ISBN:
978-1-4968-4531-3
,
978-1-4968-4532-0
Language:
English
Pages:
XI, 220 Seiten :
,
Illustrationen.
Edition:
First printing
Series Statement:
Children's literature association series
Parallel Title:
Erscheint auch als
Parallel Title:
Erscheint auch als
Parallel Title:
Erscheint auch als
Parallel Title:
Erscheint auch als
Keywords:
Baum, L. Frank / (Lyman Frank) / 1856-1919
;
Baum, L. Frank
;
Gay & Lesbian studies
;
Popular culture
;
Queer theory
;
Homosexuality in literature
;
Gender identity in literature
;
Sexual orientation in literature
;
Transgender people in literature
;
Fantasy fiction, American / History and criticism
;
Children's stories, American / History and criticism
;
Théorie queer
;
Homosexualité dans la littérature
;
Identité de genre dans la littérature
;
Orientation sexuelle dans la littérature
;
Transgenres dans la littérature
;
Histoires pour enfants américaines / Histoire et critique
;
LGBT
;
1856-1919 Baum, L. Frank
;
LGBT
Abstract:
"Regardless of his own sexual orientation, L. Frank Baum's fictions revel in queer, trans, and other transgressive themes. Baum's life in the late 1800s and early 1900s coincided with the rise of sexology in the Western world, as a cascade of studies heightened awareness of the complexity of human sexuality. His years of productivity also coincided with the rise of children's literature as a unique field of artistic creation. Best known for his Oz series, Baum produced a staggering number of children's and juvenile book series under male and female pseudonyms, including the Boy Fortune Hunters series, the Aunt Jane's Nieces series, and the Mary Louise series, along with many miscellaneous tales for young readers. Baum envisioned his fantasy works as progressive fictions, aspiring to create in the Oz series "a modernized fairy tale, in which the wonderment and joy are retained and the heartaches and nightmares are left out." In line with these progressive aspirations, his works are often sexually progressive as well, with surprisingly queer and trans touches that reject the standard fairy-tale narrative path toward love and marriage. From Ozma of Oz's backstory as a boy named Tip to the genderless character Chick the Cherub, from the homosocial adventures of his Boy Fortune Hunters to the determined rejection of romance for Aunt Jane's Nieces, Queer Oz: L. Frank Baum's Trans Tales and Other Astounding Adventures in Sex and Gender shows how Baum exploited the freedoms of children's literature, in its carnivalesque celebration of a world turned upside-down, to reimagine the meanings of gender and sexuality in early twentieth-century America and to re-envision them for the future"--
Description / Table of Contents:
Chapter 1. L. Frank Baum's "Progressive Fairies" and the queerness of children's literature -- Chapter 2. Trans tales of Oz and elsewhere -- Chapter 3. Queer eroticisms in Oz and elsewhere -- Chapter 4. The queer creatures of Oz and elsewhere eat one another -- Chapter 5. John R. Neill: illustrator (and author) of L. Frank Baum's queer Oz and elsewhere -- Chapter 6. Cultural projection, homosocial adventuring, and the queer conclusions of Floyd Akers's "Boy Fortune Hunters" series -- Chapter 7: Gender, genres, and the queer family romance of Edith Van Dyne's "Aunt Jane's Nieces" series -- Conclusion: Queer ethics and Baum's prejudices
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