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  • Ethn. Museum Berlin  (11)
  • HU Berlin  (2)
  • Würzburg UB  (2)
  • München UB
  • 2020-2024  (13)
  • 1970-1974
  • New York : Oxford University Press  (13)
  • Ethnology  (13)
  • Computer Science
Datasource
Material
Language
Years
Year
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Book
    Book
    Musics of the world (2022)
    New York : Oxford University Press
    Details
    ISBN: 9780190235864
    Language: English
    Pages: 358 Seiten
    Parallel Title: Erscheint auch als Williams, Sean, 1959- Musics of the world
    DDC: 780.9
    RVK:
    LC 87000
    RVK:
    LS 19000
    Keywords: World music Analysis, appreciation ; Music appreciation
    Abstract: "Musics of the World offers a rich introduction to world music"--
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    GBV
    Ethn. Museum Berlin
  • 2
    Book
    Book
    Sociological thinking in music education : international intersections (2022)
    New York : Oxford University Press
    Details
    ISBN: 9780197600962 , 0197600964 , 0197611907 , 9780197611906
    Language: English
    Pages: xx, 259 Seiten , Illustrationen , 24 cm
    DDC: 780.71
    RVK:
    LC 87000
    Keywords: Music Instruction and study ; Social aspects ; Postcolonialism and music ; Musique - Étude et enseignement - Aspect social ; Postcolonialisme et musique ; Postcolonialism and music ; Aufgabensammlung
    Abstract: "Sociological Thinking in Music Education presents new ideas about music teaching and learning as important social, political, economic, ecological, and cultural ways of being. At the book's heart is the intersection between theory and practice where readers gain glimpses of intriguing social phenomena as lived through music learning and teaching. Pivotal intersections between music education and sociology -- issues of community, schooling, decolonization -- illustrate the vital roles played by music and music education in various societies around the world. In this book, emerging and established scholars mobilize links between applied sociology, music, education, and music education in ways that intersect the scholarly and the personal. Interdisciplinary vantage points fulfil the book's overarching aim to move beyond mere descriptions of what is by analyzing how social inequalities and inequities, conflict, control, and power can be understood in and through music teaching and learning at both individual and collective levels. As a result, the reader encounters new ideas regarding the social construction of music education practices in specific places, and also sees and hears familiar ones in fresh ways. Digital assets enable readers to meet the authors and the crucial points of their inquiry via various audiovisual media, including videos, a documentary music film, and multilingual video précis for each chapter, in English as well as in each author's language of origin." -- Jacket flap
    Note: Includes bibliographical references (pages [225]-249) and index , Foreword / , Sociological thinking about music education: international intersections / , Strong voices for sociology in music education in mid- and late-twentieth century America: a milestone in the making / , Sociological thinking about music education in community settings , Learning from sociology? Revisiting the notion of community in music education / , Music, everyday life, and music education: dimensions of a local musical field in Brazil / , Singing the revo: memories of music-in-revolution and music-as-revolution in Grenada, West Indies / , Toward "little victories" in music education: troubling ableism through signed-singing and d/Deaf musicking / , Sociological thinking about music education in school settings , Placing the music teacher in an era of reform: synthesizing research on music teacher networks and isolation / , "A perfect mix?" Navigating choice and scarcity in a New York City music program / , Marching on an uneven field: a Bourdieusian analysis of competitive high school marching band in the United States / , Facing both ways: knowers, knowledge, and Bernstein's pedagogic rights in music education / , A sociological travelogue of music education in Palestine / , Sociological thinking about issues of colonization in music education , Toward a decolonial sociology for music learners / , The Venezuelan Cuatro paradox: an eco-political perspective / , Making the shift: music education research as (antiracist) racial projects / , Decolonizing and indigenizing music education through self-reflexive sociological research and practice / , Afterword /
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    Ethn. Museum Berlin
  • 3
    Book
    Book
    Voices of Vietnam : a century of radio, red music, and revolution (2022)
    New York : Oxford University Press
    Details
    ISBN: 9780197558249 , 9780197558232
    Language: English
    Pages: xi, 205 Seiten , Illustrationen, Karten
    Parallel Title: Erscheint auch als Ó Briain, Lonán, 1983 - Voices of Vietnam
    DDC: 780.9597
    RVK:
    LC 87415
    Keywords: Đài Tiếng nói Việt Nam ; Radio and music ; Music Political aspects ; Vietnam ; Hörfunk ; Musik ; Revolution ; Propaganda ; Geschichte
    Abstract: Introduction. On Radio, Red Music, and Revolution -- Sound, Technology, and Culture in French Indochina -- Battle of the Airwaves during the First Indochina War -- Songs of the Golden Age in the Democratic Republic -- National Radio in the Reform Era -- Studio Production in Contemporary Vietnam -- Conclusion. Nostalgia for the Past, Hope for the Future.
