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  • FID-SKA-Lizenzen  (5)
  • HU-Berlin Edoc  (1)
  • French  (5)
  • Romanian  (1)
  • France  (6)
Datasource
Material
  • 1
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: Romanian
    Pages: 1 online resource (39 min.). , 003921
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Parks ; Bucharest (Romania) ; Bucharest (Romania) History. ; France ; Nonfiction films.
    Abstract: Lumina amintirii explores evocations of memory in contemporary post-socialist Bucharest, nearly twenty years after the fall of Romanian communism. The film is shot in Cismigiu Gardens, one of the oldest public parks in Bucharest. Interweaving recollections of the past with glimpses of present-day scenes from the park, the film constructs a montage of stillness and motion, images and voices, landscapes and people. Tracing paths through both the mind and the city, it invites viewers to activate their own memories and imaginations along with those unfolding in the film.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in Romanian with English subtitles.
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  • 2
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: French
    Pages: 1 online resource (51 min.). , 005103
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Antiques business ; Antiques business ; Forgery of antiquities ; Cameroon Antiquities ; Collectors and collecting. ; France ; Nonfiction films.
    Abstract: Shot in Cameroon and Brussels, Je ne suis pas moi-même examines the complex network surrounding the international market of African antiquities, and the contradictions in a European art market hungry for new tribal objects. Where do the African masks come from? What journey do these masks make before their unveiling in the windows of the biggest galleries or art collections in Europe? Who determines the economic and aesthetic value of these objects now that colonialism is supposedly dead? And then there's a continent called Africa, in need of economic resources and therefore willing to sell its cultural heritage or, if need be, to fake it. The authenticity of the objects becomes blurred when the people that once adored them start to sell them.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in French and English with English subtitles.
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  • 3
    Language: French
    Pages: 1 Online-Ressource (315 Seiten)
    Dissertation note: Dissertation Humboldt-Universität zu Berlin, Philosophische Fakultät III 2008
    DDC: 300
    Keywords: Hochschulschrift ; Migration ; Deutschland ; Zweite Genereration ; Ungleichheit ; Frankreich ; Germany ; Immigration ; Second generation ; Inequality ; France ; Sozialwissenschaften, Soziologie, Anthropologie
    Abstract: Diese Arbeit untersucht die Partizipationsmodi der Migrantennachkommen in Frankreich und Deutschland, insbesondere junger Menschen mit einem türkischen Hintergrund in Deutschland und einem maghrebinischen Hintergrund in Frankreich. Individuen bewegen sich in gesellschaftlichen Räumen, die für das individuelle und kollektive Handeln sowohl Opportunitäten bieten als auch durch Grenzen gekennzeichnet sind. Indem die historischen, institutionellen und strukturellen Rahmenbedingungen Frankreichs und Deutschlands verglichen werden, können die Unterschiede zwischen den Partizipationsmodi junger Menschen mit Migrationshintergrund analysiert werden. Die Auswertung repräsentativer Daten für Frankreich und Deutschland zeigt, dass die Migrantennachkommen in Frankreich deutlich höhere Bildungsabschlüsse erreichen als in Deutschland, wenn gleich die Situation polarisierter ist. Diese Bildungsungleichheiten wirken sich auf die Modi der Partizipation am Arbeitsmarkt aus. Trotz der Defizite der Migrantennachkommen in Deutschland im Hinblick auf das erreichte Bildungsniveau, haben diese eine relativ bessere Situation im Hinblick auf ihre Beschäftigung. Die Nachkommen maghrebinischer Migranten in Frankreich erfahren Arbeitslosigkeit und berufliche Disqualifizierung – trotz relativ hoher Bildungsabschlüsse. Die Partizipationsmodi verweisen auf zwei unterschiedliche, jedoch sich nicht ausschließende soziale Logiken: eine soziale Distanzierung durch Relegation in Deutschland und eine soziale Distanzierung durch Diskriminierung in Frankreich. Schließlich haben der nationale Rahmen und die Diskriminierungserfahrung einen Einfluss auf die von ihnen entwickelten Formen von Zugehörigkeit. So tendieren Jugendliche mit maghrebinischem Hintergrund, die Diskriminierung erfahren eher dazu, ihre Zugehörigkeit zur französischen Nation aufzukündigen. Dagegen hat die Diskriminierungserfahrung keinen Effekt auf das Zugehörigkeitsgefühl türkischer Migrantennachkommen in Deutschland.
    Abstract: This doctoral thesis analyses the modes of participating of young people of migrant origin, in particular those of North-African origin and of Turkish origin in today’s France and Germany respectively. Especially, it deals with their educational achievements, their transition into the labour market and their forms of belonging (citizenship and elective participation). The results from French and German micro-data indicate that despite their severe difficulties in terms of school achievements, young people of Turkish origin have a more favorable working life than young people of North-African origin who are more successful in the educational system. The former experience unemployment, instability and declassing more frequently in their working life. Two types of processes of social distancing emerge from those results: through relegation in Germany and through discrimination in France. Those processes trace back to institutional, structural and symbolic mechanisms. Furthermore, both the national framework and experience of discrimination influence the forms of belonging of those population groups in different ways.
