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  • München BSB  (6,881)
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  • Musicology  (8,274)
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  • 101
    Book
    Book
    Stanford, California : Stanford University Press
    ISBN: 9781503631687 , 9781503630567
    Language: English
    Pages: XVII, 300 Seiten , Illustrationen
    DDC: 781.63096
    RVK:
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    Keywords: Juden ; Muslim ; Unterhaltungsmusik ; Musikproduktion ; Musikwirtschaft ; Nordafrika
    Note: Includes bibliographical references
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  • 102
    Book
    Book
    Lanham ; Boulder ; New York ; London : Lexington Books
    ISBN: 9781666900880
    Language: English
    Pages: xx, 241 Seiten , Illustrationen, Karten, Notenbeispiele
    Series Statement: The Lexington series in historical ethnomusicology: deep soundings
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Rezeption ; Islam ; Ensemble ; Einflussnahme ; Hofmusik ; Malaysia ; Islamische Staaten ; Nobat ; Music / Southeast Asia / History and criticism ; Music / Political aspects / Southeast Asia / History ; Courts and courtiers / History ; Islam / Southeast Asia / History ; Courts and courtiers ; Islam ; Music ; Music / Political aspects ; Southeast Asia ; Criticism, interpretation, etc ; History ; Malaysia ; Islam ; Hofmusik ; Ensemble ; Einflussnahme ; Rezeption ; Islamische Staaten ; Geschichte
    Abstract: "The Malay Nobat: A History of Power, Acculturation, and Sovereignty explores the history and meaning of the nobat, its spread throughout the Muslim empire, and its emergence as a symbol of power and sovereignty, ultimately showing how existing nobat ensembles in Malaysia and Brunei are the last living legacy of the Mulism world"--
    Description / Table of Contents: Introduction -- Early Histories -- The Malay Nobat -- The Nobat in Early Malay Literature : A Lesson from Patani -- The Adat Aceh and 17th Century European Encounter -- From British Colonialism to Independence -- Conclusion
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  • 103
    ISBN: 9783498002794 , 3498002791
    Language: German
    Pages: 414 Seiten, 16 ungezählte Seiten , Illustrationen
    Edition: Originalausgabe
    DDC: 781.630943
    RVK:
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    Keywords: Geschichte 1960-1989 ; Musik ; Kulturaustausch ; Deutschland ; Deutschland ; Deutschland ; Deutschland ; Musik ; Kulturaustausch ; Geschichte 1960-1989
    Abstract: Der Kalte Krieg wurde kälter, der Kampf um die politisch-ideologische Lufthoheit zwischen Ost und West heftiger. Aber zugleich geschah in den späten 70ern und 80ern Erstaunliches. Der deutsch-deutsche Kulturaustausch geriet heftig in Bewegung - ausgerechnet in dem Bereich, der als besonders sensibel galt: der Pop- und Rockmusik. DDR-Bands wie City, Pankow und Puhdys wurden erstmals auf BRD-Tour geschickt, Karat traten bei "Wetten, dass...?" auf, ließen Hunderttausende von West-Mark nach Ost-Berlin fließen. Im Gegenzug durften Westkünstler wie Udo Lindenberg, Peter Maffay und Rio Reiser in der DDR spielen, rockten Die Toten Hosen semilegal in Ostkirchen. Es ging um Propaganda und Devisen, versteckte Botschaften, politische Manöver. Joachim Hentschel erzählt hier zum ersten Mal die ganze Geschichte dieser Zeit, spricht mit Zeitzeugen und beleuchtet die Hintergründe: Wer waren die Strippenzieher? Welche Rolle spielten Stasi, DDR-Kulturministerium und FDJ, westliche Plattenfirmen und Impresarios? Und wie viel trug der große Kulturhandel zur Wende von 1989 und zum Mauerfall bei?
    URL: Cover
    URL: Rezension  (Perlentaucher)
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  • 104
    Online Resource
    Online Resource
    Cham, Switzerland : palgrave macmillan
    ISBN: 9783031190001
    Language: English
    Pages: 1 Online-Ressource (xvi, 459 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302
    RVK:
    Keywords: Social Psychology ; Popular Music ; Media Psychology ; Theory of Music ; Social psychology ; Popular music ; Psychology ; Mass Media ; Music theory ; Musikwahrnehmung ; Ohrwurm ; Sozialpsychologie ; Musikalische Form ; Popmusik ; Popmusik ; Ohrwurm ; Musikwahrnehmung ; Musikalische Form ; Sozialpsychologie
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 105
    Book
    Book
    Hamburg : Verlag Dr. Kovač
    ISBN: 9783339128188
    Language: German
    Pages: 167 Seiten , Diagramme , 21 cm, 218 g
    Series Statement: Schriftenreihe Schriften zur Medienwissenschaft Band 49
    Series Statement: Schriftenreihe Schriften zur Medienwissenschaft
    Parallel Title: Erscheint auch als
    DDC: 306.4842490943
    RVK:
    Keywords: Schusswaffe ; Rap ; Subkultur ; Diskursanalyse ; Deutschland ; Österreich ; Medienethik ; Deutschrap ; Waffen ; Diskursanalyse ; Medienwissenschaft ; Gewaltverherrlichung ; HipHop ; Musik ; Deutschland ; Österreich ; Rap ; Schusswaffe ; Subkultur ; Diskursanalyse
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 106
    Book
    Book
    New York ; London : Routledge
    ISBN: 9781032011783 , 9781032011813
    Language: English
    Pages: xxviii, 145 Seiten , Illustrationen
    Series Statement: Transnational studies in jazz
    Uniform Title: Femmes du jazz
    Parallel Title: Erscheint auch als
    DDC: 782.42165092/2
    RVK:
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    Keywords: Geschichte 1980-2020 ; Jazzmusikerin ; Diskriminierung ; Frankreich ; Women jazz musicians / France ; Women jazz singers / France ; Jazz / Social aspects / France ; Sex role in music ; Musiciennes de jazz / France ; Chanteuses de jazz / France ; Rôle selon le sexe dans la musique ; Jazz / Social aspects ; Sex role in music ; Women jazz musicians ; Women jazz singers ; France ; Frankreich ; Jazzmusikerin ; Diskriminierung ; Geschichte 1980-2020
    Abstract: "Women in Jazz: Musicality, Femininity, Marginalization examines the invisible discrimination against female musicians in the French jazz world and the ways women thrive as professionals despite such conditions. The author shines a light on the paradox for women in jazz: to express oneself in a "feminine" way is to be denigrated for it, yet to behave in a "masculine" manner is to be devalued for a lack of femininity. This masculine world ensures it is more difficult for women to be recognized as jazz musicians than it is for men-even when musicians, critics, and audiences are ideologically opposed to discrimination. Female singers are confined by the feminine stereotypes of their profession, while female instrumentalists must comport themselves into traditionally masculine roles. The author explores the academic and professional socializations of these musicians, the musical choice they make, and how they are perceived by jazz professionals as a result. First published in French by CNRS Editions in 2007 (and later reissued in paperback in 2018, with the author's postscript that "nothing much has changed"), Women in Jazz: Musicality, Femininity, Marginalization expands the conversation beyond the French border, identifying female jazz musicians as a discriminated minority all around the world"--
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  • 107
    Book
    Book
    Lanham, Maryland ; Boulder ; New York ; London : Rowman & Littlefield
    ISBN: 9781538162613 , 9781538162620
    Language: English
    Pages: xii, 193 Seiten , Illustrationen
    Series Statement: Living existentialism
    Parallel Title: Erscheint auch als
    DDC: 781.65
    RVK:
    Keywords: Musikhören ; Jazz ; Weiße ; Jazz / Social aspects ; Listening (Philosophy) ; Music and race ; Black people / Social conditions ; White people / Race identity ; Écoute (Philosophie) ; Musique et race ; Black people / Social conditions ; Jazz / Social aspects ; Listening (Philosophy) ; Music and race ; White people / Race identity ; Jazz ; Weiße ; Musikhören
    Abstract: "This book argues that whiteness is not only a visual orientation; it is a way of hearing. Inspired by formulations of race and whiteness in the existential writings of Frantz Fanon, Simone de Beauvoir, Jean-Paul Sartre, W.E.B. Du Bois, Richard Wright, Lewis Gordon, Angela Davis, bell hooks and Sara Ahmed, this book introduces students to the notion of the white sonic gaze"--
    Description / Table of Contents: Preface. A Note on Jazz Pedagogy -- Aural Orientations -- The Jazz Problem : Patterns of White Bad Faith Listening -- Listening Exercises for Chapter Two, The Jazz Problem -- Listening to Difference : Creole Critiques of White Listening -- Listening Exercises for Chapter Three, Listening to Difference -- The Ears of a Guilty People : Africana Critiques of White Listening -- Listening Exercises for Chapter Four, The Ears of a Guilty People -- Afterword. Say Their Names : Breonna Taylor, George Floyd
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  • 108
    Book
    Book
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253060105
    Language: English
    Pages: xvii, 297 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Music and the early modern imagination
    Parallel Title: Online version Music and Jewish culture in early modern Italy
    Parallel Title: Erscheint auch als Music and Jewish culture in early modern Italy
    DDC: 780.89/924045
    RVK:
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    Keywords: Geschichte 1500-1700 ; Musik ; Juden ; Italien ; Jews / Italy / Music / 16th century / History and criticism ; Jews / Italy / Music / 17th century / History and criticism ; Music / Italy / 16th century / History and criticism ; Music / Italy / 17th century / History and criticism ; Jews / Music ; Music ; Italy ; 1500-1699 ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Italien ; Juden ; Musik ; Geschichte 1500-1700
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  • 109
    ISBN: 3406792847 , 9783406792847
    Language: German
    Pages: 346 Seiten , Illustrationen , 23.2 cm x 18.7 cm
    Uniform Title: The philosophy of modern song
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte 1924-2004 ; Folk music ; Rockmusik ; Song ; Interpretation ; Popmusik ; Popmusik ; Rockmusik ; Folk music ; Song ; Interpretation ; Geschichte 1924-2004
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  • 110
    ISBN: 9783411756698 , 3411756691
    Language: German
    Pages: 223 Seiten , 20.5 cm x 12.5 cm
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte ; Sprachgebrauch ; Popmusik ; Deutschland ; Einführung ; Deutschland ; Popmusik ; Sprachgebrauch ; Geschichte
    URL: Cover
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  • 111
    ISBN: 9789004501546
    Language: English
    Pages: 1 Online-Ressource (XII, 207 Seiten)
    Series Statement: Brill studies in Middle Eastern literatures volume 44
    Series Statement: Brill studies in Middle Eastern literatures
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 900-1100 ; Geschichte 1250 ; Musiker ; Musiktheorie ; Arabien ; Music / Arab countries / 500-1400 / History and criticism ; Music / Middle East / 500-1400 / History and criticism ; Muwashshah / History and criticism ; Nadīm al-Mawṣilī, Ibrāhīm ibn Māhān / 742 or 743-803 or 804 ; Ziryāb, ʻAlī ibn Nāfiʻ / active 9th century ; Musicians / Arab countries / Biography ; Musicians / Middle East / Biography ; Abū al-Faraj al-Iṣbahānī / 897 or 898-967 / Kitāb al-aghānī ; Ibn Ḥayyān, Abū Marwān Ḥayyān ibn Khalaf / 987 or 988-1076 / Muqtabas fī tārīkh al-Andalus / 2 ; Ibn Sanāʼ al-Mulk, Hibat Allāh ibn Jaʻfar / 1150 or 1151-1211 or 1212 / Dār al-ṭirāz fī ʻamal al-muwashshaḥāt ; Quelle ; Quelle ; Arabien ; Musiktheorie ; Geschichte 1250 ; Arabien ; Musiker ; Geschichte 900-1100
    Abstract: "Medieval Arab Music and Musicians offers complete, annotated English translations of three of the most important medieval Arabic texts on music and musicians: the biography of the musician Ibrāhīm al-Mawṣilī from al-Iṣbahānī's Kitāb al-Aghānī (10th c), the biography of the musician Ziryāb from Ibn Ḥayyān's Kitāb al-Muqtabis (11th c), and the earliest treatise on the muwashshaḥ Andalusi song genre, Dār al-Ṭirāz, by the Egyptian scholar Ibn Sanā' al-Mulk (13th c). Al-Mawṣilī, the most famous musician of his era, was also the teacher of the legendary Ziryāb, who traveled from Baghdad to al-Andalus and is often said to have laid the foundations of Andalusi music. The third text is crucial to any understanding of the medieval muwashshaḥ and its possible relations to the Troubadours, the Cantigas de Santa María, and the Andalusi musical traditions of the modern Middle East"--
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 112
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501336287
    Language: English
    Pages: XIV, 394 Seiten
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Ort ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Ort
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  • 113
    ISBN: 9781793613851
    Language: English
    Pages: x, 363 Seiten
    Parallel Title: Online version Fowler, Beth (Beth Nicole) Rock and roll, desegregation movements, and racism in the post-civil rights era
    DDC: 781.6609730904
    RVK:
    Keywords: Geschichte 1946-1964 ; Bürgerrechtsbewegung ; Rock 'n' Roll ; USA ; Rock music / United States / To 1961 / History and criticism ; Rock music / United States / 1961-1970 / History and criticism ; Rhythm and blues music / History and criticism ; Music and race / United States / History / 20th century ; Segregation / United States / History / 20th century ; Rock (Musique) / États-Unis / 1961-1970 / Histoire et critique ; Musique et race / États-Unis / Histoire / 20e siècle ; Ségrégation / États-Unis / Histoire / 20e siècle ; Rock (Musique) / États-Unis / Jusqu'à 1961 / Histoire et critique ; Music and race ; Rhythm and blues music ; Rock music ; Segregation ; United States ; To 1999 ; Criticism, interpretation, etc ; History ; Hochschulschrift ; Hochschulschrift ; USA ; Rock 'n' Roll ; Bürgerrechtsbewegung ; Geschichte 1946-1964
    Abstract: "This book uses archival research and analyses of musical performances and original oral histories to explore the uncertain legacies of the civil rights movement and early rock and roll music in a supposedly post-civil rights era"--
    Description / Table of Contents: Introduction. "A Subtle Defiance in the Songs" -- Shufflin' 'Til the Break of Dawn," 1946-1953 -- "If It's a Hit, It's a Hit," 1954-1956 -- "A Teen Ager in Love," 1957-1960 -- "They'd All Be Dancing Together," 1961-1964 -- "A Drummer With a Totally Different Beat," The Post-Civil Rights Era
    URL: Cover
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  • 114
    ISBN: 9789004501515
