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  • KOBV  (20)
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  • 1
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    Future/present : arts in a changing America (2024)
    Durham : Duke University Press
    Details
    ISBN: 9781478025160 , 9781478020271
    Sprache: Englisch
    Seiten: 554 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Alvarez, Daniela Future/present
    Paralleltitel: Erscheint auch als FUTURE/PRESENT
    Paralleltitel: Erscheint auch als FUTURE/PRESENT
    RVK:
    LO 94000
    Schlagwort(e): Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Kurzfassung: "FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity. Selected contributors. adrienne maree brown, Dahlak Brathwaite, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu"--
    Beschreibung / Inhaltsverzeichnis: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Anmerkung: Includes bibliographical references
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 2
    Buch
    Buch
    Disappearing rooms : the hidden theaters of immigration law (2023)
    Durham : Duke University Press
    Details
    ISBN: 9781478019633 , 9781478016991
    Sprache: Englisch
    Seiten: xi, 186 Seiten , Illustrationen
    Suppl.: Rezensiert in Moreira de Andrade, Thaís [Rezension von: Castañeda, Michelle, 1987-, Disappearing rooms] 2024
    Serie: Dissident acts
    Paralleltitel: Erscheint auch als Castañeda, Michelle, 1987- Disappearing rooms
    Paralleltitel: Erscheint auch als Castañeda, Michelle, - 1987- Disappearing rooms
    Schlagwort(e): Emigration and immigration law ; Hispanic Americans Legal status, laws, etc ; Discrimination in justice administration ; Performative (Philosophy) ; SOCIAL SCIENCE / Ethnic Studies / American / Hispanic American Studies ; SOCIAL SCIENCE / Sociology / General ; USA ; Einwanderung ; Zuwanderungsrecht ; Abschiebungshaft ; Kriminalisierung ; Rassismus
    Kurzfassung: "In Disappearing Rooms Michelle Castañeda lays bare the criminalization of race enacted every day in U.S. immigration courts and detention centers. She uses a performance studies perspective to show how the theatrical concept of mise-en-scéne offers new insights about immigration law and the absurdist dynamics of carceral space. Castañeda draws upon her experiences in immigration trials as an interpreter and courtroom companion to analyze the scenography-lighting, staging, framing, gesture, speech, and choreography-of specific rooms within the immigration enforcement system. Castañeda's ethnographies of proceedings in a "removal" office in New York City, a detention center courtroom in Texas, and an asylum office in the Northeast reveal the depersonalizing violence enacted in immigration law through its embodied, ritualistic, and affective components. She shows how the creative practices of detained and disappeared peoples living under acute duress imagine the abolition of detention and borders. Featuring original illustrations by artist-journalist, Molly Crabapple, Disappearing Rooms shines a light into otherwise hidden spaces of law within the contemporary deportation regime. Duke University of Press Scholars of Color First Book Award Recipient"--
    Beschreibung / Inhaltsverzeichnis: Removal room : disappearance and the practice of accompaniment -- The prison-courtroom : no-show justice in family detention -- Bring me the room : tragic recognition and the right not to tell your story.
    Anmerkung: Includes bibliographical references (159-176) and index
    URL: Inhaltsverzeichnis
    URL: Klappentext
    URL: Inhaltsverzeichnis
    URL: Klappentext
    URL: Inhaltsverzeichnis
    URL: Klappentext
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  • 3
    Buch
    Buch
    Unsettled borders : the militarized science of surveillance on sacred indigenous land (2022)
    Durham : Duke University Press
    Details
    ISBN: 9781478017943 , 9781478015321
    Sprache: Englisch
    Seiten: xv, 207 Seiten , Illustrationen
    Serie: Dissident acts
    Paralleltitel: Erscheint auch als Schaeffer, Felicity Amaya Unsettled borders
    DDC: 304.8/721
    Schlagwort(e): Border crossing Social aspects ; Border security ; Indigenous peoples Social conditions ; Traditional ecological knowledge ; Indian activists ; SOCIAL SCIENCE / Emigration & Immigration ; SOCIAL SCIENCE / Indigenous Studies ; SCIENCE / Philosophy & Social Aspects ; Mexican-American Border Region Emigration and immigration ; Social aspects ; USA ; Staatsgrenze ; Mexiko ; Indianer ; Militär ; Überwachung ; Grundeigentum
    Kurzfassung: "The story of how the U.S.-Mexico border has become more dangerous for migrant crossing has preoccupied scholars across a range of fields. As necessary as this has been, the overwhelming focus on border crossers has eclipsed the consequences of military occupation on Native tribes whose land and bodies spill across the border, including mounting numbers of Maya refugees. Unsettled Borders follows the science and technological development of border surveillance back to military innovations tasked with seeing the invisible movements of Apache and Chiricahua warriors across the rugged terrain of the western frontier. Felicity Amaya Schaeffer follows a range of militarized surveillance innovations across time and space, recalling the Spanish lookout points erected to monitor Maya in the Yucatan, the superior eyes of Indian scouts, automated border avatars, and swarming bee drones. From the perspective of Native border inhabitants, a broader story emerges about how mechanized seeing attempts to eradicate Native sacred and animate relation with land. With an eye on the more-than-human world, Apache, O'odham and Maya teach us about the impossibility of borders in their sacred scientific worldviews that see relation where westerners impose segregated seeing and knowing. Unsettled Borders returns to ancestral practices-from beekeepers caring for the Melipona bees who bring back their forests to O'odham relations with saguaro peoplehood amputated by border walls. The border comes alive with a resurgent force of Native land defenders who refuse extraction, occupation, and surveillance by the futile attempts to build virtual and iron-cast walls that will ultimately fail to contain life and erect borders around the world"--
    Anmerkung: Literaturverzeichnis: Seiten 185-200
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  • 4
    Online-Ressource
    Online-Ressource
    Sissy Insurgencies : A Racial Anatomy of Unfit Manliness (2022)
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9781478022459
    Sprache: Englisch
    Seiten: 1 Online-Ressource (450 p.)