    Abstract: Cette thèse analyse les modes de participation des descendants de migrants, en particulier maghrébins en France et turcs en Allemagne. Selon le cadre national dans lequel ils évoluent, les descendants de migrants n’ont pas les mêmes opportunités et ne font pas face à des contraintes similaires. Ainsi, en confrontant les conditions institutionnelles et structurelles propres aux sociétés française et allemande, il est possible de s’interroger sur les variations des modes de participation des descendants de migrants. Plusieurs dimensions sont étudiées : les inégalités dans l’accès aux titres scolaires, les transitions sur le marché du travail, le type d’emploi et les formes d’appartenance (lien de citoyenneté et lien de participation élective). Les résultats fondés sur l’exploitation quantitative de grandes enquêtes montrent que les descendants de migrants turcs, malgré leur situation d’échec scolaire, ont une vie professionnelle plus favorable que les descendants de migrants maghrébins qui ont quant à eux des diplômes plus élevés. Ces derniers, contrairement aux premiers, connaissent plus souvent le chômage, ils ont quitté le secteur industriel dans lequel étaient concentrés leurs parents, et subissent souvent un déclassement et une instabilité professionnelle. Les résultats obtenus laissent apparaître deux types de logiques sociales : la mise à distance sociale par la relégation en Allemagne et par la discrimination en France. Ces logiques sociales renvoient à des mécanismes institutionnels, structurels et symboliques précis qui sont développés et théorisés dans ce travail. Enfin, les descendants de migrants ne développent pas les mêmes formes d’appartenance. Alors que l’expérience du rejet amène les descendants de migrants maghrébins à révoquer leur appartenance à la société française, les descendants de migrants turcs sont maintenus dans un entre-soi qui, en quelque sorte, « va de soi ».
    URL: Volltext  (kostenfrei)
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  • 4
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: French
    Pages: 1 online resource (76 min.). , 011613
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Brass bands ; Popular music ; Music ; Jacqueville (Côte d'Ivoire) Music. ; France ; Documentary films.
    Abstract: This is the story of that brass band, a brass band that isn't at all like a military band. It's a dancing brass band, an African brass band, that accompanies all the big and little moments of life: national festivals, religious ceremonies, funerals, fetes and celebrations, a musical game involving a football, tunes from the famous Mapuka dance, or the experimental use of sacred drums together with the brass band. A lively debate between the musicians, in which a sense of humor is clearly present, as they examine fundamental questions about their tradition and its transformations in the context of the life of people today. This film was shot in July and August 2002, a few weeks before the outbreak of civil war in the Côte d'Ivoire.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 2002 in Jacqueville, Côte d'Ivore. , Previously released as DVD. , This edition in French with English subtitles.
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  • 5
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: French
    Pages: 1 online resource (53 min.). , 005254
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Cultural psychiatry Case studies. ; Islamic demonology. ; Jinn ; Jinn ; France ; Nonfiction films.
    Abstract: When they emigrated to Europe in the 60's and 70's, Moroccans brought with them their culture and their "diseases" ( caused by the the jinn that inhabit some of them). In Europe, most North African families will include someone who is undergoing this kind of disorder, with diverse manifestations (asthma, paralysis, epilepsy, "crises", sterility etc.) which, if left untreated, may be extremely serious and destructive, causing suffering and delinquent behaviour. In the film we follow two Moroccan women: Hind and Fatima who are looking to solve their problems caused by invisibles. They are visiting healers in Europe and Morocco. The healers "negotiate" with invisible forces and are using therapeutic rituals.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in French with English subtitles.
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  • 6
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: French
    Pages: 1 online resource (176 min.). , 025601
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Areare (Solomon Islands people) Songs and music. ; Panpipes ; Panpipes Construction ; Musical instruments ; Musical instruments Construction ; Folk songs, Areare ; Panpipes ensembles. ; Music ; France ; Documentary films.
    Abstract: Part 1: A fascinating documentation of the traditional musical culture of the 'Are'are people of the Solomon Islands, in the South-Western Pacific. The three LP records published after a first one-year field-research in 1969-70 were a phenomenal surprise (Garfias) as they revealed a completely unknown music (outside of the Solomon Islands) of an exceptional beauty and complexity in its instrumental and vocal polyphonies. It seemed to the researcher an absolute necessity to document visually what had been published on sound recordings, showing in detail all the playing techniques, body movements of performers, and spatial coordination of music ensembles and dancers. The documentary consists of a comprehensive inventory of all the twenty musical genres of the 'Are'are people and is structured according to native classification, along with explanations by master musician 'Irisipau.
    Abstract: Parts 2 & 3: For the 'Are'are people of the Solomon Islands, the most valued music is that of the four types of panpipe ensembles. With the exception of slit drums, all musical instruments are made of bamboo; therefore the general word for instruments and the music performed with them is bamboo ('au). This film shows the making of panpipes, from the cutting the bamboo in the forest to the making of the final bindings. The most important part of the work consists in shaping each tube to its necessary length. Most 'Are'are panpipe makers measure the length of old instruments before they shape new tubes. Master musician 'Irisipau, surprisingly, takes the measure using his body, and adjusts the final tuning by ear. For the first time we can see here how the instruments and their artificial equiheptatonic scale—seven equidistant degrees in an octave—are practically tuned.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1979 in Solomon Islands. , Previously released as DVD. , This edition in French with English subtitles.
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