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  • München BSB  (3)
  • Weltkulturen Museum
  • Online Resource  (3)
  • Image
  • 2020-2024  (3)
  • 2015-2019
  • Cambridge, United Kingdom : Cambridge University Press  (3)
  • Musicology  (3)
Datasource
Material
  • Online Resource  (3)
  • Image
  • Book  (1)
Language
Years
  • 2020-2024  (3)
  • 2015-2019
Year
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    The Cambridge companion to Krautrock (2023)
    Cambridge, United Kingdom : Cambridge University Press
    Details
    ISBN: 9781009036535
    Language: English
    Pages: 1 Online-Ressource (xx, 323 Seiten) , Illustrationen
    Series Statement: Cambridge companions to music
    Series Statement: Cambridge companions online
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.660943/09047
    RVK:
    LQ 80107
    RVK:
    LQ 80108
    RVK:
    LS 48060
    RVK:
    LS 48635
    Keywords: Krautrock ; Krautrock (Music) / History and criticism ; Popular music / Germany / History and criticism ; MUSIC / General ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Krautrock
    Abstract: Introduction / Uwe Schütte -- Part I. Context. Krautrock : Definitions, Concepts, Contexts / Ulrich Adelt ; Krautrock and the Radical Politics of 1968 / Detlef Siegfried ; Krautrock in the British and American Music Press / Alexander Simmeth ; Infrastructure of the German Music Business / Jan-Peter Herbst ; The Sound of Krautrock / Heather Moore -- Part II. Music. Kraftwerk / Uwe Schütte ; Can / Patrick Glen ; Tangerine Dream / Sean Nye and Michael Krikorian ; Neu! / David Stubbs ; Faust / Alexander Henkle ; Cluster/Harmonia / David Pattie ; Popol Vuh / Sascha Seiler ; Ash Ra Tempel, Manuel Göttsching and Klaus Schulze / Pertti Grönholm ; Amon Düül II / Ryan Iseppi ; The Flip Side of Krautrock / Jens Balzer -- Part III. Legacy. Krautrock and German Punk / Jeff Hayton ; Krautrock and British Post-Punk / Alexander Carpenter ; Krautrock and German Free Jazz, Kraut Fusion, Detroit Techno / Marcus Barnes ; Krautrock Today / Alex Harden.
    Abstract: "Krautrock and its offshoots have had a tremendous impact on musical production and reception in Great Britain and the US since the 1970s. Genres such as indie, post-rock, EDM, and hip-hop have drawn heavily on Krautrock and have connected a music that initially disavowed its European American and African American origins with the lived experience of whites and blacks in the United States and Europe. At the same time, while reaching for an imagined cosmic community, Krautrock, not only by its name, stirs up essentialist notions of national identity and citizenship"--
    Note: Includes index
    DOI: 10.1017/9781009036535
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    München BSB
    München UB
    Würzburg UB
    BSZ
    GBV
    KOBV
    BVB
  • 2
    Online Resource
    Online Resource
    Whose country music? : genre, identity, and belonging in twenty-first-century country music culture (2023)
    Cambridge, United Kingdom : Cambridge University Press
    Details
    ISBN: 9781108937443
    Language: English
    Pages: 1 Online-Ressource (xiii, 295 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 781.642
    RVK:
    LS 48610
    Keywords: Geschichte 2000-2022 ; Country music / History and criticism ; Country music / Social aspects ; Countrymusic ; Nordamerika ; Aufsatzsammlung ; Aufsatzsammlung ; Nordamerika ; Countrymusic ; Geschichte 2000-2022
    Abstract: In a period in which racism and gender inequity are at the fore of public, political, and scholarly discourse, this collection challenges systems of gatekeeping that have dictated who gets to participate in twenty-first century country music culture. Building on established scholarship, this book examines contemporary issues in country music through feminist, intersectional, and post-colonialist theories, as well as other intertextual and cultural lenses. The authors pose questions about diversity, representation, and identity as they relate to larger concepts of artist and fan communities, stylistic considerations of the genre, and modes of production from a twenty-first century perspective. Addressing and challenging the received narrative about country music culture, this collection delves into the gaps that are inherent in existing approaches that privileged biography and historiography and expands new areas of inquiry relating to contemporary country music identity and culture
    Note: Title from publisher's bibliographic system (viewed on 03 Feb 2023) , "She went to Nashville to sing country music" : Gatekeeping and the Country Music Industry / by Paula J. Bishop and Jada Watson -- INDUSTRY. Mailbox Money : Novel Liberation Strategies of a Black Female Country Songwriter / by Alice Randall ; Dixie Chicked : Sony vs. The Chicks and the Regendering of Country Music in the Early Twentieth-Century / by Kristine M. McCusker ; How 360° Deals Homogenized Country Music / by Rachel Skaggs ; A Double-Edged Sword : Industry Data and the Construction of Country Music Narratives / by Jada Watson -- CODES OF CONDUCT. Why Country Music Needs Latina Feminism / by Sophia Enriquez ; Pistol Annies : Country Rebels with Humor / by Stephanie Vander Wel ; From Bros to Gentlemen : The Problem of Consent in Contemporary Country Music / by Phoebe E. Hughes ; Cowboys on a Beach : Summer Country and the Loss of Working-Class Identity / by Jocelyn R. Neal -- AUTHENTICITY. Dolly Parton's Netflix Reimagining : How Her Twenty-First Century "Jolene" Revises Country Music's Authenticity Narrative / by Leigh H. Edwards ; "When Britney [Spears] Ruled the World" : Expanding the Stylistic Boundaries of Nostalgia in Country Music / by Paula J. Bishop ; Rhinestone Revivals : Repurposing the Nudie Suit for the Twenty-first Century / by Janet Aspley ; Country Music Doesn't Have to Suck : Intertextuality, Community, and Bloodshot Records / by Nancy P. Riley -- BOUNDARY WORK. Playing at the Border : Navajo Country Western Music and Border Town Racism / by Kristina Jacobsen ; Country-Loving Mexican Americans: Dual Patriotism and Inevitable Fandom among Mexican American Country Music Lovers / by Nadine Hubbs ; Practices of Genre Surveillance in Country Music: Hearing Racial Politics in Beyonce's and The Chicks' "Daddy Lessons" / by Rebekah Hutten ; "We have a Lot of Work to Do" : Rhiannon Giddens and Country Music's Mixed Roots / by Tracey E. Laird -- Epilogue. Country Music Needs a Revolution / by Rissi Palmer
    DOI: 10.1017/9781108937443
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    München BSB
    BVB
  • 3
    Online Resource
    Online Resource
    The Cambridge Companion to Caribbean Music (2022)
    Cambridge, United Kingdom : Cambridge University Press
    Details
    ISBN: 9781108379779
    Language: English
    Pages: 1 Online-Ressource (xxiv, 247 Seiten) , Notenbeispiele, Karten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48700
    Keywords: Geschichte ; Musik ; Kulturelle Identität ; Karibik ; Aufsatzsammlung ; Aufsatzsammlung ; Karibik ; Musik ; Kulturelle Identität ; Geschichte
    DOI: 10.1017/9781108379779
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    HU Berlin
    München BSB
    München UB
    Würzburg UB
    Regensburg UB
    BVB
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