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  • Bayreuth UB  (10)
  • Würzburg UB  (3)
  • München BSB  (2)
  • 2010-2014  (11)
  • Electronic books
  • Musicology  (8)
  • Engineering  (3)
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Material
Language
Years
Year
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    Paris blues : African American music and French popular culture, 1920-1960 (2014)
    Chicago : The University of Chicago Press
    Details
    ISBN: 022613895X , 9780226138954
    Language: English
    Pages: 1 Online-Ressource (291 pages) , illustrations
    Parallel Title: Erscheint auch als Fry, Andy Paris Blues : African American Music and French Popular Culture, 1920-1960
    DDC: 781.65089/96073044
    RVK:
    LS 48015
    RVK:
    LS 48100
    Keywords: Jazz History and criticism 20th century ; Musical theater History 20th century ; Musical films History 20th century ; African American jazz musicians ; African Americans in the performing arts History 20th century ; PERFORMING ARTS ; Theater ; General ; African American jazz musicians ; African Americans in the performing arts ; Jazz ; Musical films ; Musical theater ; Jazz ; Afroamerikanische Musik ; Rezeption ; Afroamerikansk musik ; historia ; Jazz ; historia ; Jazzmusiker ; Music ; Music, Dance, Drama & Film ; Music History & Criticism, Popular - Jazz, Rock, etc ; Criticism, interpretation, etc ; History ; Frankrike ; Frankreich ; France ; Electronic books
    Abstract: Introduction -- Rethinking the Revue nègre : black musical theatre after Josephine Baker -- Jack à l'opéra : jazz bands in black and white -- "Du jazz hot à la créole" : Josephine Baker sings Offenbach -- "That gypsy in France" : Django Reinhardt's occupation blouze -- Remembrance of jazz past : Sidney Bechet in France.
    Abstract: The Jazz Age. The phrase conjures images of Louis Armstrong holding court at the Sunset Cafe in Chicago, Duke Ellington dazzling crowds at the Cotton Club in Harlem, and star singers like Bessie Smith and Ma Rainey. But the Jazz Age was every bit as much of a Paris phenomenon as it was a Chicago and New York scene. In Paris Blues, Andy Fry provides an alternative history of African American music and musicians in France, one that looks beyond familiar personalities and well-rehearsed stories. He pinpoints key issues of race and nation in France's complicated jazz history from the 1920s through the 1950s. While he deals with many of the traditional icons such as Josephine Baker, Django Reinhardt, and Sidney Bechet, among others what he asks is how they came to be so iconic, and what their stories hide as well as what they preserve. Fry focuses throughout on early jazz and swing but includes its re-creation reinvention in the 1950s. Along the way, he pays tribute to forgotten traditions such as black musical theater, white show bands, and French wartime swing. Paris Blues provides a nuanced account of the French reception of African Americans and their music and contributes greatly to a growing literature on jazz, race, and nation in France.--
    Note: Includes bibliographical references and index , English
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: http://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226138954.001.0001/upso-9780226138787
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BSZ
    HeBIS
    BVB
    Bayreuth UB
  • 2
    Online Resource
    Online Resource
    Von Mondlandschaften Zur Vision Eines Neuen Seenlandes : Der Diskurs über Die Gestaltung Von Tagebaubrachen in Ostdeutschland (2014)
    Wiesbaden : Springer Fachmedien Wiesbaden GmbH
    Details
    ISBN: 9783658056407
    Language: German
    Pages: 1 online resource (463 pages)
    Edition: 1st ed.
    Series Statement: RaumFragen: Stadt - Region - Landschaft Ser.
    Parallel Title: Erscheint auch als
    DDC: 300
    RVK:
    AR 13720
    RVK:
    ZH 9665
    Keywords: Waste lands ; Germany.. ; Coal mines and mining ; Germany ; Electronic books ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: ?Die Debatte uber die Sanierung, Rekultivierung und Gestaltung von Tagebaubrachen in Ostdeutschland nach 1989/90 ist Gegenstand dieser Untersuchung. Markus Schwarzer analysiert die Ideen, Werte und Symboliken von Landschaft, die die asthetische Wahrnehmung, wissenschaftliche Erforschung und planerische Umgestaltung der Brachen auszeichnen. Fur seine Untersuchung hat er leitende Konzepte aus dem Sudraum Leipzig, der Region Dessau-Bitterfeld-Wittenberg und der Lausitz ausgewahlt. Der Autor arbeitet die kulturellen Gehalte von Landschaft in den jeweiligen Konzepten heraus und deutet den Wandel des Diskurses uber die Bergbaufolgelandschaft.?.