    Abstract: "On September 2, 1945, Ho Chi Minh read the Declaration of Independence via a makeshift wired loudspeaker system to thousands of listeners in Hanoi. Five days later, Ho's Viet Minh forces set up a clandestine radio station using equipment brought to Southeast Asia by colonial traders. The revolutionaries garnered support for their coalition on air by interspersing political narratives with red music (nhạc đỏ). Voice of Vietnam Radio (VOV) grew from these communist and colonial foundations to become contemporary Vietnam's largest producer of music. In the first comprehensive English-language study on the history of radio music in mainland Southeast Asia, Lonán Ó Briain examines the broadcast voices that reconfigured Vietnam's cultural, social, and political landscape over a century. Ó Briain draws on a year of ethnographic fieldwork at the VOV studios (2016-17), interviews with radio employees and listeners, historical recordings and broadcasts, and archival research in Vietnam, France, and the United States. From the Indochinese radio clubs of the 1920s to the 75th anniversary celebrations of the VOV in 2020, Voices of Vietnam offers a fresh perspective on this turbulent period by demonstrating how music production and sound reproduction are integral to the unyielding process of state formation"--
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    Ethn. Museum Berlin
    MPI Ethno. Forsch.
  • 4
    Book
    Book
    Transforming ethnomusicology; Volume 2: Political, social & ecological issues (2021)
    New York : Oxford University Press
    In:  2
    Details
    ISBN: 9780197517567 , 9780197517550
    Language: English
    Pages: viii, 260 Seiten , Illustrationen, Diagramme, Karten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: 2
    RVK:
    LC 87000
    RVK:
    LS 16000
    RVK:
    LS 17000
    Keywords: Kolonialismus ; Musikethnologie ; Wissenschaftsethik ; Westliche Welt ; Entwicklungsländer ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Westliche Welt ; Entwicklungsländer ; Musikethnologie ; Kolonialismus ; Wissenschaftsethik
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    HU Berlin
    München BSB
    Würzburg UB
    KOBV
    BVB
    Bayreuth UB
  • 5
    Book
    Book
    Transforming ethnomusicology; Volume 1: Methodologies, institutional structures & policies (2021)
    New York : Oxford University Press
    In:  1
    Details
    ISBN: 9780197517611 , 9780197517604
    Language: English
    Pages: viii, 272 Seiten , Illustrationen, Porträts
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: 1
    RVK:
    LC 87000
    RVK:
    LS 16000
    RVK:
    LS 17000
    Keywords: Musikethnologie ; Wissenschaftsethik ; Westliche Welt ; Entwicklungsländer ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Westliche Welt ; Entwicklungsländer ; Musikethnologie ; Wissenschaftsethik
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    HU Berlin
    München BSB
    Würzburg UB
    KOBV
    BVB
    Bayreuth UB
  • 6
    Book
    Book
    Music and autism : speaking for ourselves (2021)
    New York : Oxford University Press
    Details
    ISBN: 9780197543122 , 019754312X
    Language: English
    Pages: 261 Seiten , Illustrationen
    DDC: 780.874
    RVK:
    LC 87000
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    Ethn. Museum Berlin
  • 7
    Book
    Book
    Loving stones : making the impossible possible in the worship of Mount Govardhan (2020)
    New York : Oxford University Press
    Details
    ISBN: 9780190086725 , 9780190086718
    Language: English
    Pages: xiii, 310 Seiten , Illustrationen , 24 cm
    DDC: 294.53509542
    RVK:
    LB 69385
    RVK:
    LB 69385
    Keywords: Kult ; Govardhana ; Hinduism / India / Mathura (District) / Customs and practices ; Worship (Hinduism) ; Anthropomorphism ; Mathura (India : District) / Religious life and customs ; Girirāja (India) ; Govardhana ; Kult
    Note: Includes bibliographical references
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    BSZ
    GBV
    KOBV
    BVB
    HBZ
    Ethn. Museum Berlin
    MPI-MMG
  • 8
    Book
    Book
    After the dance, the drums are heavy : carnival, politics, and musical engagement in Haiti (2020)
    New York : Oxford University Press
    Details
    ISBN: 9780190928056 , 9780190928063
    Language: English
    Pages: xix, 441 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Dirksen, Rebecca After the dance, the drum is heavy
    DDC: 306.4/8424097294
    RVK:
    LC 87640
    Keywords: Music Political aspects ; Carnival ; Haiti ; Musizieren ; Karneval
    Abstract: Sounding Carnival -- Mixed Modes and Performance Codes of Political Demonstrations and Carnival -- Wyclef's Score: Popular Motion, Emotion, and Commotion -- Sweet Micky's Allure : Vagabonds, Vulgarities, and Street Politics -- The Konpa President's Government on Parade -- Ti Lili and Nèg Bannann nan (the Banana Man) -- The Population's Bacchanalia -- Response from the Roots: Still Not Afraid -- Re-Sounding Mizik Angaje.
