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  • HeBIS  (6)
  • HU Berlin  (3)
  • MPI Ethno. Forsch.  (1)
  • München UB
  • Buch  (8)
  • 2020-2024  (8)
  • Durham : Duke University Press  (8)
  • Musikwissenschaft  (8)
Datenlieferant
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Erscheinungszeitraum
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  • 1
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478016762 , 9781478019381
    Sprache: Englisch
    Seiten: 119 Seiten, Seiten 3-26 Illustrationen
    Serie: Practices
    Paralleltitel: Erscheint auch als
    DDC: 306.109747
    RVK:
    RVK:
    Anmerkung: Literaturverzeichnis: Seite [107]-119
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478018872 , 9781478016236
    Sprache: Englisch
    Seiten: xiv, 218 Seiten
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 1975-1990 ; Rundfunksender ; Rap ; Schwarze ; New York, NY ; Rap (Music) / New York (State) / New York / History and criticism ; African American radio stations / New York (State) / New York ; Radio stations / New York (State) / New York / History ; Radio broadcasting / Deregulation / New York (State) / New York ; Radio in popular culture / New York (State) / New York ; MUSIC / Genres & Styles / Rap & Hip Hop ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies ; African American radio stations ; Radio broadcasting / Deregulation ; Radio in popular culture ; Radio stations ; Rap (Music) ; New York (State) / New York ; Criticism, interpretation, etc ; History ; New York, NY ; Rap ; Schwarze ; Rundfunksender ; Geschichte 1975-1990
    Kurzfassung: "Breaks in the Air provides a social and cultural history of rap music on Black radio in New York City from the late 1970s to the late 1980s. Radio shows were crucial in the growth of hip hop in New York, and Klaess explores the intertwined histories of sounds, institutions, communities, and legal formations converging in that post-Civil Rights period. John Klaess offers a careful analysis of the city's three crucial commercial radio stations-WBLS-FM 107.5, WRKS-FM 98.7, and WHBI-FM 105.9-drawing on an archive of tape recordings of the stations' broadcasts. Klaess moves from a history of deregulation in the broadcasting industry to the ways that American racial politics inflected the broadcast of rap and looks at how these radio stations engaged with this unique historical situation, how technologies both aided and limited their broadcasts, how their broadcasts were received, and what the public broadcast of this music and culture meant to young people of color in New York"--
    Beschreibung / Inhaltsverzeichnis: Deregulating radio -- Sounding Black progress in the post-civil rights era -- Commercializing rap with Mr. Magic's rap attack -- Programming the street at WRKS -- Broadcasting the Zulu Nation -- Listening to the labor of the Awesome II Show
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478010678 , 9781478011798
    Sprache: Englisch
    Seiten: vi, 295 Seiten , Illustrationen, Karten
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 1950-1980 ; Popmusik ; Asien ; Popular music / Asia / History and criticism ; Popular music / Political aspects / Asia ; Cold War ; Music / Asia / History and criticism ; Music / 20th century / History and criticism ; Music / Social aspects / Asia ; Music ; Music / Social aspects ; Popular music ; Popular music / Political aspects ; Asia ; 1900-1999 ; Criticism, interpretation, etc ; Asien ; Popmusik ; Geschichte 1950-1980
    Kurzfassung: "The contributors to Sound Alignments explore the myriad forms of popular music that circulated across Asia under the uneven Cold War situation of the 1950s, 1960s and beyond. Geographically, the regions covered stretch from India to Indonesia, Hong Kong, China, South Korea, Okinawa, and Japan. The genres of music explored include various forms of pop, rock, folk, and "yellow music," as well as traditional musics of Asia. Because the Cold War meant radically different things depending on location and time, it is examined from multiple perspectives: socialist internationalism, the nonaligned movement, and the anti-communist developmentalist and capitalist blocs"--