    Abstract: Intro -- Geleitwort -- Vorwort -- Inhalt -- Abbildungsverzeichnis -- 1 Einleitung -- 1.1 Auswirkungen des Tagebaus -- 1.2 Untersuchungsgegenstand und Fragestellung -- 1.3 Forschungsstand -- 1.4 Relevanz der Arbeit -- 1.5 Zeitgeschichtlicher Rahmen -- 1.6 Aufbau der Arbeit -- 2 Kulturwissenschaftliche Perspektive und Auswahl des Materials -- 2.1 Diskurstheoretische Methodik -- 2.2 Die Gliederung des Diskurses nach sozialen Ebenen -- 2.3 Landschaft als Kollektivsymbol -- 2.4 Zur Auswahl der Quellen -- 2.5 Auswahl und Kennzeichnung der Regionen -- 2.5.1 Südraum Leipzig -- 2.5.2 Dessau-Bitterfeld-Wittenberg -- 2.5.3 Lausitz - insbesondere das heutige „Lausitzer Seenland" -- 3 Das weltanschauliche Deutungsrepertoire von Landschaft -- 3.1 Liberale Landschaftsvorstellungen -- 3.2 Konservative Landschaftsvorstellungen -- 3.3 Demokratische Landschaftsvorstellungen -- 3.4 Romantische Landschaftsvorstellungen -- 4 Leitvorstellungen staatlicher Planung zur Bergbaufolgelandschaft -- 4.1 Bestandsaufnahme der Umweltsituation seit 1990 -- 4.1.1 Bestandsaufnahme in den mitteldeutschen Tagebaugebieten -- 4.1.2 Vorschläge zur Sanierungs- und Rekultivierungsforschung -- 4.1.3 Bestandsaufnahme der Tagebaugebiete in der Niederlausitz -- 4.1.4 Vergleich der Empfehlungen in beiden Bestandsaufnahmen -- 4.2 Leitvorstellungen der staatlichen Tagebausanierung -- 4.2.1 Landes- und Regionalplanung als Sanierungsrahmen -- 4.2.2 Braunkohleausschüsse - Beispiel Brandenburg -- 4.2.3 Kritik an impliziten Landschaftsvorstellungen der Sanierung -- 4.2.4 Diskussion der Landschaftsvorstellungen der Sanierung -- 4.3 Leitideen der staatlichen Raumplanung und ihre Vorläufer -- 4.3.1 Landesplanung - Beispiel Sachsen -- 4.3.2 Das „ökologische Gleichgewicht" bei E. P. Odum -- 4.3.3 Leitvorstellungen der Regionalplanung im Vergleich.
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
    URL: http://dx.doi.org/10.1007/978-3-658-05640-7
    URL: Inhaltsverzeichnis
    URL: Volltext
    URL: Abstract
    URL: Volltext
    URL: Abstract
    URL: lizenzpflichtig
    URL: Volltext
    URL: Cover
    URL: Volltext
    URL: Abstract
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    HU Berlin
    München UB
    Würzburg UB
    Regensburg UB
    KOBV
    BVB
    HBZ
    Bayreuth UB
  • 3
    Online Resource
    Online Resource
    Subversive Stadtplanung (2014)
    Wiesbaden : Springer Fachmedien Wiesbaden GmbH
    Details
    ISBN: 9783658054809
    Language: German
    Pages: 1 online resource (226 pages)
    Edition: 1st ed.
    Parallel Title: Erscheint auch als
    DDC: 307.12
    RVK:
    MS 1840
    RVK:
    ZH 9300
    Keywords: City planning ; Electronic books
    Abstract: Im Mainstream der Stadtplanung und im Tagesgeschaft der Stadtplaner bleiben alternative Formen urbanen Handelns haufig unbeachtet. Manchmal reicht jedoch schon ein kleiner Anlass oder eine Idee, um ein ganzes System ins Wanken zu bringen. Motive, Kulturen und Szenen urbanen Handelns sind derart vielschichtig und komplex, dass potentielle Antriebskrafte fur Veranderungen entweder ubersehen oder als irrelevant abgetan werden. Gegenwartig drangt sich allerdings der Eindruck auf, dass die Handlungsmuster und Strukturen der Stadtplanung einer langsam verblassenden Epoche angehoren. Soziale Aktivitaten und Technologien, die eine Teilhabe an Wissen ermoglichen und erleichtern, weisen auf fundamentale Veranderungen hin. Die vorliegende Studie uber subversive Stadtplanung soll ein Schlaglicht auf eine bereits im Gang befindliche Entwicklung sowie die damit im Zusammenhang stehenden wichtigsten Ausdrucksformen werfen.
