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  • München BSB  (6)
  • HU Berlin  (3)
  • English  (7)
  • Durham : Duke University Press
  • USA  (5)
  • Electronic books  (2)
  • Aufsatzsammlung  (1)
  • Chicago, Ill.  (1)
  • English Studies  (4)
  • American Studies  (3)
Datasource
Material
Language
  • English  (7)
Years
  • 1
    ISBN: 9781478021452
    Language: English
    Pages: 1 online resource (313 pages)
    Parallel Title: Erscheint auch als
    DDC: 306.362
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    Keywords: Slavery Political aspects ; Slavery Economic aspects ; Women slaves ; Slavery-Political aspects-America ; Slavery-Economic aspects-America ; Women slaves-America ; Electronic books
    Abstract: Jennifer L. Morgan draws on the lived experiences of enslaved African women in the sixteenth- and seventeenth-centuries to reveal the contours of early modern notions of trade, race, and commodification in the Black Atlantic.
    Note: Description based on publisher supplied metadata and other sources
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 2
    ISBN: 9781478004684 , 9781478004073
    Language: English
    Pages: ix, 236 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Parallel Title: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns
    DDC: 779/.93058
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    Keywords: Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; History ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; USA ; Rassenfrage ; Fotografie
    Abstract: Photographic returns -- Looking forward and looking back: Rashid Johnson and Frederick Douglass on photography -- Photographic remains: Sally Mann at Antietam -- The scene of the crime: Deborah Luster -- Photographic referrals: Lorna Simpson's 9 props -- Afterimages: Jason Lazarus -- Photographic reenactments: Carrie Mae Weems's constructing history -- False returns: Taryn Simon's The Innocents -- A glimpse forward: Dawoud Bey's The Birmingham project.
    Abstract: "In PHOTOGRAPHIC RETURNS Shawn Smith sets out to examine works of contemporary art, only to find that many of the works refer back to the past, to photography's many intersections with the history of racial justice in the U.S. Smith focuses on flashpoints in that history -- spanning from the abolitionist movement, to the Civil War, lynching, and mass incarceration-- to mark the roles that photography has played in documenting the exigencies of Black life, and as a tool for resisting those racial regimes. For each of these moments, Smith shows how contemporary photographers utilize their medium as a way to recall, revise, or amplify the relationship between racial politics in the past and in the present. She argues that the tendency of African-American photographers and other artists to return to the archive of early photography does not simply point to the usefulness of early photography as document of the past, but to the recursive nature of photography itself. This study expands our theories of photography and memory by arguing that the recursive temporality of photography is central to its role in recording and remembering history. It also asserts that photography is an invaluable tool for critical practice of racial justice"--
    Note: Includes bibliographical references and index
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  • 3
    ISBN: 9781478009009
    Language: English
    Pages: 1 Online-Ressource (325 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.896/073
    RVK:
    Keywords: Geschichte 2000-2019 ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; African American arts ; African Americans in popular culture ; Politics and culture ; Popular culture ; Racism in popular culture ; Massenkultur ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Massenkultur ; Geschichte 2000-2019
    Abstract: The advent of the internet and the availability of social media and digital downloads have expanded the creation, distribution, and consumption of Black cultural production as never before. At the same time, a new generation of Black public intellectuals who speak to the relationship between race, politics, and popular culture has come into national prominence. The contributors to Are You Entertained? address these trends to consider what culture and blackness mean in the twenty-first century's digital consumer economy. In this collection of essays, interviews, visual art, and an artist statement the contributors examine a range of topics and issues, from music, white consumerism, cartoons, and the rise of Black Twitter to the NBA's dress code, dance, and Moonlight. Analyzing the myriad ways in which people perform, avow, politicize, own, and love blackness, this volume charts the shifting debates in Black popular culture scholarship over the past quarter century while offering new avenues for future scholarship.Contributors. Takiyah Nur Amin, Patricia Hill Collins, Kelly Jo Fulkerson-Dikuua, Simone C. Drake, Dwan K. Henderson, Imani Kai Johnson, Ralina L. Joseph, David J. Leonard, Emily J. Lordi, Nina Angela Mercer, Mark Anthony Neal, H. Ike Okafor-Newsum, Kinohi Nishikawa, Eric Darnell Pritchard, Richard Schur, Tracy Sharpley-Whiting, Vincent Stephens, Lisa B. Thompson, Sheneese Thompson
