian Tertiary Jazz Education / Robert Burke and Clare Hall ; Jazzwomen in Higher Education : Experiences, Attitudes, and Personality Traits / Natalie Boeyink ; The Gender Imperative in Jazz : The Role of Intercultural Maturity in Jazz Curricula / Lenora Helm Hammonds ; In Her Own Words : Documenting the Current Realities of Women-in-Jazz / Kiernan Steiner and Alexandra Manfredo ; Call and (Her) Response : Improvisation and the Myth of Absence / Dana Reason --
    Note: Includes bibliographical references and index
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  • 27
    ISBN: 9780190856731
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 793.3
    RVK:
    Keywords: Hip-hop dance ; African American aesthetics ; Hip-Hop ; Tanz ; Ästhetik ; Hip-Hop ; Tanz ; Ästhetik
    Abstract: Imani Kai Johnson offers a key to thinking about the relationship between Hip Hop aesthetics and Africanism on a global scale, tracking its mutations as Hip Hop has moved from New York to nearly every city and radio station around the globe.
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 28
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501383427
    Language: English
    Pages: x, 180 Seiten , 19,8 cm
    Series Statement: Genre, a 33 1/3 series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.630968
    RVK:
    Keywords: Rockmusik ; Geschichte ; Kultur ; Popmusik ; Südafrika ; Popular music / South Africa ; Music reviews & criticism ; Rock & Pop music ; South Africa ; Südafrika ; Popmusik ; Rockmusik ; Kultur ; Geschichte
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  • 29
    Book
    Book
    Cambridge, UK ; Hoboken, NJ, USA : Polity
    ISBN: 9781509552030 , 9781509552023
    Language: English
    Pages: vii, 156 Seiten
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Popmusik ; Popmusik
    Abstract: "A highly original account of pop music as a constellation of social practices"--
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 30
    ISBN: 9781032313757 , 9781032313764
    Language: English
    Pages: xvii, 244 Seiten , Illustrationen
    Series Statement: SOAS studies in music
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Tempel ; Instrumentalensemble ; Ritual ; Geistliche Musik ; Periya mēḷam ; Spiritualität ; Hinduismus ; Indien ; Periya mēḷam ; Instrumental ensembles / India, South / History and criticism ; Hindu music / India, South / History and criticism ; Hinduism / India, South / Rituals ; Hindu music ; Hindu temples ; Hinduism / Rituals ; Music / Religious aspects / Hinduism ; South India ; Criticism, interpretation, etc ; Indien Süd ; Hinduismus ; Tempel ; Geistliche Musik ; Periya mēḷam ; Instrumentalensemble ; Ritual ; Spiritualität
    Abstract: "Music and Temple Ritual in South India: Performing for Śiva explores the musical practices of the periya mēḷam, a South Indian instrumental temple ensemble of professional musicians. It investigates the role, function and meaning of these practices in a complex, highly formalised ritual of high-caste (Brahmanical) Tamil Hindu temples dedicated to the Pan-Indian god Śiva - an important patron of music since at least the 10th century. The main themes are the meaning of music in Hindu culture and South Indian present-day, and its temple instrumental music and performance, in relation to Hindu ritual, devotion and the worship of divine images, as well as the sacred function of sound, music and performance in Hindu temple ritual practice. The book is much more than a rich and vivid ethnographic description of a local tradition. It also develops a comprehensive and original analytical model, in which music and performance are understood as both situated and creative practices and where the fluid relationship between humans and non-humans, in this case divine beings, is truly taken into consideration"--
    Description / Table of Contents: Introduction -- Temple Ritual and Image Worship -- Musicians, from Past to Present -- The Repertoire -- Sound, Space and Divine Images -- Musical Time vs. Ritual Time -- Music, Emotion and Devotion -- Conclusion
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  • 31
    Online Resource
    Online Resource
    Rochester, NY : University of Rochester Press
    ISBN: 9781580467377
    Language: English
    Pages: 1 Online-Ressource (221 Seiten)
    Series Statement: Eastman/Rochester studies in ethnomusicology
    Parallel Title: Erscheint auch als
    DDC: 781.6309591
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1900-2011 ; Popular music / Burma / History and criticism ; Popular music / Social aspects / Burma ; Music trade / Burma ; Popular music / Censorship / Burma ; Zensur ; Musikwirtschaft ; Popmusik ; Birma ; Birma ; Popmusik ; Musikwirtschaft ; Zensur ; Geschichte 1900-2011
    Abstract: Burma's Pop Music Industry is the first book to explore the contemporary pop music industry in a country that is little known or understood in the West. Based on years of fieldwork in Burma/Myanmar, Heather MacLachlan's work explores the ways in which aspiring musical artists are forging a place within the highly repressive social and political context that is Burma today. It deals sensitively with issues such as negotiating local and global styles,performance contexts and practices, and, more importantly, with ethical issues such as the anonymity of informants and the place of Western ethnomusicologists in countries outside the West. Drawn from interviews conducted from 2007 through 2009 with Burmese composers, performers, producers, concert promoters, journalists, recording engineers, radio station employees, music teachers, and censors in Yangon -- Burma's largest city and the locus of all pop music production -- Burma's Pop Music Industry represents a significant contribution both to popular music studies and to Southeast Asian studies
    Note: Title from publisher's bibliographic system (viewed on 10 Feb 2023) , The creators of Burmese pop music -- The sound of Burmese pop songs -- Learning music in Burma today -- Six facets of the Burmese pop music industry -- Musicians and the censors : the negotiation of power -- Conclusion : the significance of the Burmese perspective
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 32
    ISBN: 9781032413846 , 9781032413853
    Language: English
    Pages: XIII, 282 Seiten , Illustrationen, Notenbeispiele , 23 cm
    Series Statement: SOAS studies in music
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1700-1900 ; Maqām ; Sammlung ; Lied ; Quelle ; Reform ; Notenschrift ; Osmanisches Reich ; Istanbul ; Türkei ; Euterpe / (1830) ; Songs, Turkish / Turkey / Istanbul / 19th century / History and criticism ; Songs, Greek / Turkey / Istanbul / 19th century / History and criticism ; Songs, Turkish / Turkey / Analysis, appreciation ; Songs, Greek / Turkey / Analysis, appreciation ; Maqām / Turkey / 19th century / History and criticism ; Musical notation / Turkey / History / 19th century ; Music / Turkey / Western influences ; Turkey / History / Ottoman Empire, 1288-1918 ; Songs, Turkish / Turkey / Istanbul ; Songs, Greek / Turkey / Istanbul ; Euterpe (Foggia, Italy) ; Maqām ; Music / Western influences ; Musical notation ; Songs, Greek ; Songs, Turkish ; Turkey ; Turkey / Istanbul ; 1288-1918 ; Criticism, interpretation, etc ; History ; Scores ; Songs ; Songs ; Scores ; Quelle ; Kommentar ; Quelle ; Kommentar ; Türkei ; Istanbul ; Osmanisches Reich ; Maqām ; Lied ; Sammlung ; Quelle ; Notenschrift ; Reform ; Geschichte 1700-1900
    Abstract: "Reform, Notation and Ottoman music in Early 19th Century Istanbul presents the first complete set of transcription and edition of Euterpe (1830) from Byzantine neumatic notation into the modified staff notation used by classical Turkish music and is accompanied by a substantial examination of the related historical, theoretical and musical topics. Through a series of Ottoman/Turkish classical vocal music compositions that can be dated to 18th and 19th centuries, Euterpe and related sources reinforce a much broader picture of musical practice and transmission in which we clearly see that the Greek and Turkish traditions are linked. Reform, Notation and Ottoman music in Early 19th Century Istanbul is presented in two parts: historical discussion and musical analysis, and complete transcription and edition of Euterpe. This book will appeal to music scholars and university students interested in minorities, cosmopolitanism in the Middle East and Balkans, the relationship between music and national identity, musical notation, classical Ottoman/Turkish music, Byzantine music, and, most significantly, ethnomusicology"--
    Description / Table of Contents: Part I. Historical Discussion and Musical Analysis. Euterpe in an Ottoman context ; Makam, Usul, Repertoire and Style in Euterpe -- Part II. Transcription and Edition of Euterpe. Methodology ; Edition
    Note: Critical report in English; songs with words in Turkish or Greek
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  • 33
    Book
    Book
    Lanham ; Boulder ; New York ; London :Rowman & Littlefield,
    ISBN: 978-1-5381-7172-1
    Language: English
    Pages: xviii, 357 Seiten : , Illustrationen, Porträts ; , 24 cm.
    Parallel Title: Erscheint auch als
    DDC: 306.48426
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1970-2022 ; Punk rock music / Political aspects / History ; Punk rock musicians / Interviews ; Punk rock musicians ; Punk Rock. ; Rockmusiker. ; Rockmusikerin. ; Politischer Protest. ; Aktivismus. ; Soziale Bewegung. ; Interview ; History ; Interviews ; Oral histories ; Interview ; Interview ; Interview ; Punk Rock ; Rockmusiker ; Rockmusikerin ; Politischer Protest ; Aktivismus ; Soziale Bewegung ; Geschichte 1970-2022
    Abstract: "This is the most wide-ranging and provocative look at punk rock as a social change movement over the past forty-five years, told through first-hand accounts of roughly 250 musicians and activists. John Malkin brings together punk's most famous figures as well as underground voices, creating a new and insightful history of punk throughout the ages"--
    Description / Table of Contents: Introduction. What You Think Changes How You Act -- Acknowledgments & Gratitude -- Mixing Punk & Politics : Common Ground For The Revolution -- Do It Yourself : DIY Together -- We Are All Pussy Riot : Punk On The Frontlines, Russia To Myanmar, China To Mexico -- East Berlin Punk : Clandestine Concerts Behind The Berlin Wall -- Music Is That Powerful Tool : Blackfire Navajo Punks -- Tijuana No! : Latin Punk Rock From Peru To Mexico To East L.A. -- Pansy Division : Out Of The Closet Into The Slampit -- Positive Force : Mark Andersen And Fugazi In Washington D.C. -- Fight War Not Wars : Punk Rock, Militarism, And War -- Just Another Gulf War : Punk, U.S. Wars In Iraq And Afghanistan, And 9/ -- America! Fuck Yeah! : Punks Perform For U.S. Soldiers -- Nazi Trumps Fuck Off! : Punk In The Trump Era -- I Am An Anarchist : Anti-Authoritarian Soundtrack -- To Hell With Poverty : Capitalism And Class In Punk Rock -- White Riot : Race And Anti-Racism In Punk -- Equal But Different : Gender & Feminism In Punk -- The Revolution Is Personal : Politics With A Small "P" -- The Revolution Will Be Commodified -- Burn Punk London : Joe Corre' And Extinction Rebellion -- How Revolutionary Has Punk Rock Been? -- Where Is The Revolution Now?
