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  • München BSB  (5)
  • BSZ  (4)
  • New York, NY : Oxford University Press  (7)
  • Unterhaltungsmusik  (7)
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  • Musikwissenschaft  (7)
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  • Musikwissenschaft  (7)
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  • 1
    Online-Ressource
    Online-Ressource
    Takin' care of business : a history of working people's rock 'n' roll (2021)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780197548844
    Sprache: Englisch
    Seiten: 1 Online-Ressource (216 Seiten)
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    DDC: 781.6608623
    RVK:
    LS 48015
    RVK:
    LS 48630
    Schlagwort(e): Geschichte ; Rock music / Social aspects / History / 20th century ; Working class / Attitudes / History / 20th century ; Unterhaltungsmusik ; Rock 'n' Roll ; Arbeiterklasse ; Rockmusik ; Rock 'n' Roll ; Rockmusik ; Unterhaltungsmusik ; Arbeiterklasse ; Geschichte
    Kurzfassung: We usually associate the sounds of classic rock 'n' roll with youthful rebellion, by juvenile delinquents, student demonstrators, idealistic hippies, or irreverent punks. But an important strain of rock from the late 1960s onward spoke to and for a very different audience: the regular working-class fans who didn't want to change the world as much as they wanted to protect their place in it. From Creedence Clearwater Revival to Bruce Springsteen, from Lynyrd Skynyrd to AC/DC, and from Judas Priest to Ted Nugent, the music provided the anthems of an increasingly distinct - and increasingly vulnerable - demographic, which has since become a key influence on political culture around the world
    Anmerkung: Also issued in print: 2021. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780197548813.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Online-Ressource
    München BSB
    BVB
  • 2
    Buch
    Buch
    Takin' care of business : a history of working people's rock 'n' roll (2021)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780197548813
    Sprache: Englisch
    Seiten: 203 Seiten
    Paralleltitel: Erscheint auch als
    RVK:
    LS 48630
    RVK:
    LS 48015
    Schlagwort(e): Geschichte ; Arbeiterklasse ; Unterhaltungsmusik ; Rockmusik ; Rock 'n' Roll ; Rock music / Social aspects / History / 20th century ; Working class / Attitudes / History / 20th century ; Rock music / Social aspects ; Working class / Attitudes ; 1900-1999 ; History ; Rock 'n' Roll ; Rockmusik ; Unterhaltungsmusik ; Arbeiterklasse ; Geschichte
    Kurzfassung: "We usually associate the sounds of classic rock 'n' roll with youthful rebellion, by juvenile delinquents, student demonstrators, idealistic hippies, or irreverent punks. But an important strain of rock from the late 1960s onward spoke to and for a very different audience: the regular working-class fans who didn't want to change the world as much as they only wanted to protect their place in it. From Creedence Clearwater Revival to Bruce Springsteen, from Lynyrd Skynyrd to AC/DC, and from Judas Priest to Ted Nugent, the music provided the anthems of an increasingly distinct - and increasingly vulnerable - demographic, which has since become a key influence on political culture around the world"--
    Beschreibung / Inhaltsverzeichnis: Introduction. Dream On -- Salt of the Earth -- Wrote A Song For Everyone -- Free For All -- Workin' Man Blues -- Swamp Music -- British Steel -- For Those About to Rock -- Youngstown -- One In a Million -- Conclusion. Subdivisions
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Buch
    HU Berlin
    München BSB
    BVB
  • 3
    Online-Ressource
    Online-Ressource
    A blaze of light in every word : analyzing the popular singing voice (2020)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190052249
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrationen
    Serie: Oxford studies in music theory
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    DDC: 782.42164143
    RVK:
    LR 11000
    RVK:
    LS 48015
    Schlagwort(e): Popular music / Analysis, appreciation ; Singing ; Singen ; Unterhaltungsmusik ; Gesang ; Popmusik ; Popmusik ; Gesang ; Singen ; Unterhaltungsmusik
