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  • HeBIS  (25)
  • KOBV  (9)
  • München BSB  (8)
  • GBV  (7)
  • 2020-2024  (14)
  • 2015-2019  (17)
  • 1930-1934
  • Chicago : The University of Chicago Press  (31)
  • Musicology  (31)
Datasource
Material
Language
Years
Year
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    Django generations : hearing ethnorace, citizenship, and jazz manouche in France (2022)
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    Details
    ISBN: 9780226810959
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Chicago studies in ethnomusicology
    Series Statement: Chicago scholarship online
    RVK:
    LS 48900
    Keywords: Reinhardt, Django Influence ; Gypsy-Jazz ; Musikethnologie ; Jazz Social aspects ; Romanies Music ; Social aspects ; Romanies Music ; Political aspects ; Romanies Ethnic identity ; Music and race ; Musicians, Romani ; Jazz musicians ; Frankreich
    Abstract: 'Django Generations' shows how relationships between racial identities, jazz, and national belonging become entangled in France.
    Note: Previously issued in print: 2021 , Includes bibliographical references and index
    DOI: 10.7208/chicago/9780226810959.001.0001/upso-9780226810812
    URL: https://dx.doi.org/10.7208/chicago/9780226810959.001.0001/upso-9780226810812
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    HeBIS
  • 2
    Online Resource
    Online Resource
    Sing and sing on : sentinel musicians and the making of the Ethiopian American diaspora (2022)
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    Details
    ISBN: 9780226810331
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Chicago studies in ethnomusicology
    Series Statement: Chicago scholarship online
    DDC: 780.89928073
    RVK:
    LS 48015
    Keywords: Äthiopischer Einwanderer ; Musik ; Ethiopian Americans Music ; Ethiopians Music ; Musicians ; Musicians ; Music Social aspects ; Music Social aspects ; Music Political aspects ; Music Political aspects ; USA
    Abstract: A sweeping history of Ethiopian musicians during and following the 1974 Ethiopian revolution, 'Sing and Sing On' is the first study of the forced migration of musicians out of the Horn of Africa dating from the 1974 Ethiopian revolution, a political event that overthrew one of the world's oldest monarchies and installed a brutal military regime.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
    DOI: 10.7208/chicago/9780226810331.001.0001/upso-9780226810164
    URL: https://dx.doi.org/10.7208/chicago/9780226810331.001.0001/upso-9780226810164
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    HeBIS
  • 3
    Book
    Book
    Sing and sing on : sentinel musicians and the making of the Ethiopian American diaspora (2022)
    Chicago : The University of Chicago Press
    Details
    ISBN: 9780226810027 , 022681002X , 9780226810164
    Language: English
    Pages: xxx, 438 Seiten , Illustrationen, Karten
    Series Statement: Chicago studies in ethnomusicology
    DDC: 780.89928073
    RVK:
    LS 48015
    Keywords: Äthiopischer Einwanderer ; Musik ; USA
    Note: Bibliography Seite 391-416
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    HeBIS
    Ethn. Museum Berlin
  • 4
    Online Resource
    Online Resource
    Sonic mobilities : producing worlds in southern China (2022)
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    Details
    ISBN: 9780226817798
    Language: English
    Pages: 1 Online-Ressource (200 pages) , Illustrations (black and white), map (black and white).
    Series Statement: Chicago studies in ethnomusicology
    Series Statement: Chicago scholarship online
    DDC: 781.630951275
    RVK:
    LC 87440
    RVK:
    LS 48060
    Keywords: Mabang (Musical group) ; Wanju Chuanzhang (Musical group) ; Popular music History and criticism ; World music History and criticism ; Music and globalization ; Music Social aspects
    Abstract: With a booming economy and abundant job opportunities, Guangzhou has become a magnet for rural citizens seeking better job prospects as well as global corporations hoping to gain a foothold in one of the world's largest economies. This openness and energy have led to a thriving popular music scene that is every bit the equal of Beijing's. But the musical culture of Guangzhou expresses the city's unique cosmopolitanism. A port city that once played a key role in China's maritime Silk Road, Guangzhou has long been an international hub. Now, new migrants to the city are incorporating diverse Chinese folk traditions into the musical tapestry. In this book, ethnomusicologist Adam Kielman takes a deep dive into Guangzhou's music scene through two bands, Wanju Chuanzhang (Toy Captain) and Mabang (Caravan), that express ties to their rural homelands and small-town roots while forging new cosmopolitan musical connections.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
    DOI: 10.7208/chicago/9780226817798.001.0001
    URL: https://doi.org/10.7208/chicago/9780226817798.001.0001
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    Online Resource
    HeBIS
  • 5
    Book
    Book
    Sonic mobilities : producing worlds in southern China (2022)
    Chicago : The University of Chicago Press
    Details
    ISBN: 9780226817804 , 9780226817743
    Language: English
    Pages: 200 Seiten , Illustrationen, Notenbeispiele , 25 cm
    Series Statement: Chicago studies in ethnomusicology