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  • 34
    Online Resource
    Online Resource
    Rochester, NY : University of Rochester Press
    ISBN: 9781580467230
    Language: English
    Pages: 1 Online-Ressource (xix, 260 Seiten) , Illustrationen
    Series Statement: Eastman studies in music
    Parallel Title: Erscheint auch als
    DDC: 306.4842094409034
    RVK:
    Keywords: Geschichte 1870-1939 ; Music / Political aspects / France / History / 20th century ; Music / Political aspects / France / History / 19th century ; Nationalism in music ; Musik ; Nation ; Kultur ; Frankreich ; Aufsatzsammlung ; Aufsatzsammlung ; Frankreich ; Musik ; Kultur ; Nation ; Geschichte 1870-1939
    Abstract: Here, essays from musicologists, historians, art historians and literary scholars reconsider the relationship of Debussy, Gaugin, Jolivet, Zola, and other great French creative artists to cultural and political trends (for example, the rise of the press, nationalism, etc.) during the Third Republic
    Note: Previously issued in print: 2008. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 35
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501381867
    Language: English
    Pages: 208 Seiten
    Series Statement: Genre : a 33 1/3 series
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1979- ; Dance-Punk ; Dance-Punk ; Geschichte 1979-
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  • 36
    Book
    Book
    London : Louder Than War Books
    ISBN: 9781526173201
    Language: English
    Pages: viii, 539 Seiten , Illustrationen
    RVK:
    Keywords: Sozialgeschichte ; Rockmusik ; Subkultur ; Gothic Rock ; Gothic rock music ; Goth culture (Subculture) ; Goth culture (Subculture) ; Gothic rock music ; Rockmusik ; Gothic Rock ; Subkultur ; Sozialgeschichte
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  • 37
    ISBN: 9780367546311 , 9780367546328
    Language: English
    Pages: xxviii, 415 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Musikalische Analyse ; Musikproduktion ; Schallaufzeichnung ; Popmusik ; Popular music / Analysis, appreciation ; Sound recordings / Production and direction ; Popular music / Analysis, appreciation ; Sound recordings / Production and direction ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Musikproduktion ; Schallaufzeichnung ; Musikalische Analyse
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  • 38
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197525104
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.65092
    RVK:
    Keywords: Brubeck, Dave / Criticism and interpretation ; Brubeck, Dave / Political and social views ; Music / ukslc ; Music / thema ; Jazz / History and criticism ; Jazz / Social aspects / United States / History / 20th century ; Music and race / United States / History / 20th century ; Civil rights movements / United States / History / 20th century
    Abstract: How can we - jazz fans, musicians, writers, and historians - understand the legacy and impact of a musician like Dave Brubeck? It is undeniable that Brubeck leveraged his fame as a jazz musician and status as a composer for social justice causes, and in doing so, held to a belief system that, during the civil rights movement, modeled a progressive approach to race and race relations. It is also true that it took Brubeck, like others, some time to understand the full spectrum of racial power dynamics at play in post-WWII, early Cold War, and civil rights-era America. This book uses Brubeck's performances of whiteness across his professional, private, and political lives as a starting point to understand the ways in which whiteness, privilege, and white supremacy more fully manifested in mid-century America
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 39
    Book
    Book
    New York ; London ; Oxford : Bloomsbury Academic
    ISBN: 9781501373602
    Language: English
    Pages: viii, 169 Seiten , 20 cm
    Series Statement: Genre: a 33 1/3 series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Trip Hop ; Trip-hop (Music) / History and criticism ; Trip Hop ; Geschichte
    Abstract: "Guides readers through the genre of trip-hop as the first book on the genre in 20 years, right at a time when trip-hop is making a revival in both underground scenes and popular artists"--
    Description / Table of Contents: Prologue. Beat Bop -- Trip-Hop -- Dub-Hop -- Lovers Hip-Hop -- Chill Out -- Cut-Up -- Contemplating Jazz -- Abstract Hip-Hop -- Lo-Fi -- Blunted Beats -- Subterranean Abstract Blues -- Black-Hearted Soul -- Exotica -- Hip-Hop Blues -- Canceled Futures
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  • 40
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780199303533 , 9780199303526
    Language: English
    Pages: xii, 221 Seiten
    Series Statement: Oxford theory in ethnomusicology
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    Keywords: Musiktheorie ; Musikethnologie ; Ethnomusicology ; Music theory ; Musikethnologie ; Musiktheorie
    Abstract: "Music theory's presence in ethnomusicology comes from the socialization and theorizing of participants in the world's musical practices and of ethnomusicologists themselves. Results of processes of theorizing focused on musical activity differ greatly in scope, make-up, and uses. During the 1960s and 70s ethnomusicologists who formed relationships with music-makers and ritual specialists attempted to interpret their understandings of musical actions. Subsequently ethnomusicologists have studied roles of explicit and implicit theory in communication of musical knowledge, with attention to aural learning and relevant techniques of the body. They have observed the production of music theory in institutions of modern nation-states and have sought out groups and individuals whose theorizing is not constrained by projects of existing institutions. They are assessing the ways in which musical terminologies in diverse languages can be related to general concepts without imposing assumptions of one approach to music theory on all others. That exercise is increasingly recognized as a necessary effort of decolonization: the heritage of ethnomusicology encompasses all the world's music-theoretical practices, and no formulation of Western music theory should be used as a standard against which to judge other ways of theorizing and making use of the results. The best future for ethnomusicological engagement with music theory would expand the situations and media of communication along with the topics and viewpoints in play. This book reviews existing work on music theory by ethnomusicologists and others, highlighting potentially productive insights that could inspire and guide future work"
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  • 41
    Book
    Book
    Gossenberg : Ostasien Verlag
    ISBN: 9783940527271
    Language: English , Chinese
    Pages: 285 Seiten
    Edition: 1. Auflage
    Series Statement: Bibliothek der Tang und Song 6
    Series Statement: Bibliothek der Tang und Song
    RVK:
    Keywords: Zhu, Changwen ; Geschichte 1098 ; Geschichte Anfänge - 1050 ; Qinspiel ; Qin ; Musiker ; China ; Quelle ; China ; Qinspiel ; Musiker ; Geschichte Anfänge - 1050 ; Qin ; Geschichte 1098 ; Zhu, Changwen 1039-1098
    Note: Zweisprachige Ausgabe/ bilingual edition , Zusatz auf dem Umschlag: Translated and annotated by Luca Pisano , Text englisch und chinesisch
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  • 42
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501346408 , 9781501346415
    Language: English
    Pages: viii, 204 Seiten , 23 cm
    Series Statement: Alternate takes
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Soziale Ungleichheit ; Frau ; Elektronische Tanzmusik ; Musiksoziologie ; Subkultur ; Musikleben ; Electronic dance music / History and criticism ; Electronic dance music / Social aspects ; Sex role ; Sexism ; Elektronische Tanzmusik ; Subkultur ; Musikleben ; Frau ; Soziale Ungleichheit ; Musiksoziologie
    Abstract: "A candid reevaluation of dance music as an everyday culture that reproduces social inequalities"
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  • 43
    ISBN: 9781032111209 , 9781032111230 , 9781032431147
    Language: English
    Pages: xvi, 218 Seiten
    Series Statement: SOAS studies in music
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1980- ; Gedenken ; Lied ; Katastrophe ; Kanada ; Maritime Provinzen ; Disasters / Atlantic Provinces / Songs and music / History and criticism ; Memorialization / Atlantic Provinces / History ; Canada ; Disasters / Songs and music ; Memorialization ; Canada / Atlantic Provinces ; Criticism, interpretation, etc ; History ; Kanada ; Maritime Provinzen ; Lied ; Katastrophe ; Gedenken ; Geschichte 1980-
    Abstract: "Disaster Songs as Intangible Memorials in Atlantic Canada draws on a collection of over 500 Atlantic Canadian songs relating to disasters from 1891 up until the present, and describes the characteristics that define them as intangible memorials. The book demonstrates the relationship between vernacular memorials - informal memorials collectively and spontaneously created from objects and notes by the general public - and disaster songs. Author identifies the features that define vernacular memorials, and applies them to disaster songs: spontaneity; ephemerality; importance of place; motivations and meaning-making; content, as well as the role of media in inspiring and disseminating memorials and songs"--
    Description / Table of Contents: Preface. Come All Ye -- Introduction -- Formal Memorials, Vernacular Memorials, and Disaster Songs -- Going Down in History : The Story of Disaster Songs -- Locating Meaning : The Place of Disasters in Songs -- Spontaneity & Ephemerality : The Timing of Memorialization -- Social Significance : The Motivation to Create Disaster Songs -- Personal Motivations : Relationships & Grief -- News & Social Media : Inspiring, Informing, and Disseminating Disaster Songs -- Conclusion
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  • 44
    Online Resource
    Online Resource
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781009036535
    Language: English
    Pages: 1 Online-Ressource (xx, 323 Seiten) , Illustrationen
    Series Statement: Cambridge companions to music
    Series Statement: Cambridge companions online
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.660943/09047
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Krautrock ; Krautrock (Music) / History and criticism ; Popular music / Germany / History and criticism ; MUSIC / General ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Krautrock
    Abstract: Introduction / Uwe Schütte -- Part I. Context. Krautrock : Definitions, Concepts, Contexts / Ulrich Adelt ; Krautrock and the Radical Politics of 1968 / Detlef Siegfried ; Krautrock in the British and American Music Press / Alexander Simmeth ; Infrastructure of the German Music Business / Jan-Peter Herbst ; The Sound of Krautrock / Heather Moore -- Part II. Music. Kraftwerk / Uwe Schütte ; Can / Patrick Glen ; Tangerine Dream / Sean Nye and Michael Krikorian ; Neu! / David Stubbs ; Faust / Alexander Henkle ; Cluster/Harmonia / David Pattie ; Popol Vuh / Sascha Seiler ; Ash Ra Tempel, Manuel Göttsching and Klaus Schulze / Pertti Grönholm ; Amon Düül II / Ryan Iseppi ; The Flip Side of Krautrock / Jens Balzer -- Part III. Legacy. Krautrock and German Punk / Jeff Hayton ; Krautrock and British Post-Punk / Alexander Carpenter ; Krautrock and German Free Jazz, Kraut Fusion, Detroit Techno / Marcus Barnes ; Krautrock Today / Alex Harden.
