Note: Zusatz wechselt , Ungezählte Beil.: Supplement; Sonderedition; 1989,1 - 1990,8: Ausstellungen; 1990,9 - 1992,7: Kulturkalender , Teils ohne Jg.-Zählung; Periodizität: 10x jährl. , Index 1941/91 in: Sonderh. zu 51.1991,601

Note: Zusatz wechselt , Ungezählte Beil.: Supplement; Sonderedition; 1989,1 - 1990,8: Ausstellungen; 1990,9 - 1992,7: Kulturkalender , Teils ohne Jg.-Zählung; Periodizität: 10x jährl. , Index 1941/91 in: Sonderh. zu 51.1991,601

Note: Zusatz wechselt , Teils ohne Jg.-Zählung; Periodizität: 10x jährl. , Index 1941/91 in: Sonderh. zu 51.1991,601

Note: Includes bibliographical references and index , 2111

Note: Includes bibliographical references and index , SIDE A. Toward a black feminist intellectual tradition in sound -- "Sister, can you line it out?": Zora Neale Hurston notes the sound -- Blues feminist lingua franca: Rosetta Reitz rewrites the record -- Thrice militant music criticism: Ellen Willis & Lorraine Hansberry's What might be -- SIDE B. Not fade away: looking after Geeshie & Elvie / L.V. -- "If you should lose me": of trunks & record shops & black girl ephemera -- "See my face from the other side": catching up with Geeshie and L.V. -- "Slow fade to black": black women archivists remix the sounds -- Epilogue: Going to the territory

Note: Includes bibliographical references and index

Note: Includes bibliographical references

Note: Hier auch später erschienene, unveränderte Nachdrucke

Note: Description based on publisher supplied metadata and other sources

Note: Auf dem Umschlag: "Forschung, Lehre und Management".

Note: Published in partnership with The Other Foundation

Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jun 2020)

Note: First published in 1990 by Routledge

Note: Includes bibliographical references and index

Note: © Verlag C.H. Beck oHG, München 1999. - Dieses Buch erschien zuerst 1999 in gebundener Form in der Reihe C.H. Beck Kulturwissenschaft, durchgesehene broschierte Sonderausgabe 2003, 3. Auflage 2006, 4. durchgesehene Auflage 2009, 5., durchgesehene Auflage 2010

Note: Hier auch später erschienene, unveränderte Nachdrucke. - Includes bibliographical references and index

Note: Literaturverzeichnis: Seiten 343-379. - Index

Note: Hier auch später erschienene, unveränderte Nachdrucke

Note: Includes bibliographical references and index

Note: Erscheint auch als Open Access bei De Gruyter

Note: Literaturverzeichnis: Seiten 251-258

Note: Includes bibliographical references and index

Note: Hier auch später erschienene, unveränderte Nachdrucke. - Includes bibliographical references and index

Note: Includes bibliographical references and index , Evolution and Victorian fiction , Between specimen and imagination : photography in the age of evolution , Early cinema and evolution , Evolution and victorian art , "I'm evolving!" : varieties of evolution on the Victorian stage , Dance and evolutionary thought in late Victorian discourse , The "non-Darwinian" revolution and the great chain of musical being , Development and display : progressive evolution in British Victorian architecture and architectural theory , Dramas of development : exhibitions and evolution in Victorian Britain , The popularization of evolution and victorian culture

Note: Hier auch später erschienene, unveränderte Nachdrucke

Note: Includes bibliographical references and index. - Women, forms of exile, and diasporic identities -- Outside history: exile and myths of the Irish feminine in Julia O'Faolain's No country for young men and The Irish signorina -- Negotiating with the motherland: exile and the Irish woman writer in Edna O'Brien's The country girls trilogy and The light of evening -- Relative visibility: women, exile, and censorship in John Mcgahern's The leavetaking and amongst women -- Architectures of exile and self-exile in William Trevor's Felicia's journey and The story of Lucy Gault -- The refusenik returnee and reluctant emigrant in Colm Tóibøn's The South and Brooklyn -- Ireland is something that often happens elsewhere: displaced and disrupted histories in Anne Enright's What are you like? and The gathering

Note: Beitr. teilw. dt., teilw. engl.

