Anmerkung: Includes bibliographical references and index , Evolution and Victorian fiction , Between specimen and imagination : photography in the age of evolution , Early cinema and evolution , Evolution and victorian art , "I'm evolving!" : varieties of evolution on the Victorian stage , Dance and evolutionary thought in late Victorian discourse , The "non-Darwinian" revolution and the great chain of musical being , Development and display : progressive evolution in British Victorian architecture and architectural theory , Dramas of development : exhibitions and evolution in Victorian Britain , The popularization of evolution and victorian culture

Anmerkung: Includes bibliographical references and index

Anmerkung: Literaturverzeichnis ungezählte Seite 674 , Literaturangaben , Mit Register , pt. 1 Expansions : There are no visual media , pt. 1 Expansions :There are no visual media , The (in)human spatial condition : a visual essay ; Mapping non-conformity : post-bubble urban strategies , X-reality : interview with the virtual cannibal , On software, or the persistence of visual knowledge , Notes on the photographic image , Queer faces : photography and subcultural lives , Currents of worldmaking in contemporary art , Sublimated with mineral fury : prelim notes on sounding pandemonium Asia , The sea and the land : biopower and visuality from slavery to Katrina , pt. 2 Globalization, war and visual economy : (a) War and violence : The archaeology of violence : the king's head , On the actuarial gaze : from 9/11 to Abu Ghraib , American military imaginaries and Iraqi cities , Zeroing in : overhead imagery, infrastructure ruins, and datalands in Afghanistan and Iraq , What Greg Roberts saw : visuality, intelligibility, and sovereignty : 36,000km over the equator , Media and martyrdom , Live true life or die trying , (b) Attention and visualizing economy : Kino-I, Kino-world : notes on the cinematic mode of production , On virtuosity , Faking globalization , Creativity and the problem of free labor , It's easier to imagine the end of the world than the end of capitalism , Do it yourself geo-politics , pt. 3 The body, coloniality and visuality : (a) Bodies and minds : Optics , Blindness and visual culture : an eye witness account , Reduplicative desires , The persistence of vision , The body and/in representation , Forever modern : Mami Wata visual culture and history in Africa , (b) Histories and memories : The mobilized and virtual gaze in modernity : fl(c)Øneur/fl(c)Øneuse ; Tourism and "sacred ground" : the space of ground zero , Maps, mother/goddesses, and martyrdom in modern India , Museums in late democracies , The fact of blackness , The case of blackness , (c) (Post/de/neo)colonial visualities : Orientalism and the exhibitionary order , from The colonial harem , Vodun art, social history and the slave trade , Between cult and culture : Bamiyan, Islamic iconoclasm and the museum , The postcolonial constellation : contemporary art in a state of permanent transition , Urban warfare : walking through walls , pt. 4 Media and mediations : U.S. operating systems at midcentury : the intertwining of race and unix , Rethinking the digital age , The unworkable interface , On the superiority of the analog , Digital racial formations and networked images of the body , Imagination, multimodality and embodied interaction : a discussion of sound and movement in two cases of laboratory and clinical magnetic resonance imaging , The (in)human spatial condition : a visual essay ; Mapping non-conformity : post-bubble urban strategies , X-reality : interview with the virtual cannibal , On software, or the persistence of visual knowledge , Notes on the photographic image , Queer faces : photography and subcultural lives , Currents of worldmaking in contemporary art , Sublimated with mineral fury : prelim notes on sounding pandemonium Asia , The sea and the land : biopower and visuality from slavery to Katrina , pt. 2 Globalization, war and visual economy : (a) War and violence :The archaeology of violence : the king's head , On the actuarial gaze : from 9/11 to Abu Ghraib , American military imaginaries and Iraqi cities , Zeroing in : overhead imagery, infrastructure ruins, and datalands in Afghanistan and Iraq , What Greg Roberts saw : visuality, intelligibility, and sovereignty : 36,000km over the equator , Media and martyrdom , Live true life or die trying , (b) Attention and visualizing economy :Kino-I, Kino-world : notes on the cinematic mode of production , On virtuosity , Faking globalization , Creativity and the problem of free labor , It's easier to imagine the end of the world than the end of capitalism , Do it yourself geo-politics , pt. 3 The body, coloniality and visuality : (a) Bodies and minds :Optics , Blindness and visual culture : an eye witness account , Reduplicative desires , The persistence of vision , The body and/in representation , Forever modern : Mami Wata visual culture and history in Africa , (b) Histories and memories :The mobilized and virtual gaze in modernity : flâneur/flâneuse ; Tourism and "sacred ground" : the space of ground zero , Maps, mother/goddesses, and martyrdom in modern India , Museums in late democracies , The fact of blackness , The case of blackness , (c) (Post/de/neo)colonial visualities :Orientalism and the exhibitionary order , fromThe colonial harem , Vodun art, social history and the slave trade , Between cult and culture : Bamiyan, Islamic iconoclasm and the museum , The postcolonial constellation : contemporary art in a state of permanent transition , Urban warfare : walking through walls , pt. 4 Media and mediations :U.S. operating systems at midcentury : the intertwining of race and unix , Rethinking the digital age , The unworkable interface , On the superiority of the analog , Digital racial formations and networked images of the body , Imagination, multimodality and embodied interaction : a discussion of sound and movement in two cases of laboratory and clinical magnetic resonance imaging

Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke

Anmerkung: Literaturangaben

Anmerkung: Formerly CIP Uk. - Includes bibliographical references

Anmerkung: Includes bibliographical references and index

Anmerkung: 1. publ. 1961

Anmerkung: Includes bibliographical references and index

Anmerkung: Met index, lit. opg

Anmerkung: 3257-6

Anmerkung: Literaturverzeichnis: Seiten189-198

Anmerkung: Literaturverzeichnis Seite 314-316 (Seite 314 ungezählt) , Mit Register , Notes on contributors ; Chronology ; Introduction: modern British culture , 1. Becoming British , 2. Language developments in British English , 3. Schooling and culture , 4. The changing character of political communications , 5. Contemporary Britain and its regions , 6. Contemporary British cinema , 7. Contemporary British fiction , 8. Contemporary British poetry , 9. Theatre in modern British culture , 10. Contemporary British television , 11. British art in the twenty-first century , 12. British fashion , 13. Sport in contemporary Britain , 14. British sexual cultures , 15. British popular music, popular culture and exclusivity , 16. British newspapers today , 17. The struggle for ethno-religious equality in Britain: the place of the Muslim community , Guide to further reading ; Index.

Anmerkung: Literaturverz. S. [227] - 236

Anmerkung: "The essays in this volume had their origin in a conference organized at Johannes Gutenberg-University Mainz in 2007, 'Native American Studies across Time and Space: International Symposium on the Indigenous Americas'" - Acknowledgements

Anmerkung: "This original book is a much needed and far reaching exploration of post-apartheid South African life worlds ... Sarah Nuttall explores the concept of entanglement in relation to readings of literature, new media forms and painting. In the process, she moves away from a persistent apartheid optic, drawing on ideas of sameness and difference, and their limits, in order to elicit ways of living and imagining that are just starting to take shape and for which we might not yet have a name"--P. 4 cover.. - Includes bibliographical references (p. 175-191) and index

Anmerkung: Includes bibliographical references

Anmerkung: Includes bibliographical references and index

Anmerkung: Beitr. teilw. dt., teilw. engl. - Literaturangaben

Anmerkung: Includes bibliographical references and index

Anmerkung: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Includes bibliographical references (pages 235-246) and index , Cover -- Series List -- Copyright -- Contents -- Figures -- Case Studies -- Acknowledgements -- Chronology of 1920s American Culture -- Introduction The Intellectual Context -- Chapter 1 Fiction, Poetry and Drama -- Chapter 2 Music and Performance -- Chapter 3 Film and Radio -- Chapter 4 Visual Art and Design -- Chapter 5 Consumption and Leisure -- Conclusion The Cultural Legacy of the 1920s -- Notes -- Bibliography -- Index , The 1920s saw the United States rise to its current status as the leading world superpower, matched by an emerging cultural dominance that characterized the second half of the twentieth century. This book provides an stimulating account of the major cultural and intellectual trends of the decade that have been pivotal to its characterization as 'the jazz age'

Anmerkung: Literaturangaben , Beitr. teilw. dt., teilw. engl

Anmerkung: Includes bibliographical references

Anmerkung: Includes bibliographical references (p. [229]-242) and index

Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke

Anmerkung: Includes bibliographical references and index , Contents; Preface; Introduction: Intimacy, Publicity, and Femininity; Poor Eliza; Pax Americana: The Case of Show Boat; National Brands, National Body: Imitation of Life; Uncle Sam Needs a Wife: Citizenship and Denegation; Remembering Love, Forgetting Everything Else:Now, Voyager; "It's Not the Tragedies That Kill Us, It's the Messes":Femininity, Formalism, and Dorothy Parker; The Compulsion to Repeat Femininity: Landscape for a Good Woman and The Life and Loves of a She-Devil; Overture/Aperture: Showboat 1988-The Remake; Notes; Bibliography; Index

Anmerkung: Literaturverz. S. [244] - 246

Anmerkung: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Includes bibliographical references (pages 197-219) and index , COPYRIGHT; Contents; Figures; Case Studies; Acknowledgements; Chronology of 1980s American Culture; Introduction The Intellectual Context; Chapter 1 Fiction and Poetry; Chapter 2 Art and Photography; Chapter 3 Film and Television; Chapter 4 Music and Performance; Chapter 5 American Culture and Globalization; Conclusion The Cultural Legacy of the 1980s; Notes; Bibliography; Index

Anmerkung: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Includes bibliographical references (pages 285-302) and index , COPYRIGHT; Contents; Figures; Case Studies; Acknowledgements; Chronology of 1950s American Culture; Introduction The Intellectual Context; Chapter 1 Fiction and Poetry; Chapter 2 Drama and Performance; Chapter 3 Music and Radio; Chapter 4 Film and Television; Chapter 5 The Visual Arts beyond Modernism; Conclusion Rethinking the 1950s; Notes; Bibliography; Index

Anmerkung: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Includes bibliographical references and index