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  • HU Berlin  (6)
  • 2020-2024  (2)
  • 2015-2019  (4)
  • 1945-1949
  • New York, NY : Oxford University Press
  • Geschichte  (5)
  • Geschichte 1900-2000  (3)
  • Europa
Datasource
Material
Language
Years
  • 2020-2024  (2)
  • 2015-2019  (4)
  • 1945-1949
Year
Subjects(RVK)
  • 1
    ISBN: 9780197559284 , 9780197559277
    Language: English
    Pages: xviii, 254 Seiten , Illustrationen, Notenbeispiele, Portraits
    Parallel Title: Erscheint auch als Wells, Christi Jay Between beats
    RVK:
    Keywords: Geschichte ; Jazztanz ; Jazztanz ; Geschichte
    Abstract: "The Jazz Tradition and Black Vernacular Dance explores the complex intersections between jazz music and popular dance over the last hundred-plus years. It aims to show how popular entertainment and cultures of social dancing were crucial to jazz music's formation and development, but it also investigates the processes through which jazz music came to earn a reputation as a "legitimate" art form better suited for still, seated listening. Through the concept of "choreographies of listening," the book explores amateur and professional jazz dancers' relationships with jazz music and musicians as jazz's soundscapes and choreoscapes were forged through close contact and mutual creative exchange. The book's later chapters also critically unpack the aesthetic and political negotiations through which jazz music supposedly distanced itself from dancing bodies. As musicians and critics sought to secure institutional space for jazz within America's body-averse academic and high-art cultures, an intentional severance from the dancing body proved crucial to jazz's re-positioning as a form of autonomous, elite art. Fusing little-discussed material from diverse historical and contemporary sources with the author's own years of experience as a social jazz dancer, this book seeks to advance participatory dance and embodied practice as central topics of analysis in jazz studies. As it tells the rich, untold story of jazz as popular dance music, this book also exposes how American anxieties about bodies and a broad cultural privileging of the cerebral over the corporeal have shaped efforts to "elevate" expressive forms such as jazz to elite status"--
    Description / Table of Contents: Jazz Music and its Choreographies of Listening -- "Its Bite and Its Feeling" : The Quadroon Ball and Jazz's New Orleans Plaçage Complex -- "Lindy Hopper's Delight" : The Chick Webb Orchestra and the Fluid Labor of Whitey's Lindy Hoppers -- "Counter-Bopaganda" and "Torn Riffs" : Bebop as Popular Dance Music -- "A Fine Art in Danger" : Marshall Stearns's Jazz Dance Advocacy -- Dancing Every Note : Community Theater and Kinetic Memory at Jazz 966
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  • 2
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197548813
    Language: English
    Pages: 203 Seiten
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte ; Arbeiterklasse ; Unterhaltungsmusik ; Rockmusik ; Rock 'n' Roll ; Rock music / Social aspects / History / 20th century ; Working class / Attitudes / History / 20th century ; Rock music / Social aspects ; Working class / Attitudes ; 1900-1999 ; History ; Rock 'n' Roll ; Rockmusik ; Unterhaltungsmusik ; Arbeiterklasse ; Geschichte
    Abstract: "We usually associate the sounds of classic rock 'n' roll with youthful rebellion, by juvenile delinquents, student demonstrators, idealistic hippies, or irreverent punks. But an important strain of rock from the late 1960s onward spoke to and for a very different audience: the regular working-class fans who didn't want to change the world as much as they only wanted to protect their place in it. From Creedence Clearwater Revival to Bruce Springsteen, from Lynyrd Skynyrd to AC/DC, and from Judas Priest to Ted Nugent, the music provided the anthems of an increasingly distinct - and increasingly vulnerable - demographic, which has since become a key influence on political culture around the world"--
    Description / Table of Contents: Introduction. Dream On -- Salt of the Earth -- Wrote A Song For Everyone -- Free For All -- Workin' Man Blues -- Swamp Music -- British Steel -- For Those About to Rock -- Youngstown -- One In a Million -- Conclusion. Subdivisions
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  • 3
    ISBN: 9780190658359 , 9780190658366
    Language: English
    Pages: xxxii, 444 Seiten , Illustrationen, Notenbeispiele
    DDC: 780.89/927