    DDC: 781.6309512/75
    RVK:
    LC 87440
    RVK:
    LS 48060
    Keywords: Mabang (Musical group) ; Wanju Chuanzhang (Musical group) ; Popular music History and criticism ; World music History and criticism ; Music and globalization ; Music Social aspects
    Abstract: "Guangzhou is a large Chinese city like many others. With a booming economy and abundant job opportunities, it has become a magnet for rural citizens seeking better job prospects as well as global corporations hoping to gain a foothold in one of the world's largest economies. This openness and energy has led to a thriving pop music scene that is every bit the equal of Beijing's. But the musical culture of Guangzhou expresses the city's unique cosmopolitanism. A port city that once played a key role in China's maritime Silk Road, Guangzhou has long been an international hub. Now, rural migrants to the city are incorporating Chinese folk traditions into the musical tapestry. In Producing Sonic Worlds, ethnomusicologist Adam Kielman takes a deep dive into Guangzhou's music scene through two bands, Wanju Chuanzhang (Toy Captain) and Mabang (Caravan), that express ties to their rural homelands as well as cosmopolitan musical connections. These bands make music that captures the intersection of the global and local that has come to define Guangzhou, for example by writing songs with a popular Jamaican reggae beat and lyrics in their distinct regional dialects incomprehensible to their audiences. These bands create a sound both instantly recognizable and totally foreign, international and hyper local. This juxtaposition, Kielman argues, is an apt expression of the demographic, geographic, and political shifts underway in Guangzhou and across the country. Bridging ethnomusicology, popular music studies, cultural geography, and media studies, Kielman examines the cultural dimensions of shifts in conceptualizations of self, space, publics, and state in a rapidly transforming People's Republic of China". - Rückumschlag
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Book
    HeBIS
    Ethn. Museum Berlin
  • 6
    Online Resource
    Online Resource
    The search for medieval music in Africa and Germany, 1891-1961 : scholars, singers, missionaries (2021)
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    Details
    ISBN: 9780226740485
    Language: English
    Pages: 1 Online-Ressource (360 pages) , Illustrations (black and white).
    Series Statement: New material histories of music
    Series Statement: Chicago scholarship online
    DDC: 780.721
    RVK:
    LP 19506
    RVK:
    LQ 80007
    RVK:
    LS 19000
    Keywords: Humboldt, Wilhelm von ; Geschichte 1891-1961 ; Kolonialismus ; Kulturvergleich ; Vergleichende Musikwissenschaft ; Mediävistik ; Mission ; Musik ; Rezeption ; Vergleichende Sprachwissenschaft ; Musicology History 20th century ; Mission music History and criticism ; Missions History 20th century ; Ethnomusicology History ; Musicologists ; Music History and criticism 15th century ; Medievalism ; Music Social aspects ; Music and youth History 20th century ; Afrika ; Deutschland ; Deutsches Sprachgebiet
    Abstract: This innovative book reassesses the history of musicology, unearthing the field's twentieth-century German and global roots. In the process, Anna Maria Busse Berger exposes previously unseen historical relationships such as those between the modern rediscovery of medieval music, the rise of communal singing, and the ways in which African music intersected with missionary work in the German colonial period. Ultimately, Busse Berger offers a monumental new account of the early twentieth-century music culture in Germany and East Africa.
    Note: Previously issued in print: 2020 , Includes bibliographical references and index
    DOI: 10.7208/chicago/9780226740485.001.0001/upso-9780226740348
    URL: https://dx.doi.org/10.7208/chicago/9780226740485.001.0001/upso-9780226740348
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    Online Resource
    HeBIS
  • 7
    Online Resource
    Online Resource
    Sun Ra's Chicago : Afrofuturism and the city (2021)
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    Details
    ISBN: 9780226732244
    Language: English
    Pages: 1 Online-Ressource (328 pages) , Illustrations (black and white).
    Series Statement: Historical studies of urban America
    Series Statement: Chicago scholarship online
    RVK:
    LS 48040
    Keywords: Sun Ra ; Sun Ra ; Geschichte 1946-1961 ; Afrofuturismus ; African American musicians Biography ; Afrofuturism ; Jazz History and criticism ; Chicago, Ill. ; South Side (Chicago, Ill History 20th century ; Biografie
    Abstract: The emergence of Sun Ra and his Arkestra in 1950s Chicago is seen today as a foundational moment for Afrofuturist modes of cultural expression. Sun Ra's Chicago investigates how the bandleader's musical cosmology first developed and, in particular, why it came to flourish in Chicago. Focusing on his early years in Birmingham, Alabama and his time in post-World War II Chicago, the book argues that the relationship between Sun Ra and his cities offers new insight into his music and philosophy as well as the role of everyday black urban experience in the development of Afrofuturism as a cultural ideal. The book employs a historical and spatial lens to situate Ra's evolving sensibility within the material and imagined spaces of his cities.