    Abstract: "Krautrock and its offshoots have had a tremendous impact on musical production and reception in Great Britain and the US since the 1970s. Genres such as indie, post-rock, EDM, and hip-hop have drawn heavily on Krautrock and have connected a music that initially disavowed its European American and African American origins with the lived experience of whites and blacks in the United States and Europe. At the same time, while reaching for an imagined cosmic community, Krautrock, not only by its name, stirs up essentialist notions of national identity and citizenship"--
    Note: Includes index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 45
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501333699
    Language: English
    Pages: XIX, 696 Seiten , 26,2 cm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/8423
    RVK:
    RVK:
    Keywords: Jugendkultur ; Musiksoziologie ; Popmusik ; Popular music / Social aspects ; Music and youth ; Youth / Social life and customs ; Counterculture ; Subculture ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Jugendkultur ; Musiksoziologie
    Note: Description based upon print version of record
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  • 46
    Book
    Book
    Lanham ; Boulder ; New York ; London : Rowman & Littlefield
    ISBN: 9781538165300
    Language: English
    Pages: xi, 187 Seiten
    Series Statement: Popular musics matter: Social, political and cultural interventions
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Geschichte 1977-1980 ; Elektronische Musik ; Synthesizer ; Popmusik ; Großbritannien ; Electronica (Music) / Great Britain / History and criticism ; Popular music / Great Britain / 1971-1980 / History and criticism ; Synthesizer (Musical instrument) / Great Britain / History ; Electronica (Music) ; Popular music ; Synthesizer (Musical instrument) ; Great Britain ; 1971-1980 ; Criticism, interpretation, etc ; History ; Großbritannien ; Popmusik ; Synthesizer ; Elektronische Musik ; Geschichte 1977-1980
    Library Location Call Number Volume/Issue/Year Availability
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  • 47
    ISBN: 9783990129807
    Language: English
    Pages: X, 242 Seiten , 24 cm x 17 cm
    Series Statement: Beiträge zur Jazzforschung 16
    Series Statement: Beiträge zur Jazzforschung
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1880-1930 ; Jazz ; Jazz ; United States ; Mississippi ; jazz history ; Maximilian Hendler ; Beiträge zur Jazzforschung ; Studies in Jazz Research ; Jazz ; Geschichte 1880-1930
    Library Location Call Number Volume/Issue/Year Availability
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  • 48
    Book
    Book
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    ISBN: 9781108837125 , 9781108927680
    Language: English
    Pages: xiii, 308 Seiten , Illustrationen, Karte , 25,2 cm
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 2000-2022 ; Countrymusic ; Nordamerika ; Country music / History and criticism ; Country music / Social aspects ; Country music ; Country music / Social aspects ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Nordamerika ; Countrymusic ; Geschichte 2000-2022
    Abstract: "In a period in which racism and gender inequity are at the fore of public, political, and scholarly discourse, this collection challenges systems of gatekeeping that have dictated who gets to participate in twenty-first century country music culture. Building on established scholarship, this book examines contemporary issues in country music through feminist, intersectional, and post-colonialist theories, as well as other intertextual and cultural lenses. The authors pose questions about diversity, representation, and identity as they relate to larger concepts of artist and fan communities, stylistic considerations of the genre, and modes of production from a twenty-first century perspective. Addressing and challenging the received narrative about country music culture, this collection delves into the gaps that are inherent in existing approaches that privileged biography and historiography and expands new areas of inquiry relating to contemporary country music identity and culture"--
    Description / Table of Contents: "She went to Nashville to sing country music" : Gatekeeping and the Country Music Industry / by Paula J. Bishop and Jada Watson -- INDUSTRY. Mailbox Money : Novel Liberation Strategies of a Black Female Country Songwriter / by Alice Randall ; Dixie Chicked : Sony vs. The Chicks and the Regendering of Country Music in the Early Twentieth-Century / by Kristine M. McCusker ; How 360° Deals Homogenized Country Music / by Rachel Skaggs ; A Double-Edged Sword : Industry Data and the Construction of Country Music Narratives / by Jada Watson -- CODES OF CONDUCT. Why Country Music Needs Latina Feminism / by Sophia Enriquez ; Pistol Annies : Country Rebels with Humor / by Stephanie Vander Wel ; From Bros to Gentlemen : The Problem of Consent in Contemporary Country Music / by Phoebe E. Hughes ; Cowboys on a Beach : Summer Country and the Loss of Working-Class Identity / by Jocelyn R. Neal -- AUTHENTICITY. Dolly Parton's Netflix Reimagining : How Her Twenty-First Century "Jolene" Revises Country Music's Authenticity Narrative / by Leigh H. Edwards ; "When Britney [Spears] Ruled the World" : Expanding the Stylistic Boundaries of Nostalgia in Country Music / by Paula J. Bishop ; Rhinestone Revivals : Repurposing the Nudie Suit for the Twenty-first Century / by Janet Aspley ; Country Music Doesn't Have to Suck : Intertextuality, Community, and Bloodshot Records / by Nancy P. Riley -- BOUNDARY WORK. Playing at the Border : Navajo Country Western Music and Border Town Racism / by Kristina Jacobsen ; Country-Loving Mexican Americans: Dual Patriotism and Inevitable Fandom among Mexican American Country Music Lovers / by Nadine Hubbs ; Practices of Genre Surveillance in Country Music: Hearing Racial Politics in Beyonce's and The Chicks' "Daddy Lessons" / by Rebekah Hutten ; "We have a Lot of Work to Do" : Rhiannon Giddens and Country Music's Mixed Roots / by Tracey E. Laird -- Epilogue. Country Music Needs a Revolution / by Rissi Palmer
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  • 49
    ISBN: 9781793620392
    Language: English
    Pages: IX, 139 Seiten , Illustrationen, Porträts
    Series Statement: Critical perspectives on music and society
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1980-2022 ; Subkultur ; Techno ; Rave ; Musikwirtschaft ; Electronic dance music / Social aspects / History ; Rave culture ; Rave culture ; History ; Rave ; Techno ; Subkultur ; Musikwirtschaft ; Geschichte 1980-2022
    Abstract: "This text explores how the Electronic Dance Music subculture transitioned from a marginalized deviant subculture to a billion-dollar culture industry, looking at how the culture's success has undermined in-group solidarity and marginalized those who helped pioneer it"--
    Description / Table of Contents: Introduction -- Phase I : Beginnings (1980s-1995) Phase II : The Rise of the Rave Outlaw (1995-2009) -- Phase III : EDM as Culture Industry (2010-2022) -- Conclusion -- Appendix. The Rave Act
    Note: Noch nicht erschienen (Stand: 12.05.2023)
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  • 50
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197635247
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford studies in music theory
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 782.421641226
    RVK:
    Keywords: Mitchell, Joni / Criticism and interpretation ; Sainte-Marie, Buffy / Criticism and interpretation ; Dylan, Bob / 1941- / Criticism and interpretation ; Stevens, Cat / 1948- / Criticism and interpretation ; Simon, Paul / 1941- / Criticism and interpretation ; Geschichte 1960-1980 ; Music / ukslc ; Music / thema ; Musical meter and rhythm ; Popular music / 1961-1970 / Analysis, appreciation ; Popular music / 1971-1980 / Analysis, appreciation ; Musikalische Analyse ; Sänger ; Songwriter ; Song ; Popmusik ; Metrum ; USA ; USA ; Sänger ; Songwriter ; Popmusik ; Song ; Metrum ; Musikalische Analyse ; Geschichte 1960-1980
    Abstract: How did emerging singer-songwriters in the 1960s and 1970s develop traditions for musical self-expression? This book takes a new listen to the music of beloved songwriters Joni Mitchell, Bob Dylan, Buffy Sainte-Marie, Paul Simon, and Cat Stevens to show how they used malleable metric settings as an important part of their self-expressive toolkit in performance
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 51
    Book
    Book
    London ; New York : Routledge
    ISBN: 9781032321622 , 9781032321660
    Language: English
    Pages: XVIII, 305 Seiten , Illustrationen, Notenbeispiele , 23 cm
    Series Statement: SOAS studies in music
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1900-1950 ; Moderne ; Kunstlied ; Australien ; Ostasien ; Songs / East Asia / 20th century / History and criticism ; Music / East Asia / Western influences ; Modernism (Music) / East Asia ; Songs / Australia / 20th century / History and criticism ; Modernism (Music) ; Music / Western influences ; Songs ; Australia ; East Asia ; 1900-1999 ; Criticism, interpretation, etc ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Ostasien ; Australien ; Kunstlied ; Moderne ; Geschichte 1900-1950
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  • 52
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780197555194 , 9780197555187
    Language: English
    Pages: X, 181 Seiten , 21 cm
    Series Statement: Oxford theory in ethnomusicology series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/842
    RVK:
    Keywords: Staatsangehörigkeit ; Musik ; Internationaler Vergleich ; Nationalbewusstsein ; Music / Political aspects ; Music / Social aspects ; Citizenship ; Ethnomusicology ; Musik ; Staatsangehörigkeit ; Nationalbewusstsein ; Internationaler Vergleich
    Abstract: "Citizenship is a fantasy of political community without others. How is it faring in today's world of authoritarianism, failed states, and climate crisis? In a world where democratic experiment is, by now, a networked and global proposition? What might we learn from music - and from ethnomusicology? The relationship between the idea of citizenship and music is long-standing, but it has not yet been looked at from a perspective informed by postcolonialism and today's decolonizing debates. The case studies in this volume are, consequently, drawn from across Latin America, Africa, Asia and Europe. Its first chapter locates the current ethnomusicological interest in citizenship in broad critical landscape, focusing on approaches to audience, media, voice and performance. The second surveys a growing body of recent ethnomusicological literature on citizenship, theorized in terms of identity, technocracy, and intimacy. The third comprises case studies developing an approach to citizenship and political subjectivity beyond conventional liberal categories, defined by mobility ('the citizen on his bike'), collectivity ('the citizen in the crowd') and activism ('the citizen in the square'). The conclusion offers an argument about the implications for citizenship studies of today's thinking in ethnomusicology, musicology and sound studies, reflecting on the hardening rhetoric of political belonging in Europe."
    Description / Table of Contents: Introduction. How Musical is the Citizen? -- Ethnomusicology of Citizenship, Ethnomusicology as Citizenship -- Citizenship Resounding -- Conclusion
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  • 53
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501387050 , 9781501387067
    Language: English
    Pages: xi, 354 Seiten , Illustrationen
    Edition: Revised edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: The Beatles ; Beatles ; Rock music / Analysis, appreciation ; Rock musicians / England ; Beatles ; Rock musicians ; England ; Biografie ; Biografie ; Biografie ; The Beatles
    Abstract: "A follow-up to the successful 2007 edition, which, despite numerous Beatles-related books published in the intervening years, still stands alone for its chronological, album-by-album analysis of the band's work"--
    Description / Table of Contents: Prologue : The End -- The Beginning -- A Cellarful of Noise -- And the Band Begins to Play -- Rock and Roll Music -- The Biggest Showbiz Town Ever -- War-Weary -- Yesterday and Today -- Plastic Soul -- The End of the Road -- The Act You've Known for All These Years -- Roll Up for the Mystery Tour -- Whiter Shades of Pale -- Getting Back -- The Dream Is Over -- Epilogue : Long Live the Dream
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  • 54
    ISBN: 9781648250637
    Language: English
    Pages: xvi, 252 Seiten , Illustrationen , 23 cm
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Series Statement: Eastman/Rochester studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    Keywords: Kritik ; Rasse ; Musik ; Schwarze ; USA ; Afrika ; Ethnomusicology ; Music / Performance / Social aspects ; Intimacy (Psychology) ; Africans / Music / History and criticism ; African Americans / Music / History and criticism ; Music / United States / History and criticism ; Music / Africa / History and criticism ; Music and race ; African Americans / Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Africa ; United States ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; USA ; Schwarze ; Musik ; Rasse ; Kritik