    DDC: 305.3
    RVK:
    MS 2870
    Schlagwort(e): Geschlechterrolle ; Männlichkeit ; USA ; Electronic books
    Kurzfassung: In Sissy Insurgencies Marlon B. Ross focuses on the figure of the sissy in order to rethink how Americans have imagined, articulated, and negotiated manhood and boyhood from the 1880s to the present. Rather than collapsing sissiness into homosexuality, Ross shows how sissiness constitutes a historically fluid range of gender practices that are expressed as a physical manifestation, discursive epithet, social identity, and political phenomenon. He reconsiders several black leaders, intellectuals, musicians, and athletes within the context of sissiness, from Booker T. Washington, George Washington Carver, and James Baldwin to Little Richard, Amiri Baraka, and Wilt Chamberlain. Whether examining Washington's practice of cleaning as an iteration of sissiness, Baldwin's self-fashioned sissy deportment, or sissiphobia in professional sports and black nationalism, Ross demonstrates that sissiness can be embraced and exploited to conform to American gender norms or disrupt racialized patriarchy. In this way, sissiness constitutes a central element in modern understandings of race and gender.
    DOI: 10.1515/9781478022459
    URL: https://doi.org/10.1515/9781478022459?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781478022459
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    Online-Ressource
    Online-Ressource
    Racist love : Asian abstraction and the pleasures of fantasy (2022)
    Durham : Duke University Press
    Details
    ISBN: 9781478022466
    Sprache: Englisch
    Seiten: 1 Online-Ressource (281 Seiten)
    Serie: ANIMA: critical race studies otherwise
    Paralleltitel: Erscheint auch als Bow, Leslie, 1962 - Racist love
    DDC: 305.895073
    Schlagwort(e): Electronic books ; USA ; Asiaten ; Ethnische Beziehungen ; Rassismus
    Kurzfassung: Leslie Bow traces the ways in which Asian Americans become objects of anxiety and desire, showing how attraction to Asianized objects and images functions as a source of anti-Asian bias and violence.
    Anmerkung: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
    URL: https://doi.org/10.1515/9781478022466?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781478022466
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    URL: lizenzpflichtig
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  • 6
    Online-Ressource
    Online-Ressource
    The emancipation circuit : black activism forging a culture of freedom (2022)
    Durham : Duke University Press
    Details
    ISBN: 9781478022800
    Sprache: Englisch
    Seiten: 1 Online-Ressource (481 Seiten)
    Paralleltitel: Erscheint auch als Davis, Thulani The emancipation circuit
    DDC: 973/.0496073009034
    Schlagwort(e): Electronic books ; USA ; Schwarze ; Politische Betätigung ; Politische Publizistik ; Politische Organisation ; Geschichte 1865-1900
    Kurzfassung: Thulani Davis provides a sweeping rethinking of Reconstruction by tracing how the four million people newly freed from bondage created political organizations and connections that mobilized communities across the South.
    Kurzfassung: Cover -- Contents -- List of Maps -- List of Tables -- Acknowledgments -- Gallery -- Introduction: Black Political Thought as Shaped in the South -- 1. Flight: Movement Matters -- 2. The Emancipation Circuit: A Road Map -- 3. Virginia: Assembly -- 4. North Carolina: Custody -- 5. South Carolina: Majority -- 6. Georgia: Mobilization -- 7. Florida: Faction -- 8. Alabama: Redemption -- 9. Louisiana: Societies -- 10. Mississippi: Bulldoze -- 11. Arkansas: Minority -- Conclusion: What Lives On Is Black Political Thought -- Notes -- Bibliography -- Table Source Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z.