    RVK:
    Keywords: Geschichte 1900-2000 ; Music History and criticism 20th century ; Music theory ; Music Performance ; Maqām ; Musikinstrument ; Araber ; Musik ; Musiktheorie ; Mittlerer Osten ; Mittlerer Osten ; Araber ; Musik ; Musikinstrument ; Musiktheorie ; Geschichte 1900-2000
    Note: Includes bibliographical references and index
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  • 4
    ISBN: 9780190640552
    Language: English
    Pages: viii, 462 Seiten , Illustrationen, Karte
    Parallel Title: Erscheint auch als McGuire, Elizabeth Red at heart
    Parallel Title: Erscheint auch als
    DDC: 303.48/2510470904
    RVK:
    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte 1921-1968 ; Außenpolitik ; Geschichte ; Chinese History ; Revolutionaries History 20th century ; Revolutionaries Biography ; Communists History 20th century ; Sozialismus ; Chinesen ; Russen ; Beziehung ; Sowjetunion ; China Relations ; Soviet Union Relations ; Soviet Union History Revolution, 1917-1921 ; Influence ; China Foreign relations 1912-1949 ; China Foreign relations 1949-1976 ; China ; Sowjetunion ; Biografie ; Biografie ; Biografie ; Sowjetunion ; China ; Sozialismus ; Geschichte 1921-1968 ; Sowjetunion ; Chinesen ; Russen ; Beziehung
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 5
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190666552
    Language: English
    Pages: xix, 250 Seiten
    Parallel Title: Erscheint auch als
    DDC: 781.643/122
    RVK:
    Keywords: Geschichte ; Blues ; Blues (Music) / History and criticism ; Blues (Music) / Analysis, appreciation ; Time in music ; Diskografie ; Blues ; Geschichte
    Abstract: Spontaneity, immediacy and feeling characterize the blues as a genre. Whether it's the movement of call and response, the expressive bends and wails of voice and instruments or the synergistic relationship between audience and performers, the blues embody a kind of "living in the moment" aesthetic. At the same time, the blues genre has always responded in a unique way to its historical moment, its formal characteristics, figures, and devices constantly emerging from-and speaking to-the social relations emanating from Jim Crow segregation, sharecropping, racist violence, and migration. Time in the Blues presents an interdisciplinary analysis of the specific forms of temporality produced by and reflected in the blues. Examining time as it is represented, enacted, and experienced through the blues, interdisciplinary scholar Julia Simon addresses how the material conditions in the early twentieth century shaped a musical genre. The technical aspects of the blues-ostinato patterns, cyclical changes, improvisation, call and response-emerge from and speak to the Jim Crow era's economic, social, and political relations. Through this temporal analysis, Simon addresses how the moment-to-moment aspect of time in blues performance relates to the genre's location within historical time, with careful examinations of the historical performance and reception of blues music from the 1920s to the present day. Simon examines the structuring of time, and analyzes temporality to open the broader questions of desire, agency, self-definition, faith, and forms of resistance as they are articulated in this music. Ultimately, Time in the Blues, argues for the relevance, significance, and importance of time in the blues for shared values of community and a vision of social justice.
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  • 6
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780199389186
    Language: English
    Pages: 241 Seiten , Illustrationen
    DDC: 782.14
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Kern, Jerome, ; Kern, Jerome ; Geschichte 1900-2000 ; Geschichte ; Geschichte ; Music and race History 20th century ; Sänger ; Aufführung ; Ethnische Identität ; USA ; Kern, Jerome 1885-1945 Show boat ; Sänger ; Aufführung ; Ethnische Identität ; Geschichte
    Abstract: "Who should sing Ol' man river? : the lives of an American song tells the almost eighty-year performance history of a great popular song. Examining over two hundred recorded and filmed versions of Jerome Kern and Oscar Hammerstein II's classic song, the book reveals the power of performers to remake one popular song into many different guises"...Provided by publisher
    Description / Table of Contents: Includes bibliographical references, discography, and index
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