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  • GBV  (5)
  • HU Berlin  (1)
  • Weltkulturen Museum
  • MEK Berlin
  • MARKK
  • Online Resource  (6)
  • 2025-2025
  • 2020-2024
  • 2015-2019
  • 2010-2014  (6)
  • 2013  (6)
  • Musik  (6)
  • Musicology  (6)
Datasource
Material
Language
Years
  • 2025-2025
  • 2020-2024
  • 2015-2019
  • 2010-2014  (6)
Year
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    Music and empire in Britain and India : identity, internationalism, and cross-cultural communication (2013)
    New York, NY : Palgrave Macmillan
    Details
    ISBN: 9781137311641 , 9781137311658
    Language: English
    Pages: 1 Online-Ressource(xii, 219 Seiten) , Illustrationen, Notenbeispiele
    Edition: Online-Ausgabe
    Series Statement: Palgrave studies in cultural and intellectual history
    Parallel Title: Erscheint auch als Linden, Bob van der Music and empire in Britain and India
    DDC: 780.9171/241
    RVK:
    LQ 84006
    RVK:
    LS 39400
    RVK:
    LQ 94006
    Keywords: Music Social aspects 20th century ; History ; Music History and criticism 19th century ; Music History and criticism 20th century ; Music History and criticism 19th century ; Music History and criticism 20th century ; Music Indic influences ; Music Western influences ; Music Social aspects 19th century ; History ; Music Social aspects 19th century ; History ; Music Social aspects 20th century ; History ; Great Britain-History ; Electronic books ; Electronic books ; Indien ; England ; Geschichte 1649-1660 ; Musik ; Kulturkontakt ; Geschichte
    Abstract: Partly because of academic disciplinary boundaries, music remains a neglected subject in British Imperial history and, indeed, intellectual history at large. Nonetheless, the imperial encounter was, as this richly detailed new study demonstrates, a sound exercise, and music was a key dimension of identity formation as well as transnational networks and transcultural communication between colonizer and colonized. Specifically, it explores the ways in which rational, moral, and aesthetic motives underlying the institutionalization and modernization of 'classical' music converged and diverged in
    Note: Includes bibliographical references and index
    DOI: 10.1057/9781137311641
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BSZ
    GBV
  • 2
    Online Resource
    Online Resource
    Music, sound and space : transformations of public and private experience (2013)
    Cambridge :Cambridge University Press,
    Details
    ISBN: 978-0-511-67585-0
    Language: English
    Pages: 1 Online-Ressource (xv, 358 Seiten) : , Illustrationen.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.2/3
    RVK:
    AP 14900
    RVK:
    LC 87000
    RVK:
    MS 8020
    RVK:
    LR 56600
    Keywords: Gesellschaft ; Musik ; Music / Social aspects ; Sound / Social aspects ; Musik. ; Gesellschaft. ; Raum. ; Alltagskultur. ; Raum ; Öffentlichkeit. ; Aufsatzsammlung ; Musik ; Gesellschaft ; Raum ; Alltagskultur ; Raum ; Öffentlichkeit
    Abstract: Music, Sound and Space is the first collection to integrate research from musicology and sound studies on music and sound as they mediate everyday life. Music and sound exert an inescapable influence on the contemporary world, from the ubiquity of MP3 players to the controversial use of sound as an instrument of torture. In this book, leading scholars explore the spatialisation of music and sound, their capacity to engender modes of publicness and privacy, their constitution of subjectivity, and the politics of sound and space. Chapters discuss music and sound in relation to distinctive genres, technologies and settings, including sound installation art, popular music recordings, offices and hospitals, and music therapy. With international examples, from the Islamic soundscape of the Kenyan coast, to religious music in Europe, to First Nation musical sociability in Canada, this book offers a new global perspective on how music and sound and their spatialising capacities transform the nature of public and private experience
    DOI: 10.1017/CBO9780511675850
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    HU Berlin
  • 3
    Online Resource
    Online Resource
    The Garland encyclopedia of world music (2013)
    New York, NY : Routledge
    Details
    ISBN: 9780824060350
    Language: English
    Pages: 1 Online-Ressource (7929 pages)
    Series Statement: Garland reference library of the humanities 2.1169, 5.1191, 8.1193
    Series Statement: Music Online Reference
    Series Statement: The Garland encyclopedia of world music
    Parallel Title: Erscheint auch als The Garland encyclopedia of world music
    DDC: 780/.9
    RVK:
    LP 11500
    RVK:
    LP 12000
    RVK:
    LS 14000
    Keywords: World music Encyclopedias ; World music Encyclopedias ; World music Encyclopedias ; Folk music South America ; History and criticism ; Folk music Central America ; History and criticism ; Folk music Caribbean ; History and criticism ; Folk music Encyclopedias ; Music Encyclopedias ; Popular music Encyclopedias ; Wörterbuch ; Wörterbuch ; Musik ; Musikethnologie ; Weltmusik