    Kurzfassung: 'A Blaze of Light in Every Word' presents a conceptual model for analyzing vocal delivery in popular song recordings focused on three overlapping areas of inquiry: pitch, prosody, and quality
    Anmerkung: Also issued in print: 2020. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780190052201.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Online-Ressource
    München BSB
    BSZ
    GBV
    KOBV
    BVB
  • 4
    Online-Ressource
    Online-Ressource
    The relentless pursuit of tone : timbre in popular music (2018)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190908027
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xviii, 386 Seiten)
    DDC: 781.641234
    RVK:
    LS 48000
    RVK:
    LS 48015
    Schlagwort(e): Popular music History and criticism ; Popular music Production and direction ; History ; Tone color (Music) ; Unterhaltungsmusik ; Klangfarbe ; Schallaufzeichnung ; Musikproduktion ; Geschichte 1930-
    Kurzfassung: The Relentless Pursuit of Tone: Timbre in Popular Music assembles a wide spectrum of contemporary perspectives on how sound functions in an equally wide array of popular music. With subjects ranging from the twang of country banjos and the sheen of hip-hop strings to the crunch of amplified guitars and the thump of subwoofers on the dance floor, this volume attempts to bridge the gap between timbre, the purely acoustic characteristics of sound waves, and tone, an emergent musical construct that straddles the borderline between the perceptual and the political. The book’s chapters engage with the entire history of popular music as recorded sound, from the 1930s to the present day, under four large categories. The chapters in Part I, “Genre,” ask how sonic signatures define musical identities and publics; Part II, “Voice,” considers the most naturalized musical instrument, the human voice, as racial and gendered signifier, as property or likeness, and as raw material for algorithmic perfection through software; Part III, “Instrument,” tells stories of the way some iconic pop music machines—guitars, strings, synthesizers—got (or lost) their distinctive sounds; and Part IV, “Production,” puts it all together, asking structural questions about what happens in a recording studio, what is produced (sonic cartoons, rockist authenticity, empty space?), and what it all might mean. The book includes a general theoretical introduction by the editors and an afterword by noted popular music scholar Simon Frith.
    DOI: 10.1093/oso/9780199985227.001.0001
    URL: Volltext
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Online-Ressource
    BSZ
    GBV
  • 5
    Buch
    Buch
    The relentless pursuit of tone : timbre in popular music (2018)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780199985234
    Sprache: Englisch
    Seiten: xvii, 386 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
    RVK:
    LS 48000
    RVK:
    LS 48015
    Schlagwort(e): Klangfarbe ; Geschichte 1930- ; Musikproduktion ; Unterhaltungsmusik ; Schallaufzeichnung ; Popular music / History and criticism ; Popular music / Production and direction / History ; Tone color (Music) ; Popular music ; Tone color (Music) ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Unterhaltungsmusik ; Klangfarbe ; Schallaufzeichnung ; Musikproduktion ; Geschichte 1930-
    Beschreibung / Inhaltsverzeichnis: Introduction. Chasing the dragon : in search of tone in popular music / Robert Fink, Zachary Wallmark, and Melinda Latour -- Genre. Hearing timbre : perceptual learning among early Bay Area ravers / Cornelia Fales ; The twang factor in country music / Jocelyn R. Neal ; The sound of evil : timbre, body, and sacred violence in death metal / Zachary Wallmark ; Below 100 Hz : toward a musicology of subbass / Robert Fink -- Voice. Timbre and legal likeness : the case of Tom Waits / Mark C. Samples ; The triumph of Jimmy Scott : a voice beyond category / Nina Sun Eidsheim ; Auto-Tune, labor, and the pop music voice / Catherine Provenzano -- Instrument. Hearing luxe pop : Jay Z, Isaac Hayes, and the six degrees of symphonic soul / John Howland ; Santana and the metaphysics of tone : feedback loops, volume knobs and the quest for transcendence / Melinda Latour ; Synthesizers as social protest in early 1970s funk / Griffin Woodworth ; Crossing the electronic divide: guitars, synthesizers, and the shifting sound field of fusion / Steve Waksman -- Production. Clash of the timbres : recording authenticity in the California rock scene, 1966-68 / Jan Butler ; The death rattle of a laughing hyena : the sound of musical democracy / Albin J. Zak III ; The sound of nowhere : reverb and the construction of sonic space / Paul Théberge ; The spectromorphology of recorded popular music : the shaping of sonic cartoons through record production / Simon Zagorski-Thomas -- Afterword / Simon Frith