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Description / Table of Contents: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk
    URL: Cover  (lizenzpflichtig)
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  • 55
    ISBN: 9781793651853
    Language: English
    Pages: IX, 407 Seiten , Illustrationen , 24 cm
    Series Statement: Extreme sounds studies : global socio-cultural explorations
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Musikleben ; Heavy Metal ; Sozialer Wandel ; Entwicklungsländer ; Heavy metal (Music) / Developing countries / History and criticism ; Heavy metal (Music) / Social aspects / Developing countries ; Heavy metal (Music) ; Developing countries ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Entwicklungsländer ; Heavy Metal ; Musikleben ; Sozialer Wandel ; Geschichte
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  • 56
    Book
    Book
    Bristol, UK ; Chicago, USA : Intellect
    ISBN: 9781789388428
    Language: English
    Pages: xxiv, 330 Seiten , Illustrationen , 25,3 cm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Hip-Hop ; Archivierung ; Hip-hop ; Rap (Music) ; Hip-hop / Archival resources ; Rap (Music) / Archival resources ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Hip-Hop ; Archivierung
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Klappentext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Klappentext  (lizenzpflichtig)
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  • 57
    ISBN: 9781009272544 , 9781009272544
    Language: English
    Pages: 81 Seiten , 24 cm
    Series Statement: Cambridge elements: Elements in twenty-first century music practice
    RVK:
    Keywords: Geschichte 2006- ; Künstlerische Forschung ; Kollaboration ; Ensemble ; Musik ; Aufführung ; Interkulturalität ; Autoethnografie ; Schweden ; Vietnam ; Ethnomusicology / Vietnam ; Ethnomusicology / Cross-cultural studies ; Music / Methods / Cross-cultural studies ; Ethnomusicologie / Viêt-nam ; Ethnomusicologie / Études transculturelles ; Ethnomusicology ; Music ; Vietnam ; Cross-cultural studies ; Vietnam ; Schweden ; Musik ; Ensemble ; Aufführung ; Interkulturalität ; Kollaboration ; Autoethnografie ; Künstlerische Forschung ; Geschichte 2006-
    Library Location Call Number Volume/Issue/Year Availability
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  • 58
    ISBN: 9781032332215 , 9781032332239
    Language: English
    Pages: viii, 154 Seiten
    Series Statement: Routledge histories of Central and Eastern Europe
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Nationalhymne ; Ostmitteleuropa ; Südosteuropa ; Ostmitteleuropa ; Südosteuropa ; Nationalhymne ; Geschichte
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  • 59
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501389153
    Language: English
    Pages: 176 Seiten , 17 cm
    Series Statement: 33 1/3 173
    Series Statement: 33 1/3
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: British Broadcasting Corporation ; Geschichte 1958- ; Elektronische Musik ; Großbritannien ; BBC Radiophonic Workshop / BBC Radiophonic Workshop -- a retrospective ; Television music / Great Britain / History and criticism ; Radio music / Great Britain / History and criticism ; Radio music ; Television music ; Great Britain ; Criticism, interpretation, etc ; Großbritannien ; British Broadcasting Corporation ; Elektronische Musik ; Geschichte 1958-
    Library Location Call Number Volume/Issue/Year Availability
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  • 60
    Book
    Book
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781108837057 , 9781108940030
    Language: English
    Pages: xv, 295 Seiten
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Geschichte ; Musikleben ; Musikbranche ; K-Pop ; Popmusik ; Korea ; Popular music / Korea (South) / History and criticism ; Sound recording industry / Korea (South) / History ; Popular music / Korea (South) / Production and direction ; Music and transnationalism ; Music and transnationalism ; Popular music ; Sound recording industry ; Korea (South) ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; K-Pop ; Korea ; Popmusik ; Musikleben ; Musikbranche ; Geschichte
    Abstract: "How did Korea come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence within the rapidly changing media environment and consumerist culture in the new millennium? As an informed guide for finding answers to these questions, The Cambridge Companion to K-Pop probes the complexities of K-pop as both a music industry and a transnational cultural scene. It investigates the meteoric ascent of K-pop against the backdrop of increasing global connectivity wherein a distinctive model of production and consumption is closely associated with creativity and futurity"--
    Description / Table of Contents: Introduction. Korea's Moment in the Limelight / Suk-Young Kim -- Part I. Genealogies. Sticking It to the Man : Early Neoliberalism in Korean Pop Music / by Roald Maliangkay ; Itaewon Class, Gangnam Style, and Yeouido Star : The Industrial Revolution of Korean Pop in the 1990s / by Hyunjoon Shin -- Part II. Sounding Out K-Pop. Finding the K in K-Pop Musically : A Stylistic History / by Jung-Min Mina Lee ; Recording the Soundscape of K-Pop / by Hyewon Kim -- Part III. Dancing to K-Pop. K-Pop Dance Music Video Choreography / by Chuyun Oh ; Embodying K-Pop Hits through Cover Dance Practices / by CedarBough T. Saeiji -- Part IV. The Making of Idols. K-Pop Idols: Media Commodities, Affective Laborers, and Cultural Capitalists / by Stephanie Choi ; From K-Pop to Z-Pop : The Pan-Asian Production, Consumption, and Circulation of Idols / by So-Rim Lee -- Part V. The Band That Surprised the World. BTS, Transmedia, and Hip Hop / by Kyung Hyun Kim ; The BTS Phenomenon / by Suk-Young Kim and Youngdae Kim ; Transcultural Fandom: BTS and ARMY / by Candace Epps-Robertson -- Part VI. Circuits of K-Pop Flow. K-pop and the Participatory Condition : Vicarity, Serial Affect, and 'Real-Life Contents' / by Michelle Cho ; Idol Shipping Culture : Exploring Queer Sexuality Among Fans of K-Pop / by Thomas Baudinette ; Following the Footsteps of BTS : The Global Rise of K-Pop Tourism / by Youjeong Oh
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  • 61
    Book
    Book
    Manchester : Manchester University Press
    ISBN: 9781526168450
    Language: English
    Pages: viii, 365 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 942.733085
    RVK:
    RVK:
    Keywords: Geschichte 1979-2023 ; Stadtentwicklung ; Popkultur ; Sport ; Popmusik ; Manchester ; Popular culture / England / Manchester ; Popular music / England / Manchester ; Property / England / Manchester ; Soccer / England / Manchester ; Manchester (England) / History / 20th century ; Manchester (England) / History / 21st century ; Popular culture ; Popular music ; Property ; Soccer ; England / Manchester ; 1900-2099 ; History ; Manchester ; Popmusik ; Popkultur ; Sport ; Stadtentwicklung ; Geschichte 1979-2023
    Abstract: At the end of the 1970s, Manchester seemed to be sliding into the dustbin of history. Today the city is an international destination for culture and sport, and one of the fastest-growing urban regions in Europe. This book gives a first-hand account of what happened in between
    Note: Maps on lining paper
    URL: Cover  (lizenzpflichtig)
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  • 62
    ISBN: 9781478025047 , 9781478020080
    Language: English
    Pages: XVI, 304 Seiten , Illustrationen, Notenbeispiele , 23 cm
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Geschichte 2000-2023 ; Nachtleben ; Elektronische Tanzmusik ; Nähe ; Party ; House ; Berlin ; Paris ; Chicago, Ill. ; Queer studies ; Electronic dance music / Social aspects ; Electronic dance music / Social aspects / Germany / Berlin ; Electronic dance music / Social aspects / Illinois / Chicago ; Electronic dance music / Social aspects / France / Paris ; Music and dance / Social aspects ; Dance / Social aspects ; Sound effects music ; Affect (Psychology) ; Intimacy (Psychology) ; Nightlife ; House music / Social aspects ; Ethnomusicology ; MUSIC / Ethnomusicology ; SOCIAL SCIENCE / LGBTQ Studies / General ; Affect (Psychology) ; Dance / Social aspects ; Ethnomusicology ; Intimacy (Psychology) ; Nightlife ; Sound effects music ; France / Paris ; Germany / Berlin ; Illinois / Chicago ; Chicago, Ill. ; Paris ; Berlin ; Elektronische Tanzmusik ; House ; Nachtleben ; Party ; Nähe ; Geschichte 2000-2023
    Abstract: "Together, Somehow is Luis-Manuel Garcia Mispireta's exploration of "minimal" house and techno parties in Chicago, Paris, and Berlin during the early 2000s. In particular, Garcia Mispireta is interested in the utopic vision of the inclusive dancefloor, and the way that is produced through what he calls stranger-intimacy--the kind of warmth, sharing, and vulnerability between strangers that happens surprisingly often at popular electronic dance music parties. Drawing on fieldwork conducted in these cities, Together, Somehow rethinks intimacy and belonging through dancing crowds and throbbing dancefloors"--
    Description / Table of Contents: Touch and Intimacy on the Dancefloor -- Sonic Tactility -- Liquidarity -- Thickening Something -- The Sweetness of Coming Undone -- Bouncers, Door Policies, and Embedded Diversity
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  • 63
    ISBN: 9780197635216
    Language: English
    Pages: XII, 203 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Oxford studies in music theory
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1960-1980 ; Musikalische Analyse ; Sänger ; Songwriter ; Song ; Popmusik ; Metrum ; USA ; Musical meter and rhythm ; Popular music / 1961-1970 / Analysis, appreciation ; Popular music / 1971-1980 / Analysis, appreciation ; Mitchell, Joni / Criticism and interpretation ; Sainte-Marie, Buffy / Criticism and interpretation ; Dylan, Bob / 1941- / Criticism and interpretation ; Stevens, Cat / 1948- / Criticism and interpretation ; Simon, Paul / 1941- / Criticism and interpretation ; Dylan, Bob / 1941- ; Mitchell, Joni ; Sainte-Marie, Buffy ; Simon, Paul / 1941- ; Stevens, Cat / 1948- ; Musical meter and rhythm ; Popular music / Analysis, appreciation ; 1961-1980 ; Criticism, interpretation, etc ; USA ; Sänger ; Songwriter ; Popmusik ; Song ; Metrum ; Musikalische Analyse ; Geschichte 1960-1980
    Abstract: "It is 1969 and Joni Mitchell is on television, standing empty-handed in the middle of a circular stage that is adorned with psychedelic colors. She is wearing a long, hunter-green dress, surrounded by an audience sitting cross-legged on the floor. She waits for television host Dick Cavett to introduce her next performance. The show is filming on the day after the 1969 Woodstock music festival, an event that Mitchell was initially scheduled to attend but from which she was held back by her management to ensure she could perform on The Dick Cavett Show the next day. The host introduces Mitchell and jokes with her about singing a capella, wondering aloud if someone stole her guitar. The singer laughs politely in response, denies any theft, and then proceeds to her performance, explaining to the audience that she will be singing a "song for America" that she wrote "as a Canadian living in this country." With her hands clasped behind her back, she performs "The Fiddle and the Drum" with no accompaniment, channeling the folk performance tradition on which the song is based. This song about military participation is a rare political statement from Mitchell who, unlike her peers Bob Dylan and Buffy Sainte-Marie, had only released this one "protest song" by 1969. But the song's message was not a particularly risky proclamation. Her anti-war narrative echoed the opinions of the young Cavett Show audience that night, aligning with an established trend of resistance against the war in Vietnam. Similar to the way that Mitchell's song "Woodstock" would eventually capture the spirit of an event she did not attend, "The Fiddle and the Drum" characterizes a popular anti-war sentiment in the public consciousness of the late 1960s"--
    Description / Table of Contents: The Self Expressive Rhetoric of Flexible Meter -- The Theory of Flexible Meter -- Regular and Reinterpreted Meter -- Self-Expressive Innovations : Lost Meter -- Intensifying "Imperfection" : Ambiguous Meter
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  • 64
    Online Resource
    Online Resource
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781108937443
    Language: English
    Pages: 1 Online-Ressource (xiii, 295 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 781.642
    RVK:
    Keywords: Geschichte 2000-2022 ; Country music / History and criticism ; Country music / Social aspects ; Countrymusic ; Nordamerika ; Aufsatzsammlung ; Aufsatzsammlung ; Nordamerika ; Countrymusic ; Geschichte 2000-2022
    Abstract: In a period in which racism and gender inequity are at the fore of public, political, and scholarly discourse, this collection challenges systems of gatekeeping that have dictated who gets to participate in twenty-first century country music culture. Building on established scholarship, this book examines contemporary issues in country music through feminist, intersectional, and post-colonialist theories, as well as other intertextual and cultural lenses. The authors pose questions about diversity, representation, and identity as they relate to larger concepts of artist and fan communities, stylistic considerations of the genre, and modes of production from a twenty-first century perspective. Addressing and challenging the received narrative about country music culture, this collection delves into the gaps that are inherent in existing approaches that privileged biography and historiography and expands new areas of inquiry relating to contemporary country music identity and culture