    Abstract: Intro -- Inhalt -- Vorwort -- Einleitung -- Subversives Denken -- Urbane Impulse und subversiver Impetus -- Der subversive Modus der Wissensgesellschaft -- Smarte Techniken und soziale Aktivitäten -- Das Bottom-up-Prinzip -- Crowdsourcing -- Institutionen in Zeiten erodierender Informationshoheit -- Partizipation und informationelle Waffengleichheit -- Expertenwissen und soziale Netzwerke -- Thesen zur Zukunft der Stadtplanung -- Anmerkungen.
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
    URL: http://dx.doi.org/10.1007/978-3-658-05480-9
    URL: Volltext
    URL: Inhaltsverzeichnis
    URL: Abstract
    URL: lizenzpflichtig
    URL: Cover
    URL: Volltext
    URL: Inhaltsverzeichnis
    URL: Abstract
    URL: Volltext
    URL: Volltext
    URL: Inhaltsverzeichnis
    URL: Abstract
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    München UB
    Würzburg UB
    Regensburg UB
    BSZ
    KOBV
    BVB
    HBZ
    Bayreuth UB
  • 4
    Online Resource
    Online Resource
    Assimilate : a critical history of industrial music (2013)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190268305
    Language: English
    Pages: 1 Online-Ressource (XIV, 361 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64809
    RVK:
    LS 48015
    RVK:
    LS 48900
    Keywords: Geschichte ; Industrial music History and criticism ; Industrial Rock ; Electronic books ; Electronic books ; Industrial Rock ; Geschichte
    Abstract: Noisy, confrontational, and controversial, industrial music first emerged in the mid-1970s around bands and performance groups who combined avant-garde electronic music with the provocative attitude and style of punk rock. In its early days, bands such as Throbbing Gristle and Cabaret Voltaire produced a genuinely radical form of music bent on recontextualizing the signs and methods of cultural authority in an attempt to liberate listeners from the trappings of modernity. But, as industrial music took on more and more elements of popular music over the course of the 1980s it slowly abandoned its mission. By the mid-1990s, it was seen as simply another style of pop music, and had ironically fallen into the trappings it sought by its very existence to destroy. In "Assimilate", S. Alexander Reed provides the first ever critical history of this fascinating and enigmatic genre tracing industrial music's trajectory from Throbbing Gristle's founding of the record label Industrial Music in 1976, to its peak in popularity on the back of the band Nine Inch Nails in the mid-1990s, and through its decline to the present day. Through a series of revealing explorations of works spanning the entirety of industrial music's past, and drawing on extensive interviews with musicians, record label owners, DJs, and concert promoters, Reed paints a thorough historical picture that includes not only the bands, but the structures that supported them, and the scenes they created. In so doing, he reveals an engaging story of an ideological disintegration and its aftermath. The definitive text on the genre, "Assimilate" is essential reading for fans of industrial music, and scholars and students of popular music alike.
    Note: Published to Oxford Scholarship Online: May 2015
    DOI: 10.1093/acprof:osobl/9780199832583.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
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    Online Resource
    München BSB
    BSZ
    GBV
    KOBV
    BVB
    Bayreuth UB
  • 5
    Online Resource
    Online Resource
    Musical performance and the changing city : post-industrial contexts in Europe and the United States (2013)
    New York : Routledge
    Details
    ISBN: 9780203078921
    Language: English
    Pages: 1 Online-Ressource (xiii, 309 Seiten)
    Series Statement: Routledge research in music 4
    Series Statement: Routledge research in music
    Parallel Title: Erscheint auch als Musical performance and the changing city
    DDC: 306.4/8424
    RVK:
    LR 56608
    Keywords: Popular music Social aspects ; Popular music History and criticism ; Popular music Social aspects ; Electronic books ; Popmusik ; Musiksoziologie ; USA ; Europa ; Popmusik ; Nachindustrielle Gesellschaft ; Urbanität
    Note: Includes bibliographical references at the end of each chapters and index
    DOI: 10.4324/9780203078921
    URL: Volltext
    URL: Volltext
    URL: Volltext
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    HU Berlin
    München BSB
    BSZ
    GBV
    KOBV
    BVB
  • 6
    Online Resource
    Online Resource
    Parallele Raumkonzepte (2013)
    Berlin ; Boston, Mass : De Gruyter
    Details
    ISBN: 9783110291216 , 9783110291223
    Language: German
    Pages: 1 Online-Ressource (VI, 384 S.)