    Anmerkung: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
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  • 7
    Online-Ressource
    Online-Ressource
    TV snapshots : an archive of everyday life (2022)
    Durham : Duke University Press
    Details
    ISBN: 9781478022893
    Sprache: Englisch
    Seiten: 1 Online-Ressource (329 Seiten)
    Paralleltitel: Erscheint auch als Spigel, Lynn, 1955 - TV snapshots
    DDC: 302.23/45
    RVK:
    AP 99083
    RVK:
    AP 95040
    Schlagwort(e): Electronic books ; USA ; Fotografie ; Fernsehen ; Geschichte 1950-1970
    Kurzfassung: Lynn Spigel explores historical snapshots of people posing in front of their television sets in the 1950s through the early 1970s, showing how TV snapshots were a popular photographic practice through which people visualized their lives in an increasingly mediated culture.
    Anmerkung: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
    URL: https://doi.org/10.1515/9781478022893?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781478022893
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
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  • 8
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    Buch
    Reckoning with slavery : gender, kinship, and capitalism in the early Black Atlantic (2021)
    Durham : Duke University Press
    Details
    ISBN: 9781478014140 , 9781478013235
    Sprache: Englisch
    Seiten: xvi, 296 Seiten , Illustrationen, Diagramme, Faksimiles , 23 cm
    Paralleltitel: Erscheint auch als Morgan, Jennifer L. Reckoning with slavery
    DDC: 306.3/62
    Schlagwort(e): Slavery Political aspects ; Slavery Economic aspects ; Women slaves ; Women slaves ; Slave trade History ; Slave trade History ; Sklaverei ; USA ; Atlantischer Raum
    Kurzfassung: "The history of the trans-Atlantic slave trade is deeply embedded in the emergence of early modern economic and political institutions. Reckoning with Slavery resituates the early modern as the space out of which race, racial hierarchies, notions of value and trade, and ideas of gender and reproduction are mutually constituted. Through a study of numeracy, trade, counting, and commerce, the lives and experiences of enslaved women in the sixteenth and seventeenth century English Atlantic world come into focus. Rather than treating economy and culture as distinct aspects of social history, Reckoning with Slavery asks what we can come to know about kinship, family, and race through the archives of trade and commerce"--
    Kurzfassung: Inhaltsverzeichnis: Producing numbers: reckoning with the sex ratio in the transatlantic slave trade, 1500-1700 -- "Unfit subjects of trade": demographic logics and colonial encounters -- "To their great commoditie": numeracy and the production of African difference -- Accounting for the "most excruciating torment": transatlantic passages -- "The division of the captives": commerce and kinship in the English Americas -- "Treacherous rogues": locating women in resistance and revolt.
    Anmerkung: Literaturverzeichnis: Seite 257-281
    URL: https://www.dukeupress.edu/reckoning-with-slavery
    URL: https://www.dukeupress.edu/reckoning-with-slavery
    URL: https://www.dukeupress.edu/reckoning-with-slavery
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  • 9
    Online-Ressource
    Online-Ressource
    Latinx art : artists, markets, and politics (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478008859
    Sprache: Englisch
    Seiten: 1 Online-Ressource (x, 234 Seiten) , Illustrationen
    Paralleltitel: Erscheint auch als Dávila, Arlene M., 1965 - Latinx art
    DDC: 700.98
    Schlagwort(e): Art, Latin American-Political aspects ; Electronic books ; USA ; Hispanos ; Künstler ; Kunst ; Kunstmarkt ; Kunsthandel ; Kulturelle Identität ; Rassismus
    Kurzfassung: Arlene Dávila draws on numerous interviews with artists, dealers, and curators to explore how and why the contemporary international art market continues to overlook, devalue, and marginalize Latinx art and artists.