    Language: English
    Pages: XII, 207 Seiten
    Series Statement: Brill studies in Middle Eastern literatures volume 44
    Series Statement: Brill studies in Middle Eastern literatures
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 900-1100 ; Geschichte 1250 ; Musiktheorie ; Musiker ; Arabien ; Music / Arab countries / 500-1400 / History and criticism ; Music / Middle East / 500-1400 / History and criticism ; Muwashshah / History and criticism ; Nadīm al-Mawṣilī, Ibrāhīm ibn Māhān / 742 or 743-803 or 804 ; Ziryāb, ʻAlī ibn Nāfiʻ / active 9th century ; Musicians / Arab countries / Biography ; Musicians / Middle East / Biography ; Abū al-Faraj al-Iṣbahānī / 897 or 898-967 / Kitāb al-aghānī ; Ibn Ḥayyān, Abū Marwān Ḥayyān ibn Khalaf / 987 or 988-1076 / Muqtabas fī tārīkh al-Andalus / 2 ; Ibn Sanāʼ al-Mulk, Hibat Allāh ibn Jaʻfar / 1150 or 1151-1211 or 1212 / Dār al-ṭirāz fī ʻamal al-muwashshaḥāt ; Quelle ; Quelle ; Quelle ; Arabien ; Musiker ; Geschichte 900-1100 ; Arabien ; Musiktheorie ; Geschichte 1250
    Abstract: "Medieval Arab Music and Musicians offers complete, annotated English translations of three of the most important medieval Arabic texts on music and musicians: the biography of the musician Ibrāhīm al-Mawṣilī from al-Iṣbahānī's Kitāb al-Aghānī (10th c), the biography of the musician Ziryāb from Ibn Ḥayyān's Kitāb al-Muqtabis (11th c), and the earliest treatise on the muwashshaḥ Andalusi song genre, Dār al-Ṭirāz, by the Egyptian scholar Ibn Sanā' al-Mulk (13th c). Al-Mawṣilī, the most famous musician of his era, was also the teacher of the legendary Ziryāb, who traveled from Baghdad to al-Andalus and is often said to have laid the foundations of Andalusi music. The third text is crucial to any understanding of the medieval muwashshaḥ and its possible relations to the Troubadours, the Cantigas de Santa María, and the Andalusi musical traditions of the modern Middle East"
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  • 115
    ISBN: 9783631867723 , 3631867727
    Language: English
    Pages: 447 Seiten , Illustrationen , 21 cm x 14.8 cm, 646 g
    Series Statement: American Culture Vol. 16
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Lomax, Alan ; Geschichte 1935-1968 ; Folk music ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
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  • 116
    ISBN: 9783283013165 , 3283013160
    Language: German
    Pages: 844 Seiten , Illustrationen , 31 cm
    Edition: Erste autorisierte deutsche Ausgabe
    Uniform Title: Secret language of the blues
    RVK:
    Keywords: Geheimsprache ; Lyrics ; Blues ; Blues ; Lyrics ; Geheimsprache
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  • 117
    Book
    Book
    Chicago ; London : University of Chicago Press
    ISBN: 9780226819167 , 9780226819143
    Language: English
    Pages: 248 Seiten , Illustrationen (schwarz-weiß)
    Parallel Title: Erscheint auch als
    DDC: 782.421649
    RVK:
    Keywords: Hip-Hop ; Rap ; Religion ; Rap (Music) / Religious aspects ; Rap (Music) / History and criticism ; Hip-hop / United States / Religious aspects ; Popular music / Latin America / History and criticism ; Musique populaire / Amérique latine / Histoire et critique ; Hip-hop / Religious aspects ; Popular music ; Rap (Music) ; Latin America ; United States ; Criticism, interpretation, etc ; Hip-Hop ; Rap ; Religion
    Abstract: "The world of hip-hop is saturated with religion, but often this element is glossed over as secondary to hip-hop's other dimensions. In Street Scriptures, Alejandro Nava focuses our attention on this relationship in a fresh way, combining his profound love of hip-hop, his passion for racial and social justice, and his deep theological knowledge. The result is a journey through hip-hop's deep entanglement with the sacred. Street Scriptures examines the reasons behind the rise of a religious heartbeat in hip-hop, looking at the crosscurrents of the sacred and profane in rap, reggaeton, and Latinx hip-hop today. Ranging from Nas, Kendrick Lamar, Chance the Rapper, Lauryn Hill, and Cardi B to St. Augustine and William James, Nava examines the ethical-political, aesthetic-spiritual, and prophetic in hip-hop, probing the pure sonic and aesthetic signatures of music, while also diving deep into the voices that invoke the spirit of protest"--
    Description / Table of Contents: A street theology: between God and hip-hop -- A brief sonic history of hip-hop -- Prophets and emcees: righteous rappers -- The return of God in hip-hop: Kendrick Lamar's street theology -- The dirty Latin South: breaking, reggaeton, and the rise of the global South -- Native tongues
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  • 118
    ISBN: 9781793607546
    Language: English
    Pages: xiii, 183 Seiten , Illustrationen
    Series Statement: Critical perspectives on music and society
    DDC: 781.648
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  • 119
    ISBN: 9783703065415 , 3703065419
    Language: German
    Pages: 179 Seiten , Illustrationen, Notenbeispiele , 24 cm x 17 cm
    Series Statement: Schriften zur musikalischen Ethnologie Band 7
    Series Statement: Schriften zur musikalischen Ethnologie
    RVK:
    Keywords: Hutterer ; Musik ; Gesang ; Manitoba ; Hutterische Brüder ; Täufer ; Täuferbewegung ; Auswanderung ; Glaubenslehre ; Kolonie ; Gesangspraxis ; Singtradition ; Religion ; Glaube ; Tradition ; Liedtext ; Weise ; Onsogn ; Gesangbücher ; kulturelle Identität ; kulturelles Gedächtnis ; ichSing-App ; Manitoba ; Hutterer ; Musik ; Gesang
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  • 120
    ISBN: 9781032149011 , 9781032149028
    Language: English
    Pages: xvii, 124 Seiten
    Parallel Title: Äquivalent
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte 1920- ; Generationskonflikt ; Sozialer Wandel ; Popmusik ; Korea ; Korea ; Popmusik ; Generationskonflikt ; Sozialer Wandel ; Geschichte 1920-
    Abstract: You Call That Music?!: Korean Popular Music Through the Generations provides a critical overview of the history of Korean popular music from 1920 to the 2000s from the perspective of cultural history. First published in Korean in 2017 by one of the best-known critics, Lee Young-Mee, this book is a timely and much-needed source of information on Korean popular music of the past hundred years. Through this English translation, readers are able to make meaningful connections between specific forms of Korean popular music of various periods and the contemporaneous Korean social and political circumstances. Structured around the central theme of generational conflict, the book provides readers with an accessible way to engage with Korea’s social history and a greater understanding of how specific musical works, genres and styles fit into that history. Its strong narrative force helps illuminate the connections between modern Korean social history and the particular trends of musical production and their reception through the decades.You Call That Music?! is an invaluable resource for those researching and studying Korean popular music specifically as well as Korea’s cultural and social history
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  • 121
    Image
    Image
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780815379126 , 9781032129037
    Language: English
    Pages: viii, 183 Seiten , Illustrationen, Notenbeispiele
    Series Statement: SOAS studies in music
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Bambusflöte ; Querflöte ; Korea ; Taegŭm ; Taegŭm music / History and criticism ; Taegŭm ; Taegŭm music ; Criticism, interpretation, etc ; Korea ; Querflöte ; Bambusflöte ; Geschichte
    Abstract: "Tradition and Creativity in Korean Taegŭm Flute Performance describes the taegŭm as a representation of Korean culture in the contemporary world. Through the development and performance of creative works, this horizontal bamboo flute reflects both tradition and contemporary creativity. The first part of the book outlines the historical background of the taegŭm. The author illuminates the potential future of the Korean flute in a globalised world through the analyses of three musical works for taegŭm. The second part of the book draws on approaches of Practice Research within ethnomusicology and sociology to examine the ways in which the taegŭm tradition interacts with, and responds to, different genres in performance. Documenting collaborative encounters with musicians from three musical cultures: jazz, Western art and electroacoustic music, the result is an innovative exploration of the musical and social relationships between composers, performers and audiences in intercultural performances, contrasting traditional uses of the taegŭm with perspectives on its use today"--
    Description / Table of Contents: History and background of the taegŭm -- The contemporary practices of the taegŭm -- Music analysis I: Youngdong Kim -- Music analysis II: Sukhi Kang -- Music analysis III: Sngkn Kim -- Performance I: Jazz -- Performance II: Western art music -- Performance III: Electroacoustics
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  • 122
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478023500
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1975-1990 ; Rundfunksender ; Rap ; Schwarze ; New York, NY ; New York, NY ; Rap ; Schwarze ; Rundfunksender ; Geschichte 1975-1990
    Note: Bevorzugte Informationsquelle Ladingpage (Duke), da weder Titelblatt nocht Impressum vorhanden
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 123
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501368417 , 9781501368400
    Language: English
    Pages: VIII, 277 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1950-2020 ; Hit ; Popmusik ; Popular music / History and criticism ; One-hit wonders ; Musique populaire / Histoire et critique ; One-hit wonders ; Popular music ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Hit ; Geschichte 1950-2020
    Abstract: "Catchy, memorable, irritating, or simply ubiquitous, one-hit wonders capture something of the mood of a time. This collection provides a series of short, sharp chapters focusing on one-hit wonders from the 1950s to the present day, offering a capsule history of popular music tastes and ruminations on the mechanics of fame." --
    Abstract: "A chronicle of changing popular music styles and tastes as exemplified by "one-hit wonders" - focusing on the mainstream, on common musical currency, and on the often maligned"--
    Description / Table of Contents: Introduction / Sarah Hill -- Buchanan & Goodman, 'The Flying Saucer' (1956) / Paul Carr -- The Kingsmen, 'Louie Louie' (1963) / Samuel Murray -- ? and the Mysterians, '96 Tears' (1966) / Adam Behr -- The Easybeats, 'Friday on My Mind' (1966) / Dai Griffiths -- Norman Greenbaum, 'Spirit in the Sky' (1969) / Philip Auslander -- The Archies, 'Sugar Sugar' (1969) / Jon Stewart -- Serge Gainsbourg, 'Je t'aime (moi non plus)' (1969) / Philippe Gonin -- Blue Swede, 'Hooked On a Feeling' (1971) / Sarah Hill, with Bengt Palmers -- Wild Cherry, 'Play That Funky Music' (1976) / Robert Fink -- Althea and Donna, 'Uptown Top Ranking' (1977) / Paul Long -- Plastic Bertrand, 'Ça Plane Pour Moi' (1977) / Patrick McGuinness -- Nick Gilder, 'Hot Child in the City' (1978) / Richard Parfitt -- The Vapors, 'Turning Japanese' (1980) / Abigail Gardner -- Aneka, 'Japanese Boy' (1981) / Richard Elliott -- Toni Basil, 'Mickey' (1981) / Tim Anderson -- Trio, 'Da Da Da' (1981) / Tim Quirk -- Nena, '99 Luftballons' (1982) / Melanie Schiller -- The Grateful Dead, 'Touch of Grey' (1987) / Tom Irvine -- A View from the Ground: Being a One-Hit Wonder / Mike Jones -- A View from the Desk : Product Management / Sarah Hill, talking with a guy in a suit -- Shakespear's Sister, 'Stay' (1992) / Áine Mangaoang -- OMC, 'How Bizarre' (1996) / Geoff Stahl -- Butthole Surfers, 'Pepper' (1996) / Gina Arnold -- Chumbawamba, 'Tubthumping' (1998) / Matt Grimes -- Meredith Brooks, 'Bitch' (1997) / Asya Draganova -- New Radicals, 'You Get What You Give' (1998) / Jon Gower -- Las Ketchup, 'Aserejé' (2002) / Eulalia Febrer Coll -- Gotye, 'Somebody That I Used to Know' (2011) / Ellis Jones
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  • 124
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    Book
    London ; New York ; Sydney ; Toronto ; New Delhi : Simon & Schuster
    ISBN: 9781398519411 , 9781451648706
    Language: English
    Pages: 339 Seiten , Illustrationen, Porträts (teilweise farbig) , 24 cm
    Edition: First Simon & Schuster hardcover edition
    Parallel Title: Erscheint auch als
    DDC: 780
    RVK:
    RVK:
    Keywords: Geschichte 1924-2004 ; Song ; Interpretation ; Popular music / Writing and publishing ; Popular music / Writing and publishing ; Essays ; Song ; Interpretation ; Geschichte 1924-2004
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  • 125
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    Book
    Bielefeld : transcript
    ISBN: 9783837657586
    Language: English
    Pages: 225 Seiten , Illustrationen
    Series Statement: Popular Music
    DDC: 781.6480141
    RVK:
    Keywords: Elektronische Musik ; Tanzmusik ; Online-Community ; Diskursanalyse ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
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  • 126
    ISBN: 9783828847460
    Language: German
    Pages: XIII, 371 Seiten , Illustrationen, Notenbeispiele , 24 cm x 17 cm
    Series Statement: Wissenschaftliche Beiträge aus dem Tectum Verlag. Reihe Musikwissenschaft Band 18
    Series Statement: Wissenschaftliche Beiträge aus dem Tectum Verlag. Reihe Musikwissenschaft
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Lee, Young-Jo ; Geschichte 1896-2013 ; Kirchenlied ; Musik ; Interkulturalität ; Komposition ; Korea ; Religion ; Komposition ; Young Jo Lee ; Changga ; Korea ; Koreastudien ; Transcultural Studies ; Musikwissenschaft ; Musikkultur ; 19. Jahrhundert ; 20. Jahrhundert ; Musikgeschichte ; Christentum ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Korea ; Musik ; Interkulturalität ; Interkulturalität ; Kirchenlied ; Geschichte 1896-2013 ; Lee, Young-Jo 1943- ; Komposition
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  • 127
    Book
    Book
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781316519974 , 9781009011532
    Language: English
    Pages: xi, 324 Seiten , Diagramme
    Parallel Title: Erscheint auch als Fight the power
    DDC: 306.4/84249
    RVK:
    Keywords: Rap (Music) Political aspects ; African Americans Political activity ; African Americans Social conditions ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Rap ; Musiksoziologie
    Abstract: From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby.