    Abstract: "Haitian carnival offers a lens into popular power and politics. Political demonstrations in Haiti often manifest as musical performances. Studying carnival and political protest side by side brings insight to the musical engagement that ordinary citizens and celebrity musicians often cultivate and revere in contemporary Haiti. This book explores how the self-declared president of konpa Sweet Micky (Michel Martelly) rose to the nation's highest office while methodically crafting a political product inherently entangled with his musical product. It offers deep historical perspective on the characteristics of carnivalesque verbal play-and the performative skillset of the artist (Sweet Micky) who dominated carnival for more than a decade-including vulgarities and polemics. It moreover demonstrates that the practice of leveraging the carnivalesque for expedient political function has precedence in Haiti's history. Yet there has been profound resistance to this brand of politics led by many other high-profile artists, including Matyas and Jòj, Brothers Posse, Boukman Eksperyans, and RAM. These groups have each released popular carnival songs that have contributed to the public's discussions on what civic participation and citizenship in Haiti can and should be. Author Rebecca Dirksen presents an in-depth consideration of politically and socially engaged music and what these expressions mean for the Haitian population in the face of challenging political and economic circumstances. After the Dance, the Drums Are Heavy centers the voices of Haitian musicians and regular citizens by extensively sharing interviews and detailed analyses of musical performance in the context of contemporary events well beyond the musical realm"--
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    BSZ
    GBV
    KOBV
    Ethn. Museum Berlin
  • 9
    Book
    Book
    Songs for "great leaders" : ideology and creativity in North Korean music and dance (2020)
    New York : Oxford University Press
    Details
    ISBN: 9780190077518
    Language: English
    Pages: x, 349 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als Howard, Keith, 1956- Songs for "great leaders"
    DDC: 780.95193
    RVK:
    LC 86445
    RVK:
    LC 87445
    Keywords: Music History and criticism ; Music Political aspects ; Music and state ; Dance History ; Nordkorea ; Musik ; Propaganda ; Politisches Lied ; Lied
    Abstract: Songs for the Great Leader -- Instruments of the People -- Pulling at Harp Strings -- Opera for the Revolution -- Contextualizing Revolutionary Operas -- What Revolutionary Operas Do -- From Spectacles to Dance -- Composing the Nation -- Songs for New Leaders.
    Abstract: "North Korea is often said to be unknown: a reclusive and secretive state. It behaves as if the whole country is a theatre that projects itself through performance. Song, together with other music and dance production, forms the soundtrack to the theater of daily life, embedding messages that tell the official history, the exploits of leaders, and the socialist utopia yet-to-come. Songs form the foundation stones of revolutionary operas, of instrumental and orchestral tone poems, and are rearranged in countless versions for use by children in kindergartens, for 50,000 young people who dance annually in celebration of the Eternal President's birthday, and for the 100,000 participants of mass spectacles such as the Arirang Festival. North Koreans are reminded daily on state-controlled television news how their songs are beamed around the world by satellite, and songs are today routinely uploaded to YouTube and Youku. This is the first book-length account of North Korean music and dance in any language other than Korean. It is based on fieldwork, on interviews, and resources researched in private and public archives and libraries in North Korea, but also in South Korea, China, North America and Europe. It explores revolutionary songs written in the 1940s and pop songs from the 2010s, exploring in a critical but informed way not just songs, but also developments of Korean instruments, the creation of revolutionary operas that embed the state's ideology of juche "self-reliance", mass spectacles, dance and dance notation, and composers and compositions"--
    Note: Includes index
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    Ethn. Museum Berlin
  • 10
    Book
    Book
    Elite art worlds : philanthropy, Latin Americanism, and avant-garde music (2020)
    New York : Oxford University Press
    Details
    ISBN: 9780190877538
    Language: English
    Pages: xvii, 204 Seiten , Illustrationen
    Series Statement: Currents in Latin American and Iberian music
    Parallel Title: Erscheint auch als Herrera, Eduardo, 1977 - Elite art worlds
    DDC: 780.98/0904
    RVK:
    LC 87595
    Keywords: Centro Latinoamericano de Altos Estudios Musicales (Instituto Torcuato Di Tella) ; Avant-garde (Music) History 20th century ; Music and diplomacy History 20th century ; Argentinien ; Experimentelle Musik ; Centro Latinoamericano de Altos Estudios Musicales
    Abstract: Introduction. Elite Art Worlds -- CLAEM : 1962- -- John Harrison, Alberto Ginastera, and the Creation of CLAEM -- The Rockefeller Foundation and Latin American Music in the 1950s and 1960s -- The Di Tella Family, Art Philanthropy, and the Legitimation of Elite Status -- Embodied Avant-garde(s) : A Way of Being in the World -- From Musical Pan Americanism to Latin Americanism -- The Closing and Lasting Impact of CLAEM.