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    URL: Volltext  (lizenzpflichtig)
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
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  • 10
    Buch
    Buch
    Abstract barrios : the crises of Latinx visibility in cities (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478009658 , 9781478008798
    Sprache: Englisch
    Seiten: xxii, 306 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Londoño, Johana Abstract Barrios
    DDC: 305.868/073
    Schlagwort(e): Hispanic American neighborhoods History ; Hispanic Americans Social life and customs ; Hispanic Americans Ethnic identity ; Urban policy History ; City planning Social aspects ; Gentrification History ; United States Ethnic relations ; USA ; Stadt ; Segregation ; Gentrifizierung ; Hispanos ; Stadtteilkultur
    Anmerkung: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 11
    Buch
    Buch
    Photographic returns : racial justice and the time of photography (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478004684 , 9781478004073
    Sprache: Englisch
    Seiten: ix, 236 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Paralleltitel: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns
    DDC: 779/.93058
    RVK:
    AP 95000
    RVK:
    HD 474
    RVK:
    MS 1235
    RVK:
    MS 3530
    Schlagwort(e): Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; History ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; USA ; Rassenfrage ; Fotografie
    Kurzfassung: Photographic returns -- Looking forward and looking back: Rashid Johnson and Frederick Douglass on photography -- Photographic remains: Sally Mann at Antietam -- The scene of the crime: Deborah Luster -- Photographic referrals: Lorna Simpson's 9 props -- Afterimages: Jason Lazarus -- Photographic reenactments: Carrie Mae Weems's constructing history -- False returns: Taryn Simon's The Innocents -- A glimpse forward: Dawoud Bey's The Birmingham project.
    Kurzfassung: "In PHOTOGRAPHIC RETURNS Shawn Smith sets out to examine works of contemporary art, only to find that many of the works refer back to the past, to photography's many intersections with the history of racial justice in the U.S. Smith focuses on flashpoints in that history -- spanning from the abolitionist movement, to the Civil War, lynching, and mass incarceration-- to mark the roles that photography has played in documenting the exigencies of Black life, and as a tool for resisting those racial regimes. For each of these moments, Smith shows how contemporary photographers utilize their medium as a way to recall, revise, or amplify the relationship between racial politics in the past and in the present. She argues that the tendency of African-American photographers and other artists to return to the archive of early photography does not simply point to the usefulness of early photography as document of the past, but to the recursive nature of photography itself. This study expands our theories of photography and memory by arguing that the recursive temporality of photography is central to its role in recording and remembering history. It also asserts that photography is an invaluable tool for critical practice of racial justice"--
    Anmerkung: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
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  • 12
    Buch
    Buch
    The meaning of soul : black music and resilience since the 1960s (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478009597 , 9781478008699
    Sprache: Englisch
    Seiten: x, 217 Seiten
    Serie: Refiguring American music
    DDC: 781.644
    RVK:
    LS 48640
    Schlagwort(e): Soulmusiker ; Afroamerikanische Musik ; Ethnische Identität ; USA
    URL: Inhaltsverzeichnis
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  • 13
    Buch
    Buch
    Poor queer studies : confronting elitism in the university (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478008200 , 9781478006824
    Sprache: Englisch
    Seiten: xi, 247 Seiten
    Paralleltitel: Erscheint auch als Brim, Matt Poor queer studies
    Paralleltitel: Erscheint auch als Brim, Matt Poor queer studies
    DDC: 306.76010973
    Schlagwort(e): Gay and lesbian studies ; Elite (Social sciences) Education ; Queer theory ; Educational equalization ; USA ; Queer-Theorie ; Elite ; Hochschulbildung ; Randgruppe ; Prekariat
    Kurzfassung: Introduction: queer dinners -- The College of Staten Island: a poor Queer Studies case study -- "You can write your way out of anywhere": the upward mobility myth of rich Queer Studies -- The queer career: vocational Queer Studies -- Poor Queer Studies mothers -- Counternarratives: a black queer reader -- Epilogue: queer ferrying.
    Kurzfassung: "POOR QUEER STUDIES contextualizes the material conditions under which Queer Theory is produced in the academy. Locating elite universities as the primary loci of Queer Theory, and as producers of and investors in racialized class stratification, Matt Brim interrogates what role Queer Theory has in shoring up class and racial disparities. How, Brim asks, is Queer Theory-a field theoretically dedicated to disrupting structures of power and inequality-implicated in the classed structures of the academy? Brim contends that, in its current formation, Queer Theory-or what he dubs "Rich Queer Theory"-is propelled by universities who refuse to serve poor students and only hire faculty who have graduated from the "prestige pipeline." Moreover, Brim argues that class as an analytic has effectively dropped out of Queer Theory scholarship. To counter these trends, Brim argues for a "Poor Queer Studies" that attends to class differences within the queer academy by examining the material reality through which "subversive" and "antinormative" Rich Queer Theory is produced. For Brim, the "Poor" in Poor Queer Studies allows for two connotations: the lack of material resources at under-resourced and non-elite universities, and the theoretical "holes" around class and racialized class positions in Rich Queer Studies. In chapter 1 Brim offers a case study of his own institution-The College of Staten Island, CUNY-by way of contextualizing the need for a Poor Queer Studies. In chapter 2 Brim expands his introductory argument that the exclusion of low-income students and working-class faculty from Queer Theory is a field-defining feature. In chapter 3 Brim offers a "vocational Queer Studies" that forces academics to consider how Queer Studies prepares students for labor outside of the academy. Chapter 4 is an examination of how students who are mothers have shaped Brim's understanding of Poor Queer Studies. In chapter 5 Brim centers John Keene's 2015 book, Counternarratives, to arrive at a conversation about learning how to read Black queer literature. In the conclusion, Brim proposes a notion of "queer ferrying" by which resources are shared between rich and poor institutions. This book will be of interest to students and scholars of queer studies, black queer studies, American studies, higher education studies, and labor studies"--
    Anmerkung: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 14
    Online-Ressource
    Online-Ressource
    Unseeing Empire : Photography, Representation, South Asian America (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478012436
    Sprache: Englisch
    Seiten: 1 online resource (301 pages)
    Serie: A Camera Obscura Book Ser.