    Note: Previously issued in print: 2020 , Includes bibliographical references and index
    DOI: 10.7208/chicago/9780226732244.001.0001/upso-9780226732077
    URL: https://dx.doi.org/10.7208/chicago/9780226732244.001.0001/upso-9780226732077
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    Online Resource
    HeBIS
  • 8
    Online Resource
    Online Resource
    Tear down the walls : white radicalism and black power in 1960s rock (2021)
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    Details
    ISBN: 9780226768359
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Chicago scholarship online
    RVK:
    LS 48635
    Keywords: Geschichte 1968-1969 ; Rockmusik ; Black power ; Weiße ; Aktivismus ; Rock music Social aspects 20th century ; History ; Rock music History and criticism 1961-1970 ; Black power History 20th century ; Music and race History 20th century ; USA ; Großbritannien
    Abstract: 'Tear Down the Walls' sheds light on a significant but overlooked facet of 1960s rock and the Black Power era-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. It focuses on 1968 and 1969, years when the New Left in the US and UK began to combine cultural radicalism and political radicalism.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
    DOI: 10.7208/chicago/9780226768359.001.0001/upso-9780226768182
    URL: https://dx.doi.org/10.7208/chicago/9780226768359.001.0001/upso-9780226768182
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    Online Resource
    HeBIS
  • 9
    Book
    Book
    Django generations : hearing ethnorace, citizenship, and jazz manouche in France (2021)
    Chicago : The University of Chicago Press
    Details
    ISBN: 9780226810812 , 9780226811000
    Language: English
    Pages: xiii, 260 Seiten
    Series Statement: Chicago studies in ethnomusicology
    DDC: 781.650944
    RVK:
    LS 48900
    Keywords: Reinhardt, Django Influence ; Gypsy-Jazz ; Musikethnologie ; Jazz Social aspects ; Romanies Music ; Social aspects ; Romanies Music ; Political aspects ; Romanies Ethnic identity ; Music and race ; Musicians, Romani ; Jazz musicians ; Frankreich
    Abstract: "The distinctive sound of the swing-driven guitar style of Django Reinhardt has become almost synonymous with a carefree, bohemian Frenchness to fans all over the world. However, we in the US refer to his music using a telling designation: Django is known here as the father of gypsy jazz. In France, the cultural significance of the musical style--called jazz manouche in reference to his origins in the Manouche subgroup of Romanies (known pejoratively as "Gypsies")--is fraught both for the Manouche and for the white French men and women eager to claim Django as a native son. In Django Generations, ethnomusicologist Siv B. Lie explores the complicated ways in which Django's legacy and jazz manouche express competing notions of what it means to be French. Though jazz manouche is overwhelmingly popular in France, Manouche people are more often treated as outsiders. However, some Manouche people turn to their musical heritage to gain acceptance in mainstream French society. Considering all of the characteristics and roles attributed to Django--as a world-renowned jazz musician, as an artistic pioneer, as a representative of French heritage, and as a Manouche--jazz manouche becomes a potent means for performers and listeners to articulate their relationships with French society, actual or hoped-for. Weaving together a history of jazz manouche and ethnographic fieldwork undertaken in the bars, festivals, family events, and cultural organizations where jazz manouche is performed and celebrated, Lie offers insight into how a musical genre can channel arguments about national and ethnoracial belonging. She argues that an uncomfortable cohabitation of Manouche identity and French identity lies at the heart of jazz manouche, which is what makes it so successful and powerful
    Note: Literaturverzeichnis Seite 229-252
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Book
    HU Berlin
    München BSB
    KOBV
    HeBIS
    BVB
    Ethn. Museum Berlin
  • 10
    Book
    Book
    Sun Ra's Chicago : Afrofuturism & the city (2020)
    Chicago : The University of Chicago Press
    Details
    ISBN: 9780226732107 , 022673210X , 9780226732077 , 022673207X
    Language: English
    Pages: 313 Seiten , Illustrationen, Notenbeispiele, Karten , 23 cm
    Series Statement: Historical studies of urban America
    DDC: 781.65092
    RVK:
    LS 48040
    Keywords: Sun Ra ; Sun Ra ; Geschichte 1946-1961 ; Afrofuturismus ; African American musicians Biography ; Afrofuturism ; Jazz History and criticism ; Chicago, Ill. ; South Side (Chicago, Ill History 20th century ; Biografie ; Biografie ; Biografie ; Biografie
    Abstract: Urban routes, utopian pathways -- Birmingham. Downtown sounds ; Industrial school to territory band -- Leadership dreams -- Chicago. South Side music scene ; "Sound so loud it will wake up the dead" ; Utopian Chicago ; African space ; Wonder Inn, 1960 -- Lineages/legacies
