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  • HeBIS  (4)
  • HU Berlin  (1)
  • KOBV  (1)
  • München UB
  • BSZ
  • OLC Ethnologie
  • Englisch  (5)
  • 2010-2014  (2)
  • 2005-2009  (3)
  • Jenkins, Henry  (5)
  • Institute of Southeast Asian Studies
  • Landesstelle für die Nichtstaatlichen Museen in Bayern
  • Winter, Rainer
  • Ann Arbor, Michigan : ProQuest  (2)
  • New York [u.a.] : Routledge  (2)
  • Cambridge, UK : Polity  (1)
  • Allgemeines  (5)
  • Kunstgeschichte
  • Philosophie
  • Theologie/Religionswissenschaften
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  • Englisch  (5)
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  • Allgemeines  (5)
  • Kunstgeschichte
  • Philosophie
  • Theologie/Religionswissenschaften
  • Soziologie  (3)
  • 1
    Buch
    Buch
    New York [u.a.] : Routledge
    ISBN: 9780415533287 , 0415533287 , 9780415533294 , 0415533295
    Sprache: Englisch
    Seiten: LII, 370 S. , Ill. , 23 cm
    Ausgabe: Updated 20. anniversary ed., classic ed.
    Paralleltitel: Erscheint auch als Jenkins, Henry, 1958- Textual poachers
    DDC: 302.2345
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    Schlagwort(e): Fan ; Fernsehwirkung ; Fernsehen ; Publikum ; Fernsehen ; Publikum ; Fan ; Fernsehwirkung ; Fans (Persons)--Psychology. ; Television viewers--Psychology. ; Popular culture. ; Fernsehen ; Fan ; Fernsehen ; Publikum ; Fernsehwirkung
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Buch
    Buch
    New York [u.a.] : Routledge
    ISBN: 0415905710 , 0415905729
    Sprache: Englisch
    Seiten: VIII, 343 S. , Ill.
    Ausgabe: digit. repr. d. Ausg. 1992
    Serie: Studies in culture and communication
    DDC: 306.1
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    Schlagwort(e): Fernsehen ; Fan
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Online-Ressource
    Online-Ressource
    Cambridge, UK : Polity | [Ann Arbor, Michigan] : ProQuest
    ISBN: 9780745658896
    Sprache: Englisch
    Seiten: 1 Online-Ressource (125 ungezählte Seiten) , Illustrationen
    Serie: Digital media and society series
    DDC: 303.4833
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    Schlagwort(e): YouTube ; Gesellschaft ; Kultur ; Online-Publikation
    Kurzfassung: YouTube is one of the most well-known and widely discussed sites of participatory media in the contemporary online environment, and it is the first genuinely mass-popular platform for user-created video. In this timely and comprehensive introduction to how YouTube is being used and why it matters, Burgess and Green discuss the ways that it relates to wider transformations in culture, society and the economy. The book critically examines the public debates surrounding the site, demonstrating how it is central to struggles for authority and control in the new media environment. Drawing on a range of theoretical sources and empirical research, the authors discuss how YouTube is being used by the media industries, by audiences and amateur producers, and by particular communities of interest, and the ways in which these uses challenge existing ideas about cultural ‘production’ and ‘consumption’. ...
    Anmerkung: Literaturverzeichnis: Seite 105-119
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Online-Ressource
    Online-Ressource
    New York : NYU Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780814743690
    Sprache: Englisch
    Seiten: 1 Online-Ressource (286 pages)
    Ausgabe: 1st ed.
    DDC: 302.23
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    Schlagwort(e): Kultur ; Massenmedien ; Medienkonsum ; Fan ; Interaktive Medien ; Aufsatzsammlung ; Aufsatzsammlung
    Kurzfassung: Henry Jenkins at Authors@Google (video) Henry Jenkins"s pioneering work in the early 1990s promoted the idea that fans are among the most active, creative, critically engaged, and socially connected consumers of popular culture and that they represent the vanguard of a new relationship with mass media. Though marginal and largely invisible to the general public at the time, today, media producers and advertisers, not to mention researchers and fans, take for granted the idea that the success of a media franchise depends on fan investments and participation. Bringing together the highlights of a decade and a half of groundbreaking research into the cultural life of media consumers, Fans, Bloggers, and Gamers takes readers from Jenkins's progressive early work defending fan culture against those who would marginalize or stigmatize it, through to his more recent work, combating moral panic and defending Goths and gamers in the wake of the Columbine shootings. Starting with an interview on the current state of fan studies, this volume maps the core theoretical and methodological issues in Fan Studies. It goes on to chart the growth of participatory culture on the web, take up blogging as perhaps the most powerful illustration of how consumer participation impacts mainstream media, and debate the public policy implications surrounding participation and intellectual property.
    Anmerkung: Description based on publisher supplied metadata and other sources
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 5
    Online-Ressource
    Online-Ressource
    New York : NYU Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780814743706
    Sprache: Englisch
    Seiten: 1 Online-Ressource (291 pages)
    Ausgabe: 1st ed.
    DDC: 302.230973
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    Schlagwort(e): Popkultur ; Gefühl ; USA
    Kurzfassung: Henry Jenkins at AuthorsGoogle (video) Vaudevillians used the term "the wow climax" to refer to the emotional highpoint of their actsa final moment of peak spectacle following a gradual building of audience's emotions. Viewed by most critics as vulgar and sensationalistic, the vaudeville aesthetic was celebrated by other writers for its vitality, its liveliness, and its playfulness. The Wow Climax follows in the path of this more laudatory tradition, drawing out the range of emotions in popular culture and mapping what we might call an aesthetic of immediacy. It pulls together a spirited range of work from Henry Jenkins, one of our most astute media scholars, that spans different media (film, television, literature, comics, games), genres (slapstick, melodrama, horror, exploitation cinema), and emotional reactions (shock, laughter, sentimentality). Whether highlighting the sentimentality at the heart of the Lassie franchise, examining the emotional experiences created by horror filmmakers like Wes Craven and David Cronenberg and avant garde artist Matthew Barney, or discussing the emerging aesthetics of video games, these essays get to the heart of what gives popular culture its emotional impact.
    Anmerkung: Description based on publisher supplied metadata and other sources
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