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als Mani, Bakirathi Unseeing empire
    DDC: 909.04914
    RVK:
    AP 99083
    RVK:
    MS 3600
    RVK:
    MS 1235
    Schlagwort(e): South Asian Americans Cultural assimilation ; South Asian Americans Ethnic identity ; South Asian diaspora ; South Asian Americans-Ethnic identity ; South Asian Americans-Cultural assimilation-United States ; South Asian Americans-Ethnic identity.. ; South Asian diaspora ; South Asian Americans-Cultural assimilation-United States.. ; Electronic books ; USA ; Diaspora ; Südasiaten ; Kulturelle Identität ; Einwanderung ; Fotografie ; Shah, Seher 1975- ; Matthew, Annu Palakunnathu 1964- ; Gill, Gauri 1970-
    Kurzfassung: Bakirathi Mani examines the visual and affective relationships between South Asian diasporic viewers, artists, and photographic representations of immigrant subjects, showing how empire continues to haunt South Asian American visual cultures.
    Anmerkung: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    BSZ
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  • 15
    Buch
    Buch
    Are you entertained? : Black popular culture in the twenty-first century (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478005179 , 9781478006787
    Sprache: Englisch
    Seiten: 325 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Are you entertained?
    Paralleltitel: Erscheint auch als Are you entertained?
    Paralleltitel: Erscheint auch als Are You Entertained?
    DDC: 305.896/073
    Schlagwort(e): African Americans in popular culture ; Racism in popular culture ; African American arts ; Popular culture ; Politics and culture ; United States Civilization ; African American influences ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Massenkultur ; Geschichte 2000-2019
    Kurzfassung: Performing Blackness -- "Mutts like me" : mixed-race jokes and post-racial rejection in the Obama era / Ralina L. Joseph -- Black radio : Robert Glasper, Esperanza Spalding, and Janelle Monae? / Emily Lordi -- Camping and vamping across borders : locating cabaret singers in the Black cultural spectrum / Vincent Stephens -- The art of Black popular culture / Ike Okafor-Newsum -- Interview: Lisa B. Thompson -- Politicizing Blackness -- "Refashioning political cartoons : comics of Jackie Ormes, 1938-1958" / Kelly Jo Fulkerson-Dikuua -- Queer kinship and worldmaking in Black queer web series : Drama queenz and No shade / Eric Pritchard -- Styling and profiling : ballers, Blackness, the sartorial Ppolitics of the NBA / David J. Leonard -- Interview: Tracy Whiting-Sharpley -- Owning Blackness -- The subaltern is signifyin(g) : Black Twitter as a site of resistance / Sheneese Thompson -- Authentic Black cool? : branding and trademarks in contemporary African American culture / Richard Schur -- Black culture without Black people : hip hop and dance beyond appropriation discourse / Imani Johnson -- At the corner of chaos & divine : Black ritual theater, performance and politics / Nina Angela Mercer -- Interview: Mark Anthony Neal -- Loving Blackness -- The booty don't lie : pleasure, agency, and resistance in Black popular dance / Takiyah Nur Amin -- He said nothing : sonic space and the production of quietude in Barry Jenkins' Moonlight / Simone Drake -- Black women readers and the uses of urban fiction / Kinohi Nishikawa -- Interview: Patricia Hill Collins.