    Abstract: "Paul Butler considers NWA's 1988 song, "Fuck tha Police," as an invitation to think about putting the police on trial for crimes against African Americans. It examines the resonance of "Fuck tha Police" over time, up to and including the George Floyd inspired protests. It will also use the song to analyze how civilians should feel about cops in a democracy. Are they a positive good, as many white people might suggest, a necessary evil, as some people of color might suggest, or an unnecessary evil, as suggested by the "defund the police" movement? Butler also will explore the meaning of the trial metaphor in the song - what would it mean for African Americans to put the police on trial? What would be the crime and the appropriate punishment?"--
    Note: Includes bibliographical references and index
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  • 128
    ISBN: 9783515131575 , 3515131574
    Language: German
    Pages: 592 Seiten , Illustrationen, Notenbeispiele , 24 cm x 17 cm, 1152 g
    Series Statement: Archiv für Musikwissenschaft. Beiheft 86
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität zu Köln 2019/20
    DDC: 782.507943
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1841-1914 ; Musikleben ; Chorgesang ; Chor ; Musikwettbewerb ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
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  • 129
    Book
    Book
    Edinburgh : Edinburgh University Press | [Karachi?] : The aga Khan university
    ISBN: 978-1-4744-9185-3
    Language: English
    Pages: xxiii, 280 Seiten , Illustrationen, Porträts, Notenbeispiele (schwarz-weiß) , 24 cm
    Series Statement: Music and performance in Muslim contexts
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    RVK:
    Keywords: Jalāl al-Dīn Rūmī / Maulana / 1207-1273 / Criticism and interpretation ; Jalāl al-Dīn Rūmī / Maulana / 1207-1273 ; Ǧalāl-ad-Dīn Rūmī ; Mevleviyeh ; Sufi music / History and criticism ; Music / Philosophy and aesthetics ; Derviches tourneurs ; Musique soufie / Histoire et critique ; Musique / Philosophie et esthétique ; Mevleviyeh ; Music / Philosophy and aesthetics ; Sufi music ; Sufismus ; Sufi-Bruderschaft ; Musik ; Derwisch ; Turkey / History / Ottoman Empire, 1288-1918 ; Empire ottoman / Histoire ; Turkey ; Osmanisches Reich ; Ǧalāl-ad-Dīn Rūmī 1207-1273 ; Osmanisches Reich ; Sufi-Bruderschaft ; Derwisch ; Musik ; Sufismus
    Description / Table of Contents: Preface -- Part I : History and culture of the Melevi dervishes. Introduction : Continuities and ruptures in the Mevlevi tradition ; Defining the mystical music of the Mevlevi dervishes ; The Mevlevi phenomenon ; Development and cultural affinities of the Mevlevi Ayin ; The ney in Mevlevi music ; The Mevlevi Neyzen as an ideal representation of Ottoman culture -- Part II : Music of the Mevlevis. The position of music within the Mevleviye ; The musical structure of the Ayin ; Music, poetry, and composition in the Ayin ; The Sema'i in the Third Selam and the Son Yürük Sema'i: nucleus of the antecendent Samā'? -- Postlude : Music, poetry, and mysticism in the Ottomon Empire
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  • 130
    ISBN: 9782503600789
    Language: English
    Pages: xxvi, 358 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Specvlvm Mvsicae Volume 46
    RVK:
    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Literaturangaben , Publications of the Centro Studi Opera Omnia Luigi Boccherini, Luca
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  • 131
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    Book
    Jefferson, North Carolina : McFarland & Company
    ISBN: 9781476687063
    Language: English
    Pages: ix, 257 Seiten
    DDC: 306.4/8420973
    RVK:
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    Keywords: Popular music Social aspects ; History ; Slurs History ; Music and language History ; Music and race History ; African Americans in popular culture ; African American comedians ; MUSIC / History & Criticism ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies
    Abstract: The N-Word's Musical Contours -- Out of Music : The N-Word's Material, Environmental, and Social Contours -- John Lennon's N-Word Moment -- Interlude. Diverse Opinions -- Philosorock : John Lennon, Bob Dylan, and Other White Musicians Who Sing the N-Word -- Black Demystification, White Bewilderment : Transformation and Numbing in Black Comedy and Black Music -- Muhammad Ali, Rap, and That Word -- A Hip-Hop Icon -- A Sensible Rule : A Case Study -- Inviting Destruction Beyond the Music -- Conclusion. Welcome to the Conversation, Country Music.
    Abstract: "The minstrelsy play, song, and dance "Jump, Jim Crow" did more than enable blackface performers to spread racist stereotypes about Black Americans. This widespread antebellum-era cultural phenomenon was instrumental in normalizing the N-word across several aspects of American life. Material culture, sporting culture, consumer products, house-pets, carnival games and even geographic landmarks obtained the racial slur as a formal and informal appellation. Music, it is argued, was the catalyst for normalizing and disseminating those two ugly syllables throughout society, well beyond the environs of plantation and urban slavery. This weighty and engaging look at the English language's most explosive slur, described by scholars as the "atomic bomb" of bigoted words, traces the N-word's journey through various music genres and across generations. The author uses private letters, newspaper accounts, exclusive interviews and, most importantly, music lyrics from artists in the fields of minstrelsy, folk, country, ragtime, blues, jazz, rock 'n' roll and hip hop. The result is a reflective account of how the music industry has channeled linguistic and cultural movements across eras, resulting in changes to the slur's meaning and spelling"--
    Note: Includes bibliographical references and index
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  • 132
    Book
    Book
    Paris : Philharmonie de Paris
    ISBN: 9791094642320
    Language: French
    Pages: 479 Seiten , Illustrationen , 21 cm
    Series Statement: La rue musicale. Série Anthologie
    RVK:
    Keywords: Musique populaire / Anthologies ; Musique populaire / Étude et enseignement ; Música pop / Ensayos ; Popular music / Essays
    Abstract: Au cours des dernières décennies, le monde de la musique s'est radicalement transformé sous l'impulsion du progrès technique de l'enregistrement, entraînant la recherche anglophone à renouveler les outils conceptuels qui permettent de le comprendre. L'analyse des formes musicales croise bientôt celle de leurs enjeux économiques et sociaux dans un dialogue interdisciplinaire fécond, où musicologie et sciences sociales s'associent aux cultural studies pour penser les musiques populaires. Ce foisonnement d'approches plurielles converge à l'aube des années 1980 dans un courant de recherche : les popular music studies. En proposant pour la première fois en France une traduction de textes fondateurs du champ, cette anthologie invite à faire le point sur ses apports. Qu'ils s'intéressent au travail visuel de Beyoncé et Lady Gaga (Carol Vernallis), aux tubes français produits dans les années yéyé (Antoine Hennion), ou aux fans vieillissants du punk (Andy Bennett), ces chercheuses et chercheurs ont accompagné les transformations des musiques populaires, forgeant et discutant les notions qui permettent d'explorer les arcanes de leur production, leur marchandisation et leur circulation, de les saisir telles qu'elles sont vécues.--
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  • 133
    ISBN: 9783944415437
    Language: English
    Pages: 281 Seiten , Illustrationen, Diagramme, Karten, Notenbeispiele , 23.5 cm x 19 cm
    Series Statement: Ancient musical instruments and music cultures vol. 1
    Series Statement: Ancient musical instruments and music cultures
    RVK:
    Keywords: Music ; Archaeology ; Lithophones ; China ; Ancient ; Musical Instruments
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  • 134
    ISBN: 9783487161563 , 3487161567
    Language: German
    Pages: 280 Seiten , Diagramme , 21 cm x 15 cm, 372 g
    Series Statement: Wissenschaftliche Schriften der WWU Münster. Reihe 18 Band 21
    Series Statement: Wissenschaftliche Schriften der WWU Münster. Reihe 18
    Parallel Title: Erscheint auch als Krause, Andre, 1981- Zwischen Woodstock, Oss und Rammstein
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6609492
    RVK:
    Keywords: Geschichte 1990-2000 ; Berichterstattung ; Presse ; Heavy Metal ; Niederlande ; Aidan Stein ; Death Metal ; Dynamo Open Air ; Epic Metal Blog ; Heavy Metal ; Jon Schaffer ; Mainstream ; Metal ; Metal in den Niederlanden ; Musik ; Neunzigerjahre ; Niederlande ; Rammstein ; The Gathering ; Varg Vikernes ; Niederlande ; Heavy Metal ; Presse ; Berichterstattung ; Geschichte 1990-2000
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  • 135
    Book
    Book
    San Francisco, CA : City Lights Books
    ISBN: 9780872868762
    Language: English
    Pages: 299 Seiten
    Parallel Title: Erscheint auch als
    DDC: 782.42164909
    RVK:
    Keywords: Wort-Ton-Verhältnis ; Rap ; Rap (Music) / History and criticism ; Rap (Music) / Analysis, appreciation ; Music and language ; Music and language ; Rap (Music) ; Criticism, interpretation, etc ; Music criticism and reviews ; Rap ; Wort-Ton-Verhältnis
    Abstract: "What's Good is a work of passionate lyrical analysis, a set of freewheeling liner notes, and a love letter to the most vital American art form of the last half century. Over a series of short chapters, each centered on a different lyric, Daniel Levin Becker considers how rap's use of language operates and evolves at levels ranging from the local (slang, rhyme) to the analytical (quotation, transcription) to the philosophical (morality, criticism, irony), celebrating the pleasures and perils of any attempt to decipher its meaning-making technologies. Ranging from Sugarhill Gang to UGK to Young M.A, Rakim to Rick Ross to Rae Sremmurd, Jay-Z to Drake to Snoop Dogg, What's Good reads with the momentum of a deftly curated mixtape, drawing you into the conversation and teaching you to read it as it goes. A book for committed hip-hop heads, curious neophytes, armchair linguists, and everyone in between"--
    Note: Includes bibliographical references
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  • 136
    ISBN: 9781479806904 , 9781479806881
    Language: English
    Pages: 225 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Digitalisierung ; Archivierung ; Musik ; Globalisierung ; Schwarze ; USA ; African Americans / Music / History and criticism ; Popular music / United States / History and criticism ; Sound recording industry / United States ; African Americans / Archival resources ; African Americans / Music ; Popular music ; Sound recording industry ; United States ; USA ; Schwarze ; Musik ; Globalisierung ; Archivierung ; Digitalisierung
    Abstract: "Black Ephemera explores the crisis and the challenge of the Black Musical archive in a moment when Black American culture has become a global import, yet the cultural DNA of that culture is becoming obscured in the transformation from analog to digital"--
    Description / Table of Contents: Introduction : The crisis and the challenge of the archive -- Love in the Stax : Death, loss and resurrection in Post-King Memphis -- "I got the blues of a fallen teardrop" : Erasure, trauma and a sonic archive of Black women -- "Promise that you will [tweet] about me" : Black death in the digital era -- 'I'll be a bridge" : Black interiority, Black invention and the American Songbook -- Decamping Wakanda : The archive as maroon -- Coda : Writing and living with Black ephemera
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  • 137
    ISBN: 9783703065439 , 3703065435
    Language: German
    Pages: 465 Seiten , Illustrationen, Notenbeispiele , 24 cm x 17 cm
    Series Statement: Schriften zur musikalischen Ethnologie Band 8
    Series Statement: Schriften zur musikalischen Ethnologie
    RVK:
    Keywords: Mehrstimmigkeit ; Jodeln ; Gesang ; Alpen ; europäische Mehrstimmigkeit ; mehrstimmiges Singen ; Ideologie ; Circle Singing ; Jodelpraxis ; Naturjodel ; Trallalero ; Jodler ; Swiss Amish ; Kuhreihen ; Alpsegen ; Alphorn ; Konferenzschrift 25.10.2016-26.10.2016 ; Konferenzschrift 23.10.2018-24.10.2018 ; Aufsatzsammlung ; Konferenzschrift 25.10.2016-26.10.2016 ; Konferenzschrift 23.10.2018-24.10.2018 ; Aufsatzsammlung ; Alpen ; Jodeln ; Gesang ; Mehrstimmigkeit ; Alpen ; Jodeln ; Mehrstimmigkeit
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  • 138
    Book
    Book
    New York, NY : Pegasus Books
    ISBN: 9781639362073
    Language: English
    Pages: 388 Seiten, 16 ungezählte Blätter Tafeln , Illustrationen, Porträts
    Edition: First Pegasus Books cloth edition
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: The Rolling Stones ; Geschichte 1962-2022 ; Rolling Stones ; Rolling Stones / History ; Rock musicians / England / Biography ; Rolling Stones ; Rock musicians ; England ; Biographies ; History ; Biographies ; Biografie ; Biografie ; The Rolling Stones ; Geschichte 1962-2022
    Abstract: "An acclaimed rock and roll journalist evokes the legacy of The Rolling Stones--iconic, granitic, commercially unstoppable as a collective; and fascinating, contradictory, and occasionally disturbing as individuals. As Lesley-Ann Jones writes, the Rolling Stones are 'still roaming the globe like rusty tanks without a war to go to. Jumping, jacking, flashing, posturing, these septuagenarian caricatures with faces that might have been microwaved but coming on like eternal thirty-year-olds.' On 12th July 1962, the Rollin' Stones performed their first-ever gig at London's Marquee jazz club. Down the line, a 'g' was added, a spark was lit and their destiny was sealed. No going back. These five white British kids set out to play the music of black America. They honed a style that bled bluesy undertones into dark insinuations of women, sex, and drugs. Denounced as 'corruptors of youth' and 'messengers of the devil,' they created some of the most thrilling music ever recorded. Now their sound and attitude seem louder and more influential than ever. Elvis is dead and the Beatles are over, but Jagger and Richards bestride the world. The Stones may be gathering moss, but on they roll. Yet how did the ultimate anti-establishment misfits become the global brand we know today? Who were the casualties, and what are the forgotten legacies? Can the artist ever be truly divisible from the art? Lesley-Ann Jones's new history tracks this contradictory, disturbing, granitic and unstoppable band through hope, glory and exile, into the juggernaut years and beyond into rock's ongoing reckoning...where the Stones seem more at odds than ever with the values and heritage against which they have always rebelled. Good, bad, and often ugly, here are the Rolling Stones as never seen before"--
