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  • BVB  (8)
  • HU-Berlin Edoc
  • Barale, Michèle Aina  (4)
  • Johnson, E. Patrick  (4)
  • Durham : Duke University Press  (8)
Datasource
Material
Language
Years
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    Honeypot : black southern women who love women (2019)
    Durham : Duke University Press
    Details
    ISBN: 9781478007241
    Language: English
    Pages: 1 Online-Ressource (xviii, 230 Seiten)
    Parallel Title: Erscheint auch als Johnson, E. Patrick, 1967 - Honeypot
    DDC: 306.76/630923896073
    Keywords: African American lesbians Biography ; African American lesbians History 20th century ; African American lesbians History 21st century ; Electronic books
    Abstract: E. Patrick Johnson's Honeypot opens with the fictional trickster character Miss B. barging into the home of Dr. EPJ, informing him that he has been chosen to collect and share the stories of her people. With little explanation, she whisks the reluctant Dr. EPJ away to the women-only world of Hymen, where she serves as his tour guide as he bears witness to the real-life stories of queer Black women throughout the American South. The women he meets come from all walks of life and recount their experiences on topics ranging from coming out and falling in love to mother/daughter relationships, religion, and political activism. As Dr. EPJ hears these stories, he must grapple with his privilege as a man and as an academic, and in the process he gains insights into patriarchy, class, sex, gender, and the challenges these women face. Combining oral history with magical realism and poetry, Honeypot is an engaging and moving book that reveals the complexity of identity while offering a creative method for scholarship to represent the lives of other people in a rich and dynamic way.
    DOI: 10.1215/9781478007241
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9781478007241
    URL: lizenzpflichtig
    URL: https://doi.org/10.1515/9781478007241
    URL: https://www.degruyter.com/isbn/9781478007241
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BSZ
    GBV
    HeBIS
    BVB
    Bayreuth UB
    MPI-MMG
  • 2
    Online Resource
    Online Resource
    No tea, no shade : new writings in black queer studies (2016)
    Durham : Duke University Press
    Details
    ISBN: 9780822373711
    Language: English
    Pages: 1 Online-Ressource (xvi, 422 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.76608996073
    RVK:
    MS 2870
    Keywords: Politik ; African American gays ; Gay and lesbian studies ; African Americans in popular culture ; Gays in popular culture ; Gender identity Political aspects ; Sex in popular culture ; Homosexualität ; Schwarze ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Schwarze ; Homosexualität
    Note: Bevorzugte Informationsquelle Landingpage (Duke University Press), da weder Titelblatt noch Impressum vorhanden
    DOI: 10.1215/9780822373711
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BSZ
    GBV
    BVB
    Bayreuth UB
  • 3
    Online Resource
    Online Resource
    Black Queer Studies : A Critical Anthology (2005)
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9780822387220
    Language: English
    Pages: 1 Online-Ressource (400 p.)
    DDC: 306.76/6/072
    RVK:
    MS 2870
    Keywords: Aufsatzsammlung
    Abstract: While over the past decade a number of scholars have done significant work on questions of black lesbian, gay, bisexual, and transgendered identities, this volume is the first to collect this groundbreaking work and make black queer studies visible as a developing field of study in the United States. Bringing together essays by established and emergent scholars, this collection assesses the strengths and weaknesses of prior work on race and sexuality and highlights the theoretical and political issues at stake in the nascent field of black queer studies. Including work by scholars based in English, film studies, black studies, sociology, history, political science, legal studies, cultural studies, and performance studies, the volume showcases the broadly interdisciplinary nature of the black queer studies project.The contributors consider representations of the black queer body, black queer literature, the pedagogical implications of black queer studies, and the ways that gender and sexuality have been glossed over in black studies and race and class marginalized in queer studies. Whether exploring the closet as a racially loaded metaphor, arguing for the inclusion of diaspora studies in black queer studies, considering how the black lesbian voice that was so expressive in the 1970s and 1980s is all but inaudible today, or investigating how the social sciences have solidified racial and sexual exclusionary practices, these insightful essays signal an important and necessary expansion of queer studies.Contributors. Bryant K. Alexander, Devon Carbado, Faedra Chatard Carpenter, Keith Clark, Cathy Cohen, Roderick A. Ferguson, Jewelle Gomez, Phillip Brian Harper, Mae G. Henderson, Sharon P. Holland, E. Patrick Johnson, Kara Keeling, Dwight A. McBride, Charles I. Nero, Marlon B. Ross, Rinaldo Walcott, Maurice O. Wallace...