    Note: Includes bibliographical references, discographies, filmographies, and indexes , Vols. 6-7, 10 published: New York : Routledge, 2002 , v. 1. Africa , v. 2. South America, Mexico, Central America, and the Caribbean , v. 3. The United States and Canada , v. 4. Southeast Asia , v. 5. South Asia : the Indian subcontinent , v. 6. The Middle East , v. 7. East Asia : China, Japan, and Korea , v. 8. Europe , v. 9. Australia and the Pacific Islands , v. 10. The world's music : general perspectives and reference tools
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    GBV
    KOBV
  • 4
    Online Resource
    Online Resource
    Populäre Musik und Pop-Literatur : Zur Intermedialität literarischer und musikalischer Produktionsästhetik in der deutschsprachigen Gegenwartsliteratur (2013)
    Bielefeld : transcript
    Details
    ISBN: 9783839419991
    Language: German
    Pages: 1 Online Ressource (313 Seiten)
    Series Statement: Lettre
    Parallel Title: Erscheint auch als Tillmann, Markus Populäre Musik und Pop-Literatur
    Dissertation note: Dissertation Universität Bochum 2011
    RVK:
    GN 1826
    RVK:
    GO 18516
    RVK:
    GN 1083
    RVK:
    GO 10750
    RVK:
    LS 48015
    Keywords: Literature ; literature ; literary studies ; music ; Literaturwissenschaft ; Musik ; Popkultur ; Populärkultur ; Intermedialität ; Popmusik ; Germanistik ; Populäre Musik ; DJ Culture ; Beat Generation ; Jack Kerouac ; William S. Burroughs ; Rolf Dieter Brinkmann ; Rainald Goetz ; German Literature ; Literary Studies ; Music ; Popular Culture ; Pop Music ; Literature ; Populärkultur ; Popkultur ; Beat Generation ; Musik ; Jack Kerouac ; Germanistik ; DJ Culture ; Populäre Musik ; Popmusik ; William S. Burroughs ; Rolf Dieter Brinkmann ; Intermedialität ; Literaturwissenschaft ; German Literature ; Rainald Goetz ; Literatur; Populäre Musik; DJ Culture; Beat Generation; Populärkultur; Intermedialität; Jack Kerouac; William S. Burroughs; Rolf Dieter Brinkmann; Rainald Goetz; Musik; Literaturwissenschaft; Germanistik; Popmusik; Popkultur; Literature; Music; Literary Studies; German Literature; Pop Music; Popular Culture; ; Hochschulschrift ; Hochschulschrift ; Popmusik ; Rockmusik ; Produktionsästhetik ; Rezeption ; Popliteratur ; Deutsch ; Popmusik ; Rockmusik ; Intermedialität ; Popliteratur ; Deutsch
    Abstract: Populäre Musik ist direkt und stetig präsent. Es verwundert daher nicht, dass sie seit den 1960er Jahren nicht nur den Habitus des zeitgenössischen Menschen bestimmt, sondern auch den Schreibstil einer Reihe von Gegenwartsautoren beeinflusst hat. In den literarischen Texten von Jack Kerouac, Rolf Dieter Brinkmann, Rainald Goetz und Thomas Meinecke fungiert populäre Musik beispielsweise ganz explizit als Medium der Textkonstitution. Markus Tillmann verfolgt die dabei aufscheinenden intermedialen Zusammenhänge zwischen musikalischer und literarischer Produktionsästhetik von den Beat Poets über die Punk- und Industrial-Szene bis hin zur DJ Culture.
    URL: Volltext  (lizenzpflichtig)
    URL: lizenzpflichtig
    URL: Volltext  (lizenzpflichtig)
    URL: lizenzpflichtig
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    Online Resource
    BSZ
    GBV
    KOBV
  • 5
    Online Resource
    Online Resource
    Composing dissent : avant-garde music in 1960s Amsterdam (2013)
    New York : Oxford University Press
    Details
    ISBN: 9780199346202
    Language: English
    Pages: 1 online resource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    DDC: 306.484209492352
    RVK:
    LQ 83807
    Keywords: Avant-garde (Music) ; Social change ; Netherlands History 1945- ; Niederlande ; Amsterdam ; Musik ; Avantgarde
    Abstract: The 1960s saw the emergence in the Netherlands of a generation of avant-garde musicians with a pronounced commitment to social and political engagement. This book presents the Dutch experience as an exemplary case study in the complex and conflictual encounter of the musical avant-garde with the decade's currents of social change.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on June 26, 2013)
    DOI: 10.1093/acprof:oso/9780199981014.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BSZ
    GBV
    KOBV
  • 6
    Online Resource
    Online Resource
    Dig : sound and music in hip culture (2013)
    New York : Oxford University Press
    Details
    ISBN: 9780199354467
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 306.1
    RVK:
    LS 48015
    Keywords: Geschichte 1940-1970 ; Gesellschaft ; Counterculture / United States ; Popular music / Social aspects / United States ; Hippie ; Musik ; Soziale Bewegung ; USA ; USA ; USA ; Hippie ; Soziale Bewegung ; Musik ; Geschichte 1940-1970
    Abstract: 'Dig' argues that in hip culture it is sound itself, and the faculty of hearing, that is the privileged part of the sensory experience. Through a string of lucid and illuminating examples author Phil Ford shows why and how music became a central facet of hipness and the counterculture
    Note: Includes bibliographical references and index
    DOI: 10.1093/acprof:oso/9780199939916.001.0001
    URL: Volltext
    URL: http://dx.doi.org/10.1093/acprof:oso/9780199939916.001.0001
    URL: Volltext
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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    Online Resource
    München BSB
    BSZ
    GBV
    KOBV
    HeBIS
    BVB
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