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  • HU Berlin  (5)
  • 2020-2024  (5)
  • 1980-1984
  • Chicago ; London : The University of Chicago Press  (5)
  • Musicology  (5)
  • English Studies
Datasource
Material
Language
Years
Year
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Book
    Book
    Tear down the walls : white radicalism and black power in 1960s rock (2021)
    Chicago ; London : The University of Chicago Press
    Details
    ISBN: 9780226768212 , 9780226768182
    Language: English
    Pages: 225 Seiten, 12 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.421661592
    RVK:
    LS 48635
    Keywords: Geschichte 1968-1969 ; Rockmusik ; Aktivismus ; Black power ; Weiße ; USA ; Großbritannien ; Rock music / Social aspects / United States / History / 20th century ; Rock music / United States / 1961-1970 / History and criticism ; Black power / United States / History / 20th century ; Music and race / United States / History / 20th century ; Black power ; Music and race ; Rock music ; Rock music / Social aspects ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; USA ; Großbritannien ; Rockmusik ; Weiße ; Black power ; Aktivismus ; Geschichte 1968-1969
    Abstract: "Rock and roll's most iconic, not to mention wealthy, pioneers are overwhelmingly white, despite their great indebtedness to black musical innovators. Many of these pioneers were insensitive at best and exploitative at worst when it came to the black art that inspired them. Tear Down the Walls is about a different cadre of white rock musicians and activists, those who tried to tear down walls separating musical genres and racial identities during the late 1960s. Their attempts were often naïve, misguided, or arrogant, but they could also reflect genuine engagement with African American music and culture and sincere investment in anti-racist politics. Burke considers this question by recounting five dramatic incidents that took place between August 1968 and August 1969, including Jefferson Airplane's performance with Grace Slick in blackface on the Smothers Brothers Comedy Hour, Jean-Luc Godard's 1968 film, Sympathy for the Devil, featuring the Rolling Stones and Black Power rhetoric, and the White Panther Party at Woodstock. Each story sheds light on a significant but overlooked facet of 1960s rock-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These radical white rock musicians believed that performing and adapting black music could contribute to what in the Black Lives Matter era is sometimes called "white allyship." This book explores their efforts and asks what lessons can be learned from them. As white musicians and activists today still attempt to find ethical, respectful approaches to racial politics, the challenges and victories of the 1960s can provide both inspiration and a sense of perspective"--
    Description / Table of Contents: Honkie Soul: The MC5 at the Democratic National Convention-Lincoln Park, Chicago, August 25 -- Blue Eyes and a Black Face: Jefferson Airplane and the Rock Revolution-The Smothers Brothers Comedy Hour (CBS-TV), November 10 -- One Plus One: Jean-Luc Godard Meets the Rolling Stones-London Film Festival, November 29 -- The Seats Belong to the People: The Battle of the Fillmore East-Lower East Side, Manhattan, December 26 -- Declare the Nation into Being: Woodstock and the Movement-Woodstock Music & Art Fair, White Lake, NY, August 15-18
    Note: Includes bibliographical references and index
    URL: Rezension
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Rezension
    URL: Rezension
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Rezension
    URL: Rezension
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Book
    HU Berlin
    München BSB
    KOBV
    HeBIS
    BVB
  • 2
    Book
    Book
    Ambient Sufism : ritual niches and the social work of musical form (2021)
    Chicago ; London : The University of Chicago Press
    Details
    ISBN: 9780226723471 , 9780226723334
    Language: English
    Pages: xix, 244 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als
    DDC: 781.7/7009611
    RVK:
    BE 8640
    RVK:
    LS 34460
    Keywords: Sufismus ; Musik ; Ritual ; Öffentlicher Raum ; Tunesien ; Sufi music / Tunisia / History and criticism ; Sufi music / Social aspects / Tunisia ; Music / Tunisia / Religious aspects ; Sufism / Tunisia / Rituals ; Islamic music / Tunisia / History and criticism ; Islamic music / Social aspects / Tunisia ; MUSIC / History & Criticism ; Islamic music ; Music / Religious aspects ; Sufi music ; Sufism / Rituals ; Tunisia ; Criticism, interpretation, etc ; Tunesien ; Sufismus ; Musik ; Ritual ; Öffentlicher Raum
    Abstract: "Ambient Sufism is a study of the intertwined musical lives of several ritual communities in Tunisia that invoke the healing powers of long-deceased Muslim saints through music-driven trance rituals. Richard C. Jankowsky illuminates the (virtually undocumented) role of women and minorities in shaping the ritual musical ecology of the region, with case studies on men's and women's Sufi orders, Jewish and black Tunisian healing musical troupes, and the popular music of hard-drinking laborers, as well as the cohorts involved in mass-mediated staged spectacles of ritual that continue to inject ritual sounds into the public sphere. He uses the term "ambient Sufism" to illuminate these adjacent ritual practices, each serving as a musical, social, and devotional-therapeutic niche while contributing to a larger, shared ecology of practices surrounding and invoking the figures of saints. And he argues that ritual musical form--that is, the large-scale structuring of ritual through musical organization--has agency; that is, form is revealing and constitutive of experience and encourages particular subjectivities. Ambient Sufism promises many useful ideas for ethnomusicology, anthropology, Islamic and religious studies, and North African studies"--