    DOI: 10.1515/9780822387220
    URL: https://doi.org/10.1515/9780822387220?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9780822387220
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    HeBIS
    BVB
  • 4
    Online Resource
    Online Resource
    Insult and the Making of the Gay Self (2004)
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9780822385493
    Language: English
    Pages: 1 Online-Ressource (474 p.)
    Series Statement: Series Q : 8
    DDC: 306.76/62
    Abstract: A bestseller in France following its publication in 1999, Insult and the Making of the Gay Self is an extraordinary set of reflections on "the gay question" by Didier Eribon, one of France's foremost public intellectuals. Known internationally as the author of a pathbreaking biography of Michel Foucault, Eribon is a leading voice in French gay studies. In explorations of gay subjectivity as it is lived now and as it has been expressed in literary history and in the life and work of Foucault, Eribon argues that gay male politics, social life, and culture are transformative responses to an oppressive social order. Bringing together the work of Jean-Paul Sartre, Pierre Bourdieu, Judith Butler, and Erving Goffman, he contends that gay culture and political movements flow from the need to overcome a world of insult in the process of creating gay selves.Eribon describes the emergence of homosexual literature in Britain and France at the turn of the last century and traces this new gay discourse from Oscar Wilde and the literary circles of late-Victorian Oxford to André Gide and Marcel Proust. He asserts that Foucault should be placed in a long line of authors-including Wilde, Gide, and Proust-who from the nineteenth century onward have tried to create spaces in which to resist subjection and reformulate oneself. Drawing on his unrivaled knowledge of Foucault's oeuvre, Eribon presents a masterful new interpretation of Foucault. He calls attention to a particular passage from Madness and Civilization that has never been translated into English. Written some fifteen years before The History of Sexuality, this passage seems to contradict Foucault's famous idea that homosexuality was a late-nineteenth-century construction. Including an argument for the use of Hannah Arendt's thought in gay rights advocacy, Insult and the Making of the Gay Self is an impassioned call for critical, active engagement with the question of how gay life is shaped both from without and within.
    DOI: 10.1515/9780822385493
    URL: https://doi.org/10.1515/9780822385493?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9780822385493
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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    Online Resource
    HeBIS
    BVB
  • 5
    Online Resource
    Online Resource
    Appropriating Blackness : Performance and the Politics of Authenticity (2003)
    Durham : Duke University Press
    Details
    ISBN: 9780822385103
    Language: English
    Pages: 1 online resource (382 p.) , 16 b&w photos
    DDC: 305.896/073
    RVK:
    LB 42610
    RVK:
    LB 42610
    Keywords: African Americans in popular culture ; African Americans / Intellectual life ; African Americans / Race identity ; Authenticity (Philosophy) / Political aspects / United States ; Performing arts / Political aspects / United States ; Performing arts / Social aspects / United States ; BIOGRAPHY & AUTOBIOGRAPHY / Cultural Heritage
    Abstract: Performance artist and scholar E. Patrick Johnson’s provocative study examines how blackness is appropriated and performed—toward widely divergent ends—both within and outside African American culture. Appropriating Blackness develops from the contention that blackness in the United States is necessarily a politicized identity—avowed and disavowed, attractive and repellent, fixed and malleable. Drawing on performance theory, queer studies, literary analysis, film criticism, and ethnographic fieldwork, Johnson describes how diverse constituencies persistently try to prescribe the boundaries of "authentic" blackness and how performance highlights the futility of such enterprises.Johnson