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  • BVB  (13)
  • HU Berlin  (4)
  • Cambridge : Cambridge University Press  (6)
  • Durham [u.a.] : Duke Univ. Press  (6)
  • London : Routledge
  • Gesellschaft  (13)
  • Musicology  (13)
Datasource
Material
Language
  • 1
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781316271476
    Language: English
    Pages: 1 online resource (ix, 284 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/842094
    RVK:
    RVK:
    Keywords: Geschichte 1400-1600 ; Geschichte ; Gesellschaft ; Musik ; Music / Social aspects / History ; Music therapy / History ; Plague / Europe / History ; Musik ; Pest ; Europa ; Aufsatzsammlung ; Aufsatzsammlung ; Pest ; Musik ; Geschichte 1400-1600
    Abstract: Plague, a devastating and recurring affliction throughout the Renaissance, had a major impact on European life. Not only was pestilence a biological problem, but it was also read as a symptom of spiritual degeneracy and it caused widespread social disorder. Assembling a picture of the complex and sometimes contradictory responses to plague from medical, spiritual and civic perspectives, this book uncovers the place of music - whether regarded as an indispensable medicine or a moral poison that exacerbated outbreaks - in the management of the disease. This original musicological approach further reveals how composers responded, in their works, to the discourses and practices surrounding one of the greatest medical crises in the pre-modern age. Addressing topics such as music as therapy, public rituals and performance and music in religion, the volume also provides detailed musical analysis throughout to illustrate how pestilence affected societal attitudes toward music
    Note: Title from publisher's bibliographic system (viewed on 07 Jul 2017)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 2
    ISBN: 9781107100862 , 9781107498297
    Language: English
    Pages: xii, 287 Seiten , Illustrationen, Diagramme
    Series Statement: Cambridge cultural social studies
    Parallel Title: Erscheint auch als
    DDC: 306.4842
    RVK:
    Keywords: Gesellschaft ; Musik ; Music / Social aspects ; Music / History and criticism ; Klassische Musik ; Wettbewerb ; Klassische Musik ; Wettbewerb
    Note: Literaturverz. S. 264 - 281 , Paperback edition 2017
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    ISBN: 9780822346890 , 9780822347002
    Language: English
    Pages: IX, 372 S.
    Series Statement: Refiguring American music
    Dissertation note: Zugl.: Diss.
    DDC: 781.64089/00973
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte 1800-1900 ; Geschichte 1800-2000 ; Geschichte ; Schwarze. USA ; Music and race History 19th century ; Music and race History 20th century ; Folk music History 19th century ; Folk music History 20th century ; Popular music History 19th century ; Popular music History 20th century ; African Americans Segregation ; Popmusik ; Folk music ; Unterhaltungsmusik ; Musik ; Schwarze ; Rassentrennung ; Gesellschaft ; USA Südstaaten ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA Südstaaten ; Musik ; Gesellschaft ; Geschichte 1800-2000 ; USA Südstaaten ; Folk music ; Geschichte 1800-2000 ; USA Südstaaten ; Unterhaltungsmusik ; Popmusik ; Geschichte 1800-2000 ; USA Südstaaten ; Schwarze ; Musik ; Rassentrennung ; Geschichte 1800-2000
    Note: Includes bibliographical references (p. [327]-350) and index
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  • 4
    ISBN: 9780822345206 , 9780822345374
    Language: English
    Pages: XIII, 297 S. , Kt.
    DDC: 781.6420981
    RVK:
    Keywords: Geschichte ; Gesellschaft ; Politik ; Country music History and criticism ; Música sertaneja History and criticism ; Country music Social aspects ; Música sertaneja Social aspects ; Country music Political aspects ; Música sertaneja Political aspects ; Countrymusic ; Brasilien ; Brasilien ; Brasilien ; Countrymusic ; Geschichte
    Abstract: River of Tears is the first ethnography of Brazilian country music, one of the most popular genres in Brazil yet least-known outside it. Beginning in the mid-1980s, commercial musical duos practicing musica sertaneja reached beyond their home in Brazil's central-southern region to become national bestsellers. Rodeo events revolving around country music came to rival soccer matches in attendance. A revival of folkloric rural music called musica caipira, heralded as musica sertaneja's ancestor, also took shape. And all the while, large numbers of Brazilians in the central-south were moving to cities, using music to support the claim that their Brazil was first and foremost a rural nation. Since 1998, Alexander Sebastian Dent has analyzed rural music in the state of Sao Paulo, interviewing and spending time with listeners, musicians, songwriters, journalists, record-company owners, and radio hosts. Dent not only describes the production and reception of this music, he also explains why the genre experienced such tremendous growth as Brazil transitioned from an era of dictatorship to a period of intense neoliberal reform.
    Note: Includes bibliographical references and index
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  • 5
    ISBN: 9780822343622 , 9780822343851
    Language: English
    Pages: X, 227 S. , Ill.