    Description / Table of Contents: Karma -- Joner -- Mick'n'keef -- Drum'n'bass -- Hustlers -- Heyday -- Reaction -- Marianne -- Anita -- Redlands -- Mouche -- Christopher Robin -- Altamont -- Exile -- Crisis -- Juggernaut -- Mandy -- Cliodhna -- Resonance -- So long -- Roots -- Out of timeline -- Stones women -- Chapter notes -- Quote, unquote -- Select bibliography -- Acknowledgements -- Index
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  • 139
    Online Resource
    Online Resource
    Kassel ; Basel ; London ; New York ; Praha : Bärenreiter
    ISBN: 9783761872758
    Language: German
    Pages: 1 Online-Ressource , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.1
    RVK:
    Keywords: Mozart, Wolfgang Amadeus ; Kulturphilosophie ; Identity Politics ; History of Music ; Social sciences—Philosophy ; Culture ; Identity politics ; Music—History and criticism ; Musik ; Kulturwandel ; Wolfgang Amadeus ; Mozart ; Stephan Mösch ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Mozart, Wolfgang Amadeus 1756-1791 ; Kulturwandel ; Musik
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 140
    ISBN: 9783931754907 , 3931754901
    Language: German
    Pages: 138 Seiten
    Series Statement: MusikLeben Band 8
    Series Statement: MusikLeben
    RVK:
    Keywords: Volksmusikpflege ; Forschung ; Volksmusik ; Bayern ; Neue Wege ; Trott ; Volksmusikpflege ; Aufsatzsammlung ; Aufsatzsammlung ; Bayern ; Volksmusik ; Volksmusikpflege ; Forschung
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  • 141
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    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501357121
    Language: English
    Pages: viii, 202 Seiten , Illustrationen, Diagramme (schwarz-weiß)
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    RVK:
    Keywords: Elektronische Musik ; Kognitive Psychologie ; Electronic music / History and criticism ; Electronic music / Pyschological aspects ; Electronic music / Philosophy ; Electronic music ; Criticism, interpretation, etc ; Elektronische Musik ; Kognitive Psychologie
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  • 142
    ISBN: 9783910335721 , 3910335721
    Language: German
    Pages: 299 Seiten , Illustrationen
    Additional Material: 1 Beilage
    Edition: 1. Auflage
    RVK:
    Keywords: Geschichte 1970-1990 ; Hard Rock ; Heavy Metal ; Oral history ; Krautrock ; Deutschland ; Krautrock ; Hard Rock ; Heavy Metal ; Deutschland ; Krautrock ; Hard Rock ; Heavy Metal ; Oral history ; Geschichte 1970-1990
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  • 143
    Book
    Book
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783031189999
    Language: English
    Pages: xvi, 459 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 302
    RVK:
    Keywords: Social Psychology ; Popular Music ; Media Psychology ; Theory of Music ; Social psychology ; Popular music ; Psychology ; Mass Media ; Music theory ; Musikwahrnehmung ; Ohrwurm ; Sozialpsychologie ; Musikalische Form ; Popmusik ; Popmusik ; Ohrwurm ; Musikwahrnehmung ; Musikalische Form ; Sozialpsychologie
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  • 144
    Online Resource
    Online Resource
    Ibadan : Noirledge Publishing
    ISBN: 9782493207098
    Language: English
    Pages: 1 Online-Ressource
    Edition: Revised edition
    Series Statement: Africae monographs
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Fela ; Fela 1938-1997
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 145
    ISBN: 9780520281844 , 9780520281837
    Language: English
    Pages: xvii, 287 Seiten
    Series Statement: Phono
    DDC: 780.8996073
    RVK:
    Keywords: Schwarze ; Afroamerikanische Musik ; Ethnische Identität ; USA
    Note: Includes bibliographical references and index
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  • 146
    Image
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    Manchester : Manchester University Press
    ISBN: 9781526147912 , 9781526147899
    Language: English
    Pages: XIV, 216 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 709.2
    RVK:
    RVK:
    Keywords: Vaucher, Gee ; Vaucher, Gee / Criticism and interpretation ; Outsider art / England ; Punk culture and art ; Feminism in art ; Political art ; Vaucher, Gee ; Outsider art ; Punk culture and art ; England ; Criticism, interpretation, etc ; Vaucher, Gee 1945-
    Library Location Call Number Volume/Issue/Year Availability
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  • 147
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501379291 , 9781501379338
    Language: English
    Pages: 140 Seiten
    Parallel Title: Online version Campbell, Mark V. Afrosonic life
    RVK:
    Keywords: Ausdruck ; Musik ; Klang ; Schwarze ; Popular music / African influences ; Black people / Music / History and criticism ; Turntablism ; Remixes / History and criticism ; Musique populaire / Influence africaine ; Noirs / Musique / Histoire et critique ; Platinisme ; Remix / Histoire et critique ; Black people / Music ; Popular music / African influences ; Remixes ; Turntablism ; Criticism, interpretation, etc ; Schwarze ; Musik ; Klang ; Ausdruck
    Abstract: "Explores the role sonic innovations in the African diaspora play in articulating methodologies for living the afterlife of slavery"--
    Description / Table of Contents: Soundman/Sound System (S.W. rmx) -- Turning the Tables -- Riddim Science : On Living Hip-Hop's Sonic Innovations -- Dubbing the Remix and Its Uses -- Conclusion. Come Rewind : We were the 1st Robots
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 148
    Online Resource
    Online Resource
    Baden-Baden : Tectum Verlag | Baden-Baden : Nomos
    ISBN: 9783828878464
    Language: German
    Pages: 1 Online-Ressource (XIII, 371 Seiten)
    Series Statement: Wissenschaftliche Beiträge aus dem Tectum Verlag. Reihe Musikwissenschaft Band 18
    Series Statement: Wissenschaftliche Beiträge aus dem Tectum Verlag. Reihe Musikwissenschaft
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Ruprecht-Karls-Universität Heidelberg 2020
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    Keywords: Lee, Young-Jo ; Geschichte 1896-2013 ; Kirchenlied ; Musik ; Interkulturalität ; Komposition ; Korea ; Religion ; Komposition ; Young Jo Lee ; Changga ; Korea ; Koreastudien ; Transcultural Studies ; Musikwissenschaft ; Musikkultur ; 19. Jahrhundert ; 20. Jahrhundert ; Musikgeschichte ; Christentum ; Hochschulschrift ; Hochschulschrift ; Korea ; Musik ; Interkulturalität ; Interkulturalität ; Kirchenlied ; Geschichte 1896-2013 ; Lee, Young-Jo 1943- ; Komposition
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 149
    ISBN: 9783990128107 , 3990128108
    Language: German , English , Hebrew , Japanese
    Pages: 181 Seiten , Illustrationen , 21.7 cm x 13.8 cm
    Parallel Title: Erscheint auch als
    DDC: 900
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    Keywords: Biografie ; Biografie ; Biografie
    Note: Literaturverzeichnis Seite 165-172 , Vorwort englisch und deutsch; Haupttexte deutsch mit englischer, hebräischer und japanischer Zusammenfassung
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  • 150
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 9780191897801
    Language: English
    Pages: 1 Online-Ressource (xv, 364 Seiten) , Illustrationen
    Edition: First edition
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.66094309047
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    Keywords: Geschichte 1970-1990 ; Punk rock music / Social aspects / Germany (West) ; Punk rock music / Social aspects / Germany (East) ; Punk culture / Germany (East) / History ; Punk culture / Germany (West) / History ; Punk ; Punk Rock ; Deutschland ; Deutschland ; Deutschland ; Deutschland ; Punk Rock ; Punk ; Geschichte 1970-1990
    Abstract: 'Culture from the Slums' explores the history of punk rock in East and West Germany during the 1970s and 1980s, examining how youths mobilized music to build alternative communities and identities during the Cold War, and detailing how punk became the site of historical change on both sides of the Iron Curtain
    Note: This edition also issued in print: 2022. - Includes bibliographical references, discography and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 151
    Book
    Book
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783030796259
    Language: English
    Pages: vi, 212 Seiten , 210 mm
    Parallel Title: Erscheint auch als
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    Keywords: Eminem ; Geschichte 1999-2020 ; Ethnology—America ; Culture ; Literature—History and criticism ; Popular music ; Song ; Lyrics ; Musikalbum ; Hardcover, Softcover / Musik ; Eminem 1972- ; Musikalbum ; Song ; Lyrics ; Geschichte 1999-2020
    Abstract: "This book critically analyses Eminem’s studio album releases from his first commercial album release The Slim Shady LP in 1999, to 2020’s Music To Be Murdered By, through the lens of storytelling, truth and rhetoric, narrative structure, rhyme scheme and type, perspective, and celebrity culture. In terms of lyrical content, no area has been off-limits to Eminem, and he has written about domestic violence, murder, rape, child abuse, incest, drug addiction, and torture during his career. But whilst he will always be associated with these dark subjects, Mathers has also explored fatherhood, bereavement, mental illness, poverty, friendship, and love within his lyrics, and the juxtaposition between these very different themes (sometimes within the same song), make his lyrics complex, deep, and deserving of proper critical discussion.The first full-length monograph concerning Eminem's lyrics, this book affords the same rigorous analysis to a hip-hop artist as would be applied to any great writer's body of work; such analysis of 'popular' music is often overlooked. In addition to his rich exploration of Eminem's lyrics, Fosbraey furthermore delves into a variety of different aspects within popular music including extra-verbal elements, image, video, and surrounding culture. This critical study of his work will be an invaluable resource to academics working in the fields of Popular Music, English Literature, or Cultural Studies." (Buchrückseite)
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  • 152
    ISBN: 9780367248093 , 9780367248086
    Language: English
    Pages: ix, 223 Seiten , Notenbeispiele (schwarz-weiß)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 2000-2020 ; Politik ; Popmusik ; Popular music / Political aspects ; Popular music / 2001-2010 / History and criticism ; Popular music / 2011-2020 / History and criticism ; Musique populaire / Aspect politique ; Musique populaire / 2001-2010 / Histoire et critique ; Musique populaire / 2011-2020 / Histoire et critique ; Popular music ; Popular music / Political aspects ; 2001-2020 ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Politik ; Geschichte 2000-2020
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  • 153
    Book
    Book
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783030924614
    Language: English
    Pages: XI, 202 Seiten , Illustrationen
    Series Statement: Pop music, culture and identity
    Parallel Title: Erscheint auch als
    DDC: 781.63
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    Keywords: Popular Music ; Gender Studies ; Queer Studies ; Theatre and Performance Arts ; Popular music ; Sex ; Queer theory ; Performing arts ; Theater ; Technologie ; Musikproduktion ; Musikwirtschaft ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Musikproduktion ; Technologie ; Musikwirtschaft
    URL: Cover
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  • 154
    ISBN: 9783643150967
    Language: German
    Pages: 219 Seiten , Illustrationen, Karten, Notenbeispiele
    Series Statement: Musikwissenschaft Band 32
    Series Statement: Musikwissenschaft
    Parallel Title: Erscheint auch als
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    Keywords: Bambusholz ; Trommel ; Volksmusik ; Karibik ; Afrika ; Afrika ; Karibik ; Volksmusik ; Trommel ; Bambusholz
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  • 155
    Image
    Image
    Berlin : Browse Gallery
    ISBN: 9783000717796 , 300071779X
    Language: German
    Pages: 287 Seiten , 30 cm x 25.3 cm, 1600 g
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    Keywords: Ton Steine Scherben ; Geschichte 1960-1990 ; Politische Kultur ; Fotografie ; Umkreis ; Deutschland ; Nachkriegszeit ; West-Berlin ; Ton Steine Scherben ; Deutsche Rockmusik ; Kreuzberg ; Ausstellung ; Revolte ; Ausstellungskatalog Kunstquartier Bethanien 10.06.2021-04.07.2021 ; Bildband ; Ausstellungskatalog Kunstquartier Bethanien 10.06.2021-04.07.2021 ; Bildband ; Ausstellungskatalog Kunstquartier Bethanien 10.06.2021-04.07.2021 ; Bildband ; Ausstellungskatalog Kunstquartier Bethanien 10.06.2021-04.07.2021 ; Bildband ; Ton Steine Scherben ; Umkreis ; Deutschland ; Politische Kultur ; Fotografie ; Geschichte 1960-1990
    Note: Rückseite Titelblatt: Katalog zur Ausstellung "Wenn die Nacht am tiefsten - Ton Steine Scherben in ihrer Zeit", produziert und kuratiert von Browse Gallery, zuerst präsentiert vom 10. Juni bis 4. Juli 2021, Kunstquartier Bethanien, Berlin-Kreuzberg , Zusätzliches Online-Angebot unter QR-Code abrufbar
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  • 156
    Online Resource
    Online Resource
    Leiden ; Boston : Brill
    ISBN: 9789004517073
    Language: English
    Pages: 1 Online-Ressource (XV, 441 Seiten)
    Series Statement: Collected works of Jao Tsung-i: Xuantang anthology volume 1
    Series Statement: Collected works of Jao Tsung-i: Xuantang anthology
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Musik ; Musikarchäologie ; Musikphilosophie ; China ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; China ; Musik ; Musikarchäologie ; Musikphilosophie ; Geschichte
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 157
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520382787 , 9780520382800
    Language: English
    Pages: xxvi, 448 Seiten , Illustrationen
    Series Statement: Hip Hop studies 3
    Series Statement: Hip Hop studies
    Parallel Title: Erscheint auch als
    DDC: 306.484249
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    Keywords: Geschichte ; Hip-Hop ; Rap ; Rap (Music) / Political aspects ; Rap (Music) / Social aspects ; Rap musicians / Political activity ; Hip-hop / Influence ; Rappeurs / Activité politique ; Hip-hop / Influence ; Rap (Music) / Political aspects ; Rap (Music) / Social aspects ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Rap ; Hip-Hop ; Geschichte
    Abstract: "Moving through over a dozen cities across four continents, Freedom Moves: Hip Hop Knowledges, Pedagogies, and Futures represents a cutting-edge, field-defining moment in Hip Hop Studies. As we approach 50 years of hip hop cultural history, and 30 years of hip hop scholarship, hip hop continues to be one of the most profound and transformative social, cultural, and political movements of the late 20th and early 21st centuries. In this book, H. Samy Alim, Jeff Chang, and Casey Philip Wong invite us to engage dialogically with some of the world's most innovative and provocative Hip Hop artists and intellectuals as they collectively rethink the relationships between Hip Hop knowledges, pedagogies, and futures.