Note: Includes bibliographical references and index

Note: Includes bibliographical references and index

Note: Literaturverzeichnis ungezählte Seite 674 , Literaturangaben , Mit Register , pt. 1 Expansions : There are no visual media , pt. 1 Expansions :There are no visual media , The (in)human spatial condition : a visual essay ; Mapping non-conformity : post-bubble urban strategies , X-reality : interview with the virtual cannibal , On software, or the persistence of visual knowledge , Notes on the photographic image , Queer faces : photography and subcultural lives , Currents of worldmaking in contemporary art , Sublimated with mineral fury : prelim notes on sounding pandemonium Asia , The sea and the land : biopower and visuality from slavery to Katrina , pt. 2 Globalization, war and visual economy : (a) War and violence : The archaeology of violence : the king's head , On the actuarial gaze : from 9/11 to Abu Ghraib , American military imaginaries and Iraqi cities , Zeroing in : overhead imagery, infrastructure ruins, and datalands in Afghanistan and Iraq , What Greg Roberts saw : visuality, intelligibility, and sovereignty : 36,000km over the equator , Media and martyrdom , Live true life or die trying , (b) Attention and visualizing economy : Kino-I, Kino-world : notes on the cinematic mode of production , On virtuosity , Faking globalization , Creativity and the problem of free labor , It's easier to imagine the end of the world than the end of capitalism , Do it yourself geo-politics , pt. 3 The body, coloniality and visuality : (a) Bodies and minds : Optics , Blindness and visual culture : an eye witness account , Reduplicative desires , The persistence of vision , The body and/in representation , Forever modern : Mami Wata visual culture and history in Africa , (b) Histories and memories : The mobilized and virtual gaze in modernity : fl(c)Øneur/fl(c)Øneuse ; Tourism and "sacred ground" : the space of ground zero , Maps, mother/goddesses, and martyrdom in modern India , Museums in late democracies , The fact of blackness , The case of blackness , (c) (Post/de/neo)colonial visualities : Orientalism and the exhibitionary order , from The colonial harem , Vodun art, social history and the slave trade , Between cult and culture : Bamiyan, Islamic iconoclasm and the museum , The postcolonial constellation : contemporary art in a state of permanent transition , Urban warfare : walking through walls , pt. 4 Media and mediations : U.S. operating systems at midcentury : the intertwining of race and unix , Rethinking the digital age , The unworkable interface , On the superiority of the analog , Digital racial formations and networked images of the body , Imagination, multimodality and embodied interaction : a discussion of sound and movement in two cases of laboratory and clinical magnetic resonance imaging , The (in)human spatial condition : a visual essay ; Mapping non-conformity : post-bubble urban strategies , X-reality : interview with the virtual cannibal , On software, or the persistence of visual knowledge , Notes on the photographic image , Queer faces : photography and subcultural lives , Currents of worldmaking in contemporary art , Sublimated with mineral fury : prelim notes on sounding pandemonium Asia , The sea and the land : biopower and visuality from slavery to Katrina , pt. 2 Globalization, war and visual economy : (a) War and violence :The archaeology of violence : the king's head , On the actuarial gaze : from 9/11 to Abu Ghraib , American military imaginaries and Iraqi cities , Zeroing in : overhead imagery, infrastructure ruins, and datalands in Afghanistan and Iraq , What Greg Roberts saw : visuality, intelligibility, and sovereignty : 36,000km over the equator , Media and martyrdom , Live true life or die trying , (b) Attention and visualizing economy :Kino-I, Kino-world : notes on the cinematic mode of production , On virtuosity , Faking globalization , Creativity and the problem of free labor , It's easier to imagine the end of the world than the end of capitalism , Do it yourself geo-politics , pt. 3 The body, coloniality and visuality : (a) Bodies and minds :Optics , Blindness and visual culture : an eye witness account , Reduplicative desires , The persistence of vision , The body and/in representation , Forever modern : Mami Wata visual culture and history in Africa , (b) Histories and memories :The mobilized and virtual gaze in modernity : flâneur/flâneuse ; Tourism and "sacred ground" : the space of ground zero , Maps, mother/goddesses, and martyrdom in modern India , Museums in late democracies , The fact of blackness , The case of blackness , (c) (Post/de/neo)colonial visualities :Orientalism and the exhibitionary order , fromThe colonial harem , Vodun art, social history and the slave trade , Between cult and culture : Bamiyan, Islamic iconoclasm and the museum , The postcolonial constellation : contemporary art in a state of permanent transition , Urban warfare : walking through walls , pt. 4 Media and mediations :U.S. operating systems at midcentury : the intertwining of race and unix , Rethinking the digital age , The unworkable interface , On the superiority of the analog , Digital racial formations and networked images of the body , Imagination, multimodality and embodied interaction : a discussion of sound and movement in two cases of laboratory and clinical magnetic resonance imaging

Note: Hier auch später erschienene, unveränderte Nachdrucke.

Note: Includes bibliographical references and index

Note: Includes bibliographical references and index

Note: Includes bibliographical references and index

Note: Includes bibliographical references and index

Note: Formerly CIP Uk. - Includes bibliographical references

Note: Literaturverz. S. [252] - 262

Note: 3257-6

Note: Includes bibliographical references and index

Note: Literaturangaben und Index

Note: Hier auch später erschienene, unveränderte Nachdrucke