    Note: Title from publisher's bibliographic system (viewed on 03 Feb 2023) , "She went to Nashville to sing country music" : Gatekeeping and the Country Music Industry / by Paula J. Bishop and Jada Watson -- INDUSTRY. Mailbox Money : Novel Liberation Strategies of a Black Female Country Songwriter / by Alice Randall ; Dixie Chicked : Sony vs. The Chicks and the Regendering of Country Music in the Early Twentieth-Century / by Kristine M. McCusker ; How 360° Deals Homogenized Country Music / by Rachel Skaggs ; A Double-Edged Sword : Industry Data and the Construction of Country Music Narratives / by Jada Watson -- CODES OF CONDUCT. Why Country Music Needs Latina Feminism / by Sophia Enriquez ; Pistol Annies : Country Rebels with Humor / by Stephanie Vander Wel ; From Bros to Gentlemen : The Problem of Consent in Contemporary Country Music / by Phoebe E. Hughes ; Cowboys on a Beach : Summer Country and the Loss of Working-Class Identity / by Jocelyn R. Neal -- AUTHENTICITY. Dolly Parton's Netflix Reimagining : How Her Twenty-First Century "Jolene" Revises Country Music's Authenticity Narrative / by Leigh H. Edwards ; "When Britney [Spears] Ruled the World" : Expanding the Stylistic Boundaries of Nostalgia in Country Music / by Paula J. Bishop ; Rhinestone Revivals : Repurposing the Nudie Suit for the Twenty-first Century / by Janet Aspley ; Country Music Doesn't Have to Suck : Intertextuality, Community, and Bloodshot Records / by Nancy P. Riley -- BOUNDARY WORK. Playing at the Border : Navajo Country Western Music and Border Town Racism / by Kristina Jacobsen ; Country-Loving Mexican Americans: Dual Patriotism and Inevitable Fandom among Mexican American Country Music Lovers / by Nadine Hubbs ; Practices of Genre Surveillance in Country Music: Hearing Racial Politics in Beyonce's and The Chicks' "Daddy Lessons" / by Rebekah Hutten ; "We have a Lot of Work to Do" : Rhiannon Giddens and Country Music's Mixed Roots / by Tracey E. Laird -- Epilogue. Country Music Needs a Revolution / by Rissi Palmer
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 65
    Online Resource
    Online Resource
    Rochester : University of Rochester Press
    ISBN: 9781805430643
    Language: English
    Pages: 1 Online-Ressource (xxiii, 277 Seiten)
    Series Statement: Eastman/Rochester studies in ethnomusicology
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    Keywords: Ethnomusicology / Uganda ; Performing arts / Uganda ; Gender identity in music ; Gender identity in dance ; Geschlechterrolle ; Postkolonialismus ; Darstellende Kunst ; Uganda ; Postkolonialismus ; Darstellende Kunst ; Geschlechterrolle ; Uganda
    Abstract: Focusing on 'runyege', the main traditional performance genre of the Banyoro and Batooro people, this book explores the entanglement of traditional music, dance, and theater with gender and postcolonialism in Western Uganda
    Note: Title from publisher's bibliographic system (viewed on 15 Dec 2023) , "Traditional dance preserves culture and shows people how to behave": Runyege, MDD, and gender -- Singing marriage, Runyege, and labor -- "Women aren't supposed to": instrument playing in the past and today -- Shaking the hips, stamping the feet : the Runyege dance -- Narrating and representing local culture : theater in songs and dances -- Trans-performing and morality in cultural groups -- Postlude: gendering culture -- Appendix I. Glossary of terms in Runyoro-Rutooro -- Appendix II. Historical recordings from Bunyoro and Tooro -- Author's interviews
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 66
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780197555224
    Language: English
    Pages: 1 Online-Ressource (x, 181 Seiten) , Illustrationen
    Series Statement: Oxford theory in ethnomusicology
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 306.4842
    RVK:
    Keywords: Music / ukslc ; Society & culture: general / thema ; Music / Political aspects ; Music / Social aspects ; Citizenship ; Ethnomusicology ; Staatsangehörigkeit ; Musik ; Internationaler Vergleich ; Nationalbewusstsein ; Musik ; Staatsangehörigkeit ; Nationalbewusstsein ; Internationaler Vergleich
    Abstract: In 'Music and Citizenship', Martin Stokes challenges the conventional understanding of citizenship in terms of nationalism and national identity though case studies of music from across Latin America, Africa, Asia, and Europe. In this way, this volume reorients key questions about citizenship towards musical ecology, sustainability, democracy, and inclusivity
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 67
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781009272575
    Language: English
    Pages: 1 Online-Ressource (81 Seiten)
    Series Statement: Cambridge elements
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    Keywords: Geschichte 2006- ; Ethnomusicology / Cross-cultural studies ; Ethnomusicology / Vietnam ; Music / Methods / Cross-cultural studies ; Künstlerische Forschung ; Kollaboration ; Ensemble ; Musik ; Aufführung ; Interkulturalität ; Autoethnografie ; Schweden ; Vietnam ; Vietnam ; Schweden ; Musik ; Ensemble ; Aufführung ; Interkulturalität ; Kollaboration ; Autoethnografie ; Künstlerische Forschung ; Geschichte 2006-
    Abstract: This Element demonstrates how a combination of stimulated recall and collaborative autoethnographic strategies can be applied to artistic and scholarly work at the intersection of ethnomusicology and practice-led-research. The authors relate recently collected material from fieldwork in Vietnam to the long-term method development within the Vietnamese/Swedish group The Six Tones, of which three authors are the founding members. The discussion centers around the inter-subjective forms of stimulated recall analysis, developed through the creative work of this innovative intercultural music ensemble. The aim of this Element is to create a decolonized methodology-for both music performance and research-and it provides a detailed account of this method development starting in 2006. Furthermore, the authors discuss how this practice was successfully shared with three master performers in the south of Vietnam as part of a collaborative project in 2018-2019
    Note: Title from publisher's bibliographic system (viewed on 02 Oct 2023)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 68
    Book
    Book
    Paderborn : Brill Schöningh
    ISBN: 9783506760524 , 3506760521
    Language: English
    Pages: XXII, 263 Seiten , Illustrationen , 24 cm x 16.5 cm, 1 g
    Series Statement: Abhandlungen der Nordrhein-Westfälischen Akademie der Wissenschaften und der Künste Band 133
    Parallel Title: Erscheint auch als
    DDC: 299.423
    RVK:
    RVK:
    Note: Literaturverzeichnis Seite 249-263
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  • 69
    ISBN: 9781785273858
    Language: English
    Pages: 1 Online-Ressource (vi, 241 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 780.89
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    Keywords: Music and transnationalism ; Ethnomusicology ; Music and race ; Postcolonialism and music ; Music / Portuguese-speaking countries ; Musicians / Portuguese-speaking countries ; Postkolonialismus ; Musik ; Interkulturalität ; Migration ; Portugiesisches Sprachgebiet ; Aufsatzsammlung ; Aufsatzsammlung ; Portugiesisches Sprachgebiet ; Postkolonialismus ; Migration ; Interkulturalität ; Musik
    Abstract: 〈i〉Music Scenes and Migrations〈/i〉 brings together new work from Brazilian and European scholars around the themes of musical place and transnationalism across the Atlantic triangle connecting Brazil, Africa and Europe. Moving beyond now-contested models for conceptualizing international musical relations and hierarchies of powers and influence, such as global/local or centre/periphery, the volume draws attention instead to the role of the city, and in particular, in producing, signifying and mediating music-making in the colonial and post-colonial Portuguese-speaking world. In considering the roles played by cities as hubs of cultural intersection, socialization, exchange and transformation; as sites of political intervention and contestation; and as homes to large concentrations of consumers, technologies and media, Rio de Janeiro necessarily figures prominently, given its historical importance as an international port at the centre of the Lusophone Atlantic world. The volume also gives attention to other urban centres, within Brazil and abroad, towards which musicians and musical traditions have migrated and converged - such as São Paulo, Lisbon and Madrid - where they have reinvented themselves; where notions of Brazilian and Lusophone identity have been reconfigured; and where independent, peripheral and underground scenes have contested the hegemony of the musical 'mainstream'. 〈br〉〈br〉The contributions to the volume are grouped according to three key thematic areas: Colonial and post-Colonial transnationalisms, migrations and diasporas; relocating Rio de Janeiro; and demetropolitanizing the musical city: other scenes, industries, technologies
    Note: Title from publisher's bibliographic system (viewed on 20 Jan 2022)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 70
    ISBN: 9780367248093 , 9780367248086
    Language: English
    Pages: ix, 223 Seiten , Notenbeispiele (schwarz-weiß)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte 2000-2020 ; Politik ; Popmusik ; Popular music / Political aspects ; Popular music / 2001-2010 / History and criticism ; Popular music / 2011-2020 / History and criticism ; Musique populaire / Aspect politique ; Musique populaire / 2001-2010 / Histoire et critique ; Musique populaire / 2011-2020 / Histoire et critique ; Popular music ; Popular music / Political aspects ; 2001-2020 ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Politik ; Geschichte 2000-2020
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  • 71
    ISBN: 9783955930172 , 3955930173
    Language: German , English
    Pages: 303 Seiten , Illustrationen , 21 cm x 14.8 cm, 400 g
    Edition: Originalausgabe
    Series Statement: Darmstädter Beiträge zur Jazzforschung Band 17
    Series Statement: Eine Veröffentlichung des Jazzinstituts Darmstadt
    DDC: 781.65
    RVK:
    RVK:
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    Keywords: Jazz ; Vielfalt ; Konferenzschrift 2021 ; Konferenzschrift 30.09.2021-02.10.2021 ; Konferenzschrift 30.09.2021-02.10.2021 ; Konferenzschrift 30.09.2021-02.10.2021
    Note: Texte teilweise deutsch, teilweise englisch , Literaturangaben
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  • 72
    Book
    Book
    Paris : Philharmonie de Paris
    ISBN: 9791094642320
    Language: French
    Pages: 479 Seiten , Illustrationen , 21 cm
    Series Statement: La rue musicale. Série Anthologie
    RVK:
    Keywords: Musique populaire / Anthologies ; Musique populaire / Étude et enseignement ; Música pop / Ensayos ; Popular music / Essays
    Abstract: Au cours des dernières décennies, le monde de la musique s'est radicalement transformé sous l'impulsion du progrès technique de l'enregistrement, entraînant la recherche anglophone à renouveler les outils conceptuels qui permettent de le comprendre. L'analyse des formes musicales croise bientôt celle de leurs enjeux économiques et sociaux dans un dialogue interdisciplinaire fécond, où musicologie et sciences sociales s'associent aux cultural studies pour penser les musiques populaires. Ce foisonnement d'approches plurielles converge à l'aube des années 1980 dans un courant de recherche : les popular music studies. En proposant pour la première fois en France une traduction de textes fondateurs du champ, cette anthologie invite à faire le point sur ses apports. Qu'ils s'intéressent au travail visuel de Beyoncé et Lady Gaga (Carol Vernallis), aux tubes français produits dans les années yéyé (Antoine Hennion), ou aux fans vieillissants du punk (Andy Bennett), ces chercheuses et chercheurs ont accompagné les transformations des musiques populaires, forgeant et discutant les notions qui permettent d'explorer les arcanes de leur production, leur marchandisation et leur circulation, de les saisir telles qu'elles sont vécues.--
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  • 73
    ISBN: 9783990128107 , 3990128108
    Language: German , English , Hebrew , Japanese
    Pages: 181 Seiten , Illustrationen , 21.7 cm x 13.8 cm
    Parallel Title: Erscheint auch als
    DDC: 900
    RVK:
    RVK:
    Keywords: Biografie ; Biografie ; Biografie
    Note: Literaturverzeichnis Seite 165-172 , Vorwort englisch und deutsch; Haupttexte deutsch mit englischer, hebräischer und japanischer Zusammenfassung
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  • 74
    ISBN: 9781793613851
    Language: English
    Pages: x, 363 Seiten
    Parallel Title: Online version Fowler, Beth (Beth Nicole) Rock and roll, desegregation movements, and racism in the post-civil rights era
    DDC: 781.6609730904
    RVK:
    Keywords: Geschichte 1946-1964 ; Bürgerrechtsbewegung ; Rock 'n' Roll ; USA ; Rock music / United States / To 1961 / History and criticism ; Rock music / United States / 1961-1970 / History and criticism ; Rhythm and blues music / History and criticism ; Music and race / United States / History / 20th century ; Segregation / United States / History / 20th century ; Rock (Musique) / États-Unis / 1961-1970 / Histoire et critique ; Musique et race / États-Unis / Histoire / 20e siècle ; Ségrégation / États-Unis / Histoire / 20e siècle ; Rock (Musique) / États-Unis / Jusqu'à 1961 / Histoire et critique ; Music and race ; Rhythm and blues music ; Rock music ; Segregation ; United States ; To 1999 ; Criticism, interpretation, etc ; History ; Hochschulschrift ; Hochschulschrift ; USA ; Rock 'n' Roll ; Bürgerrechtsbewegung ; Geschichte 1946-1964
    Abstract: "This book uses archival research and analyses of musical performances and original oral histories to explore the uncertain legacies of the civil rights movement and early rock and roll music in a supposedly post-civil rights era"--
    Description / Table of Contents: Introduction. "A Subtle Defiance in the Songs" -- Shufflin' 'Til the Break of Dawn," 1946-1953 -- "If It's a Hit, It's a Hit," 1954-1956 -- "A Teen Ager in Love," 1957-1960 -- "They'd All Be Dancing Together," 1961-1964 -- "A Drummer With a Totally Different Beat," The Post-Civil Rights Era
    URL: Cover
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  • 75
    Image
    Image
    Manchester : Manchester University Press
    ISBN: 9781526147912 , 9781526147899
    Language: English
    Pages: XIV, 216 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 709.2
    RVK:
    RVK:
    Keywords: Vaucher, Gee ; Vaucher, Gee / Criticism and interpretation ; Outsider art / England ; Punk culture and art ; Feminism in art ; Political art ; Vaucher, Gee ; Outsider art ; Punk culture and art ; England ; Criticism, interpretation, etc ; Vaucher, Gee 1945-
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  • 76
    Online Resource
    Online Resource
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253060082
    Language: English
    Pages: 1 Online-Ressource (xvii, 297 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Music and the early modern imagination
    Parallel Title: Erscheint auch als Music and Jewish culture in early modern Italy
    Parallel Title: Erscheint auch als
    DDC: 780.89/924045
    RVK:
    RVK:
    Keywords: Geschichte 1500-1700 ; Musik ; Juden ; Italien ; Jews / Italy / Music / 16th century / History and criticism ; Jews / Italy / Music / 17th century / History and criticism ; Music / Italy / 16th century / History and criticism ; Music / Italy / 17th century / History and criticism ; Jews / Music ; Music ; Italy ; 1500-1699 ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Italien ; Juden ; Musik ; Geschichte 1500-1700
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  • 77
    ISBN: 9781526148988
    Language: English
    Pages: xiii, 295 Seiten , Illustrationen
    RVK:
    RVK:
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    Keywords: Strummer, Joe ; The Clash ; Soziale Funktion ; Punk Rock ; Politischer Protest ; Strummer, Joe / Criticism and interpretation ; Clash (Musical group) ; Punk rock music / Political aspects / Great Britain ; Punk rock music / History and criticism ; Biografie ; Biografie ; Biografie ; Strummer, Joe 1952-2002 ; The Clash ; Punk Rock ; Politischer Protest ; Soziale Funktion
    Abstract: "Joe Strummer was one of the twentieth century's iconic rock 'n' roll rebels. As frontperson, spokesperson and chief lyricist for The Clash, he played a major role in politicising a generation through some of the most powerful protest songs of the era, songs like 'White Riot', 'English Civil War' and 'London Calling'. At the heart of this protest was the struggle for social justice and equality. The punk rock politics of Joe Strummer examines Strummer's beliefs on a range of issues - including socialism, alienation, exploitation, multiculturalism and humanism - analysing their credibility, influence and impact, and asking where they came from and how they developed over time. Drawing on Strummer's lyrics, various interviews and bootleg recordings, as well as interviews with those he inspired, The punk rock politics of Joe Strummer takes the reader on a journey through the political influences and motivations that defined one of the UK's greatest punk icons." --
    Description / Table of Contents: Studying Strummer : issues and approach -- Perceptions of Strummer's politics -- Strummer's politics and philosophical perspectives -- Rebel rock and its ramifications -- Rocking against the rich -- Advocate not activist -- Straying from socialism -- Strummer's influence : secondary sources -- Follower testimony
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  • 78
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781009086769
    Language: English
    Pages: 1 Online-Ressource (xviii, 511 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 784.4/973
    RVK:
    RVK:
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    Keywords: Geschichte 1492-1942 ; Geschichte 1492- ; Folk music / United States / History and criticism ; Folk songs / United States / History and criticism ; Protest songs / United States / History and criticism ; Folksong ; Patriotisches Lied ; Politisches Lied ; Protestsong ; USA ; USA ; Protestsong ; Geschichte 1492-1942 ; USA ; Folksong ; Politisches Lied ; Patriotisches Lied ; Geschichte 1492-
    Abstract: Long before anyone ever heard of 'protest music', people in America were singing about their struggles. They sang for justice and fairness, food and shelter, and equality and freedom; they sang to be acknowledged. Sometimes they also sang to oppress. This book uncovers the history of these people and their songs, from the moment Columbus made fateful landfall to the start of the Second World War, when 'protest music' emerged as an identifiable brand. Cutting across musical genres, Will Kaufman recovers the passionate voices of America itself. We encounter songs of the mainland and the conquered territories of Hawai'i, Cuba, Puerto Rico, and the Philippines; we hear Indigenous songs, immigrant songs and Klan songs, minstrel songs and symphonies, songs of the heard and the unheard, songs of the celebrated and the anonymous, of the righteous and the despicable. This magisterial book shows that all these songs are woven into the very fabric of American history
    Note: Title from publisher's bibliographic system (viewed on 29 Jul 2022)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 79
    Online Resource
    Online Resource
    Cambridge, UK ; New York : Cambridge University Press
    ISBN: 9781009083508
    Language: English
    Pages: 1 Online-Ressource (66 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 792.028/8092
    RVK:
    Keywords: Xin, Fengxia ; Actors / China / Biography
    Abstract: This Element focuses on Xin Fengxia (1927-1998), a star of the regional xiqu form pingju, and her prominent role in transforming the genre from folk entertainment for the lower class to one of the most notable winners of the xiqu reform after the establishment of the People's Republic of China (PRC) in 1949. The Element's four sections expand from this core concept to include the four stages of her life experience and artistry that shaped her legacy: growing up in China's third largest theatre market Tianjin before 1949, national stardom in Beijing (1949-1957), restricted creativity amidst political upheavals (1957-1975), and as a prominent author after a stroke (1977-1998). Rather than following a biographical approach, these sections zero in on the environment before and after 1949 that made her a prominent pingju reformer and the consequent price of such success
    Note: Title from publisher's bibliographic system (viewed on 31 Aug 2022) , Growing up in Tiajin before 1949 -- National stardom in Beijing (1978-1957) -- Creativity during political upheavals (1957--1975) -- Authoring her memories (1977-1998) -- Conclusion
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 80
    Online Resource
    Online Resource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781009019804
    Language: English
    Pages: 1 Online-Ressource (xi, 324 Seiten) , Diagramme
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/84249
    RVK:
    Keywords: Geschichte 1985-2020 ; Rap (Music) / Political aspects / United States ; African Americans / Social conditions ; African Americans / Political activity ; Hip-Hop ; Politik ; Recht ; Rassendiskriminierung ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Rassendiskriminierung ; Recht ; Politik ; Hip-Hop ; Geschichte 1985-2020
    Abstract: Taking inspiration from Public Enemy's lead vocalist Chuck D - who once declared that 'rap is the CNN of young Black America' - this volume brings together leading legal commentators to make sense of some of the most pressing law and policy issues in the context of hip-hop music and the ongoing struggle for Black equality. Contributors include MSNBC commentator Paul Butler, who grapples with race and policing through the lens of N.W.A.'s song 'Fuck tha Police', ACLU President Deborah Archer, who considers the 2014 uprisings in Ferguson, Missouri, and many other prominent scholars who speak of poverty, LGBTQ+ rights, mass incarceration, and other crucial topics of the day. Written to 'say it plain', this collection will be valuable not only to students and scholars of law, African-American studies, and hip-hop, but also to everyone who cares about creating a more just society
    Note: Title from publisher's bibliographic system (viewed on 24 Jan 2022) , From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 81
    Book
    Book
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253060105
    Language: English
    Pages: xvii, 297 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Music and the early modern imagination
    Parallel Title: Online version Music and Jewish culture in early modern Italy
    Parallel Title: Erscheint auch als Music and Jewish culture in early modern Italy
    DDC: 780.89/924045
    RVK:
    RVK:
    Keywords: Geschichte 1500-1700 ; Musik ; Juden ; Italien ; Jews / Italy / Music / 16th century / History and criticism ; Jews / Italy / Music / 17th century / History and criticism ; Music / Italy / 16th century / History and criticism ; Music / Italy / 17th century / History and criticism ; Jews / Music ; Music ; Italy ; 1500-1699 ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Italien ; Juden ; Musik ; Geschichte 1500-1700
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  • 82
    Book
    Book
    New York, NY ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501365379 , 9781501365386
    Language: English
    Pages: xx, 239 Seiten
    Series Statement: Ex:centrics
    Parallel Title: Online version
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Bowie, David ; Geschichte 2013-2016 ; Bowie, David 1947-2016 ; Geschichte 2013-2016
    Abstract: "In the final year of his life David Bowie achieved his long-time ambition to write and stage a musical. At the same time, he produced his final record, the multi-Grammy award winning Blackstar. In Lazarus, Bowie's protagonist is an alien outsider, stuck on earth and unable to die; he must find within himself the reason, and heroism, to finally be free. 2013's The Next Day, tells stories from the perspectives of a diverse cast of obscure literary characters who are experiencing death in some way. In contrast, Blackstar elegantly invites us to consider what happens when a star dies. In our universe dying stars do not disappear, they transform into new stellar objects, remnants and gravitational forces. When a pop star dies their body of work may live on; with enough critical mass, a remnant legacy may transform an individual into something bigger than what they were: supermassive, god-sized. This book analyzes the words, images, music and sounds of Bowie's final works, critically appraising it as death art that leverages its power from the artist's demise. With Lazarus and Blackstar Bowie assembles an existentialist framework for immortality that echoes David Bowman's journey through the Star Gate in 2001: A Space Odyssey (1968). In Bowie's version, the transformation comes through death's gateway; ascension to a new state of universal being"--
    Description / Table of Contents: Part 1: Last act -- Lateness -- Remystification -- The next day -- Assemblage -- Part 2: Per ardua ad astra -- Icarus takes his pratfall -- Lazarus -- The next bardo -- Part 3: [Star symbol] -- Black holes, black music, black arts, black hearts, and button eyes -- Chaos and chemistry -- Prodigal sons -- Blackstar theory -- Epilogue: Legacies and voids
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  • 83
    ISBN: 9781839981364 , 9781839981333
    Language: English
    Pages: x, 96 Seiten
    Edition: Anna S. Roger, Mathieu Deflem
    Uniform Title: Women in hypermasculine environments (an analysis of gender dynamics in the Heavy Metal subculture, 2015)
    Parallel Title: Erscheint auch als
    Dissertation note: Masterarbeit 2015
    RVK:
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    Keywords: Heavy Metal ; Weiblichkeit ; Geschlechterrolle ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Heavy Metal ; Geschlechterrolle ; Weiblichkeit
    Note: Basiert auf Anna S. Rogers' Masterarbeit "Women in Hypermasculine Environments: An Analysis of Gender Dynamics in the Heavy Metal Subculture" (2015).
