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  • München BSB  (3)
  • München UB  (1)
  • Bayreuth UB  (1)
  • New York, NY : New York University Press  (3)
  • Gays
  • slavery
Datasource
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  • 1
    Online Resource
    Online Resource
    New York, NY : New York University Press
    ISBN: 9781479801657 , 9781479801671
    Language: English
    Pages: 1 Online-Ressource (xii, 326 Seiten) , Illustrationen
    Series Statement: Early American Places 17
    Parallel Title: Erscheint auch als
    DDC: 305.800974270.089
    Keywords: Geschichte 1730-1850 ; Dutch Reformed ; Early Republic ; Great Awakening ; Indian churches ; Lutheran ; Methodist ; Mid-Atlantic ; Moravian ; Native Americans ; New England ; Phillis Wheatley ; Presbyterian ; Samson Occom ; Samuel Niles ; Sarah Osborn ; William Apess ; abolitionism;African Americans;American Revolution;Anglican;antebellum;anti-black violence;antislavery;Baptist;black churches;British Atlantic world;Christian education;colonial society;compassion;Congregational;David Walker ; enslaved people ; evangelism ; integrationist ; interracial ; northern Protestants ; northern churches ; race relations ; racial categories ; racism ; revivalism ; segregation ; slavery ; southern churches ; RELIGION / Christianity / History ; African American churches History ; African Americans Religious life ; African Americans Segregation ; Indians of North America Religious life ; Indians of North America Social conditions ; Race relations Religious aspects ; Christianity ; Segregation Religious aspects ; Christianity ; Ethnische Beziehungen ; Christentum ; Kirche ; Segregation ; USA ; USA ; Christentum ; Kirche ; Ethnische Beziehungen ; Segregation ; Geschichte 1730-1850
    Abstract: Uncovers the often overlooked participation of African Americans and Native Americans in early Protestant churchesPhillis Wheatley was stolen from her family in Senegambia, and, in 1761, slave traders transported her to Boston, Massachusetts, to be sold. She was purchased by the Wheatley family who treated Phillis far better than most eighteenth-century slaves could hope, and she received a thorough education while still, of course, longing for her freedom. After four years, Wheatley began writing religious poetry. She was baptized and became a member of a predominantly white Congregational church in Boston. More than ten years after her enslavement began, some of her poetry was published in London, England, as a book titled Poems on Various Subjects, Religious and Moral. This book is evidence that her experience of enslavement was exceptional. Wheatley remains the most famous black Christian of the colonial era. Though her experiences and accomplishments were unique, her religious affiliation with a predominantly white church was quite ordinary. Dividing the Faith argues that, contrary to the traditional scholarly consensus, a significant portion of northern Protestants worshipped in interracial contexts during the eighteenth century. Yet in another fifty years, such an affiliation would become increasingly rare as churches were by-and-large segregated.Richard Boles draws from the records of over four hundred congregations to scrutinize the factors that made different Christian traditions either accessible or inaccessible to African American and American Indian peoples. By including Indians, Afro-Indians, and black people in the study of race and religion in the North, this research breaks new ground and uses patterns of church participation to illuminate broader social histories. Overall, it explains the dynamic history of racial integration and segregation in northern colonies and states
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 2
    Online Resource
    Online Resource
    New York, NY : New York University Press
    ISBN: 9781479813636
    Language: English
    Pages: 1 Online-Ressource (245 Seiten, 8 ungezählte Seiten Tafeln) , Illustrationen
    Series Statement: Postmillennial Pop Band 25
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.800973022/2