    Abstract: Rooting hip hop in Black freedom culture, this state-of-the-art collection presents a globally diverse group of Black, Indigenous, Latinx, Asian American, Arab, European, North African and South Asian artists, activists, and thinkers who view hip hop as a means to move freedom forward for all of us.
    Abstract: Contributors do so by taking stock of the politics of hip hop culture at this critical juncture of renewed racial justice movements in the US and globally (Chuck D, Rakim, and Talib Kweli); resisting oppressive policing and reimagining community safety, healing, and growth in US urban centers like New York (Bryonn Bain), Pittsburgh (Jasiri X), Chicago (Kuumba Lynx), Atlanta and "the New South" (Bettina Love, Regina Bradley, and Mark Anthony Neal), and the San Francisco Bay Area (Mark Gonzales, A-lan Holt, Michelle Lee and the Mural Music and Arts Project); and recovering traditional, Indigenous knowledges and ways of being in the world at the same time that they create new ones (Dream Warriors). Leading thinkers take seriously the act of forging new languages for new articulations of Black/feminist/queer/disabled futures within and beyond Hip Hop (Joan Morgan, Brittney Cooper, Treva Lindsey, Kaila Aida Story, Esther Armah, Leroy F. Moore, Jr.
    Description / Table of Contents: Introduction -- Sweat the technique : the politics and poetics of hip hop / Rakim, Chuck D, and Talib Kweli -- Know the ledge(s) : the meanings of knowledge of self in "post"-apartheid South Africa / Shaheen Ariefdien and Emile YX? -- "Alshaab yurid isqaat al-nitham!" : sustaining revolution and disrupting dominant narratives of Palestine and Syria through hip hop / DAM (Tamer Nafar, Suhell Nafar and Mahmoud Jreri), Omar Offendum, and Ramzi Salti -- "The revolution will be indigenous" : collective liberation, healing, and resistance to settler colonialism through hip hop / Jessa Calderon, Gunner Jules, Lyla June, Tall Paul, and Tanaya Winder, with Casey Philip Wong -- "Luchando Derechos" in neoliberal Spain : hip hop visions beyond racism, xenophobia, Islamophobia and the gentrification of El Raval, Barcelona / La Llama Rap Colectivo with H. Samy Alim -- 1Hood : hip hop art, activism, and media creation in Pittsburgh / Jasiri X --
    Description / Table of Contents: "Protection from police who hinder respiratory airways" : hip hop theatre and activism with Kuumba Lynx in Chicago / Jacinda Bullie, Jaquanda Saulter-Villegas, and Leyda Lady Sol Garcia -- Ripples of hope and healing : sustaining community by creating a social justice arts ecosystem / Sonya Clark-Herrera, with Dorien Blue fka Adorie Howard, Measha Ferguson-Smith, Reagan Ross, and Casey Philip Wong -- Beyond trauma : storytelling as cultural shift and collective healing / Bryonn Bain, Mark Gonzales, A-Ian Holt, and Michelle Lee -- "Where the beat drops" : culturally relevant to culturally sustaining hip hop pedagogies / Gloria Ladson-Billings, Django Paris, and H. Samy Alim -- How hip hop means : retrospect for beats, rhymes, and classroom life / Marc Lamont Hill -- The magic behind science genius : how hip hop can transform science education / Christopher Emdin & The GZA, with Bryan Brown --
    Description / Table of Contents: Hip hop, whiteness, and critical pedagogies in the context of Black Lives Matter / A.J. Robinson -- The pleasure principle : articulating a post-hip hop feminist politics of pleasure / Joan Morgan, Brittney Cooper, Treva Lindsey, Kaila Adia Story, and Esther Armah -- "When can black disabled folks come home? : the krip-hop movement, race, and disability justice / Leroy F. Moore, Jr. and Stephanie Keeney Parks -- Queering hip hop feminist pedagogies in the New South / Bettina Love, Regina Bradley, and Mark Anthony Neal -- "These are not sonnet times" : building towards liberatory futures / Maisha Winn
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  • 158
    Book
    Book
    New York, NY ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501357275 , 9781501387715
    Language: English
    Pages: xii, 242 Seiten , Diagramme (schwarz-weiß)
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    Keywords: Geschichte 1970-2020 ; Musikjournalismus ; Popmusik ; Musical criticism ; Popular music / History and criticism ; Popular music / Social aspects ; Mass media and music ; Mass media / Moral and ethical aspects ; Mass media and music ; Popular music ; Popular music in motion pictures ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Musikjournalismus ; Geschichte 1970-2020
    Abstract: "The historical significance of music-makers, music scenes, and music genres has long been mediated through academic and popular press publications such as magazines, films, and television documentaries. Media Narratives in Popular Music examines these various publications and questions how and why they are constructed. It considers the typically linear narratives that are based on simplifications, exaggerations, and omissions and the histories they construct - an approach that leads to totalizing official histories that reduce otherwise messy narratives to one-dimensional interpretations of a heroic and celebratory nature. This book questions the basis on which these mediated histories are constructed, highlights other, hidden, histories that have otherwise been neglected, and explores a range of topics including consumerism, the production pressure behind documentaries, punk fanzines, Rolling Stones covers, and more."--
    Description / Table of Contents: Introduction Chris Anderton and Martin James (Solent University, UK) -- SECTION 1 Narratives of Identity -- 1. Hidden in Plain Sight : Stories of Gender, Generation and Political Economy on the Northern Soul Scene Sarah Raine (Edinburgh Napier University, UK) and Tim Wall (Birmingham City University, UK) -- 2. Paid My Dues : Key Debates in the 1970s Feminist Music Press Ann-Marie Hanlon (Dundalk Institute of Technology, Ireland) -- 3. They re Not In It Like The Man Dem : How Gendered Narratives Contradict Patriarchal Discourse in Electronic Dance Music Julia Toppin (University of Hertfordshire, UK) -- 4. From Islam to Yeezies : How Consumerism Replaced Knowledge in the Media Narratives of Post-9/11 Hip-Hop Martin James (Solent University, UK) -- SECTION 2. Narratives of Genre -- 5. Exiles in Madison Square Garden : Critical Reception and Journalistic Narratives of Progressive Rock in Melody Maker Magazine, 1971 1976 Chris Anderton (Solent University, UK) --
    Description / Table of Contents: 6. Alternative Before Alternative : The Pre-Punk History of a 90s Genre Theo Cateforis (Syracuse University, USA) -- 7. Never Mind the B... , Here's Three Minutes of Prog Andy Bennett (Griffith University, Australia) -- 8. "There's a Crack in the Union Jack" -- Questioning National Identity in the Britpop Years : The Britpop Counter-Narrative Johnny Hopkins (Solent University, UK) -- SECTION 3. Narratives Constructed -- 9. Compromised Histories : The Impact of Production Pressures on the Construction of Historical Narratives in Popular Music Documentaries Sarah Baker (Griffith University, Australia), Lauren Istvandity (University of the Sunshine Coast, Australia), Zelmarie Cantillon (Western Sydney University, Australia) and Shane Homan (Monash University, Australia) -- 10. When a History of Gender Representation Meets the Nostalgic Storytelling of Hot Press Magazine Yvonne Kiely (Kiely Management, USA) --
    Description / Table of Contents: 11. Punk Fanzines, Subcultural Consecration, and Hidden Female Histories in Early British Punk Karen Fournier (University of Michigan, USA) -- 12. Tales from the Turntables : "Narrating" and "Narrativizing" the "First Club DJ" Maren Hancock (York University, UK) -- Index
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  • 159
    ISBN: 9783406783418 , 3406783414
    Language: German
    Pages: 670 Seiten , Illustrationen, Porträts , 21.7 cm x 13.9 cm
    Uniform Title: One two three four
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    Keywords: The Beatles ; The Beatles
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  • 160
    Book
    Book
    London : Strange Attractor Press | Cambridge, Massachusetts : The MIT Press
    ISBN: 9781913689285
    Language: English
    Pages: 334 Seiten , Illustrationen , 21 cm
    DDC: 782.421649
    RVK:
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    Keywords: Hip-hop ; Time ; Afrofuturism ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Mit Register
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  • 161
    Title: Роза на дороге : культурные традиции евреев Беларуси
    Author, Corporation: Либерман, Белла
    Publisher: Санкт-Петербург : Реноме
    ISBN: 9785001255383
    Language: English , German , Russian
    Pages: 182 Seiten , Notenbeispiele
    Additional Material: CD-R (12 cm)
    Additional Information: Beilage Liberman, Bella Dvadcatʹ pesen ot Basi Iosifovny Bertam
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    Keywords: Lied ; Jiddisch ; Belarus ; Belarus ; Jiddisch ; Lied
    Note: Text deutsch, englisch und russisch , Teils Kyrillisch
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  • 162
    ISBN: 9783955933234
    Language: English
    Pages: 58 Seiten , Illustrationen , 21 cm, 80 g
    Series Statement: Caprices 23
    Series Statement: Caprices
    DDC: 782.420942
    RVK:
    Keywords: Geschichte 1850-1918 ; Song ; Music hall ; Großbritannien ; English Music Hall ; English Music Hall Songs ; Music Hall ; Großbritannien ; Music hall ; Song ; Geschichte 1850-1918
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  • 163
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781478022534
    Language: English
    Pages: 1 Online-Ressource (179 p.)
    Series Statement: Thought in the Act : 18
    DDC: 303.48/33
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    Abstract: In Listening in the Afterlife of Data, David Cecchetto theorizes sound, communication, and data by analyzing them in the contexts of the practical workings of specific technologies, situations, and artworks. In a time he calls the afterlife of data-the cultural context in which data's hegemony persists even in the absence of any belief in its validity-Cecchetto shows how data is repositioned as the latest in a long line of concepts that are at once constitutive of communication and suggestive of its limits. Cecchetto points to the failures and excesses of communication by focusing on the power of listening-whether through wearable technology, internet-based artwork, or the ways in which computers process sound-to pragmatically comprehend the representational excesses that data produces. Writing at a cultural moment in which data has never been more ubiquitous or less convincing, Cecchetto elucidates the paradoxes that are constitutive of computation and communication more broadly, demonstrating that data is never quite what it seems.