    Abstract: "William T. Sites details the life of visionary musician Sun Ra in Chicago, from 1946 until 1961. Sun Ra's South Side was a site of unorthodox religious and cultural activism where Afrocentric philosophies flourished, storefront prophets sold "dream-book bibles," and Elijah Muhammad was building the Nation of Islam. It was also an unruly musical crossroads where styles circulated and mashed together in clubs and community dancehalls. Sun Ra drew from a vast array of intellectual sources (radical nationalism, antinomian Christianity, black mythology, and science fiction) and from multiple musical traditions (swing, jazz, blues, Latin dance music, "space-age pop," and other exotica) to promulgate visions of the city that did not conform to the orthodoxies of metropolitan elites, black or white
    Note: Literaturangaben
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    München BSB
    München UB
    KOBV
    HeBIS
    BVB
    Bayreuth UB
  • 11
    Online Resource
    Online Resource
    Making it up together : the art of collective improvisation in Balinese music and beyond (2020)
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    Details
    ISBN: 9780226667744
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Chicago studies in ethnomusicology
    Series Statement: Chicago scholarship online
    DDC: 780.959862
    RVK:
    LS 45300
    Keywords: Improvisation (Music) ; Music History and criticism ; Performance practice (Music) ; Songs, Balinese History and criticism ; Reyong Performance ; Kendang Performance ; Ethnomusicology
    Abstract: Most studies of musical improvisation focus on individual musicians. But that is not the whole story. From jazz to flamenco, Shona mbira to Javanese gamelan, improvised practices thrive on group creativity, relying on the close interaction of multiple simultaneously improvising performers. In this text, Leslie A. Tilley explores the practice of collective musical improvisation cross-culturally, making a case for placing collectivity at the centre of improvisation discourse and advocating ethnographically informed music analysis as a powerful tool for investigating improvisational processes.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
    DOI: 10.7208/chicago/9780226667744.001.0001
    URL: https://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226667744.001.0001/upso-9780226661131
    URL: https://doi.org/10.7208/chicago/9780226667744.001.0001
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    Online Resource
    HeBIS
  • 12
    Online Resource
    Online Resource
    Creolized aurality : Guadeloupean gwoka and postcolonial politics (2020)
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    Details
    ISBN: 9780226631806
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Chicago studies in ethnomusicology
    Series Statement: Chicago scholarship online
    RVK:
    LC 87640
    RVK:
    LS 48700
    Keywords: Geschichte 1635-2019 ; Antikolonialismus ; Postkolonialismus ; Volksmusik ; Gwoka ; Popular music History and criticism ; Popular music Political aspects ; Postcolonialism and music ; Guadeloupe
    Abstract: From colonialism to anticolonialism, from nationalism to postnationalism, this text explores how gwoka participates in five auralities, fields of sonic relations that make audible multiple - and often seemingly contradictory - cultural belongings and political longings. Drawing from Edouard Glissant's poetics of relation and re-interpreting creolization as a double play of resistance and accommodation, 'Creolized Aurality' moves away from narratives of anticolonial rupture and overcoming to elucidate (post)coloniality as an unstable relational matrix from which emerges a politics caught in the tension between a struggle for sovereignty and demands for full citizenship.
    Note: Previously issued in print: 2019 , Includes bibliographical references, discography and index
    DOI: 10.7208/chicago/9780226631806.001.0001
    URL: https://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226631806.001.0001/upso-9780226631639
    URL: https://doi.org/10.7208/chicago/9780226631806.001.0001
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    HeBIS
  • 13
    Online Resource
    Online Resource
    Move on up : Chicago soul music and black cultural power (2020)
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    Details
    ISBN: 9780226653174
    Language: English
    Pages: 1 Online-Ressource (272 pages) , Illustrations (black and white).
    Series Statement: Chicago scholarship online
    RVK:
    LS 48640
    RVK:
    HD 370
    Keywords: Soulmusiker ; Soul ; Schwarze ; Soul music History and criticism ; Soul music Social aspects ; Soul music Political aspects ; Soul musicians ; African Americans Music ; History and criticism ; Chicago, Ill.
    Abstract: Chicago's place in the history of soul music is rock solid. But for Chicagoans, soul music in its heyday from the 1960s to the 1980s was more than just a series of hits: it was a marker and a source of black empowerment. In Move On Up, Aaron Cohen tells the remarkable story of the explosion of soul music in Chicago. Together, soul music and black-owned businesses thrived. Record producers and song-writers broadcast optimism for black America's future through their sophisticated, jazz-inspired productions for the Dells and many others. Curtis Mayfield boldly sang of uplift with unmistakable grooves like 'We're a Winner' and 'I Plan to Stay a Believer.' Musicians like Phil Cohran and the Pharaohs used their music to voice Afrocentric philosophies that challenged racism and segregation, while Maurice White of Earth, Wind, and Fire and Chaka Khan created music that inspired black consciousness.