    DDC: 782.421649/0979494
    RVK:
    Keywords: Project Blowed ; Gesellschaft ; Hip-hop Social aspects ; Rap (Music) Social aspects ; Hip-Hop ; Subkultur ; Los Angeles, Calif. ; Los Angeles, Calif. ; Subkultur ; Hip-Hop
    Abstract: "In "The Real Hiphop," Marcyliena Morgan has written a brilliant account of the origins of hiphop and the process through which it is created and evolves, from its most elemental and raw forms into the highly processed and polished versions that have become the lingua franca of popular American culture over the past few decades. Using her considerable skills as an linguistic anthropologist, Morgan--the founder of the world's only hiphop archive--raises the analysis of hiphop to an entirely new level of scholarship, explicating it as a linguistic, sociological, and political phenomenon. This book is full of astonishing insights and subtle analysis.
    Note: Includes bibliographical references and index
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  • 6
    ISBN: 9780822341413 , 9780822341659 , 0822341417 , 0822341654
    Language: English
    Pages: XIV, 258 S.
    DDC: 780.972983
    RVK:
    Keywords: Volksmusik ; Gesellschaft ; Politik ; Trinidad
    Note: Includes bibliographical references and index
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  • 7
    ISBN: 0822336316 , 0822336200
    Language: English
    Pages: XIII, 349 S. , Ill.
    DDC: 781.6/90954
    RVK:
    RVK:
    Keywords: Geschichte ; Gesellschaft ; Musik ; Music History and criticism ; Music Social aspects ; Politics and culture ; Notenschrift ; Musik ; Rezeption ; Klassische Musik ; Volksmusik ; Indien ; Indien Süd ; Klassische Musik ; Rezeption ; Geschichte ; Indien Süd ; Volksmusik ; Notenschrift ; Geschichte ; Indien Süd ; Musik ; Geschichte
    Note: Includes bibliographical references and index
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  • 8
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511489495
    Language: English
    Pages: 1 online resource (vii, 294 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65/09
    RVK:
    Keywords: Gesellschaft ; Musik ; Jazz / History and criticism ; Music / Social aspects ; Geschichte ; Sozialgeschichte ; Jazz ; Jazz ; Geschichte ; Jazz ; Sozialgeschichte
    Abstract: This 2002 book presents a unique sociological vision of the evolution of jazz in the twentieth century. Analysing organizational structures and competing discourses in American music, Paul Lopes shows how musicians and others transformed the meaning and practice of jazz. Set against the distinct worlds of high art and popular art in America, the rise of a jazz art world is shown to be a unique movement - a socially diverse community struggling in various ways against cultural orthodoxy. Cultural politics in America is shown to be a dynamic, open, and often contradictory process of constant re-interpretation. This work is a compelling social history of American culture that incorporates various voices in jazz, including musicians, critics, collectors, producers and enthusiasts. Accessibly written and interdisciplinary in approach, it will be of great interest to scholars and students of sociology, cultural studies, social history, American studies, African-American studies, and jazz studies
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015) , Introduction: the quest for cultural legitimacy , Before the Jazz Age: professional musicians and good music , Jazz Age: professional musicians and the cultivated vernacular , Swing craze: professional musicians, swing music and the art of improvisation , Rise of a jazz art world: jazz enthusiasts, professional musicians and the modernist revolt , New jazz age: the jazz art world and the modern jazz renaissance , Conclusion: the jazz art world and American culture
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 9
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511489495
    Language: English
    Pages: 1 online resource (vii, 294 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65/09
    RVK:
    Keywords: Gesellschaft ; Musik ; Jazz / History and criticism ; Music / Social aspects ; Sozialgeschichte ; Jazz ; Geschichte ; Jazz ; Geschichte ; Jazz ; Sozialgeschichte
    Abstract: This 2002 book presents a unique sociological vision of the evolution of jazz in the twentieth century. Analysing organizational structures and competing discourses in American music, Paul Lopes shows how musicians and others transformed the meaning and practice of jazz. Set against the distinct worlds of high art and popular art in America, the rise of a jazz art world is shown to be a unique movement - a socially diverse community struggling in various ways against cultural orthodoxy. Cultural politics in America is shown to be a dynamic, open, and often contradictory process of constant re-interpretation. This work is a compelling social history of American culture that incorporates various voices in jazz, including musicians, critics, collectors, producers and enthusiasts. Accessibly written and interdisciplinary in approach, it will be of great interest to scholars and students of sociology, cultural studies, social history, American studies, African-American studies, and jazz studies
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015) , Introduction: the quest for cultural legitimacy , Before the Jazz Age: professional musicians and good music , Jazz Age: professional musicians and the cultivated vernacular , Swing craze: professional musicians, swing music and the art of improvisation , Rise of a jazz art world: jazz enthusiasts, professional musicians and the modernist revolt , New jazz age: the jazz art world and the modern jazz renaissance , Conclusion: the jazz art world and American culture
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 10
    ISBN: 0203012062
    Language: English
    Pages: xii, 195 p
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 784.18/8
    RVK:
    RVK:
    Keywords: Geschichte 1900-2000 ; Gesellschaft ; Musik ; Dance music History and criticism 20th century ; Dance music Social aspects ; Music Social aspects ; Jugendkultur ; Diskothek ; Discotanz ; Soziologie ; Popmusik ; Popmusik ; Jugendkultur ; Diskothek ; Soziologie ; Discotanz ; Soziologie
    Note: Includes bibliographical references (p. 187-192) and index
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  • 11
    Book
    Book
    Durham [u.a.] : Duke Univ. Press
    ISBN: 0822318555 , (pbk. : alk. paper) , 0822318474
    Language: English
    Pages: VI, 310 S.