looks at various sites of performed blackness, including Marlon Riggs’s influential documentary Black Is . . . Black Ain’t and comedic routines by Eddie Murphy, David Alan Grier, and Damon Wayans. He analyzes nationalist writings by Amiri Baraka and Eldridge Cleaver, the vernacular of black gay culture, an oral history of his grandmother’s experience as a domestic worker in the South, gospel music as performed by a white Australian choir, and pedagogy in a performance studies classroom. By exploring the divergent aims and effects of these performances—ranging from resisting racism, sexism, and homophobia to excluding sexual dissidents from the black community—Johnson deftly analyzes the multiple significations of blackness and their myriad political implications. His reflexive account considers his own complicity, as ethnographer and teacher, in authenticating narratives of blackness
    DOI: 10.1515/9780822385103
    URL: https://doi.org/10.1515/9780822385103
    URL: https://www.degruyter.com/isbn/9780822385103
    URL: Cover
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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    BSZ
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    HBZ
  • 6
    Online Resource
    Online Resource
    Margaret Mead Made Me Gay : Personal Essays, Public Ideas (2000)
    Durham : Duke University Press
    Details
    ISBN: 9780822381341
    Language: English
    Pages: 1 online resource (360 pages) , 23 photographs
    Series Statement: Series Q
    DDC: 305.9/0664
    Keywords: SOCIAL SCIENCE / LGBT Studies / Gay Studies ; Anthropologists Biography ; Gays ; Homophobia in anthropology ; Lesbian anthropologists Biography ; Lesbian feminism ; Lesbians
    Abstract: Margaret Mead Made Me Gay is the intellectual autobiography of cultural anthropologist Esther Newton, a pioneer in gay and lesbian studies. Chronicling the development of her ideas from the excitement of early feminism in the 1960s to friendly critiques of queer theory in the 1990s, this collection covers a range of topics such as why we need more precise sexual vocabularies, why there have been fewer women doing drag than men, and how academia can make itself more hospitable to queers. It brings together such classics as "The Mythic Mannish Lesbian" and "Dick(less) Tracy and the Homecoming Queen" with entirely new work such as "Theater: Gay Anti-Church."Newton's provocative essays detail a queer academic career while offering a behind-the-scenes view of academic homophobia. In four sections that correspond to major periods and interests in her life-"Drag and Camp," "Lesbian-Feminism," "Butch," and "Queer Anthropology"-the volume reflects her successful struggle to create a body of work that uses cultural anthropology to better understand gender oppression, early feminism, theatricality and performance, and the sexual and erotic dimensions of fieldwork. Combining personal, theoretical, and ethnographic perspectives, Margaret Mead Made Me Gay also includes photographs from Newton's personal and professional life.With wise and revealing discussions of the complex relations between experience and philosophy, the personal and the political, and identities and practices, Margaret Mead Made Me Gay is important for anyone interested in the birth and growth of gay and lesbian studies
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) , In English
    DOI: 10.1515/9780822381341
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 7
    Online Resource
    Online Resource
    Queer Iberia : Sexualities, Cultures, and Crossings from the Middle Ages to the Renaissance (1999)
    Durham : Duke University Press
    Details
    ISBN: 9780822382171
    Language: English
    Pages: 1 online resource (487 pages) , 3 illustrations, 1 table
    Series Statement: Series Q
    DDC: 306.76/6/0946
    Keywords: SOCIAL SCIENCE / LGBT Studies / Gay Studies ; Homosexuality and literature ; Homosexuality ; Homosexuality ; Literature and society ; Literature and society ; Sex in literature