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte ; Aaron McGruder;African American Art;African American cartoonists;African American children;African American Soldiers;African Americans;Black Aesthetics;Black Body;black liberation;black masculinity;Black Panther;Black superheroes ; Brumsic Brandon Jr ; Captain America ; Civil Rights Movement ; Comics ; Hermeneutic ; Ho Che Anderson ; Icon ; Jennifer Cruté ; Kyle Baker ; Larry Fuller ; Martin Luther King Jr ; Nat Turner ; Ollie Harrington ; R Crumb ; Richard Grass Green ; Thomas Nast ; U.S. comics ; Violence ; World War II. ; citizenship ; editorial cartoons ; equal opportunity humor ; infantile citizenship ; offensive humor ; racial melancholia ; slavery ; stereotype ; underground comix ; visual culture ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; African Americans Caricatures and cartoons ; Belonging (Social psychology) in art ; Belonging (Social psychology) ; Racism in cartoons ; Zugehörigkeit ; Comic ; Subkultur ; Karikatur ; Schwarze ; USA ; USA ; Schwarze ; Karikatur ; Zugehörigkeit ; Geschichte ; USA ; Schwarze ; Comic ; Subkultur
    Abstract: Traces the history of racial caricature and the ways that Black cartoonists have turned this visual grammar on its headRevealing the long aesthetic tradition of African American cartoonists who have made use of racist caricature as a black diasporic art practice, Rebecca Wanzo demonstrates how these artists have resisted histories of visual imperialism and their legacies. Moving beyond binaries of positive and negative representation, many black cartoonists have used caricatures to criticize constructions of ideal citizenship in the United States, as well as the alienation of African Americans from such imaginaries. The Content of Our Caricature urges readers to recognize how the wide circulation of comic and cartoon art contributes to a common language of both national belonging and exclusion in the United States.Historically, white artists have rendered white caricatures as virtuous representations of American identity, while their caricatures of African Americans are excluded from these kinds of idealized discourses. Employing a rich illustration program of color and black-and-white reproductions, Wanzo explores the works of artists such as Sam Milai, Larry Fuller, Richard "Grass" Green, Brumsic Brandon Jr., Jennifer Cruté, Aaron McGruder, Kyle Baker, Ollie Harrington, and George Herriman, all of whom negotiate and navigate this troublesome history of caricature. The Content of Our Caricature arrives at a gateway to understanding how a visual grammar of citizenship, and hence American identity itself, has been constructed
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 3
    Online Resource
    Online Resource
    New York, NY : New York University Press
    ISBN: 9781479891672
    Language: English
    Pages: 1 Online-Ressource (xv, 307 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.76/6
    RVK:
    RVK:
    Keywords: Black geographies ; Brooklyn ; Constellations ; Disidentifications ; Feminist theory ; Gentrification ; Greenwich Village ; Lesbian ; Lines and orientations (Ahmed) ; Manhattan ; Neighbourhood ; Paradoxical space ; People of color ; Production of space ; Queer failure ; Queer theory ; Queers of color ; Racism ; Transgender and gender non-conforming people ; Urban geography ; Whiteness ; SOCIAL SCIENCE / LGBT Studies / Gay Studies ; Gays ; Gender identity ; Gender-nonconforming people ; Intersex people ; Sexual minorities ; Geschlechtsunterschied ; Anthropogeografie ; Queer-Theorie ; Lesbe ; New York, NY ; Electronic books ; New York, NY ; Geschlechtsunterschied ; Anthropogeografie ; Queer-Theorie ; Lesbe
    Abstract: The first lesbian and queer historical geography of New York CityOver the past few decades, rapid gentrification in New York City has led to the disappearance of many lesbian and queer spaces, displacing some of the most marginalized members of the LGBTQ+ community. In A Queer New York, Jen Jack Gieseking highlights the historic significance of these spaces, mapping the political, economic, and geographic dispossession of an important, thriving community that once called certain New York neighborhoods home.Focusing on well-known neighborhoods like Greenwich Village, Park Slope, Bedford-Stuyvesant, and Crown Heights, Gieseking shows how lesbian and queer neighborhoods have folded under the capitalist influence of white, wealthy gentrifiers who have ultimately failed to make room for them. Nevertheless, they highlight the ways lesbian and queer communities have succeeded in carving out spaces-and lives-in a city that has consistently pushed its most vulnerable citizens away.Beautifully written, A Queer New York is an eye-opening account of how lesbians and queers have survived in the face of twenty-first century gentrification and urban development
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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