    URL: Volltext  (URL des Erstveröffentlichers)
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    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Cover
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  • 4
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478009139
    Language: English
    Pages: 1 Online-Ressource (xiii, 247 Seiten) , Illustrationen
    Series Statement: A Camera Obscura Book
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.84/8
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    Keywords: Geschichte ; Hollywood marriage plot ; changing narrative of intimacy ; valorization of intimacy ; PERFORMING ARTS / Film & Video / History & Criticism ; Homosexuality in motion pictures ; Lesbianism in motion pictures ; Marriage ; Same-sex marriage ; Homosexualität ; Film ; Ehe ; USA ; USA ; Film ; Homosexualität ; Ehe ; Geschichte
    Abstract: In Reattachment Theory Lee Wallace argues that homosexuality-far from being the threat to "traditional" marriage that same-sex marriage opponents have asserted-is so integral to its reimagining that all marriage is gay marriage. Drawing on the history of marriage, Stanley Cavell's analysis of Hollywood comedies of remarriage, and readings of recent gay and lesbian films, Wallace shows that queer experiments in domesticity have reshaped the affective and erotic horizons of heterosexual marriage and its defining principles: fidelity, exclusivity, and endurance. Wallace analyzes a series of films-Dorothy Arzner's Craig's Wife (1936); Tom Ford's A Single Man (2009); Lisa Cholodenko's High Art (1998), Laurel Canyon (2002), and The Kids Are All Right (2010); and Andrew Haigh's Weekend (2011) and 45 Years (2015)-that, she contends, do not simply reflect social and legal changes; they fundamentally alter our sense of what sexual attachment involves as both a social and a romantic form
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 5
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822358541 , 9780822358480
    Language: English
    Pages: xx, 240 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Chatelain, Marcia, 1979- South Side girls
    DDC: 305.2308996073077311
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    Keywords: Geschichte 1910-1940 ; Schwarze ; Mädchen ; Binnenwanderung ; Soziale Situation ; Chicago, Ill.
    Note: Literaturverzeichnis Seite 215-231
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  • 6
    ISBN: 0822326361 , 0822326310
    Language: English
    Pages: viii, 290 Seiten , Illustrationen
    Series Statement: Perverse modernities
    DDC: 305.38895073
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    Keywords: Asian Americans Race identity ; Masculinity United States ; Sex role United States ; Race Psychological aspects ; American literature Asian American authors ; History and criticism ; Asian Americans in literature ; USA ; Asiaten ; Ethnische Beziehungen ; Geschlechterverhältnis ; Mann ; Homosexualität
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 7
    ISBN: 0822380013
    Language: English
    Pages: 1 Online-Ressource (xix, 186 Seiten) , 24 cm
    Edition: Online_Ausgabe Boulder, Colo NetLibrary 2003 E-Books von NetLibrary Sonstige Standardnummer des Gesamttitels: 22382847
    Series Statement: Latin America otherwise
    Parallel Title: Reproduktion von Aldama, Arturo J., 1964- Disrupting savagism
    DDC: 305.800973
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    Keywords: Decolonization in literature ; Ethnicity in literature ; Indians in literature ; Indians of North America - Ethnic identity - Mexican-American Border Region ; Mestizaje in literature ; Mestizos - Ethnic identity - Mexican-American Border Region ; Mexican Americans - Ethnic identity - Mexican-American Border Region ; Mexican Americans in literature ; Indianer ; Decolonization in literature ; Ethnicity in literature ; Indians in literature ; Indians of North America Ethnic identity ; Mestizaje in literature ; Mestizos Ethnic identity ; Mexican Americans in literature ; Mexican Americans Ethnic identity ; Indianer ; Chicanos ; Ethnische Identität ; Selbstdarstellung ; Literatur ; Mexican-American Border Region - Ethnic relations ; Mexican-American Border Region - In literature ; Mexican-American Border Region Ethnic relations ; Mexican-American Border Region In literature ; USA ; Electronic books ; Electronic books. ; Electronic books ; Electronic books ; USA ; Literatur ; Selbstdarstellung ; Chicanos ; Indianer ; Ethnische Identität
    Note: Includes bibliographical references (p. [159]-173 and index
    URL: Full text  (Click to View (Currently Only Available on Campus))
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