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 164
    Book
    Book
    New Haven, CT : Yale University Press
    ISBN: 9780300255317
    Language: English
    Pages: 273 Seiten , Illustrationen, Porträts
    Parallel Title: Erscheint auch als
    DDC: 782.42164
    RVK:
    Keywords: Dylan, Bob ; Folksong ; USA ; Dylan, Bob / 1941- / Songs and music ; Folk music / United States / History and criticism ; MUSIC / Genres & Styles / Folk & Traditional ; Biografie ; Biografie ; Biografie ; Dylan, Bob 1941- ; USA ; Folksong
    Abstract: Across seven decades, Bob Dylan has been the first singer of American song. As a writer and performer, he has rewritten the national songbook in a way that comes from his own vision and yet can feel as if it belongs to anyone who might listen.0 In Folk Music, Greil Marcus tells Dylan's story through seven of his most transformative songs. Marcus's point of departure is Dylan's ability to "see myself in others." Like Dylan's songs, this book is a work of implicit patriotism and creative skepticism. It illuminates Dylan's continuing presence and relevance through his empathy-his imaginative identification with other people. This is not only a deeply felt telling of the life and times of Bob Dylan, but a rich history of American folk songs and the new life they were given as Dylan sat down to write his own
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  • 165
    Online Resource
    Online Resource
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253060082
    Language: English
    Pages: 1 Online-Ressource (xvii, 297 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Music and the early modern imagination
    Parallel Title: Erscheint auch als Music and Jewish culture in early modern Italy
    Parallel Title: Erscheint auch als
    DDC: 780.89/924045
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    Keywords: Geschichte 1500-1700 ; Musik ; Juden ; Italien ; Jews / Italy / Music / 16th century / History and criticism ; Jews / Italy / Music / 17th century / History and criticism ; Music / Italy / 16th century / History and criticism ; Music / Italy / 17th century / History and criticism ; Jews / Music ; Music ; Italy ; 1500-1699 ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Italien ; Juden ; Musik ; Geschichte 1500-1700
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  • 166
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478018872 , 9781478016236
    Language: English
    Pages: xiv, 218 Seiten
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1975-1990 ; Rundfunksender ; Rap ; Schwarze ; New York, NY ; Rap (Music) / New York (State) / New York / History and criticism ; African American radio stations / New York (State) / New York ; Radio stations / New York (State) / New York / History ; Radio broadcasting / Deregulation / New York (State) / New York ; Radio in popular culture / New York (State) / New York ; MUSIC / Genres & Styles / Rap & Hip Hop ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies ; African American radio stations ; Radio broadcasting / Deregulation ; Radio in popular culture ; Radio stations ; Rap (Music) ; New York (State) / New York ; Criticism, interpretation, etc ; History ; New York, NY ; Rap ; Schwarze ; Rundfunksender ; Geschichte 1975-1990
    Abstract: "Breaks in the Air provides a social and cultural history of rap music on Black radio in New York City from the late 1970s to the late 1980s. Radio shows were crucial in the growth of hip hop in New York, and Klaess explores the intertwined histories of sounds, institutions, communities, and legal formations converging in that post-Civil Rights period. John Klaess offers a careful analysis of the city's three crucial commercial radio stations-WBLS-FM 107.5, WRKS-FM 98.7, and WHBI-FM 105.9-drawing on an archive of tape recordings of the stations' broadcasts. Klaess moves from a history of deregulation in the broadcasting industry to the ways that American racial politics inflected the broadcast of rap and looks at how these radio stations engaged with this unique historical situation, how technologies both aided and limited their broadcasts, how their broadcasts were received, and what the public broadcast of this music and culture meant to young people of color in New York"--
    Description / Table of Contents: Deregulating radio -- Sounding Black progress in the post-civil rights era -- Commercializing rap with Mr. Magic's rap attack -- Programming the street at WRKS -- Broadcasting the Zulu Nation -- Listening to the labor of the Awesome II Show
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  • 167
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190247867
    Language: English
    Pages: xiv, 575 Seiten , Illustrationen
    Series Statement: Oxford handbooks
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 793.3
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    Keywords: Hip hop dance ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: Introduction / Mary Fogarty and Imani Kai Johnson -- Foundation : context and components of breaking fundamentals / Kenneth "Ken Swift" Gabbert and Yarrow "Osofly" Lutz -- The camera in the cypher : high times and hypervisibility in early hip hop dance / Vanessa Lakewood -- The technical developments in breaking from conditioning to mindset / Niels "Storm" Robitzky -- Connecting hip hop history and heritage / E. Moncell Durden -- Kung Fu fandom : NYC B-Boys and the Grindhouse distribution of Kung Fu films / Eric Pellerin -- What makes a man break? / Mary Fogarty -- Learn your history : using academic oral histories of NYC B-girls in the 1990s to broaden hip hop scholarship / MiRi Park -- Hard love part 1 : corporealities of women ethnographers of hip hop dances / Imani Kai Johnson -- Framing hip hop dance as an object of sociological and cultural research / Andy Bennett -- Through sound and space : notes on education from the edge of the cypher / Emery Petchauer --
    Abstract: The vault : collecting and archiving street dance footage / Marc "Scramblelock" Sakalauskas -- Hard love part 2 : critical hiphopography in streetdance communities / Imani Kai Johnson -- Breaking in my house : popular dance, identity politics, and postracial empathies / Thomas F. DeFrantz -- Globalization and the hip hop dance cipher / Halifu Osumare and Terry Bright Kweku Ofosu -- Asian American liminality : racial triangulation in hip hop dance / Grace Shinhae Jun -- Breakin' down the bloc : hip hop dance in Armenia / Serouj "Midus" Aprahamian -- Twerking and P-popping in the context of New Orleans' local hip-hop scene / Matt Miller -- Is she B-boying or B-girling? : understanding how B-girls negotiate gender and belonging / Helen Simard -- Streetdance and Black aesthetics / Naomi Bragin -- Living in the tension : the aesthetics and logics of popping / Rosemarie A. Roberts --
    Abstract: Staging hip hop dance : fly girls in the house / Leah "McFly" McKesey, Diana "Fly Lady Di" Reyes and Mary "MJ" Fogarty -- Battles and ballets : hip hop dance in France / Roberta Shapiro -- Negotiating the metaspace : hip hop dance artists in the space of UK dance/theatre / Paul Sadot -- Make the letters dance : a hip hop approach to creative practice / Anthony "YNOT" DeNaro and Mary Fogarty -- Hip hop dance and injury prevention / Tony Ingram -- They come for the hip hop, but stay for the healing / Stephen "Buddha" Leafloor -- Can expert dancers be a springboard model to examine neurorehabilitation via dance? / Rebecca Barnstaple, Debora B. Rabinovich, and Joseph FX DeSouza -- Afterword : dance, hip hop studies and the academy / Joseph Schloss.
    Note: Includes bibliographical references and index
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  • 168
    ISBN: 9783955930172 , 3955930173
    Language: German , English
    Pages: 303 Seiten , Illustrationen , 21 cm x 14.8 cm, 400 g
    Edition: Originalausgabe
    Series Statement: Darmstädter Beiträge zur Jazzforschung Band 17
    Series Statement: Eine Veröffentlichung des Jazzinstituts Darmstadt
    DDC: 781.65
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    Keywords: Jazz ; Vielfalt ; Konferenzschrift 2021 ; Konferenzschrift 30.09.2021-02.10.2021 ; Konferenzschrift 30.09.2021-02.10.2021 ; Konferenzschrift 30.09.2021-02.10.2021
    Note: Texte teilweise deutsch, teilweise englisch , Literaturangaben
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  • 169
    ISBN: 9783658365165
    Language: German
    Pages: 1 Online-Ressource (VII, 543 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 306
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    Keywords: Geschichte 2000- ; Popular Culture ; Youth Culture ; Fan and Audience Studies ; Cultural Theory ; Media Sociology ; Popular Culture ; Youth—Social life and customs ; Audiences ; Culture—Study and teaching ; Mass media ; Hip-Hop ; Deutschland ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Hip-Hop ; Geschichte 2000-
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 170
    ISBN: 9780472055685 , 9780472075683
    Language: English
    Pages: xi, 151 Seiten , 23 cm
    Series Statement: Tracking pop
    Parallel Title: Erscheint auch als
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    Keywords: Geschlechtsidentität ; Hip-Hop ; Rapmusiker ; LGBT ; Geschlechterforschung ; USA ; Rap (Music) / History and criticism ; Hip-hop / History and criticism ; Gay musicians / United States ; Lesbian musicians / United States ; Transgender musicians / United States ; African American gays ; African American lesbians ; African American bisexuals ; African American transgender people ; Gender-nonconforming people / United States ; Queer musicology ; Gender identity in music ; Queer theory ; USA ; Rapmusiker ; Rapmusiker ; Hip-Hop ; LGBT ; Geschlechtsidentität ; Geschlechterforschung
    Abstract: "Notions of hip hop authenticity, as expressed both within hip hop communities and in the larger American culture, rely on the construction of the rapper as a Black, masculine, heterosexual, cisgender man who enacts a narrative of struggle and success. In Queer Voices in Hip Hop, Lauron Kehrer turns our attention to openly queer and trans rappers and positions them within a longer Black queer musical lineage. Combining musical, textual, and visual analysis with reception history, this book reclaims queer involvement in hip hop by tracing the genre's beginnings within Black and Latinx queer music-making practices and spaces, demonstrating that queer and trans rappers draw on Ballroom and other cultural expressions particular to queer and trans communities of color in their work in order to articulate their subject positions. By centering the performances of openly queer and trans artists of color, Queer Voices in Hip Hop reclaims their work as essential to the development and persistence of hip hop in the United States as it tells the story of the of hip hop's queer roots"
    Description / Table of Contents: Introduction. "I don't have any secrets I need kept anymore": Out in hip-hop -- Hip-hop's queer roots: Disco, house, and early hip-hop -- Queer articulations in ballroom rap -- "The bro code"" Black queer women and female masculinity in rap -- "Nice for what": New Orleans bounce and disembodied queer voices in the mainstream -- Outro. "Call me by your name": Demarginalizing queer hip-hop
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  • 171
    Book
    Book
    Würzburg : Königshausen & Neumann
    ISBN: 9783826072055
    Language: English
    Pages: 197 Seiten , Illustrationen, Karten, Notenbeispiele
    DDC: 781.65
    RVK:
    Keywords: Jazz ; Jazz ; Globalisation ; Communities ; Pop-Kultur ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Jazz
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  • 172
    Online Resource
    Online Resource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781009019804
    Language: English
    Pages: 1 Online-Ressource (xi, 324 Seiten) , Diagramme
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/84249
    RVK:
    Keywords: Geschichte 1985-2020 ; Rap (Music) / Political aspects / United States ; African Americans / Social conditions ; African Americans / Political activity ; Hip-Hop ; Politik ; Recht ; Rassendiskriminierung ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Rassendiskriminierung ; Recht ; Politik ; Hip-Hop ; Geschichte 1985-2020
    Abstract: Taking inspiration from Public Enemy's lead vocalist Chuck D - who once declared that 'rap is the CNN of young Black America' - this volume brings together leading legal commentators to make sense of some of the most pressing law and policy issues in the context of hip-hop music and the ongoing struggle for Black equality. Contributors include MSNBC commentator Paul Butler, who grapples with race and policing through the lens of N.W.A.'s song 'Fuck tha Police', ACLU President Deborah Archer, who considers the 2014 uprisings in Ferguson, Missouri, and many other prominent scholars who speak of poverty, LGBTQ+ rights, mass incarceration, and other crucial topics of the day. Written to 'say it plain', this collection will be valuable not only to students and scholars of law, African-American studies, and hip-hop, but also to everyone who cares about creating a more just society
    Note: Title from publisher's bibliographic system (viewed on 24 Jan 2022) , From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 173
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781009086769
    Language: English
    Pages: 1 Online-Ressource (xviii, 511 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 784.4/973
    RVK:
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    Keywords: Geschichte 1492-1942 ; Geschichte 1492- ; Folk music / United States / History and criticism ; Folk songs / United States / History and criticism ; Protest songs / United States / History and criticism ; Folksong ; Patriotisches Lied ; Politisches Lied ; Protestsong ; USA ; USA ; Protestsong ; Geschichte 1492-1942 ; USA ; Folksong ; Politisches Lied ; Patriotisches Lied ; Geschichte 1492-
    Abstract: Long before anyone ever heard of 'protest music', people in America were singing about their struggles. They sang for justice and fairness, food and shelter, and equality and freedom; they sang to be acknowledged. Sometimes they also sang to oppress. This book uncovers the history of these people and their songs, from the moment Columbus made fateful landfall to the start of the Second World War, when 'protest music' emerged as an identifiable brand. Cutting across musical genres, Will Kaufman recovers the passionate voices of America itself. We encounter songs of the mainland and the conquered territories of Hawai'i, Cuba, Puerto Rico, and the Philippines; we hear Indigenous songs, immigrant songs and Klan songs, minstrel songs and symphonies, songs of the heard and the unheard, songs of the celebrated and the anonymous, of the righteous and the despicable. This magisterial book shows that all these songs are woven into the very fabric of American history
    Note: Title from publisher's bibliographic system (viewed on 29 Jul 2022)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 174
    Online Resource
    Online Resource
    Cambridge, UK ; New York : Cambridge University Press
    ISBN: 9781009083508
    Language: English
    Pages: 1 Online-Ressource (66 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 792.028/8092
    RVK:
    Keywords: Xin, Fengxia ; Actors / China / Biography
    Abstract: This Element focuses on Xin Fengxia (1927-1998), a star of the regional xiqu form pingju, and her prominent role in transforming the genre from folk entertainment for the lower class to one of the most notable winners of the xiqu reform after the establishment of the People's Republic of China (PRC) in 1949. The Element's four sections expand from this core concept to include the four stages of her life experience and artistry that shaped her legacy: growing up in China's third largest theatre market Tianjin before 1949, national stardom in Beijing (1949-1957), restricted creativity amidst political upheavals (1957-1975), and as a prominent author after a stroke (1977-1998). Rather than following a biographical approach, these sections zero in on the environment before and after 1949 that made her a prominent pingju reformer and the consequent price of such success
    Note: Title from publisher's bibliographic system (viewed on 31 Aug 2022) , Growing up in Tiajin before 1949 -- National stardom in Beijing (1978-1957) -- Creativity during political upheavals (1957--1975) -- Authoring her memories (1977-1998) -- Conclusion
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 175
    ISBN: 9781526148988
    Language: English
    Pages: xiii, 295 Seiten , Illustrationen
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    Keywords: Strummer, Joe ; The Clash ; Soziale Funktion ; Punk Rock ; Politischer Protest ; Strummer, Joe / Criticism and interpretation ; Clash (Musical group) ; Punk rock music / Political aspects / Great Britain ; Punk rock music / History and criticism ; Biografie ; Biografie ; Biografie ; Strummer, Joe 1952-2002 ; The Clash ; Punk Rock ; Politischer Protest ; Soziale Funktion
    Abstract: "Joe Strummer was one of the twentieth century's iconic rock 'n' roll rebels. As frontperson, spokesperson and chief lyricist for The Clash, he played a major role in politicising a generation through some of the most powerful protest songs of the era, songs like 'White Riot', 'English Civil War' and 'London Calling'. At the heart of this protest was the struggle for social justice and equality. The punk rock politics of Joe Strummer examines Strummer's beliefs on a range of issues - including socialism, alienation, exploitation, multiculturalism and humanism - analysing their credibility, influence and impact, and asking where they came from and how they developed over time. Drawing on Strummer's lyrics, various interviews and bootleg recordings, as well as interviews with those he inspired, The punk rock politics of Joe Strummer takes the reader on a journey through the political influences and motivations that defined one of the UK's greatest punk icons." --