    Kurzfassung: "ARE YOU ENTERTAINED? re-examines Blackness in popular culture in the digital age. Inspired by Stuart Hall's essay "What is this 'Black' in Black popular culture?" this book contains essays and interviews which explore the complexities of Black popular culture with a focus on the history that has led to this point. Highlighting the challenge Black popular culture must negotiate as it contends with white consumerism and the white gaze, this book emphasizes the cultural changes of the last quarter century and their impacts. ARE YOU ENTERTAINED? covers both new and little known material, bridging the gap between early scholarship on Black popular culture and new scholarship. The collection offers a wide range of perspectives on aspects of popular culture across time period, medium and genre"--
    Anmerkung: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
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    Bayreuth UB
  • 16
    Buch
    Buch
    Infamous bodies : early black women's celebrity and the afterlives of rights (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478008323 , 9781478007838
    Sprache: Englisch
    Seiten: ix, 254 Seiten , Illustrationen
    Serie: Black studies gender and sexuality
    Paralleltitel: Erscheint auch als Pinto, Samantha Infamous bodies
    DDC: 305.48/896073
    RVK:
    HD 370
    Schlagwort(e): Wheatley, Phillis ; Hemings, Sally ; Baartman, Sarah ; Seacole, Mary ; Bonetta, Sarah Forbes ; Women, Black, in popular culture ; African American women in popular culture ; Women, Black Legal status, laws, etc ; African American women Legal status, laws, etc ; African American feminists ; Womanism ; Fame Social aspects ; USA ; Schwarze Frau ; Feministin ; Geschichte
    Kurzfassung: "INFAMOUS BODIES portrays ...
    Anmerkung: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: https://www.dukeupress.edu/infamous-bodies
    URL: Inhaltsverzeichnis
    URL: https://www.dukeupress.edu/infamous-bodies
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  • 17
    Online-Ressource
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    Island futures : Caribbean survival in the anthropocene (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478012733
    Sprache: Englisch
    Seiten: 1 online resource (257 pages)
    Paralleltitel: Erscheint auch als Sheller, Mimi, 1967 - Island futures
    DDC: 304.209792
    RVK:
    AR 38730
    Schlagwort(e): Human ecology Sociological aspects ; Sustainable development ; Human ecology Political aspects ; Human ecology-Political aspects-Caribbean Area ; Karibischer Raum Haiti ; naturkatastrophe ; Klimawandel ; Verhältnis Mensch - Natur ; Humanökologie ; Anthropozän ; Postkolonialismus ; Caribbean Haiti ; Climate change ; Human ecology ; Anthropocene ; Postcolonialism ; Electronic books ; Caribbean Area Environmental aspects ; Caribbean Area Climatic factors ; Karibik ; Klimaänderung ; Naturkatastrophe ; Haiti ; USA ; Humanökologie
    Kurzfassung: Mimi Sheller delves into the ecological crises and reconstruction challenges affecting the entire Caribbean region, showing how vulnerability to ecological collapse and the quest for a "just recovery" in the Caribbean emerge from specific transnational political, economic, and cultural dynamics.
    Kurzfassung: Cover -- Contents -- Preface: An Autobiography of My Mother -- Acknowledgments -- Introduction: Im/Mobile Disaster -- 1. Kinopolitical Power -- 2. Water Power -- 3. Aerial Power -- 4. Digital Power -- 5. Bordering Power -- 6. Sexual Power -- Conclusion: Surviving the Anthropocene -- Afterword: This is Not a Requiem -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y.
    Anmerkung: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
    URL: https://doi.org/10.1515/9781478012733?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781478012733
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 18
    Buch
    Buch
    Virtual pedophilia : sex offender profiling and U.S. security culture (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478008118 , 9781478006831
    Sprache: Englisch
    Seiten: viii, 278 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Harkins, Gillian, 1970- Virtual pedophilia
    DDC: 306.77
    Schlagwort(e): Pedophilia Social aspects ; Pedophilia in mass media Social aspects ; Online sexual predators ; Computer crimes Investigation ; Mass media and crime ; Sex offenders ; Internet and children Social aspects ; USA ; Pädophilie ; Sexualtäter ; Massenmedien
    Kurzfassung: Introduction: Virtual pedophilia -- Monstrous sexuality and vile sovereignty -- Profiling virtuality and pedophilic data -- Informational image and procedural tone -- Capturing the past and the vitality of crime -- Capturing the future and the sexuality of risk -- Conclusion: Exceptional pedophilia and the everyday case.