    Note: Previously issued in print: 2019 , Includes bibliographical references and index
    DOI: 10.7208/chicago/9780226653174.001.0001
    URL: https://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226653174.001.0001/upso-9780226176079
    URL: https://doi.org/10.7208/chicago/9780226653174.001.0001
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    HeBIS
  • 14
    Book
    Book
    Everyone loves live music : a theory of performance institutions (2020)
    Chicago : The University of Chicago Press
    Details
    ISBN: 9780226738543 , 9780226738406
    Language: English
    Pages: 347 Seiten , Illustrationen
    Series Statement: Big issues in music
    Parallel Title: Erscheint auch als
    DDC: 780.78
    RVK:
    LS 48635
    RVK:
    LS 48015
    RVK:
    LR 56600
    Keywords: Konzert ; Festival ; Rockmusik ; Sozialer Wandel ; Live-Auftritt ; Rock music / Social aspects / United States ; Rock music / Social aspects / Europe ; Music festivals / Social aspects / United States ; Music festivals / Social aspects / Europe ; Rockmusik ; Festival ; Konzert ; Live-Auftritt ; Sozialer Wandel
    Abstract: Introduction. The Social Study of Musical Performance Institutions -- Conceptualizing Musical Performance Culture Clubs in Everyday Urban Life -- The Social Study of Music in Cities -- The Commercial Institutionalization of Rock Clubs in New York -- How Did Institutionalization Evolve in Europe? : Music Festivals in the Summer Season -- A Worldview History of Music Festivals -- The Evolution of Anglophone Global Culture -- Three Industry Evolutions That Changed Festival Culture -- New Media, New Festival Worlds
    Abstract: "In Everyone Loves Live Music, Fabian Holt takes us through transformations in musical performance culture that explain how live music became the wildly popular industry it is today--and what these changes mean for fans. Holt looks at two realms of live music subject to the same commercializing trends: rock clubs, a feature of everyday life in major American and European cities and blowout musical festivals, venues for over-the-top experiences. As both clubs and festivals are being bought up and managed by a shrinking number of corporate entities such as Live Nation, they are becoming increasingly homogenous, showcasing a narrow roster of mostly Anglophone musicians. While many of the clubs and festivals Holt studies began as highly local scenes, they have fallen prey to media conglomerates, affecting the social worlds not only of fans, but of the cities and neighborhoods that are home to these musical cultures. As a result, Holt shows, our social worlds are transforming as particular forms of music, place, lifestyle, and leisure come to dominate our cultural lives"
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: https://press.uchicago.edu/ucp/books/book/chicago/E/bo61910974.html
    URL: Inhaltsverzeichnis
    URL: https://press.uchicago.edu/ucp/books/book/chicago/E/bo61910974.html
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    Book
    HU Berlin
    München BSB
    KOBV
    BVB
    Ethn. Museum Berlin
  • 15
    Book
    Book
    I'd fight the world : a political history of old-time, hillbilly, and country music (2019)
    Chicago : The University of Chicago Press
    Details
    ISBN: 9780226922997 , 9780226923000
    Language: English
    Pages: 346 Seiten , Illustrationen
    RVK:
    LS 48610
    RVK:
    LS 48620
    Keywords: Geschichte ; Countrymusic ; Politik ; USA
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    Book
    HeBIS
  • 16
    Book
    Book
    Nightingales in Berlin : searching for the perfect sound (2019)
    Chicago : The University of Chicago Press
    Details
    ISBN: 9780226467184
    Language: English
    Pages: 179 Seiten, 8 ungezählte Seiten Bildtafeln , Illustrationen, Karten, Diagramme, Notenbeispiele
    DDC: 781.17
    RVK:
    LR 56668
    RVK:
    LS 49950
    Keywords: Nachtigall ; Gesang ; Wahrnehmung ; Sound Studies ; Musikphilosophie ; Gesang ; Musikästhetik ; Vogelstimme ; Zoomusikologie ; Berlin
    Abstract: This bird is ruined for us -- The Sharawaji effect -- Beginnings of time -- Orderly and disorderly -- The place of sound -- Called most beautiful -- Berlin longs for Berlin -- Eleven paths to animal music -- Celebrated by all
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    BSZ
    GBV
    HeBIS
  • 17
    Online Resource
    Online Resource
    Creolized aurality : Guadeloupean gwoka and postcolonial politics (2019)
    Chicago : The University of Chicago Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9780226631806
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Chicago studies in ethnomusicology
    DDC: 781.620972976
    RVK:
    LC 87640
    RVK:
    LS 48700
    Keywords: Geschichte 1635-2019 ; Antikolonialismus ; Postkolonialismus ; Volksmusik ; Gwoka ; Guadeloupe
    DOI: 10.7208/9780226631806
    URL: https://www.degruyter.com/document/doi/10.7208/9780226631806/html
    URL: https://doi.org/10.7208/9780226631806
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    HeBIS
  • 18
    Book
    Book
    Making it up together : the art of collective improvisation in Bali and beyond (2019)
    Chicago : The University of Chicago Press
    Details
    ISBN: 9780226661131 , 9780226667607 , 022666760X
    Language: English
    Pages: x, 351 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Chicago studies in ethnomusicology
    DDC: 780.959862
    RVK:
    LS 45300
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Ethn. Museum Berlin
  • 19
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    Book
    Creolized aurality : Guadeloupean gwoka and postcolonial politics (2019)
    Chicago : The University of Chicago Press
    Details
    ISBN: 9780226631639 , 9780226631776
    Language: English
    Pages: 234 Seiten , Illustrationen
    Series Statement: Chicago studies in ethnomusicology
    DDC: 781.620972976
    RVK:
    LC 87640
    RVK:
    LS 48700
    Keywords: Geschichte 1635-2019 ; Antikolonialismus ; Postkolonialismus ; Volksmusik ; Gwoka ; Guadeloupe
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    Würzburg UB
    KOBV
    HeBIS
    BVB
    Ethn. Museum Berlin
  • 20
    Book
    Book
    The revolution's echoes : music, politics, and pleasure in Guinea (2019)
    Chicago : The University of Chicago Press
    Details
    ISBN: 9780226654461 , 9780226654638
    Language: English
    Pages: XI, 195 Seiten
    Series Statement: Chicago studies in ethnomusicology
    Series Statement: Chicago studies in Ethnomusicology
    DDC: 306.4842096652
    RVK:
    LS 46575
    Note: Literaturverzeichnise Seite [181] - 189
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    BSZ
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    HBZ
    Ethn. Museum Berlin
  • 21
    Book
    Book
    Pick up the pieces : excursions in seventies music (2019)
    Chicago : The University of Chicago Press
    Details
    ISBN: 9780226604732
    Language: English
    Pages: 495 Seiten
    Parallel Title: Erscheint auch als
    DDC: 781.6409/047
    RVK:
    LS 48030
    Keywords: Geschichte 1970-1980 ; Essays / lcgft ; Rock music History and criticism 1971-1980 ; Popular music History and criticism 1971-1980 ; Rockmusik ; Rockmusik ; Geschichte 1970-1980
    Note: Includes index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    KOBV
    BVB
    Ethn. Museum Berlin
  • 22
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    Book
    Song walking : women, music, and environmental justice in an African borderland (2018)
    Chicago : The University of Chicago Press
    Details
    ISBN: 9780226537962 , 9780226538013
    Language: English
    Pages: x, 284 Seiten , Illustrationen, Karten
    Series Statement: Chicago studies in ethnomusicology
    DDC: 786.8/87082096843
    RVK:
    LQ 93308
    RVK:
    LR 56608
    RVK:
    LS 47735
    Keywords: Women Social life and customs ; Ecomusicology ; Music Social aspects ; Jew's harp Social aspects ; Maputaland (South Africa) Social life and customs
    Abstract: Paths toward a hearing -- Amaculo Manihamba: a genre considered -- Walking, singing, pointing, Usuthu Gorge -- Cartographic encounters: settling the Southeast African border -- New routes in and out, Eziphosheni -- Rain is only one aspect of water -- Dwelling in a futurized past: longing for Ndumo -- Beyond talk and testimony -- Postscript
    Note: Literaturverzeichnis Seite [251] - 274
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    GBV
    Ethn. Museum Berlin
  • 23
    Online Resource
    Online Resource
    Message to our folks : the Art Ensemble of Chicago (2017)
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    Details
    ISBN: 9780226376011
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white)
    DDC: 784.4/165
    RVK:
    LS 48050
    RVK:
    LS 48100
    RVK:
    LS 48200
    Keywords: Art Ensemble of Chicago History ; Jazz History and criticism ; African Americans Music ; History and criticism
    Abstract: This year marks the golden anniversary of the Art Ensemble of Chicago, the flagship band of the Association for the Advancement of Creative Musicians. Formed in 1966 and flourishing until 2010, the Art Ensemble distinguished itself by its unique performance practices - members played hundreds of instruments on stage, recited poetry, performed theatrical sketches, and wore face paint, masks, lab coats, and traditional African and Asian dress. The group, which built a global audience and toured across six continents, presented their work as experimental performance art, in opposition to the jazz industry's traditionalist aesthetics. In this book, Paul Steinbeck combines musical analysis and historical inquiry to give us the definitive study of the Art Ensemble.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