    Abstract: "Between 1962 and 1971, the Centro Latinoamericano de Altos Estudios Musicales (CLAEM) of the Di Tella Institute in Buenos Aires became the central hub of Latin American avant-garde music. With the support of the Rockefeller Foundation and the wealthy Di Tella family, CLAEM offered two-year fellowships to some of the most recognized young composers of the region to undertake graduate studies in a unique privileged setting under the direction of Alberto Ginastera and with permanent and visiting faculty that included Gerardo Gandini, Francisco Kröpfl, Mario Davidovsky, Iannis Xenakis, Luigi Nono, Aaron Copland, Luigi Dallapiccola, Bruno Maderna, Riccardo Malipiero, Olivier Messiaen, Roger Sessions, and Earle Brown. In Elite Art Worlds, author Eduardo Herrera combines oral histories, ethnographic research, and archival sources to reveal CLAEM as a meeting point of US and Argentine philanthropy, local experiences in transnational currents of artistic experimentation and innovation, and regional discourses of musical Latin Americanism. The story of CLAEM shows how musical avant-gardes were articulated, embodied, resignified, and institutionalized in Latin America, how composers during the 1960s engaged with discourses of Latin Americanism as professional strategy, identification marker, and musical style, and sheds light into the role of art in the legitimation and construction of elite status and identity. By looking at CLAEM as both an artistic and a philanthropic project, Herrera illuminates the relationships between foreign policy, corporate interests, and funding for the arts concerning Latin America and the U.S. in the mid-twentieth century"--
    Note: Includes index
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    Ethn. Museum Berlin
  • 11
    Book
    Book
    Panpipes and ponchos : Andean music, folklorization, and the rise of a Bolivian national tradition (2020)
    New York : Oxford University Press
    Details
    ISBN: 9780190692278 , 9780190692285
    Language: English
    Pages: 283 Seiten , Illustrationen
    Series Statement: Currents in Latin American and Iberian music
    Parallel Title: Erscheint auch als Rios, Fernando E Panpipes and ponchos
    DDC: 781.62/688408412
    RVK:
    LC 87655
    Keywords: Folk music History and criticism ; Creoles Music ; History and criticism ; Mestizos Music ; History and criticism
    Abstract: "For several decades now, the Andean conjunto has been the preeminent format for 'Andean folk music' groups in the major cities of the world. Easily identified through the musicians' colorful ponchos and indigenous-associated instruments such as the panpipe, these 4-6 member ensembles interpret the music of the Andes in a style that bears little resemblance to traditional indigenous music, notwithstanding the efforts of "world music" labels to market their recordings as if they accurately reproduce indigenous expressions. Developed mainly by criollo and mestizo musicians, the Andean conjunto tradition has taken root in many Latin American countries, from Argentina to Mexico, but it is only in Bolivia that mainstream society has long regarded ensembles in this mold as exemplars of national folkloric music. As this book reveals, Bolivia's adoption of the Andean conjunto as a national musical expression in the late 1960s represents the culmination of over four decades of local folkloric activities that at various points articulated with transnational artistic currents, especially those emanating from Argentina, Chile, France, Mexico, and Peru, as well as with Bolivian state initiatives and nation-building projects. By elucidating these connections through an examination of La Paz city's musical scene from the 1920s to 1960s, this book not only sheds light on the rise of a prominent manifestation of Bolivian national culture, but also also offers the first detailed historical study of the Bolivian folkloric music movement that documents how it developed in dialogue with Bolivian state projects and transnational artistic trends in this period"--
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    Ethn. Museum Berlin
  • 12
    Book
    Book
    Multivocality : singing on the borders of identity (2020)
    New York : Oxford University Press
    Details
    ISBN: 9780190621476 , 9780190621469
    Language: English
    Pages: x, 253 Seiten , Illustrationen , 24 cm
    DDC: 783
    RVK:
    LC 87000
    Keywords: Singing ; Voice culture ; Identity (Psychology) ; Music and identity politics
    Note: Literaturangaben: Seite 217-237
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    Ethn. Museum Berlin
  • 13
    Book
    Book
    Loving music till it hurts (2020)
    New York : Oxford University Press
    Details
    ISBN: 9780190620134
    Language: English
    Pages: 397 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Cheng, William, 1985 - Loving music till it hurts
    DDC: 781.1/1
    RVK:
    LC 87000
    Keywords: Music Social aspects ; Music Moral and ethical aspects ; Musikleben ; Moral ; Ethik
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    Ethn. Museum Berlin
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