    Description / Table of Contents: Studying Strummer : issues and approach -- Perceptions of Strummer's politics -- Strummer's politics and philosophical perspectives -- Rebel rock and its ramifications -- Rocking against the rich -- Advocate not activist -- Straying from socialism -- Strummer's influence : secondary sources -- Follower testimony
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  • 176
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780367229856 , 9781032042374
    Language: English
    Pages: xi, 199 Seiten , Illustrationen
    Series Statement: SOAS studies in music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Einfluss ; Musik ; Brauch ; Fest ; Brasilien ; Portugal ; Afrika ; Brasilien Südost ; Fest ; Brauch ; Musik ; Einfluss ; Portugal ; Afrika
    Abstract: "Gold, Festivals, and Music in Southeast Brazil: Sounding Portugueseness is a study of the musical legacy of the 18th century Brazilian gold rush that integrates ethnographic research of the main genres of former mining communities in Brazil -- from liturgical music in the style of European art music to Afro-Brazilian musical expressions. Its content and structure are informed by Norbert Elias' idea of the civilizing process, which is explored regarding its relevance in interpreting sociocultural processes and choreo-musical expressions in the small town Morro Vermelho. The book's innovative feature is its focus on a little-known area to non-Brazilian scholars,and its focus on the colonial and European heritage in Brazil. Morro Vermelho's cultural traditions have received relatively limited attention. The Catholic festival of Our Lady of Nazareth provides a setting for the documentation and analysis of the musical setting and is thus placed at the centre of the discussion. It leads through the vast writings on Brazilian identity and challenges the view on Brazilian-ness as constructed in terms of the mixing of races. Norbert Elias's concept of the "civilizing process" structures the book and is relevant for understanding the cultural sphere of the festival of Our Lady of Nazareth. The book combines discourses of Portugueseness with historical sources and observations from fieldwork and community building in the virtual world. The focus on the music to support social constructions of "Portugueseness" is supported with evidence from diverse data sources: music (literature and fieldwork recordings), original interviews, marketing materials and historical narratives. The combination of archival, ethnographic and bibliographic research methods attempts a seamless narrative. Its approach to fieldwork and frank reflections on the process and relevant issues help to contex++
    Description / Table of Contents: Festivals and Music as Civilizing Forces in Colonial Minas -- History as Memory, Heritage and Brand in Morro Vermelho -- Sounding the Sacred and Civilized -- Sounding the Afro-Brazilian Resistance -- Conclusion : Sounding Portugueseness in Southeast Brazil
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  • 177
    Book
    Book
    London : Routledge
    ISBN: 9780367768393 , 9780367768409
    Language: English
    Pages: xiv, 381 Seiten
    Edition: Fifth edition
    Series Statement: Routledge key guides
    DDC: 781.6403
    RVK:
    Keywords: Wörterbuch ; Wörterbuch ; Wörterbuch
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  • 178
    Book
    Book
    Bristol, UK ; Chicago, USA : Intellect
    ISBN: 9781789385397
    Language: English
    Pages: xxix, 187 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.660980904
    RVK:
    Keywords: Geschichte 1970-2020 ; Dub ; Jamaika ; Dub (Music) / Jamaica / History and criticism ; Dub (Musique) / Jamaïque / Histoire et critique ; Dub (Music) ; Jamaica ; Criticism, interpretation, etc ; Jamaika ; Dub ; Geschichte 1970-2020
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  • 179
    Book
    Book
    Cambridge, United Kingdom ; New York, NY, USA ; Port Melbourne, VIC, Australia : Cambridge University Press
    ISBN: 9781108421928 , 9781108433068
    Language: English
    Pages: xxiv, 247 Seiten , Notenbeispiele, Karte
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
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    Keywords: Musik ; Karibik ; Aufsatzsammlung ; Karibik ; Musik
    Note: Literaturangaben
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  • 180
    Book
    Book
    New York, NY : W. W. Norton & Company
    ISBN: 9780393651386
    Language: English
    Pages: xvi, 325 Seiten , Illustrationen, Karten, Notenbeispiel
    Edition: First edition
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte ; Nationalhymne ; USA ; Star-spangled banner (Song) ; Patriotic music / United States / History and criticism ; Musique patriotique / États-Unis / Histoire et critique ; MUSIC / History & Criticism ; Star-spangled banner (Song) ; Patriotic music ; United States ; Criticism, interpretation, etc ; USA ; Nationalhymne ; Geschichte
    Abstract: "The fascinating story of America's national anthem and an examination of its powerful meaning today. Most Americans learn the tale in elementary school: During the War of 1812, Francis Scott Key witnessed the daylong bombardment of Baltimore's Fort McHenry by British navy ships; seeing the Stars and Stripes still flying proudly at first light, he was inspired to pen his famous lyric. What Americans don't know is the story of how this everyday "broadside ballad," one of thousands of such topical songs that captured the events and emotions of early American life, rose to become the nation's one and only anthem and today's magnet for controversy. In O Say Can You Hear? Mark Clague brilliantly weaves together the stories of the song and the nation it represents. Examining the origins of both text and music, alternate lyrics and translations, and the song's use in sports, at times of war, and for political protest, he argues that the anthem's meaning reflects-and is reflected by-the nation's quest to become a more perfect union. From victory song to hymn of sacrifice and vehicle for protest, the story of Key's song is the story of America itself. Each chapter in the book explores a different facet of the anthem's story. In one, we learn the real history behind the singing of the anthem at sporting events; in another, Clague explores Key's complicated relationship with slavery and its repercussions today. An entire is chapter devoted to some of the most famous performances of the anthem, from Jimi Hendrix at Woodstock to Roseanne Barr at a baseball game to the iconic Whitney Houston version from the 1991 Super Bowl. At every turn, the book goes beyond the events to explore the song's resonance and meaning. From its first lines Key's lyric poses questions: "O say can you see?" "Does that banner yet wave?" Likewise, Clague's O Say Can You Hear? raises important questions about the anthem; what it meant in 1814, what it means to us today, and why it matters."
    Description / Table of Contents: Prologue -- American Dreams : Francis Scott Key and the Writing of The Star-Spangled Banner -- Origins of a Melody : The Music of The Star- Spangled Banner -- Banner Ballads : The Many Lyrics of The Star- Spangled Banner -- The Banner at War : A Song Sanctified -- Play Ball! : The Banner in Sports -- Singing Citizenship : A Tradition of Dissent -- Nation in Translation : Language and the Politics of Belonging -- The Anthem and Black Lives : An American History -- Performing Patriotism : Musical Style as Social Symbol -- Postlude. Composing Nation
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  • 181
    Book
    Book
    New York, NY : Abrams Press
    ISBN: 9781419747946
    Language: English
    Pages: X, 502 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Michael, George ; Michael, George / 1963-2016 ; Singers / Great Britain / Biography ; Gay men / Great Britain / Biography ; Rock musicians / Great Britain / Biography ; BIOGRAPHY & AUTOBIOGRAPHY / Music ; BIOGRAPHY & AUTOBIOGRAPHY / LGBTQ+ ; Michael, George / 1963-2016 ; Gay men ; Rock musicians ; Singers ; Great Britain ; Singers / Biography ; Gay men / Biography ; Rock musicians / Biography ; Biography ; Biographies ; Biographies ; Biografie ; Biografie ; Biografie ; Michael, George 1963-2016
    Abstract: "The definitive biography of George Michael, offering an expansive look at the troubled life of the legendary singer, songwriter, and pop superstar" --
    Abstract: George Michael was an extravagantly gifted, openhearted soul singer whose work was both pained and smolderingly erotic. He was a songwriter of true craft and substance, and his music swept the world, starting in the mid-1980s. His fabricated image--that of a hypermacho sex god--loomed large in the pop culture of his day. It also hid--for a time--the secret he fought against revealing: Michael was gay. Soon his obsession with fame would start to backfire. As one of the industry's most privileged yet tortured men began to self-destruct, the press showed little sympathy. George Michael: A Life explores the compelling story of a superstar whose struggles, as well as his songs, continue to touch fans all over the world. Acclaimed music biographer James Gavin traces Michael's metamorphosis from the shy and awkward Georgios Kyriacos Panayiotou into the swaggering, dominant half of the leading British pop duo of the 1980s Wham!; he then details Michael's sensational solo career and its subsequent unraveling. With deep analysis of the creative process behind Michael's albums, tours, and music videos, as well as interviews with hundreds of his friends and colleagues, George Michael: A Life is a probing, definitive portrait of a pop legend
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  • 182
    ISBN: 9783030978839
    Language: English
    Pages: XXIII, 401 Seiten , Illustrationen
    Series Statement: Pop music, culture and identity
    Series Statement: Pop music, culture and identity
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: 1
    RVK:
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  • 183
    Language: German
    Pages: 414 Seiten, 16 ungezählte Seiten , Illustrationen
    Edition: Originalausgabe, Sonderausgabe für die Zentralen für politische Bildung
    RVK:
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    Keywords: Geschichte 1960-1989 ; Musik ; Kulturaustausch ; Deutschland ; Deutschland ; Deutschland ; Deutschland ; Musik ; Kulturaustausch ; Geschichte 1960-1989
    Abstract: Der Kalte Krieg wurde kälter, der Kampf um die politisch-ideologische Lufthoheit zwischen Ost und West heftiger. Aber zugleich geschah in den späten 70ern und 80ern Erstaunliches. Der deutsch-deutsche Kulturaustausch geriet heftig in Bewegung - ausgerechnet in dem Bereich, der als besonders sensibel galt: der Pop- und Rockmusik. DDR-Bands wie City, Pankow und Puhdys wurden erstmals auf BRD-Tour geschickt, Karat traten bei "Wetten, dass...?" auf, ließen Hunderttausende von West-Mark nach Ost-Berlin fließen. Im Gegenzug durften Westkünstler wie Udo Lindenberg, Peter Maffay und Rio Reiser in der DDR spielen, rockten Die Toten Hosen semilegal in Ostkirchen. Es ging um Propaganda und Devisen, versteckte Botschaften, politische Manöver. Joachim Hentschel erzählt hier zum ersten Mal die ganze Geschichte dieser Zeit, spricht mit Zeitzeugen und beleuchtet die Hintergründe: Wer waren die Strippenzieher? Welche Rolle spielten Stasi, DDR-Kulturministerium und FDJ, westliche Plattenfirmen und Impresarios? Und wie viel trug der große Kulturhandel zur Wende von 1989 und zum Mauerfall bei?
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  • 184
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501370816 , 9781501370809
    Language: English
    Pages: ix, 430 Seiten , Illustrationen
    Edition: Updated and expanded edition
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Progressive Rock ; Progressive rock music / History and criticism ; Rock music / History and criticism ; Progressive rock music ; Rock music ; Criticism, interpretation, etc ; Progressive Rock ; Geschichte
    Abstract: "The original edition of Beyond and Before extends an understanding of "progressive rock" by providing a fuller definition of what progressive rock is, was and can be. Called by Record Collector "the most accomplished critical overview yet" of progressive rock and one of their 2011 books of the year, Beyond and Before moves away from the limited consensus that prog rock is exclusively English in origin and that it was destroyed by the advent of punk in 1976. Instead, by tracing its multiple origins and complex transitions, it argues for the integration of jazz and folk into progressive rock and the extension of prog in Kate Bush, Radiohead, Porcupine Tree and many more. This 10-year anniversary revised edition continues to further unpack definitions of progressive rock and includes a brand new chapter focusing on post-conceptual trends in the 2010s through to the contemporary moment. The new edition discusses the complex creativity of progressive metal and folk in greater depth, as well as new fusions of genre that move across global cultures and that rework the extended form and mission of progressive rock, including in recent pop concept albums. All chapters are revised to keep the process of rethinking progressive rock alive and vibrant as a hybrid, open form"--
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  • 185
    Book
    Book
    Newcastle upon Tyne, UK : Cambridge Scholars Publishing
    ISBN: 9781527586222
    Language: English
    Pages: viii, 158 Seiten
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Hass ; Popmusik ; Popmusik ; Hass
    Abstract: "'Love' may be the major theme of the majority of pop songs, but 'hate', including its subcategories malevolence, vengeance, self-loathing, and contempt, run it close. Looking at artists across the history of popular music, and songs ranging from 'Runaround Sue' to 'W.A.P', this book explores the concept of hatred in lyrics, album art, music video, and the music industry itself, asking important questions about misogyny, politics, psychology, and family along the way." (Buchrückseite)
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  • 186
    ISBN: 9781793655639
    Language: English
    Pages: ix, 179 Seiten
    Series Statement: For the record : Lexington studies in rock and popular music
    DDC: 781.660973
    RVK:
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    Keywords: Rock 'n' Roll ; Protest ; USA
    Note: References Seite 159-166
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  • 187
    Online Resource
    Online Resource
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781108379779
    Language: English
    Pages: 1 Online-Ressource (xxiv, 247 Seiten) , Notenbeispiele, Karten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Musik ; Kulturelle Identität ; Karibik ; Aufsatzsammlung ; Aufsatzsammlung ; Karibik ; Musik ; Kulturelle Identität ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 188
    Musical Score
    Musical Score
    Berlin : CWJEF Music Publications
    ISBN: 9781894821940
    Language: English
    Pages: 80 Seiten , Illustrationen, Notenbeispiele
    RVK:
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  • 189
    ISBN: 9780374139940
    Language: English
    Pages: XVI, 458 Seiten , Illustrationen, Karten
    Edition: First edition
    RVK:
    Keywords: J Dilla ; J Dilla / 1974-2006 ; J Dilla / 1974-2006 / Criticism and interpretation ; Sound recording executives and producers / United States / Biography ; Rap (Music) / Production and direction / History ; Rap (Music) / History and criticism ; Musical meter and rhythm ; Musique / Mesure et rythme ; MUSIC / History & Criticism ; J Dilla / 1974-2006 ; Musical meter and rhythm ; Rap (Music) ; Sound recording executives and producers ; United States ; Biography ; Biographies ; Criticism, interpretation, etc ; History ; Biographies ; Music criticism and reviews ; Biographies ; Comptes rendus de musique ; Biografie ; Biografie ; Biografie ; J Dilla 1974-2006
    Abstract: "Equal parts musicology, biography, and cultural history, Dilla Time chronicles the invention of a new kind of beat by the most underappreciated musical genius of our time"--
    Abstract: J Dilla wasn't known to mainstream audiences: in his lifetime he never had a pop hit. Since his death he has been revered by jazz musicians and rap icons for a new kind of musical time-feel that he created on a drum machine, which changed the way "traditional" musicians play. Charnas chronicles the life of James DeWitt Yancey, from a childhood in Detroit, to his rise as a Grammy-nominated hip-hop producer, to the rare blood disease that caused his premature death; and follows the people who kept him and his ideas alive. Along the way Charnas rewinds the histories of American rhythms, a story of Black culture in America and of what happens when human and machine times are synthesized into something new. -- adapted from jacket
    Description / Table of Contents: Wrong -- Straight Time / Swing Time -- Play Jay -- Machine Time -- Dee Jay -- Sample Time -- Jay Dee -- Dilla Time -- Partners -- Pay Jay -- Warp Time -- J Dilla -- Zealots -- Micro Time -- Descendants / Disciples -- Fragments
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  • 190
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197511114
    Language: English
    Pages: 1 Online-Ressource (x, 277 Seiten) , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.6480979461
    RVK:
    Keywords: Disco music / California / San Francisco / History and criticism ; Electronic dance music / California / San Francisco / History and criticism ; Sound recording industry / California / San Francisco / History / 20th century ; Gay men / California / San Francisco / Social life and customs / 20th century ; Castro (San Francisco, Calif.)