    Kurzfassung: "VIRTUAL PEDOPHILIA examines the cultural construction of the pedophile in relation to the rise of the carceral state and neoliberal tactics of forensic securitization. The pedophile, according to Gillian Harkins, is everywhere and nowhere: he eludes diagnostic and forensic profiling by slipping into the veneer of everyday normality. But it wasn't always this way; in this book, Harkins investigates the changing discourses of pedophilia over the late twentieth and early twenty-first centuries to ask why and how the pedophile shifted from a social outcast to the image of white male normality, and why the latter image of the pedophile became a cultural fixation. According to Harkins, this shift was also accompanied by new security regimes: now that the pedophile could no longer be easily detected, the point was to detect potential crime through constant vigilance. Drawing on film, television, and popular culture, Harkins explores how the everyday American was inscripted to "hunt" white male pedophiles, arguing that these cultural texts implied the state and science were no longer sufficient to find the pedophile, thereby creating a biopolitics in which everyone must be on the lookout. Drawing on a Deleuzian interpretation of virtuality as potentiality, as well as the contemporary understanding of virtuality as a condition of technologically produced reality, Harkins positions the pedophile as a virtual construction: an always possible potential whose actuality needs to be determined using modern technologies and security apparatuses. In chapters 1 and 2, Harkins outlines a genealogy of the pedophile from Krafft-Ebings's naming of "paedophilia erotica" in 1886 to today's construction of the virtual pedophile. Chapter 3 focuses on the cultural production of the pedophile by examining the television series Law and Order: Special Victims Unit and To Catch a Predator, and how these shows trained audiences to "detect" pedophiles. Chapter 4 examines the pedophile in documentary and narrative film. In the final chapters, Harkins turns towards queer encounters with the security regimes around pedophilia and sex offenders, and considers what's at stake in the calls to dismantle or reduce sex offender management. This book will be of interest to students of gender and sexuality studies, neoliberalism, carceral studies and the security state, cultural studies, and social theory"--
    Anmerkung: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 19
    Online-Ressource
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    Otherwise worlds : against settler colonialism and anti-blackness (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478012023
    Sprache: Englisch
    Seiten: 1 Online-Ressource (386 Seiten)
    Serie: Black Outdoors: Innovations in the Poetics of Study
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 305.8
    RVK:
    MS 3450
    Schlagwort(e): SOCIAL SCIENCE / Ethnic Studies / African American Studies ; African Americans Race identity ; African Americans Relations with Indians ; Blacks Study and teaching ; Indians of North America Ethnic identity ; Indians of North America Study and teaching ; Race Political aspects ; Racism ; Interaktion ; Afroamerikanismus ; Identität ; Indigenes Volk ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Afroamerikanismus ; Schwarze ; Indigenes Volk ; Identität ; Interaktion
    Kurzfassung: The contributors to Otherwise Worlds investigate the complex relationships between settler colonialism and anti-Blackness to explore the political possibilities that emerge from such inquiries. Pointing out that presumptions of solidarity, antagonism, or incommensurability between Black and Native communities are insufficient to understand the relationships between the groups, the volume's scholars, artists, and activists look to articulate new modes of living and organizing in the service of creating new futures. Among other topics, they examine the ontological status of Blackness and Indigeneity, possible forms of relationality between Black and Native communities, perspectives on Black and Indigenous sociality, and freeing the flesh from the constraints of violence and settler colonialism. Throughout the volume's essays, art, and interviews, the contributors carefully attend to alternative kinds of relationships between Black and Native communities that can lead toward liberation. In so doing, they critically point to the importance of Black and Indigenous conversations for formulating otherwise worlds.ContributorsMaile Arvin, Marcus Briggs-Cloud, J. Kameron Carter, Ashon Crawley, Denise Ferreira da Silva, Chris Finley, Hotvlkuce Harjo, Sandra Harvey, Chad B. Infante, Tiffany Lethabo King, Jenell Navarro, Lindsay Nixon, Kimberly Robertson, Jared Sexton, Andrea Smith, Cedric Sunray, Se'mana Thompson, Frank B. Wilderson
    DOI: 10.1515/9781478012023
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1515/9781478012023?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781478012023
    URL: Cover
    URL: lizenzpflichtig
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  • 20
    Buch
    Buch
    Unseeing empire : photography, representation, South Asian America (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478009849 , 9781478010890
    Sprache: Englisch
    Seiten: xv, 271 Seiten, 12 ungezählte Seiten , Illustrationen
    Serie: A camera obscura book
    Paralleltitel: Erscheint auch als Mani, Bakirathi Unseeing Empire
    DDC: 909/.04914
    RVK:
    AP 99083
    RVK:
    MS 1235
    RVK:
    MS 3600
    Schlagwort(e): South Asian Americans Cultural assimilation ; South Asian Americans Ethnic identity ; South Asian diaspora ; USA ; Diaspora ; Südasiaten ; Kulturelle Identität ; Einwanderung ; Fotografie ; Shah, Seher 1975- ; Matthew, Annu Palakunnathu 1964- ; Gill, Gauri 1970-