    DOI: 10.7208/chicago/9780226376011.001.0001
    URL: http://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226376011.001.0001/upso-9780226375960
    URL: https://doi.org/10.7208/chicago/9780226376011.001.0001
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    Online Resource
    HeBIS
  • 24
    Online Resource
    Online Resource
    Vaudeville melodies : popular musicians and mass entertainment in American culture, 1870-1929 (2017)
    Chicago : The University of Chicago Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780226448725
    Language: English
    Pages: 1 Online-Ressource (xii, 179 Seiten)
    DDC: 792.70973000000004
    RVK:
    LQ 89306
    RVK:
    LS 20980
    Keywords: Geschichte 1870-1927 ; Unterhaltungsmusik ; Revue ; USA
    Note: Description based on publisher supplied metadata and other sources , Bibliography Seite 163-172
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    Online Resource
    HeBIS
  • 25
    Book
    Book
    Flip the script : European hip hop and the politics of postcoloniality (2017)
    Chicago : The University of Chicago Press
    Details
    ISBN: 9780226496184 , 9780226496214
    Language: English
    Pages: x, 295 Seiten , Illustrationen , 23 cm
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als Rollefson, J. Griffith Flip the script
    DDC: 782.421649094
    RVK:
    LS 48650
    Keywords: Hip-hop ; Postcolonialism and music ; Music African American influences ; Hip-hop ; Hip-hop ; Music ; Music ; Postcolonialism and music ; Postcolonialism and music ; Europe, Western ; Westeuropa ; Hip-Hop ; Postkolonialismus ; Westeuropa ; Hip-Hop ; Postkolonialismus
    Abstract: Introduction: hip hop as postcolonial art and practice -- "J'accuse": hip hop's postcolonial politics in Paris -- Nostalgia "en noir et blanc": Black music and postcoloniality from Sefyu's Paris to Buddy Bolden's New Orleans -- Musical (African) Americanization: strategic essentialism, hybridity, and commerce in Aggro Berlin -- Heisse Waren: hot commodities, "der Neger bonus," and the commercial authentic -- M.I.A..'s "terrorist chic": Black Atlantic music and South Asian postcolonial politics in London -- Marché noir: the hip hop hustle in the City of Light -- "Wherever we go": UKhip hop and the deformation of mastery -- "Straight outta B.C.": differance, defness, and Juice Aleem's precolonial Afrofuturist critique -- Conclusion: hip hop studies and/as postcolonial studies
    Note: Literaturverzeichnis: Seiten 267-280
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Book
    HU Berlin
    München BSB
    München UB
    Würzburg UB
    BSZ
    GBV
    KOBV
    BVB
    HBZ
    Ethn. Museum Berlin
  • 26
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    Book
    The Miles Davis Lost Quintet and other revolutionary ensembles (2016)
    Chicago : The University of Chicago Press
    Details
    ISBN: 9780226180762 , 022618076X
    Language: English
    Pages: xii, 264 pages , 14 figures
    DDC: 785/.32195165
    RVK:
    LS 48100
    Keywords: Davis, Miles ; Quintett ; Elektronische Musik ; Avantgarde ; Rock-Jazz
    Note: References: Seite 239-249 , Discography: Seite 251-255
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  • 27
    Online Resource
    Online Resource
    The Miles Davis Lost Quintet and other revolutionary ensembles (2016)
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    Details
    ISBN: 9780226303390
    Language: English
    Pages: 1 Online-Ressourcece
    DDC: 785/.32195165
    RVK:
    LS 48100
    Keywords: Davis, Miles ; Davis, Miles ; Quintett ; Elektronische Musik ; Avantgarde ; Rock-Jazz ; Jazz History and criticism 1961-1970 ; Jazz History and criticism 1971-1980 ; Jazz musicians
    Abstract: Miles Davis's 'Bitches Brew' is one of the most iconic albums in American music, the preeminent landmark and fertile seedbed of jazz-fusion. Fans have been fortunate in the past few years to gain access to Davis's live recordings from this time, when he was working with an ensemble that has come to be known as the Lost Quintet. Here, jazz historian and musician Bob Gluck explores the performances of this revolutionary group, to illuminate the thinking of one of our rarest geniuses and, by extension, the extraordinary transition in American music that he and his fellow players ushered in.