    Description / Table of Contents: Introduction : Ambient Sufism -- Ritual reflexivity : musicality, Sufi pedigrees, and the masters of "intoxication" -- Ritual hospitality : women Sufis and the musical ethnics of accommodation -- Ritual alterity : the musical management of Sub-Saharan otherness -- Ritual remnants : legacies of Jewish-Muslim ritual musical convergences -- Ritual as resource : set-list modularity and the cultural politics of staging Sufi music -- Conclusion : ritual niches and the social work of musical form
    Note: Audio, video, and musical examples may be accessed on the accompanying website, https:///sites.tufts.edu/ambientsufism
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Book
    HU Berlin
    München BSB
    KOBV
    BVB
    Ethn. Museum Berlin
  • 3
    Online Resource
    Online Resource
    Everyone loves live music : a theory of performance institutions (2020)
    Chicago ; London : The University of Chicago Press
    Details
    ISBN: 9780226738680
    Language: English
    Pages: 1 Online-Ressource (347 Seiten) , Illustrationen
    Series Statement: Big issues in music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.78
    RVK:
    LS 48635
    RVK:
    LS 48015
    RVK:
    LR 56600
    Keywords: Live-Auftritt ; Festival ; Sozialer Wandel ; Rockmusik ; Konzert ; Rock music / Social aspects / United States ; Rock music / Social aspects / Europe ; Music festivals / Social aspects / United States ; Music festivals / Social aspects / Europe ; Rockmusik ; Festival ; Konzert ; Live-Auftritt ; Sozialer Wandel
    Abstract: Introduction. The Social Study of Musical Performance Institutions -- Conceptualizing Musical Performance Culture Clubs in Everyday Urban Life -- The Social Study of Music in Cities -- The Commercial Institutionalization of Rock Clubs in New York -- How Did Institutionalization Evolve in Europe? : Music Festivals in the Summer Season -- A Worldview History of Music Festivals -- The Evolution of Anglophone Global Culture -- Three Industry Evolutions That Changed Festival Culture -- New Media, New Festival Worlds
    Abstract: "In Everyone Loves Live Music, Fabian Holt takes us through transformations in musical performance culture that explain how live music became the wildly popular industry it is today--and what these changes mean for fans. Holt looks at two realms of live music subject to the same commercializing trends: rock clubs, a feature of everyday life in major American and European cities and blowout musical festivals, venues for over-the-top experiences. As both clubs and festivals are being bought up and managed by a shrinking number of corporate entities such as Live Nation, they are becoming increasingly homogenous, showcasing a narrow roster of mostly Anglophone musicians. While many of the clubs and festivals Holt studies began as highly local scenes, they have fallen prey to media conglomerates, affecting the social worlds not only of fans, but of the cities and neighborhoods that are home to these musical cultures. As a result, Holt shows, our social worlds are transforming as particular forms of music, place, lifestyle, and leisure come to dominate our cultural lives"
    Note: Includes bibliographical references and index
    DOI: 10.7208/9780226738680
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    HU Berlin
    München BSB
    KOBV
    BVB
  • 4
    Online Resource
    Online Resource
    The search for medieval music in Africa and Germany, 1891-1961 : scholars, singers, missionaries (2020)
    Chicago ; London : The University of Chicago Press
    Details
    ISBN: 9780226740485
    Language: English
    Pages: 1 Online-Ressource (xii, 351 Seiten) , Illustrationen
    Series Statement: New material histories of music
    Parallel Title: Erscheint auch als
    DDC: 780.72/1
    RVK:
    LP 19506
    RVK:
    LQ 80007
    RVK:
    LS 19000
    Keywords: Geschichte 1891-1961 ; Mittelalter ; Kolonialismus ; Rezeption ; Musik ; Mission ; Kulturvergleich ; Vergleichende Musikwissenschaft ; Afrika ; Deutsches Sprachgebiet ; Musicology / Germany / History ; Mission music / German East Africa / History and criticism ; Missions / German East Africa / History / 20th century ; Ethnomusicology / Germany / History ; Ethnomusicology / German East Africa / History ; Musicologists / Germany ; Music / 15th century / History and criticism ; Medievalism / Germany ; Music / Social aspects / Germany ; Music and youth / Germany / History / 20th century ; Afrika ; Deutsches Sprachgebiet ; Musik ; Kolonialismus ; Mission ; Rezeption ; Mittelalter ; Kulturvergleich ; Vergleichende Musikwissenschaft ; Geschichte 1891-1961