    Series Statement: Topoi 16
    Parallel Title: Erscheint auch als
    DDC: 304.2/3
    RVK:
    AR 27100
    RVK:
    LB 65000
    RVK:
    LE 1851
    RVK:
    MS 9100
    RVK:
    NF 1060
    RVK:
    RB 10903
    RVK:
    ZH 9000
    Keywords: Geschichte ; Altertum ; Raumvorstellung ; Sozialraum ; Electronic books ; Konferenzschrift 2010 ; Konferenzschrift 2010 ; Electronic books ; Konferenzschrift 2010 ; Konferenzschrift 2010 ; Altertum ; Sozialraum ; Raumvorstellung ; Geschichte
    DOI: 10.1515/9783110291216
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext
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    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    München UB
    Würzburg UB
    KOBV
    HeBIS
    BVB
    Bayreuth UB
  • 7
    Online Resource
    Online Resource
    Go-go live : the musical life and death of a chocolate city (2012)
    Durham : Duke University Press
    Details
    ISBN: 0822352117 , 0822395207 , 9780822352112 , 0822352001 , 9780822395201 , 9780822352006 , 9781280487163
    Language: English
    Pages: 1 online resource (xvi, 214 p.
    Edition: Online-Ausg. 2013 Electronic reproduction; Available via World Wide Web
    Series Statement: e-Duke books scholarly collection
    Parallel Title: Print version Go-Go Live
    DDC: 306.4/84240975309045
    RVK:
    LS 48900
    Keywords: African Americans Social life and customs 20th century ; Go-go (Music) History and criticism ; African Americans Music 20th century ; Go-go (Music) Social aspects ; Go-go (Music) -- Washington (D.C.) -- History and criticism ; Go-go (Music) -- Social aspects -- Washington (D.C.) ; African Americans -- Washington (D.C.) -- Music -- 20th century ; African Americans -- Washington (D.C.) -- Social life and customs -- 20th century ; Electronic books ; Electronic books
    Abstract: Includes bibliographical references and index
    Abstract: Black body politic -- Club U -- What's happening -- Call and response -- The archive -- The boondocks -- Redemption song -- Roll call, 1986
    Abstract: Go-go is an upbeat, funky Black popular music from Washington, D.C. with a history as long as that of house or hip-hop. Natalie Hopkinson is the Media and Culture Critic for The Root, with access to clubs, producers, and artists, and is therefore well-placed to tell the story of the music from the 70s to the present. With the regentrification of the District, more of the Black population and the go-go industry have moved to the Maryland suburbs. In Go-Go Live, Hopkinson gives a critical, inside account of the scene and how it survives in a changing city
    Description / Table of Contents: Black body politic -- Club U -- What's happening -- Call and response -- The archive -- The boondocks -- Redemption song -- Roll call, 1986.
    Note: Includes bibliographical references and index , Electronic reproduction; Available via World Wide Web
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1515/9780822395201?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9780822395201
    URL: Cover
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    BSZ
    GBV
    HeBIS
    BVB
    Bayreuth UB
  • 8
    Online Resource
    Online Resource
    Contemporary Carioca : technologies of mixing in a Brazilian music scene (2012)
    Durham : Duke University Press
    Details
    ISBN: 9780822394884 , 082239488X
    Language: English
    Pages: 1 Online-Ressource (xxv, 289 Seiten) , Illustrationen, Karten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48800
    Keywords: Suzano, Marcos ; Geschichte 1980-2000 ; Popular music Brazil ; History and criticism ; Sound Recording and reproducing ; Digital techniques ; Lokalkolorit ; Popmusiker ; Internationalität ; Popmusik ; Rio de Janeiro ; Electronic books ; Rio de Janeiro ; Popmusiker ; Popmusik ; Lokalkolorit ; Internationalität ; Geschichte 1980-2000
    Note: Includes bibliographical references and index , Marcos Suzano : a Carioca blade runner -- Lenine : pernambuco speaking to the world -- Pedro Luís and the wall : Tupy Astronauts -- Fernanda Abreu : garota carioca -- Paulinho Moska : difference and repetition -- On cannibals and chameleons -- Appendix 1: a note about interviews, with a list of interviews cited -- Appendix 2: introductory aspects of Marcos Suzano's pandeiro method
    DOI: 10.1215/9780822394884
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (kostenfrei)
    URL: View this content on Open Research Library
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
    URL: Volltext  (kostenfrei)
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    BSZ
    GBV
    BVB
    Bayreuth UB
    MPI Ethno. Forsch.