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  • 84
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780367553845 , 9780367553852
    Language: English
    Pages: 177 Seiten
    Series Statement: Routledge studies in popular music
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Musikerlebnis ; Euphorie ; Popular music / Social aspects ; Popular music / Social aspects / Australia / Brisbane (Qld.) ; Peak experiences ; Peak experiences ; Popular music / Social aspects ; Queensland / Brisbane ; Musikerlebnis ; Euphorie
    Abstract: "Peak music experiences' are a recurring feature of popular music journalism, biography and fan culture, where they are often credited as pivotal in people's relationships with music and in their lives more generally. Ben Green investigates the phenomenon from a social and cultural perspective, including discussions of peak music experiences as sources of inspiration and influence; as a core motivation for ongoing musical and social activity; the significance of live music experiences; and the key role of peak music experiences in defining and perpetuating music scenes. The book draws from both global media analysis and situated ethnographic research in the dance, hip hop, indie and rock 'n' roll music scenes of Brisbane, Australia, including participant observation and in-depth interviews. These case studies demonstrate the methodological value of peak music experiences as a lens through which to understand individual and collective musical life. The theoretical analysis is interwoven with selected interview data, illuminating the profound and everyday ways that music informs people's lives. The book will therefore be of interest to the interdisciplinary field of popular music studies as well as sociology and cultural studies beyond the study of music"--
    Description / Table of Contents: Introducing peak music experiences -- Theorising peak music experiences -- Histories of listening : First encounters, gateways and conversion experiences -- Life-changing moments : Experiences of inspiration and influence -- Why music? Peak music experiences as motivation -- Listening together : Peak music experiences and interpersonal relationships -- Live music experiences : Presence and affective space -- Ideal experiences : Scenes, aesthetics and belonging -- Themes and conclusions
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  • 85
    Book
    Book
    Lanham, Maryland ; Boulder ; New York ; London : Rowman & Littlefield
    ISBN: 9781538162613 , 9781538162620
    Language: English
    Pages: xii, 193 Seiten , Illustrationen
    Series Statement: Living existentialism
    Parallel Title: Erscheint auch als
    DDC: 781.65
    RVK:
    Keywords: Musikhören ; Jazz ; Weiße ; Jazz / Social aspects ; Listening (Philosophy) ; Music and race ; Black people / Social conditions ; White people / Race identity ; Écoute (Philosophie) ; Musique et race ; Black people / Social conditions ; Jazz / Social aspects ; Listening (Philosophy) ; Music and race ; White people / Race identity ; Jazz ; Weiße ; Musikhören
    Abstract: "This book argues that whiteness is not only a visual orientation; it is a way of hearing. Inspired by formulations of race and whiteness in the existential writings of Frantz Fanon, Simone de Beauvoir, Jean-Paul Sartre, W.E.B. Du Bois, Richard Wright, Lewis Gordon, Angela Davis, bell hooks and Sara Ahmed, this book introduces students to the notion of the white sonic gaze"--
    Description / Table of Contents: Preface. A Note on Jazz Pedagogy -- Aural Orientations -- The Jazz Problem : Patterns of White Bad Faith Listening -- Listening Exercises for Chapter Two, The Jazz Problem -- Listening to Difference : Creole Critiques of White Listening -- Listening Exercises for Chapter Three, Listening to Difference -- The Ears of a Guilty People : Africana Critiques of White Listening -- Listening Exercises for Chapter Four, The Ears of a Guilty People -- Afterword. Say Their Names : Breonna Taylor, George Floyd
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  • 86
    Book
    Book
    New York ; London : Routledge
    ISBN: 9781032011783 , 9781032011813
    Language: English
    Pages: xxviii, 145 Seiten , Illustrationen
    Series Statement: Transnational studies in jazz
    Uniform Title: Femmes du jazz
    Parallel Title: Erscheint auch als
    DDC: 782.42165092/2
    RVK:
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    Keywords: Geschichte 1980-2020 ; Jazzmusikerin ; Diskriminierung ; Frankreich ; Women jazz musicians / France ; Women jazz singers / France ; Jazz / Social aspects / France ; Sex role in music ; Musiciennes de jazz / France ; Chanteuses de jazz / France ; Rôle selon le sexe dans la musique ; Jazz / Social aspects ; Sex role in music ; Women jazz musicians ; Women jazz singers ; France ; Frankreich ; Jazzmusikerin ; Diskriminierung ; Geschichte 1980-2020
    Abstract: "Women in Jazz: Musicality, Femininity, Marginalization examines the invisible discrimination against female musicians in the French jazz world and the ways women thrive as professionals despite such conditions. The author shines a light on the paradox for women in jazz: to express oneself in a "feminine" way is to be denigrated for it, yet to behave in a "masculine" manner is to be devalued for a lack of femininity. This masculine world ensures it is more difficult for women to be recognized as jazz musicians than it is for men-even when musicians, critics, and audiences are ideologically opposed to discrimination. Female singers are confined by the feminine stereotypes of their profession, while female instrumentalists must comport themselves into traditionally masculine roles. The author explores the academic and professional socializations of these musicians, the musical choice they make, and how they are perceived by jazz professionals as a result. First published in French by CNRS Editions in 2007 (and later reissued in paperback in 2018, with the author's postscript that "nothing much has changed"), Women in Jazz: Musicality, Femininity, Marginalization expands the conversation beyond the French border, identifying female jazz musicians as a discriminated minority all around the world"--
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  • 87
    Book
    Book
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    ISBN: 9781316514337
    Language: English
    Pages: xvii, 511 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.48420973
    RVK:
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    Keywords: Geschichte 1492-1942 ; Geschichte 1492- ; Folksong ; Patriotisches Lied ; Politisches Lied ; Protestsong ; USA ; Music / Social aspects / United States ; Songs / Social aspects / United States ; Music / Political aspects / United States ; Songs / Political aspects / United States ; Music ; Political aspects ; Music ; Social aspects ; United States ; USA ; Folksong ; Politisches Lied ; Patriotisches Lied ; Geschichte 1492- ; USA ; Protestsong ; Geschichte 1492-1942
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  • 88
    Book
    Book
    Bristol, UK ; Chicago, USA : Intellect
    ISBN: 9781789385397
    Language: English
    Pages: xxix, 187 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.660980904
    RVK:
    Keywords: Geschichte 1970-2020 ; Dub ; Jamaika ; Dub (Music) / Jamaica / History and criticism ; Dub (Musique) / Jamaïque / Histoire et critique ; Dub (Music) ; Jamaica ; Criticism, interpretation, etc ; Jamaika ; Dub ; Geschichte 1970-2020
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  • 89
    ISBN: 9781419749698
    Language: English
    Pages: XII, 306 Seiten
    Parallel Title: Erscheint auch als
    DDC: 782.42164092
    RVK:
    Keywords: Houston, Whitney ; Houston, Whitney / https://isni.org/isni/000000011478617X ; African American women singers / United States / Biography ; African American singers / United States / Biography ; Singers / United States / Biography ; Chanteuses noires américaines / États-Unis / Biographies ; Chanteurs noirs américains / États-Unis / Biographies ; Chanteurs / États-Unis / Biographies ; BIOGRAPHY & AUTOBIOGRAPHY / Music ; BIOGRAPHY & AUTOBIOGRAPHY / Women ; BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts ; Houston, Whitney ; African American singers ; African American women singers ; United States ; African American women singers / Biography ; African American singers / Biography ; Biography ; Biography ; Biographies ; Biographies ; Biographies ; Biografie ; Biografie ; Biografie ; Houston, Whitney 1963-2012
    Abstract: "A candid exploration of the genius, shame, and celebrity of Whitney Houston a decade after her passing. On February 11, 2012, Whitney Houston was found submerged in the bathtub of her suite at the Beverly Hilton Hotel. In the decade since, the world has mourned her death amid new revelations about her relationship to her Blackness, her sexuality, and her addictions. Didn't We Almost Have It All is author Gerrick Kennedy's exploration of the duality of Whitney's life as both a woman in the spotlight and someone who often had to hide who she was. This is the story of Whitney's life, her whole life, told with both grace and honesty. Long before that fateful day in 2012, Whitney split the world wide open with her voice. Hers was a once-in-a-generation talent forged in Newark, NJ, and blessed with the grace of the church and the wisdom of a long lineage of famous gospel singers.
    Abstract: She redefined 'The Star-Spangled Banner.' She became a box-office powerhouse, a queen of the pop charts, and an international superstar. But all the while, she was forced to rein in who she was amid constant accusations that her music wasn't Black enough, original enough, honest enough. Kennedy deftly peels back the layers of Whitney's complex story to get to the truth at the core of what drove her, what inspired her, and what haunted her. He pulls the narrative apart into the key elements that informed her life--growing up in the famed Drinkard family; the two romantic relationships that shaped the entirety of her adult life, with Robyn Crawford and Bobby Brown; her fraught relationship to her own Blackness and the ways in which she was judged by the Black community; her drug and alcohol addiction; and, finally, the shame that she carried in her heart, which informed every facet of her life.
    Abstract: Drawing on hundreds of sources, Kennedy takes readers back to a world in which someone like Whitney simply could not be, and explains in excruciating detail the ways in which her fame did not and could not protect her. In the time since her passing, the world and the way we view celebrity have changed dramatically. A sweeping look at Whitney's life, Didn't We Almost Have It All contextualizes her struggles against the backdrop of tabloid culture, audience consumption, mental health stigmas, and racial divisions in America. It explores exactly how and why we lost a beloved icon far too soon" --
    Description / Table of Contents: Didn't We Almost Have It All?: A Meditation on Loss and Memory -- Under His Eye, Blessed Be The Sound: Faith, Gospel, and the Almighty Power of Cissy Houston -- Home: Newark and the Black American Dreams That Birthed Whitney Houston -- Stuff That You Want, Thing That You Need: The Brilliance and Influence of Whitney's Voice -- My Lonely Heart Calls: On Sex, Desire, and Sexuality -- Miss America, The Beautiful: The Burden of the National Anthem and the Politics of Whitney's Blackness -- Bolder, Blacker, Badder: The Sisters with Voices That Transformed Whitney -- Tell The Truth And Shame The Devil: How Trauma, Shame, and Tabloid Culture Broke Whitney -- The Undoing Of Whitney Houston: Virtue, Vice, and a Requiem for Redemption -- Won't They Always Love You?: Reflections on Meaning and Legacy
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  • 90
    ISBN: 9783030978839
    Language: English
    Pages: XXIII, 401 Seiten , Illustrationen
    Series Statement: Pop music, culture and identity
    Series Statement: Pop music, culture and identity
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: 1
    RVK:
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  • 91
    Book
    Book
    New York, NY : Abrams Press
    ISBN: 9781419747946
    Language: English
    Pages: X, 502 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Michael, George ; Michael, George / 1963-2016 ; Singers / Great Britain / Biography ; Gay men / Great Britain / Biography ; Rock musicians / Great Britain / Biography ; BIOGRAPHY & AUTOBIOGRAPHY / Music ; BIOGRAPHY & AUTOBIOGRAPHY / LGBTQ+ ; Michael, George / 1963-2016 ; Gay men ; Rock musicians ; Singers ; Great Britain ; Singers / Biography ; Gay men / Biography ; Rock musicians / Biography ; Biography ; Biographies ; Biographies ; Biografie ; Biografie ; Biografie ; Michael, George 1963-2016
    Abstract: "The definitive biography of George Michael, offering an expansive look at the troubled life of the legendary singer, songwriter, and pop superstar" --
    Abstract: George Michael was an extravagantly gifted, openhearted soul singer whose work was both pained and smolderingly erotic. He was a songwriter of true craft and substance, and his music swept the world, starting in the mid-1980s. His fabricated image--that of a hypermacho sex god--loomed large in the pop culture of his day. It also hid--for a time--the secret he fought against revealing: Michael was gay. Soon his obsession with fame would start to backfire. As one of the industry's most privileged yet tortured men began to self-destruct, the press showed little sympathy. George Michael: A Life explores the compelling story of a superstar whose struggles, as well as his songs, continue to touch fans all over the world. Acclaimed music biographer James Gavin traces Michael's metamorphosis from the shy and awkward Georgios Kyriacos Panayiotou into the swaggering, dominant half of the leading British pop duo of the 1980s Wham!; he then details Michael's sensational solo career and its subsequent unraveling. With deep analysis of the creative process behind Michael's albums, tours, and music videos, as well as interviews with hundreds of his friends and colleagues, George Michael: A Life is a probing, definitive portrait of a pop legend
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  • 92
    Book
    Book
    New York, NY : W. W. Norton & Company
    ISBN: 9780393651386
    Language: English
    Pages: xvi, 325 Seiten , Illustrationen, Karten, Notenbeispiel
    Edition: First edition
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte ; Nationalhymne ; USA ; Star-spangled banner (Song) ; Patriotic music / United States / History and criticism ; Musique patriotique / États-Unis / Histoire et critique ; MUSIC / History & Criticism ; Star-spangled banner (Song) ; Patriotic music ; United States ; Criticism, interpretation, etc ; USA ; Nationalhymne ; Geschichte
    Abstract: "The fascinating story of America's national anthem and an examination of its powerful meaning today. Most Americans learn the tale in elementary school: During the War of 1812, Francis Scott Key witnessed the daylong bombardment of Baltimore's Fort McHenry by British navy ships; seeing the Stars and Stripes still flying proudly at first light, he was inspired to pen his famous lyric. What Americans don't know is the story of how this everyday "broadside ballad," one of thousands of such topical songs that captured the events and emotions of early American life, rose to become the nation's one and only anthem and today's magnet for controversy. In O Say Can You Hear? Mark Clague brilliantly weaves together the stories of the song and the nation it represents. Examining the origins of both text and music, alternate lyrics and translations, and the song's use in sports, at times of war, and for political protest, he argues that the anthem's meaning reflects-and is reflected by-the nation's quest to become a more perfect union. From victory song to hymn of sacrifice and vehicle for protest, the story of Key's song is the story of America itself. Each chapter in the book explores a different facet of the anthem's story. In one, we learn the real history behind the singing of the anthem at sporting events; in another, Clague explores Key's complicated relationship with slavery and its repercussions today. An entire is chapter devoted to some of the most famous performances of the anthem, from Jimi Hendrix at Woodstock to Roseanne Barr at a baseball game to the iconic Whitney Houston version from the 1991 Super Bowl. At every turn, the book goes beyond the events to explore the song's resonance and meaning. From its first lines Key's lyric poses questions: "O say can you see?" "Does that banner yet wave?" Likewise, Clague's O Say Can You Hear? raises important questions about the anthem; what it meant in 1814, what it means to us today, and why it matters."