    Note: Previously issued in print: 2016 , Includes bibliographical references, discography and index
    DOI: 10.7208/chicago/9780226303390.001.0001/upso-9780226180762
    URL: http://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226303390.001.0001/upso-9780226180762
    URL: Volltext  (lizenzpflichtig)
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  • 28
    Online Resource
    Online Resource
    Everyday creativity : singing goddesses in the Himalayan foothills (2017)
    Chicago : The University of Chicago Press
    Details
    ISBN: 9780226407739
    Language: English
    Pages: 1 Online-Ressource , illustrations (black and white)
    Series Statement: Big issues in music
    Parallel Title: Erscheint auch als
    RVK:
    LC 86385
    RVK:
    LS 39060
    Keywords: Geschichte 1990-2015 ; Music Social aspects ; Women singers ; Alltag ; Gesang ; Lied ; Spiritualität ; Frau ; Lebensführung ; Kangra ; Kāngra (India : District) / Social life and customs ; Kangra Region ; Frau ; Lied ; Gesang ; Alltag ; Spiritualität ; Lebensführung ; Geschichte 1990-2015
    Abstract: Kirin Narayan's imagination was captured the very first time that, as a girl visiting the Himalayas, she heard Kangra women join their voices together in song. Returning as an anthropologist, she became fascinated by how they spoke of singing as a form of enrichment, bringing feelings of accomplishment, companionship, happiness, and even good health-all benefits of the 'everyday creativity' she explores in this text. Part ethnography, part musical discovery, part poetry, part memoir, and part unforgettable portraits of creative individuals, this unique work brings this remote region in North India alive in sight and sound while celebrating the incredible powers of music in our lives
    Note: Previously issued in print: 2016
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: http://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226407739.001.0001/upso-9780226407425
    URL: https://doi.org/10.7208/chicago/9780226407739.001.0001
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    München BSB
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    BVB
  • 29
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    Book
    The lost paradise : Andalusi music in urban North Africa (2016)
    Chicago : The University of Chicago Press
    Details
    ISBN: 9780226327068 , 022632723X , 9780226327235
    Language: English
    Pages: xvi, 319 Seiten , Illustrationen, Diagramm, Karte , 24 cm
    Series Statement: Chicago studies in ethnomusicology
    DDC: 781.62/927061
    RVK:
    LS 35100
    Keywords: Music History and criticism ; Music History and criticism ; Arabs Music ; History and criticism ; Arabs Music ; History and criticism ; Music Spanish influences ; Urban ecology (Sociology) ; Ethnomusicology ; Andalusia (Spain) Civilization ; Islamic influences ; Algerien ; Marokko ; Araber ; al- Andalus ; Musik ; Revival
    Description / Table of Contents: Introduction -- Part I. The people of al-Andalus. Prologue: An istikhbår -- 1. An Andalusi archipelago -- 2. The Shaykh and the Mūlūʿ -- 3. Heavy and light : Andalusi music as genre -- Part II. Revival. Prologue: A photograph -- 4. Ambiguous revivals -- 5. Texts, authority, and possession -- 6. The associative movement -- 7. The politics of patrimony -- Conclusion: The lost
    Note: Literaturverzeichnis: Seite 277-298
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    München BSB
    Würzburg UB
    GBV
    KOBV
    BVB
    Bayreuth UB
    Ethn. Museum Berlin
  • 30
    Book
    Book
    Blowin' up : rap dreams in South Central (2016)
    Chicago : The University of Chicago Press
    Details
    ISBN: 9780226348759 , 9780226348896
    Language: English
    Pages: xiii, 276 Seiten , Illustrationen
    DDC: 782.4216490979494
    RVK:
    LS 48650
    RVK:
    LQ 89507
    RVK:
    LQ 89508
    Keywords: Rap ; Rapmusiker ; Los Angeles, Calif.
    Note: References Seite 261-266
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Würzburg UB
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    Ethn. Museum Berlin
  • 31
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    Book
    Music and capitalism : a history of the present (2016)
    Chicago : The University of Chicago Press
    Details
    ISBN: 9780226311975 , 9780226311838
    Language: English
    Pages: xviii, 217 Seiten , Illustrationen
    Series Statement: Chicago studies in ethnomusicology
    Series Statement: Big issues in music
    DDC: 338.4/778
    RVK:
    LR 56508
    RVK:
    LR 57760
    Keywords: Musikwirtschaft ; Kapitalismus ; Wirtschaftsliberalismus ; Kultursoziologie ; Globalisierung ; Computerunterstützung ; Welt ; Music trade ; Music Economic aspects ; Music Social aspects ; Music and globalization ; Capitalism ; Bibliographie enthalten ; Bibliographie enthalten ; Popmusik ; Streaming ; Musikwirtschaft
    Abstract: "In this book, Timothy D. Taylor explores just how pervasively capitalism has shaped music over the last few decades. Examining changes in the production, distribution, and consumption of music, he offers an incisive critique of the music industry's shift in focus from creativity to profits, as well as stories of those who are laboring to find and make musical meaning in the shadows of the mainstream cultural industries. Taylor explores everything from the branding of musicians to the globalization of music to the emergence of digital technologies in music production and consumption. Drawing on interviews with industry insiders, musicians, and indie label workers, he traces both the constricting forces of bottom-line economics and the revolutionary emergence of the affordable home studio, the global internet, and the mp3 that have shaped music in different ways. A sophisticated analysis of how music is made, repurposed, advertised, sold, pirated, and consumed, Music and Capitalism is a must read for anyone who cares about what they are listening to, how, and why"--Provided by publisher
    Abstract: Introduction : capitalism, music, and social theory -- A brief history of music and capitalism before the rise of neoliberalism -- Neoliberal capitalism and the cultural industries -- Globalization -- Digitalization -- Singing in the shadows of neoliberal capitalism -- Conclusions : capitalism is people, too
    Note: Includes bibliographical references and index
    DOI: 10.7208/chicago/9780226312026.001.0001
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Weltkulturen Museum
    BSZ
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