  • 9
    Online Resource
    Online Resource
    Stare in the darkness : the limits of hip-hop and black politics (2011)
    Minneapolis : University of Minnesota Press
    Details
    ISBN: 9780816669875 , 9780816669882
    Language: English
    Pages: Online-Ressource (245 p) , ill
    Edition: Online-Ausg. 2011 Electronic reproduction; Available via World Wide Web
    Parallel Title: Print version Stare in the Darkness : The Limits of Hip-hop and Black Politics
    DDC: 305.896/073
    RVK:
    HD 475
    RVK:
    LS 48650
    Keywords: Hip-hop Social aspects ; African Americans Politics and government ; Hip-hop Political aspects ; African Americans Social life and customs ; Plumbing -- Handbooks, manuals, etc ; Plumbing -- Standards -- Handbooks, manuals, etc ; African Americans ; Politics and government ; African Americans ; Social life and customs ; Hip-hop ; Political aspects ; Hip-hop ; Social aspects ; Electronic books
    Abstract: Rap's critique of police brutality in the 1980s. The Hip Hop Political Convention. The rise (and fall) of Kwame Kilpatrick, the "hip-hop mayor" of Detroit. Barack Obama echoing the body language of Jay-Z on the campaign trail. A growing number of black activists and artists claim that rap and hip-hop are the basis of an influential new urban social movement. Simultaneously, black citizens evince concern with the effect that rap and hip-hop culture exerts on African American communities. According to a recent Pew survey conducted on the opinions of Black Americans, 71 percent of black
    Description / Table of Contents: Cover; Contents; Introduction: Follow Me into a Solo; 1. In This Journey, You're the Journalist: Rap Lyrics, Neoliberalism, and the Black Parallel Public; 2. A Little Knowledge Is Dangerous: Consuming Rap and Political Attitudes; 3. Follow the Leader: Hip-hop Activism and the Circulation of Black Politics; 4. Put Here to Be Much More Than That: The Rise and Fall of Kwame Kilpatrick; Conclusion: Obama and the Future of Hip-hop Politics; Acknowledgments; Appendix A: Political Platforms for the Hip-hop Social Action Network and the Black Panther Party
    Description / Table of Contents: Appendix B: National Hip-hop Convention Agenda, 2004Appendix C: Top Hip-hop Albums for the Week of December 1, 2006; Appendix D: Ownership of Top Market Urban-Urban Adult Contemporary Radio Stations; Notes; Bibliography; Discography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y
    Note: Includes bibliographical references and index , Electronic reproduction; Available via World Wide Web
    URL: Volltext
    URL: Volltext
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    URL: Volltext  (URL des Erstveröffentlichers)
    URL: http://dx.doi.org/10.5749/minnesota/9780816669875.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
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    BSZ
    GBV
    KOBV
    HeBIS
    BVB
    Bayreuth UB
  • 10
    Online Resource
    Online Resource
    Brazilian popular music and citizenship (2011)
    Durham, NC : Duke University Press
    Details
    ISBN: 0822348845 , 1283265923 , 082234906X , 9781283265928 , 9780822348849 , 9780822349068
    Language: English
    Pages: Online-Ressource (1 online resource (x, 364 p.)) , ill
    Edition: Online-Ausg.