    Abstract: Martyred saints, Moors, Jews, viragoes, hermaphrodites, sodomites, kings, queens, and cross-dressers comprise the fascinating mosaic of historical and imaginative figures unearthed in Queer Iberia. The essays in this volume describe and analyze the sexual diversity that proliferated during the period between the tenth and the sixteenth centuries when political hegemony in the region passed from Muslim to Christian hands.To show how sexual otherness is most evident at points of cultural conflict, the contributors use a variety of methodologies and perspectives and consider source materials that originated in Castilian, Latin, Arabic, Catalan, and Galician-Portuguese. Covering topics from the martydom of Pelagius to the exploits of the transgendered Catalina de Erauso, this volume is the first to provide a comprehensive historical examination of the relations among race, gender, sexuality, nation-building, colonialism, and imperial expansion in medieval and early modern Iberia. Some essays consider archival evidence of sexual otherness or evaluate the use of "deviance" as a marker for cultural and racial difference, while others explore both male and female homoeroticism as literary-aesthetic discourse or attempt to open up canonical texts to alternative readings.Positing a queerness intrinsic to Iberia's historical process and cultural identity, Queer Iberia will challenge the field of Iberian studies while appealing to scholars of medieval, cultural, Hispanic, gender, and gay and lesbian studies.Contributors. Josiah Blackmore, Linde M. Brocato, Catherine Brown, Israel Burshatin, Daniel Eisenberg, E. Michael Gerli, Roberto J. González-Casanovas, Gregory S. Hutcheson, Mark D. Jordan, Sara Lipton, Benjamin Liu, Mary Elizabeth Perry, Michael Solomon, Louise O. Vasvári, Barbara Weissberger
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) , In English
    DOI: 10.1515/9780822382171
    URL: Volltext  (URL des Erstveröffentlichers)
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    BVB
  • 8
    Online Resource
    Online Resource
    Queering the Renaissance (1993)
    Durham : Duke University Press
    Details
    ISBN: 9780822382607
    Language: English
    Pages: 1 online resource (398 pages)
    Series Statement: Series Q
    DDC: 306.766094
    Keywords: SOCIAL SCIENCE / LGBT Studies / Gay Studies ; Homosexuality in literature ; Homosexuality History ; Renaissance
    Abstract: Queering the Renaissance offers a major reassessment of the field of Renaissance studies. Gathering essays by sixteen critics working within the perspective of gay and lesbian studies, this collection redraws the map of sexuality and gender studies in the Renaissance. Taken together, these essays move beyond limiting notions of identity politics by locating historically forms of same-sex desire that are not organized in terms of modern definitions of homosexual and heterosexual.The presence of contemporary history can be felt throughout the volume, beginning with an investigation of the uses of Renaissance precedents in the 1986 U.S. Supreme Court decision Bowers v. Hardwick, to a piece on the foundations of 'our' national imaginary, and an afterword that addresses how identity politics has shaped the work of early modern historians. The volume examines canonical and noncanonical texts, including highly coded poems of the fifteenth-century Italian poet Burchiello, a tale from Marguerite de Navarre's Heptameron, and Erasmus's letters to a young male acolyte. English texts provide a central focus, including works by Spenser, Shakespeare, Bacon, Donne, Beaumont and Fletcher, Crashaw, and Dryden. Broad suveys of the complex terrains of friendship and sodomy are explored in one essay, while another offers a cross-cultural reading of the discursive sites of lesbian desire.Contributors. Alan Bray, Marcie Frank, Carla Freccero, Jonathan Goldberg, Janet Halley, Graham Hammill, Margaret Hunt, Donald N. Mager, Jeff Masten, Elizabeth Pittenger, Richard Rambuss, Alan K. Smith, Dorothy Stephens, Forrest Tyler Stevens, Valerie Traub, Michael Warner
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) , In English
    DOI: 10.1515/9780822382607
    URL: Volltext  (URL des Erstveröffentlichers)
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