    Description / Table of Contents: Prologue -- American Dreams : Francis Scott Key and the Writing of The Star-Spangled Banner -- Origins of a Melody : The Music of The Star- Spangled Banner -- Banner Ballads : The Many Lyrics of The Star- Spangled Banner -- The Banner at War : A Song Sanctified -- Play Ball! : The Banner in Sports -- Singing Citizenship : A Tradition of Dissent -- Nation in Translation : Language and the Politics of Belonging -- The Anthem and Black Lives : An American History -- Performing Patriotism : Musical Style as Social Symbol -- Postlude. Composing Nation
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  • 93
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780367677794 , 9780367677824
    Language: English
    Pages: viii, 186 Seiten , Illustration
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Diaspora ; Jazz ; Kultursoziologie ; Ungarn ; Jazz / Hungary / History and criticism ; Jazz ; Hungary ; Criticism, interpretation, etc ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Ungarn ; Jazz ; Diaspora ; Kultursoziologie
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  • 94
    Book
    Book
    Cambridge, United Kingdom ; New York, NY, USA ; Port Melbourne, VIC, Australia : Cambridge University Press
    ISBN: 9781108421928 , 9781108433068
    Language: English
    Pages: xxiv, 247 Seiten , Notenbeispiele, Karte
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Musik ; Karibik ; Aufsatzsammlung ; Karibik ; Musik
    Note: Literaturangaben
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  • 95
    ISBN: 9783952544426 , 3952544426
    Language: English
    Pages: 354 Seiten , Illustrationen, Diagramme , 23.5 cm x 16.5 cm, 633 g
    Edition: 1st edition
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 2000- ; Experimentelle Musik ; Elektronische Musik ; Strategie ; Musikproduktion ; Politisches Denken ; Sampling ; Ableton ; Intention ; Musikproduktion ; Deconstructed Club ; Electronica ; Kreativität ; Digital Audio Workstation ; Musical Borrowing ; Sampling ; Elektronische Musik ; Experimentelle Musik ; Sampling ; Musikproduktion ; Strategie ; Politisches Denken ; Geschichte 2000-
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  • 96
    ISBN: 9781913172336
    Language: English
    Pages: xiii, 514 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte 1978-1983 ; Musikleben ; Musikwahrnehmung ; Elektronische Musik ; Popmusik ; Popmusik ; Elektronische Musik ; Musikwahrnehmung ; Musikleben ; Geschichte 1978-1983
    Abstract: Intro -- Title Page -- Dedication -- Acknowledgements -- Introduction -- Contents -- Inspiration 1977 -- Revolution 1978 &amp -- 1979 -- 1978 -- 1978.1 Sex Pistols / The Future / The Human League / The New Musick / Devo / David Bowie / Tubeway Army / Ultravox! -- 1978.2 Kraftwerk / Devo / Brian Eno / Japan -- 1978.3 The Normal / Cabaret Voltaire / Throbbing Gristle / Orchestral Manoeuvres In The Dark / The Human League / Suicide / Joy Division / Robert Rental / Thomas Leer -- 1978.4 Ultravox / Tubeway Army / Japan / Throbbing Gristle -- 1979 -- 1979.1 Simple Minds / Joy Division / Cabaret Voltaire / Billy's / Blitz / Orchestral Manoeuvres In The Dark / Robert Rental &amp -- The Normal / Mute Records / Fad Gadget / Silicon Teens / Telex / Tubeway Army / Japan / Sparks / M / Buggles -- 1979.2 The Human League / The Men / Tubeway Army / Joy Division / Devo / Orchestral Manoeuvres In The Dark / Gary Numan -- 1979.3 Cabaret Voltaire / The Human League / Gary Numan / Musician's Union / Ultravox / Visage / Simple Minds -- Transition 1980 &amp -- 1981 -- 1980 -- 1980.1 John Foxx / Ultravox / Gareth Jones / Japan / Orchestral Manoeuvres In The Dark / The Human League / Johnny Logan / Telex / Joy Division -- 1980.2 Blitz / Mick Jagger / David Bowie / Musicians' Union / The Face / i-D / The Gentry / Spandau Ballet / Visage / Ultravox -- 1980.3 The Human League / Joy Division / The Independent Charts / Cabaret Voltaire / Deutsch Amerikanische Freundschaft / Silicon Teens / Fad Gadget / Gary Numan / Robert Palmer / Simple Minds -- 1981 -- 1981.1 Ultravox / Spandau Ballet / Visage / Landscape / Duran Duran / MTV -- 1981.2 Some Bizzare / Stevo / Depeche Mode / Soft Cell / Orchestral Manoeuvres In The Dark / Laurie Anderson / Blancmange -- 1981.3 The Human League / British Electric Foundation / Heaven 17 / Martin Rushent / Hot Gossip.
    Note: Verfasser des Vorwort vom Schutzumschlag entnommen
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  • 97
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197511114
    Language: English
    Pages: 1 Online-Ressource (x, 277 Seiten) , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.6480979461
    RVK:
    Keywords: Disco music / California / San Francisco / History and criticism ; Electronic dance music / California / San Francisco / History and criticism ; Sound recording industry / California / San Francisco / History / 20th century ; Gay men / California / San Francisco / Social life and customs / 20th century ; Castro (San Francisco, Calif.)
    Abstract: In 'Menergy', author Louis Niebur offers a fascinating new look at gay history through the sounds of San Francisco's queer nightlife. In doing so he also reveals new insights in the history of electronic music and dance music
    Note: Also issued in print: 2022. - Includes bibliographical references, discography and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 98
    Book
    Book
    Urbana : University of Illinois Press
    ISBN: 9780252086335 , 9780252044267
    Language: English
    Pages: x, 268 Seiten , Illustrationen, Fotografien
    Series Statement: Music in American life
    Parallel Title: Erscheint auch als
    DDC: 781.642
    RVK:
    RVK:
    Keywords: Countrymusic ; Queer-Theorie
    Note: Diskografie Seite 229-234 , Literaturverzeichnis Seite 235-250
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  • 99
    ISBN: 9780374139940
    Language: English
    Pages: XVI, 458 Seiten , Illustrationen, Karten
    Edition: First edition
    RVK:
    Keywords: J Dilla ; J Dilla / 1974-2006 ; J Dilla / 1974-2006 / Criticism and interpretation ; Sound recording executives and producers / United States / Biography ; Rap (Music) / Production and direction / History ; Rap (Music) / History and criticism ; Musical meter and rhythm ; Musique / Mesure et rythme ; MUSIC / History & Criticism ; J Dilla / 1974-2006 ; Musical meter and rhythm ; Rap (Music) ; Sound recording executives and producers ; United States ; Biography ; Biographies ; Criticism, interpretation, etc ; History ; Biographies ; Music criticism and reviews ; Biographies ; Comptes rendus de musique ; Biografie ; Biografie ; Biografie ; J Dilla 1974-2006
    Abstract: "Equal parts musicology, biography, and cultural history, Dilla Time chronicles the invention of a new kind of beat by the most underappreciated musical genius of our time"--
    Abstract: J Dilla wasn't known to mainstream audiences: in his lifetime he never had a pop hit. Since his death he has been revered by jazz musicians and rap icons for a new kind of musical time-feel that he created on a drum machine, which changed the way "traditional" musicians play. Charnas chronicles the life of James DeWitt Yancey, from a childhood in Detroit, to his rise as a Grammy-nominated hip-hop producer, to the rare blood disease that caused his premature death; and follows the people who kept him and his ideas alive. Along the way Charnas rewinds the histories of American rhythms, a story of Black culture in America and of what happens when human and machine times are synthesized into something new. -- adapted from jacket
    Description / Table of Contents: Wrong -- Straight Time / Swing Time -- Play Jay -- Machine Time -- Dee Jay -- Sample Time -- Jay Dee -- Dilla Time -- Partners -- Pay Jay -- Warp Time -- J Dilla -- Zealots -- Micro Time -- Descendants / Disciples -- Fragments
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  • 100
    ISBN: 9780231205931 , 9780231205924
    Language: English
    Pages: 192 Seiten
    Series Statement: The Columbia oral history series
    Parallel Title: Erscheint auch als
    DDC: 782.42164092
    RVK:
    Keywords: Dylan, Bob ; Ballade ; Dylan, Bob / 1941- / Criticism and interpretation ; Dylan, Bob / 1941- / Hard rain's a-gonna fall ; Folk songs / History and criticism ; Ballads / History and criticism ; Music and history ; Lord Randal ; Chansons folkloriques / Histoire et critique ; Ballades / Histoire et critique ; Musique et histoire ; Dylan, Bob / 1941- ; Ballads ; Folk songs ; Music and history ; Criticism, interpretation, etc ; Dylan, Bob 1941- ; Ballade
    Abstract: "Hard Rain is an exploration of how oral culture and the ballad tradition shaped Nobel Laureate Bob Dylan's 1962 classic "A Hard Rain's a-Gonna Fall." The song was written at the apex of the folk music revival and harkens back to the British traditional ballad "Lord Randal" and the 17th-century Italian ballad "Il testemento dell'avvelenato." Its theme is relevant to the post-nuclear nightmares and youth movements of the 1960s, prefiguring contemporary concerns about environmental crisis, racism, and mass migrations. Alessandro Portelli demonstrates how Dylan was able to use the folk tradition of the ballad combined with a modern sensibility to creatively question the meaning and direction of history. Will the future bring liberation or disaster? It is up to us"--
    Description / Table of Contents: Introduction. Memory, Voice, and the Global Bob Dylan -- Songs of Innocence and Experience -- The text and the voice -- Talking Atomic Blues -- Which way history? -- Appendix. History's lessons unlearned -- Appendix 2. Lyrics
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