    Parallel Title: Print version Brazilian Popular Music and Citizenship
    DDC: 306.4/84240981
    RVK:
    LS 48800
    Keywords: Popular music Political aspects ; Popular music History and criticism ; Popular music Social aspects ; Popular music -- Social aspects -- Brazil ; Popular music -- Political aspects -- Brazil ; Popular music -- Brazil -- History and criticism ; Electronic books ; Electronic books ; Electronic books ; Electronic books
    Abstract: Covering more than one hundred years of history, this multidisciplinary collection of essays illuminates the important links between citizenship, national belonging, and popular music in Brazil
    Description / Table of Contents: Contents; Acknowledgments; Introduction. Music as Practice of Citizenship in Brazil - Idelber Avelar and Christopher Dunn; Dissonant Voices under a Regime of Order-Unity: Popular Music and Work in the Estado Novo - Adalberto Paranhos; Orpheonic Chant and the Construction of Childhood in Brazilian Elementary Education - Flávio Oliveira; Farewell to MPB - Carlos Sandroni; From Mr. Citizen to Defective Android: Tom Zé and Citizenship in Brazil - Christopher Dunn; Rude Poetics of the 1980s: The Politics and Aesthetics of Os Titãs - Angélica Madeira
    Description / Table of Contents: "We Live Daily in Two Countries": Audiotopias of Postdictatorship Brazil - Frederick MoehnSoundtracking Landlessness: Music and Rurality in the Movimento dos Trabalhadores Rurais Sem Terra - Malcolm K. McNee; Zhen Brasil's Japanese Brazilian Groove - Shanna Lorenz; Embodying the Favela: Representation, Mediation, and Citizenship in the Music of Bezerra da Silva - Aaron Lorenz; Hip-Hop in São Paulo: Identity, Community Formation, and Social Action - Wivian Weller and Marco Aurélio Paz Tella; "Conquistando Espaço": Hip-Hop Occupations of São Paulo - Derek Pardue
    Description / Table of Contents: Funk Music Made in Brazil: Media and Moral Panic - João Freire Filho and Micael HerschmannTechnobrega, Forró, Lambadão: The Parallel Music of Brazil - Hermano Vianna; "Tradition as Adventure": Black Music, New Afro-Descendant Subjects, and Pluralization of Modernity in Salvador da Bahia - Osmundo Pinho; Modernity, Agency, and Sexuality in the Pagode Baiano - Ari Lima; Candeal and Carlinhos Brown: Social and Musical Contexts of an Afro-Brazilian Community - Goli Guerreiro; Of Mud Huts and Modernity: The Performance of Civic Progress at Arcoverde's São João Festival - Daniel Sharp
    Description / Table of Contents: Mangue Beat Music and the Coding of Citizenship in Sound - Idelber AvelarWorks Cited; Contributors; Index
    Note: Description based on print version record , Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
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    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822393603
    URL: https://doi.org/10.1515/9780822393603?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9780822393603
    URL: Cover
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822393603?locatt=mode:legacy
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    BSZ
    GBV
    KOBV
    HeBIS
    BVB
    Bayreuth UB
  • 11
    Online Resource
    Online Resource
    Rock the nation : Latin/o identities and the Latin rock diaspora (2010)
    New York : Continuum
    Details
    ISBN: 9781628928297 , 9781441167972 , 9780826441805
    Language: English
    Pages: 1 Online-Ressource (xii, 228 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.66089/68
    RVK:
    LS 48050
    Keywords: Geschichte 1950-2010 ; MUSIC / Genres & Styles / Punk ; MUSIC / Genres & Styles / Heavy Metal ; MUSIC / Genres & Styles / Rock ; Rock music History and criticism ; Rock music Latin American influences ; Hispanos ; Rockmusik ; Lateinamerika ; USA ; USA ; Electronic books ; USA ; Hispanos ; Rockmusik ; Geschichte 1950-2010
    Description / Table of Contents: Introduction : On Latinos/Hispanics in the United States, "Latino/as", the U.S. census, and other foundational concepts -- Heard it on the X : border radio as public discourse, the Latin/o legacy in popular music, and the roots of multicultural America -- The missing links : zoot suits, original Chicanos, and diasporic Latin/o connections -- Latinos in the garage : Latin/o presence and influence in garage-rock-- and other pop music -- Las ondas de José Agustín : the birth of rock in Mexico and the Latin/o rock diaspora (1970-1990) -- Transnational punk(s) : on the transnational character of the Latin/o rock diaspora -- Conclusion : Alter-Latino, the Latin/o rock diaspora and new Latinidades
    DOI: 10.5040/9781628928297
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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