ISBN:
9780292719767
,
0292719760
,
9780292760905
Sprache:
Englisch
Seiten:
XV, 254 S.
,
24 cm
Ausgabe:
1. ed.
DDC:
709.04
Schlagwort(e):
Art, Modern 20th century
;
Art, Latin American 20th century
;
Art, Modern
;
20th century
;
Art, Latin American
;
20th century
;
Aufsatzsammlung
;
Aufsatzsammlung
;
Lateinamerika
;
Kunst
;
Künstler
;
Geschichte 1900-2000
;
Kunst
;
Kunst
;
Geschichte 1900-2000
;
Lateinamerika
;
Kunst
;
Künstler
;
Geschichte 1900-2000
Anmerkung:
Formerly CIP Uk. - Includes bibliographical references and index. - Foreword / by Rachel Weiss -- Pt. I. On and against translation. Introduction. Contemporary colonial art (1969) -- The sixties (1998) -- Exile (1983) -- Political pop (1998) -- Access to the mainstream (1987) -- Wonder bread and Spanglish art (1989) -- Cultural identities before and after the exit of Bureau-Communism (1991) -- Art and politics : the aesthetics of resistance (1994) -- The artist's role and image in Latin America (2004) -- Out of geography and into the Moiré pattern (1996) -- The reconstruction of Salami (2003) -- Printmaking : a colony of the arts (1999) -- My museums (1995) -- The forgotten individual (1996) -- Free-trade diaspora (2003) -- Pt. II. Other histories. Introduction. Pedro Figari (1991) -- Resoftenings and softenings in Uruguayan art (1991) -- An ode to aquatint (2003) -- Revisiting tautology (2006) -- The Museo Latinoamericano and MICLA (1992) -- Flying in weightlessness (2004) -- Brazil in New York (2001) -- The keeper of the lens (2005) -- The two versions of Santa Anna's leg and the ethics of public art (1995) -- The Biennial of Utopias (1999) -- Introduction to the symposium "Art as education/Education as art" (2007) -- Index
,
Foreword
,
Pt. I. On and against translation. Introduction. Contemporary colonial art (1969) ; The sixties (1998) ; Exile (1983) ; Political pop (1998) ; Access to the mainstream (1987) ; Wonder bread and Spanglish art (1989) ; Cultural identities before and after the exit of Bureau-Communism (1991) ; Art and politics : the aesthetics of resistance (1994) ; The artist's role and image in Latin America (2004) ; Out of geography and into the Moiré pattern (1996) ; The reconstruction of Salami (2003) ; Printmaking : a colony of the arts (1999) ; My museums (1995) ; The forgotten individual (1996) ; Free-trade diaspora (2003) ; Pt. II. Other histories. Introduction. Pedro Figari (1991) ; Resoftenings and softenings in Uruguayan art (1991) ; An ode to aquatint (2003) ; Revisiting tautology (2006) ; The Museo Latinoamericano and MICLA (1992) ; Flying in weightlessness (2004) ; Brazil in New York (2001) ; The keeper of the lens (2005) ; The two versions of Santa Anna's leg and the ethics of public art (1995) ; The Biennial of Utopias (1999) ; Introduction to the symposium "Art as education/Education as art" (2007) ; Index.
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