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Buch
    HU Berlin
    München BSB
    Würzburg UB
    HeBIS
    BVB
  • 6
    Online-Ressource
    Online-Ressource
    Dawn of the DAW : the studio as musical instrument (2018)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190296643
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 781.49
    RVK:
    LS 17200
    Schlagwort(e): Geschichte ; Sound recordings / Production and direction ; Popular music / Production and direction ; Tonstudio ; Musiker ; Unterhaltungsmusik ; Musikproduktion ; Unterhaltungsmusik ; Musiker ; Tonstudio ; Musikproduktion ; Geschichte
    Kurzfassung: 'Dawn of the DAW' examines DIY recording studio practices past and present, with a focus on the concept of 'the studio as musical instrument' the evolving role of the producer, and the implications of these practices for the field of music education
    Anmerkung: Previously issued in print: 2018. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780190296605.001.0001
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Online-Ressource
    München BSB
    BSZ
    GBV
    KOBV
    BVB
  • 7
    Buch
    Buch
    Sounds French : globalization, cultural communities, and pop music, 1958-1980 (2015)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780199377060 , 0199377065
    Sprache: Englisch
    Seiten: xi, 226 Seiten , Illustrationen , 25 cm
    Paralleltitel: Erscheint auch als Briggs, Jonathyne, 1970 - Sounds French
    Dissertationsvermerk: Dissertation Emory University, Atlanta, Ga. 2006
    DDC: 781.640944/09045
    RVK:
    LS 48015
    Schlagwort(e): Popular music History and criticism 1951-1960 ; Popular music History and criticism 1961-1970 ; Popular music History and criticism 1971-1980 ; Music and globalization ; Kultur ; Musik ; Popkultur ; Nationalbewusstsein ; Gesellschaft ; Entwicklung ; Künstler ; Frankreich ; Hochschulschrift ; Frankreich ; Unterhaltungsmusik ; Globalisierung ; Kulturleben ; Geschichte 1950-1980
    Kurzfassung: Sounds young : copains and the community of youth -- Sounds traditional : the chanson as a site of globalization -- Sounds revolutionary : progressive rock and cultural revolutions -- Sounds regional : the world in Breton folk music -- Sounds distorted : punque and the limits of globalization
    Kurzfassung: Sounds French examines the history of popular music in France between the arrival of rock and roll in 1958 and the collapse of the first wave of punk in 1980, and the connections between musical genres and concepts of community in French society. During this period, scholars have tended to view the social upheavals associated with postwar reconstruction as part of debates concerning national identity in French culture and politics, a tendency that developed from political figures' and intellectuals' concerns with French national identity. In this book, the author reorients the scholarship away from an exclusive focus on national identity and instead towards an investigation of other identities that develop as a result of the increased globalization of culture
    Beschreibung / Inhaltsverzeichnis: Sounds young : copains and the community of youthSounds traditional : the chanson as a site of globalization -- Sounds revolutionary : progressive rock and cultural revolutions -- Sounds regional : the world in Breton folk music -- Sounds distorted : punque and the limits of globalization.
    Anmerkung: Includes bibliographical references (pages 207-220), discography (page 208) and index
    URL: Autorenbiografie
    URL: Verlagsangaben
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    BSZ
    GBV
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