    Kurzfassung: "In Unseeing Empire Bakirathi Mani examines how empire continues to haunt South Asian American visual cultures. Weaving close readings of fine art together with archival research and ethnographic fieldwork at museums and galleries across South Asia and North America, Mani outlines the visual and affective relationships between South Asian diasporic artists, their photographic work, and their viewers. She notes that the desire for South Asian Americans to see visual representations of themselves is rooted in the use of photography as a form of colonial documentation and surveillance. She examines fine art photography by South Asian diasporic artists who employ aesthetic strategies such as duplication and alteration that run counter to viewers' demands for greater visibility. These works fail to deliver on viewers' desires to see themselves, producing instead feelings of alienation, estrangement, and loss. These feelings, Mani contends, allow viewers to question their own visibility as South Asian Americans in US public culture and to reflect on their desires to be represented"--
    Anmerkung: Literaturverzeichnis: Seiten 245-259
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 21
    Online-Ressource
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    Manufacturing Celebrity : Latino paparazzi and women reporters in Hollywood (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478008880
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xvi, 310 Seiten)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 305.5/2
    Schlagwort(e): SOCIAL SCIENCE / Anthropology / Cultural & Social ; Celebrities in mass media ; Fame Social aspects ; Hispanic American mass media ; Hispanic Americans in mass media ; Mass media and culture ; Mass media Political aspects ; Paparazzi ; Popular culture ; Women journalists ; Berühmte Persönlichkeit ; Paparazzo ; Regenbogenpresse ; Diskriminierung ; USA ; Los Angeles- Hollywood ; USA ; Los Angeles- Hollywood ; Berühmte Persönlichkeit ; Regenbogenpresse ; Paparazzo ; Diskriminierung
    Kurzfassung: In Manufacturing Celebrity Vanessa Díaz traces the complex power dynamics of the reporting and paparazzi work that fuel contemporary Hollywood and American celebrity culture. Drawing on ethnographic fieldwork, her experience reporting for People magazine, and dozens of interviews with photographers, journalists, publicists, magazine editors, and celebrities, Díaz examines the racialized and gendered labor involved in manufacturing and selling relatable celebrity personas. Celebrity reporters, most of whom are white women, are expected to leverage their sexuality to generate coverage, which makes them vulnerable to sexual exploitation and assault. Meanwhile, the predominantly male Latino paparazzi can face life-threatening situations and endure vilification that echoes anti-immigrant rhetoric. In pointing out the precarity of those who hustle to make a living by generating the bulk of celebrity media, Díaz highlights the profound inequities of the systems that provide consumers with 24/7 coverage of their favorite stars
    DOI: 10.1515/9781478008880
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: https://www.jstor.org/stable/10.2307/j.ctv12fw7kj
    URL: Inhaltsverzeichnis
    URL: https://doi.org/10.1515/9781478008880?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781478008880
    URL: Cover
    URL: lizenzpflichtig
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  • 22
    Online-Ressource
    Online-Ressource
    Are You Entertained? : black popular culture in the twenty-first century (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478009009
    Sprache: Englisch
    Seiten: 1 Online-Ressource (325 Seiten)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 305.896/073
    RVK:
    HU 1728
    Schlagwort(e): Geschichte 2000-2019 ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; African American arts ; African Americans in popular culture ; Politics and culture ; Popular culture ; Racism in popular culture ; Massenkultur ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Massenkultur ; Geschichte 2000-2019
    Kurzfassung: The advent of the internet and the availability of social media and digital downloads have expanded the creation, distribution, and consumption of Black cultural production as never before. At the same time, a new generation of Black public intellectuals who speak to the relationship between race, politics, and popular culture has come into national prominence. The contributors to Are You Entertained? address these trends to consider what culture and blackness mean in the twenty-first century's digital consumer economy. In this collection of essays, interviews, visual art, and an artist statement the contributors examine a range of topics and issues, from music, white consumerism, cartoons, and the rise of Black Twitter to the NBA's dress code, dance, and Moonlight. Analyzing the myriad ways in which people perform, avow, politicize, own, and love blackness, this volume charts the shifting debates in Black popular culture scholarship over the past quarter century while offering new avenues for future scholarship.Contributors. Takiyah Nur Amin, Patricia Hill Collins, Kelly Jo Fulkerson-Dikuua, Simone C. Drake, Dwan K. Henderson, Imani Kai Johnson, Ralina L. Joseph, David J. Leonard, Emily J. Lordi, Nina Angela Mercer, Mark Anthony Neal, H. Ike Okafor-Newsum, Kinohi Nishikawa, Eric Darnell Pritchard, Richard Schur, Tracy Sharpley-Whiting, Vincent Stephens, Lisa B. Thompson, Sheneese Thompson
    DOI: 10.1515/9781478009009
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: https://doi.org/10.1515/9781478009009?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781478009009
    URL: Cover
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