    Abstract: The search for the origins of music : comparative musicology. Comparative musicology and comparative linguistics; Erich Moritz von Hornbostel; Marius Schneider; Georg Schünemann; Two crossover musicologists : Jacques Handschin and Manfred Bukofzer; Nicholas G.J. Ballanta -- Bringing Medieval music to life : Jugendmusik- and Singbewegung. The first performances of medieval music and the historians behind them; The Jugendmusik- and Singbewegung : ideology, leaders, and publishers -- Music in the German mission stations in East Africa : some case studies. A history of the missions -- The Moravians -- The Leipzig Mission -- The Bethel Mission -- The Catholic Missionsbenediktiner St. Ottilien -- Conclusions
    Abstract: "The modern discipline of musicology has its roots in early-twentieth-century Germany and in three seemingly distinct but surprisingly connected areas of musical activity: the discovery of Medieval music and music theory through the all-consuming unearthing and decoding of documents; the tremendous growth of youth movements devoted to collective singing and music-making and the study of Medieval music; and the exportation of this music to Protestant and Catholic missions in German East Africa, where it was widely taught and performed. Underlying these activities was the belief that Medieval music, its structure and soundworld, had affinities with the music of "primitive" societies, such as those the missionaries encountered in East Africa. Rejected outright by African musicians and scholars at the time, the belief was kept alive in the European musicological community through the first half of the twentieth century. Anna Maria Busse Berger draws this all together for the first time, anchoring her writing in extensive archival research and her personal experience as the daughter of a German Lutheran missionary in East Africa. The result is a momentous re-thinking of the early history of music scholarship as well as a novel understanding of the imperial and colonial projects that shaped Germany's perception of itself at a crucial time in its history"--
    Note: Includes bibliographical references and index
    DOI: 10.7208/9780226740485
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    HU Berlin
    München BSB
    KOBV
    BVB
  • 5
    Book
    Book
    The search for medieval music in Africa and Germany, 1891-1961 : scholars, singers, missionaries (2020)
    Chicago ; London : The University of Chicago Press
    Details
    ISBN: 9780226740348
    Language: English
    Pages: xii, 351 Seiten , Illustrationen, Notenbeispiele, Porträts
    Series Statement: New material histories of music
    Parallel Title: Erscheint auch als
    DDC: 780.721
    RVK:
    LS 19000
    RVK:
    LP 19506
    RVK:
    LQ 80007
    Keywords: Geschichte 1891-1961 ; Mittelalter ; Kulturvergleich ; Mission ; Kolonialismus ; Vergleichende Musikwissenschaft ; Musik ; Rezeption ; Deutsches Sprachgebiet ; Afrika ; Afrika ; Deutsches Sprachgebiet ; Musik ; Kolonialismus ; Mission ; Rezeption ; Mittelalter ; Kulturvergleich ; Vergleichende Musikwissenschaft ; Geschichte 1891-1961
    Abstract: "The modern discipline of musicology has its roots in early-twentieth-century Germany and in three seemingly distinct but surprisingly connected areas of musical activity: the discovery of Medieval music and music theory through the all-consuming unearthing and decoding of documents; the tremendous growth of youth movements devoted to collective singing and music-making and the study of Medieval music; and the exportation of this music to Protestant and Catholic missions in German East Africa, where it was widely taught and performed. Underlying these activities was the belief that Medieval music, its structure and soundworld, had affinities with the music of "primitive" societies, such as those the missionaries encountered in East Africa. Rejected outright by African musicians and scholars at the time, the belief was kept alive in the European musicological community through the first half of the twentieth century. Anna Maria Busse Berger draws this all together for the first time, anchoring her writing in extensive archival research and her personal experience as the daughter of a German Lutheran missionary in East Africa. The result is a momentous re-thinking of the early history of music scholarship as well as a novel understanding of the imperial and colonial projects that shaped Germany's perception of itself at a crucial time in its history"--
    Description / Table of Contents: The search for the origins of music : comparative musicology. Comparative musicology and comparative linguistics; Erich Moritz von Hornbostel; Marius Schneider; Georg Schünemann; Two crossover musicologists : Jacques Handschin and Manfred Bukofzer; Nicholas G.J. Ballanta -- Bringing Medieval music to life : Jugendmusik- and Singbewegung. The first performances of medieval music and the historians behind them; The Jugendmusik- and Singbewegung : ideology, leaders, and publishers -- Music in the German mission stations in East Africa : some case studies. A history of the missions -- The Moravians -- The Leipzig Mission -- The Bethel Mission -- The Catholic Missionsbenediktiner St. Ottilien -- Conclusions
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Book
    HU Berlin
    München BSB
    München UB
    Würzburg UB
    Regensburg UB
    KOBV
    HeBIS
    BVB
    HBZ
    Bayreuth UB
    Ethn. Museum Berlin
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