    Abstract: In 'Menergy', author Louis Niebur offers a fascinating new look at gay history through the sounds of San Francisco's queer nightlife. In doing so he also reveals new insights in the history of electronic music and dance music
    Note: Also issued in print: 2022. - Includes bibliographical references, discography and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 191
    ISBN: 9781419749698
    Language: English
    Pages: XII, 306 Seiten
    Parallel Title: Erscheint auch als
    DDC: 782.42164092
    RVK:
    Keywords: Houston, Whitney ; Houston, Whitney / https://isni.org/isni/000000011478617X ; African American women singers / United States / Biography ; African American singers / United States / Biography ; Singers / United States / Biography ; Chanteuses noires américaines / États-Unis / Biographies ; Chanteurs noirs américains / États-Unis / Biographies ; Chanteurs / États-Unis / Biographies ; BIOGRAPHY & AUTOBIOGRAPHY / Music ; BIOGRAPHY & AUTOBIOGRAPHY / Women ; BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts ; Houston, Whitney ; African American singers ; African American women singers ; United States ; African American women singers / Biography ; African American singers / Biography ; Biography ; Biography ; Biographies ; Biographies ; Biographies ; Biografie ; Biografie ; Biografie ; Houston, Whitney 1963-2012
    Abstract: "A candid exploration of the genius, shame, and celebrity of Whitney Houston a decade after her passing. On February 11, 2012, Whitney Houston was found submerged in the bathtub of her suite at the Beverly Hilton Hotel. In the decade since, the world has mourned her death amid new revelations about her relationship to her Blackness, her sexuality, and her addictions. Didn't We Almost Have It All is author Gerrick Kennedy's exploration of the duality of Whitney's life as both a woman in the spotlight and someone who often had to hide who she was. This is the story of Whitney's life, her whole life, told with both grace and honesty. Long before that fateful day in 2012, Whitney split the world wide open with her voice. Hers was a once-in-a-generation talent forged in Newark, NJ, and blessed with the grace of the church and the wisdom of a long lineage of famous gospel singers.
    Abstract: She redefined 'The Star-Spangled Banner.' She became a box-office powerhouse, a queen of the pop charts, and an international superstar. But all the while, she was forced to rein in who she was amid constant accusations that her music wasn't Black enough, original enough, honest enough. Kennedy deftly peels back the layers of Whitney's complex story to get to the truth at the core of what drove her, what inspired her, and what haunted her. He pulls the narrative apart into the key elements that informed her life--growing up in the famed Drinkard family; the two romantic relationships that shaped the entirety of her adult life, with Robyn Crawford and Bobby Brown; her fraught relationship to her own Blackness and the ways in which she was judged by the Black community; her drug and alcohol addiction; and, finally, the shame that she carried in her heart, which informed every facet of her life.
    Abstract: Drawing on hundreds of sources, Kennedy takes readers back to a world in which someone like Whitney simply could not be, and explains in excruciating detail the ways in which her fame did not and could not protect her. In the time since her passing, the world and the way we view celebrity have changed dramatically. A sweeping look at Whitney's life, Didn't We Almost Have It All contextualizes her struggles against the backdrop of tabloid culture, audience consumption, mental health stigmas, and racial divisions in America. It explores exactly how and why we lost a beloved icon far too soon" --
    Description / Table of Contents: Didn't We Almost Have It All?: A Meditation on Loss and Memory -- Under His Eye, Blessed Be The Sound: Faith, Gospel, and the Almighty Power of Cissy Houston -- Home: Newark and the Black American Dreams That Birthed Whitney Houston -- Stuff That You Want, Thing That You Need: The Brilliance and Influence of Whitney's Voice -- My Lonely Heart Calls: On Sex, Desire, and Sexuality -- Miss America, The Beautiful: The Burden of the National Anthem and the Politics of Whitney's Blackness -- Bolder, Blacker, Badder: The Sisters with Voices That Transformed Whitney -- Tell The Truth And Shame The Devil: How Trauma, Shame, and Tabloid Culture Broke Whitney -- The Undoing Of Whitney Houston: Virtue, Vice, and a Requiem for Redemption -- Won't They Always Love You?: Reflections on Meaning and Legacy
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  • 192
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501374715 , 9781501374753
    Language: English
    Pages: vii, 290 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Fela ; Afrobeat ; Fela / 1938-1997 / Criticism and interpretation ; Fela / 1938-1997 / Philosophy ; Fela / 1938-1997 / Political and social views ; Afrobeat / Social aspects / Nigeria ; Afrobeat / Political aspects / Nigeria ; Nigeria / Politics and government / 20th century ; Afrobeat / Aspect social / Nigeria ; Afrobeat / Aspect politique / Nigeria ; Nigeria / Politique et gouvernement / 20e siècle ; Fela / 1938-1997 ; Philosophy ; Political and social views ; Politics and government ; Nigeria ; 1900-1999 ; Criticism, interpretation, etc ; Fela 1938-1997 ; Afrobeat
    Abstract: "Reappraises the life, musical dynamics, and philosophy of Afrobeat legend Fela Anikulapo Kuti, and positions his music within the context of Africa's search for freedom"--
    Description / Table of Contents: Introduction. Fela Anikulapo-Kuti and Fela Studies ; Fela in Perspectives -- Part A. History and Culture. Natal Tales : Fela and His Family ; The Performative Rhythm : From Highlife to Afrobeat ; The "Woman Question" : Fela and His Wives -- Part B. Fela, Art and Politics. Fela and the Postcolonial Political Economy of Nigeria ; The Politics of Fela's Music ; Fela's Use of Language ; Postcoloniality and Art in Fela and His Afrobeat -- Part C. Fela and Felasophy. Cultural Imperatives in Fela's Music ; Fela's Thoughts on African Indigenous Knowledge Systems ; Fela and Pan-Africanism ; Blackism : Fela's Political Philosophy ; Freedom and Excesses : Fela and His Social Eccentricities -- Part D. Fela in the Future. Post-Fela : Afrobeats as Memorialization ; Fela as a Legacy
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  • 193
    ISBN: 9783030987046
    Language: English
    Pages: xxvii, 465 Seiten , Illustrationen
    Series Statement: Pop music, culture and identity
    Series Statement: Pop music, culture and identity
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: 2
    RVK:
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  • 194
    Book
    Book
    Middletown, Connecticut : Wesleyan University Press
    ISBN: 9780819580795 , 9780819580801
    Language: English
    Pages: xiii, 279 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Music/culture
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation
    RVK:
    Keywords: Geschichte 2007-2019 ; Musikleben ; Ethnologie ; Südvietnam ; Music / Vietnam, Southern / History and criticism ; Tài tử / Vietnam, Southern / History and criticism ; Music / Social aspects / Vietnam, Southern ; Music / Performance / Vietnam, Southern ; Musicians / Vietnam, Southern ; Creation (Literary, artistic, etc.) ; Ethnomusicology ; Improvisation (Music) ; Musique / Viêt-nam (Sud) / Histoire et critique ; Ethnomusicologie ; Improvisation (Musique) ; Musique / Aspect social / Viêt-nam (Sud) ; Musique / Exécution / Viêt-nam (Sud) ; Musiciens / Viêt-nam (Sud) ; ethnomusicology ; Creation (Literary, artistic, etc.) ; Ethnomusicology ; Improvisation (Music) ; Music ; Music / Performance ; Music / Social aspects ; Musicians ; Tài tử ; Southern Vietnam ; Criticism, interpretation, etc ; Ethnographies ; Ethnographies ; Études ethnographiques ; Hochschulschrift ; Forschungsbericht ; Hochschulschrift ; Forschungsbericht ; Hochschulschrift ; Forschungsbericht ; Südvietnam ; Musikleben ; Ethnologie ; Geschichte 2007-2019
    Abstract: "Ethnographic study of creativity in traditional southern Vietnamese music in the early twenty-first century"--
    Description / Table of Contents: Framing contested creativities -- Creativity in ethnomusicology -- The seed of creativity in southern Vietnam -- Portrait of Đờn ca tài tử -- Playing with metaphor -- Developing creativity -- Tradition, still remains -- Creativity in new directions
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  • 195
    ISBN: 9781469667249 , 9781469667232
    Language: English
    Pages: 228 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Kooperation ; Musik ; Urheberrecht ; Jamaika ; Popular music / Jamaica / History and criticism ; Popular music / Social aspects / Jamaica / History ; Music trade / Jamaica ; Copyright / Music / Jamaica ; Music and race / Jamaica ; Musique populaire / Jamaïque / Histoire et critique ; Musique populaire / Aspect social / Jamaïque / Histoire ; Musique / Industrie / Jamaïque ; Droit d'auteur / Musique / Jamaïque ; Musique et race / Jamaïque ; Copyright / Music ; Music trade ; Popular music ; Popular music / Social aspects ; Jamaica ; Criticism, interpretation, etc ; History ; Jamaika ; Musik ; Kooperation ; Urheberrecht
    Abstract: "In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann-DJ, media law expert, and ethnographer-identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. In street dances, recording sessions, and global genres such as the riddim, notions of originality include reliance on shared knowledge and authorship as an interactive practice. In this context, musicians, music producers, and audiences are often resistant to conventional copyright practices. And this resistance, Mann reveals, goes beyond cultural concerns. Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a postcolonial world, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization"--
    Description / Table of Contents: Introduction : Community originality and colonial copyright -- Voice of the people : Cultural survival as a musical imperative -- Every night it's something : Exilic authoritiy in the street dance -- Counteractions : Musical conversation against commodification -- Conclusion : New visions from old traditions : autonomy from the commons
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  • 196
    ISBN: 9783952544426 , 3952544426
    Language: English
    Pages: 354 Seiten , Illustrationen, Diagramme , 23.5 cm x 16.5 cm, 633 g
    Edition: 1st edition
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 2000- ; Experimentelle Musik ; Elektronische Musik ; Strategie ; Musikproduktion ; Politisches Denken ; Sampling ; Ableton ; Intention ; Musikproduktion ; Deconstructed Club ; Electronica ; Kreativität ; Digital Audio Workstation ; Musical Borrowing ; Sampling ; Elektronische Musik ; Experimentelle Musik ; Sampling ; Musikproduktion ; Strategie ; Politisches Denken ; Geschichte 2000-
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  • 197
    ISBN: 9783658365158 , 3658365153
    Language: German
    Pages: VII, 543 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 305.2350943
    RVK:
    RVK:
    Keywords: Geschichte 2000- ; Hip-Hop ; Deutschland ; Deutscher Rap/HipHop ; Empowerment/ Jugendkultur ; Gender/Geschlechtlichkeit ; Pädagogik/Musikpädagogik ; Migration/Postmigration ; HipHop Studies ; Hip-Hop pedagogy ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Hip-Hop ; Geschichte 2000-
    URL: Cover
    URL: Unbekannt  (lizenzpflichtig)
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  • 198
    Book
    Book
    Urbana : University of Illinois Press
    ISBN: 9780252086335 , 9780252044267
    Language: English
    Pages: x, 268 Seiten , Illustrationen, Fotografien
    Series Statement: Music in American life
    Parallel Title: Erscheint auch als
    DDC: 781.642
    RVK:
    RVK:
    Keywords: Countrymusic ; Queer-Theorie
    Note: Diskografie Seite 229-234 , Literaturverzeichnis Seite 235-250
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  • 199
    ISBN: 9780231205931 , 9780231205924
    Language: English
    Pages: 192 Seiten
    Series Statement: The Columbia oral history series
    Parallel Title: Erscheint auch als
    DDC: 782.42164092
    RVK:
    Keywords: Dylan, Bob ; Ballade ; Dylan, Bob / 1941- / Criticism and interpretation ; Dylan, Bob / 1941- / Hard rain's a-gonna fall ; Folk songs / History and criticism ; Ballads / History and criticism ; Music and history ; Lord Randal ; Chansons folkloriques / Histoire et critique ; Ballades / Histoire et critique ; Musique et histoire ; Dylan, Bob / 1941- ; Ballads ; Folk songs ; Music and history ; Criticism, interpretation, etc ; Dylan, Bob 1941- ; Ballade
    Abstract: "Hard Rain is an exploration of how oral culture and the ballad tradition shaped Nobel Laureate Bob Dylan's 1962 classic "A Hard Rain's a-Gonna Fall." The song was written at the apex of the folk music revival and harkens back to the British traditional ballad "Lord Randal" and the 17th-century Italian ballad "Il testemento dell'avvelenato." Its theme is relevant to the post-nuclear nightmares and youth movements of the 1960s, prefiguring contemporary concerns about environmental crisis, racism, and mass migrations. Alessandro Portelli demonstrates how Dylan was able to use the folk tradition of the ballad combined with a modern sensibility to creatively question the meaning and direction of history. Will the future bring liberation or disaster? It is up to us"--
    Description / Table of Contents: Introduction. Memory, Voice, and the Global Bob Dylan -- Songs of Innocence and Experience -- The text and the voice -- Talking Atomic Blues -- Which way history? -- Appendix. History's lessons unlearned -- Appendix 2. Lyrics
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  • 200
    ISBN: 9786053965565
    Language: Turkish
    Pages: 176 Seiten , Illustrationen
    RVK:
    Keywords: Geschichte 3000 v. Chr.-1000 v. Chr. ; Instrument ; Musik ; Mesopotamien ; Anatolien ; Mesopotamien ; Anatolien ; Musik ; Instrument ; Geschichte 3000 v. Chr.-1000 v. Chr.
    Note: Literaturverzeichnis Seite 135-140
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