    DDC: 780/.947/0904
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte 1970-1990 ; Musique - Aspect social - Europe centrale - Histoire - 20e siècle ; Musique - Aspect social - Europe centrale ; Musique - Aspect social - Europe de l'Est - Histoire - 20e siècle ; Musique - Aspect social - Europe de l'Est ; Musique - Europe centrale - 20e siècle - Histoire et critique ; Musique - Europe centrale - 20e siècle - Histoire et critique ; Musique - Europe de l'Est - 20e siècle - Histoire et critique ; Musique - Europe de l'Est - 20e siècle - Histoire et critique ; Musique - Politique gouvernementale - Europe centrale ; Musique - Politique gouvernementale - Europe de l'Est ; Gesellschaft ; Musik ; Music and state ; Music and state ; Music Social aspects ; Music History and criticism 20th century ; Music History and criticism 20th century ; Kultur ; Musikleben ; Osteuropa ; Konferenzschrift 1993 ; Konferenzschrift 1993 ; Konferenzschrift 1993 ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Osteuropa ; Musikleben ; Kultur ; Geschichte 1970-1990
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  • 12
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511895500
    Language: English
    Pages: 1 online resource (xii, 390 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6409
    RVK:
    RVK:
    Keywords: Gesellschaft ; Musik ; Popular music / History and criticism ; Music / Social aspects ; Unterhaltungsmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Unterhaltungsmusik
    Abstract: This volume of essays by the distinguished musicologist Charles Hamm focuses on the context of popular music and its interrelationships with other styles and genres, including classical music, the meaning of popular music for audiences, and the institutional appropriation of this music for hegemonic purposes. Specific topics include the use of popular song to rouse anti-slavery sentiment in mid-nineteenth-century America, the reception of such African-American styles and genres as rock 'n' roll and soul music by the black population of South Africa, the question of genre in the early songs of Irving Berlin, the attempts by the governments of South Africa and China to impose specific bodies of music on their populations, the persistence of the minstrel show in rural twentieth-century America and the impact of modernist modes of thought on writing about popular music
    Description / Table of Contents: Modernist narratives and popular music -- Rock and the facts of life -- Changing patterns in society and music: the US since World War II -- "If I were a voice": or, The Hutchinson Family and popular song as political and social protest -- Some thoughts on the measurement of popularity in music -- Elvis, a review -- Home cooking and American soul in black South African popular music -- Rock 'n' roll in a very strange society -- African-American music, South Africa, and apartheid -- "The constant companion of man": Separate development, radio Bantu, and music -- Privileging the moment of reception: music and radio in South Africa -- Music and radio in the People's Republic of China -- Towards a new reading of Gershwin -- A blues for the ages -- Graceland revisited -- Dvořák in America: nationalism, racism, and national race -- The last minstrel show? -- The role of rock, a review -- Genre, performance, and ideology in the early songs of Irving Berlin -- Epilogue: John Cage revisited
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 13
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511586156
    Language: English
    Pages: 1 online resource (xii, 228 pages)
    Uniform Title: Rockmusik
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/84
    RVK:
    Keywords: Gesellschaft ; Musik ; Rock music / History and criticism ; Music / Philosophy and aesthetics ; Music / Social aspects ; Popular culture
    Abstract: Rock music - powerful, sensual, loud and full of energy. It has changed the face of modern music. But what is its fascination for, and its significance in contemporary society and what cultural values does it reflect? Peter Wicke addresses these issues in a stimulating and penetrating study of rock music tracing the genesis and influence of this diverse strand of popular music. Beginning with the advent of rock 'n' roll, Wicke chronicles the development through Elvis Presley and the Beatles to the current music industry, its performers, and the impact of the music video. The book will appeal to readers with an interest in music history, popular culture, and media studies
    Description / Table of Contents: Preface -- 'Roll over Beethoven': new experiences in art -- 'Rock Around the Clock': emergence -- 'Love Me Do': the aesthetics of sensuousness -- 'My Generation': rock music and subcultures -- 'Revolution': the ideology of rock -- 'We're Only in It for the Money': the rock business -- 'Anarchy in the UK': the punk rebellion -- 'Wild Boys': the aesthetic of the synthetic -- Postscript: 'The Times They are A-Changing' -- Notes -- Bibliography -- Discography -- Index of people and groups -- General index
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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