    Beschreibung / Inhaltsverzeichnis: Musical travels of the Coconut Isles and the socialist popular / Jennifer Lindsay -- Vehicles of progress : the Kerala rikshawala at the intersection of communism and social realism / Nisha Kommattam -- East Asian pop music and an incomplete regional contemporary / C. J. W.-L. Wee -- Searching for youth, the people (Minjung), and "another" West while living through anti-communist Cold War politics : South Korean "folk song" in the 1970s / Hyunjoon Shin -- Cosmopolitanism, vernacular cosmopolitanism, and sound alignments : covers and Cantonese cover songs in 1960s Hong Kong / Hon-Lun Yang -- Sonic imaginaries of Okinawa : Daiku Tetsuhiro's cosmopolitan "paradise" / Marié Abe -- Translated fronts : popular songs of socialist cosmopolitanism in Cold War India / Anna Schultz -- Yellow music criticism during China's anti-rightist movement / Qian Zhang -- Afterword: Asia's soundings of the Cold War / Christine R. Yano
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478014089 , 9781478011941
    Sprache: Englisch
    Seiten: xxii, 552 Seiten , Illustrationen
    Serie: Refiguring American music
    DDC: 782.421640973
    RVK:
    Schlagwort(e): Volksmusik ; Popmusik ; USA
    Anmerkung: Literaturverzeichnis Seite 446-512
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 5
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478014393 , 9781478013471
    Sprache: Englisch
    Seiten: 132 Seiten , 1 Illustration
    Serie: Singles
    DDC: 782.42166092
    RVK:
    Schlagwort(e): Popmusik ; USA
    Anmerkung: Bibliography Seite 125-126
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  • 6
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478009597 , 9781478008699
    Sprache: Englisch
    Seiten: x, 217 Seiten
    Serie: Refiguring American music
    DDC: 781.644
    RVK:
    Schlagwort(e): Soulmusiker ; Afroamerikanische Musik ; Ethnische Identität ; USA
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 7
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478008415
    Sprache: Englisch
    Seiten: XXXIV, 476 Seiten, 8 ungezählte Seiten , Illustrationen
    Ausgabe: Republished with new preface
    Paralleltitel: Online version Szwed, John F., 1936- Space is the place
    RVK:
    Schlagwort(e): Sun Ra ; Biografie ; Biografie
    Kurzfassung: "Sun Ra - a/k/a Herman Poole "Sonny" Blount - was born in Alabama on May 22, 1914. But like Father Divine and Elijah Muhammad, he made a lifelong effort to obscure many of the facts of his early life. After years as a rehearsal pianist for nightclub revues and in blues and swing bands, including Wynonie Harris's and Fletcher Henderson's, Sun Ra set out in the 1950s to find a way to impart his values about the galaxy, Black people, and spiritual matters through the various incarnations of the Intergalactic Arkestra. His repertoire ranging from boogie-woogie, swing, and bebop to free form, fusion, and whatever, Sun Ra was above all a paragon of contradictions: profundity and vaudeville; technical pianistic virtuosity and irony; assiduous attention to arrangements and encouragement of collective improvisation; respect for tradition and celebration of the fresh"--
    Anmerkung: Selected bibliography Seite 409-425 , Discography Seite 427-448 , "This is a paperback re-issue of the 1997 hardcover title published by Pantheon"--Provided by publisher
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 8
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478011224 , 9781478010197 , 1478010193 , 147801122X
    Sprache: Englisch
    Seiten: xiv, 392 Seiten
    Serie: Refiguring american music
    Paralleltitel: Online version Mahon, Maureen Black diamond queens
    RVK:
    RVK:
    Schlagwort(e): Schwarze ; Frau ; Rockmusik ; USA
    Kurzfassung: African American women have played a pivotal part in rock and roll-from laying its foundations and singing chart-topping hits to influencing some of the genre's most iconic acts. Despite this, black women's importance to the music's history has been diminished by narratives of rock as a mostly white male enterprise. In Black Diamond Queens, Maureen Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll between the 1950s and the 1980s. Mahon details the musical contributions and cultural impact of Big Mama Thornton, LaVern Baker, Betty Davis, Tina Turner, Merry Clayton, Labelle, the Shirelles, and others, demonstrating how dominant views of gender, race, sexuality, and genre affected their careers. By uncovering this hidden history of black women in rock and roll, Mahon reveals a powerful sonic legacy that continues to reverberate into the twenty-first century.
    Anmerkung: Literaturverzeichnis: Seite [349]-373 , Rocking and Rolling with Big Mama Thornton -- LaVern Baker, the Incredible Disappearing Queen of Rock and Roll -- Remembering the Shirelles -- Call and Response -- Negotiating "Brown Sugar" -- The Revolutionary Sisterhood of Labelle -- The Fearless Funk of Betty Davis -- Tina Turner's Turn to Rock
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