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  • HU Berlin  (2)
  • München BSB  (2)
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  • Englisch  (2)
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  • 1985-1989
  • 1970-1974
  • 1965-1969
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  • 2019  (2)
  • 2016
  • 1970
  • 1943
  • New Brunswick : Rutgers University Press  (2)
  • USA  (2)
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  • Komparatistik. Außereuropäische Sprachen/Literaturen
  • Theologie/Religionswissenschaften
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  • Englisch  (2)
  • Französisch
  • Deutsch
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  • 2015-2019  (2)
  • 1985-1989
  • 1970-1974
  • 1965-1969
  • 1940-1944
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  • 2019  (2)
  • 2016
  • 1970
  • 1943
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  • Allgemeines  (1)
  • Musikwissenschaft  (1)
  • Komparatistik. Außereuropäische Sprachen/Literaturen
  • Theologie/Religionswissenschaften
  • Ethnologie  (1)
  • 1
    ISBN: 9781978801318 , 9781978801301
    Sprache: Englisch
    Seiten: xii, 294 Seiten
    DDC: 305.8
    RVK:
    RVK:
    Schlagwort(e): Race in mass media ; Mass media and culture ; Popular culture ; Massenkultur ; Pop-Kultur ; Film ; Hörfunksendung ; Fernsehsendung ; Literatur ; Musik ; Volkskunst ; Ethnizität ; Ethnische Gruppe ; Identität ; Identitätsentwicklung ; Bewusstsein ; Beispiel ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Massenmedien ; Massenkultur ; Rasse
    Kurzfassung: "Race and Cultural Practice in Popular Culture is an innovative work in which contributors freshly approach the concept of race as a social factor made concrete in popular forms, such as film, television, and music. They collectively push past the reaffirmation of static conceptions of identity, authenticity, or conventional interpretations of stereotypes and bridge the intertextual gap between theories of community enactment and cultural representation. The book also draws together and melds otherwise isolated academic theories and methodologies (case studies, critical readings, and ethnographies, for example) in order to focus on race as an ideological reality and a process that continues to impact lives despite allegations that we live in a post-racial America. The collection is separated into three parts: Visualizing Race (Representational Media), Sounding Race (Soundscape), and Racialization in Place (Theory), each of which takes into account visual, audio, and geographic sites of racial representations respectively. Popular culture forms examined include TV shows such as Orange is the New Black and Breaking Bad, artists such as Shakira and Nicki Minaj, and more"--
    Kurzfassung: Inhaltsverzeichnis: Re-imagining critical approaches to folklore and popular culture / Domino Renee Perez and Rachel Gonzalez-Martin -- A thousand 'Lines of Flight': collective individuation and racial identity in Netflix's Orange Is the New Black and Sense8 / Ruth Y. Hsu -- Performing Cherokee masculinity in The Doe Boy / Channette Romero -- Truth, justice, and the Mexican way: Lucha Libre, film, and nationalism in Mexico / James Wilkey -- Native American irony: survivance and the subversion of ethnography / Gerald Vizenor -- (Re)imagining indigenous popular culture / Mintzi Auanda Martinez-Rivera -- My tongue is divided into two / Olivia Cadaval -- Performing nation diva style in Lila Downs and Hadad's La Tequilera / K. Angelique Dwyer -- (Dis)identifying with Shakira's 'Global Body': a path towards rhythmic affiliations beyond the dichotomous nation/diaspora / Daniela Gutierrez Lopez -- Voicing the occult in Chicana/o culture and hybridity: prayers and the Cholo-Goth aesthetic / Jose G. Anguiano -- Ugly brown bodies: queering desire in Machete / Nicole Guidotti-Hernandez -- "Bitch, how'd you make it this far?": strategic enactments of white femininity in The Walking Dead / Jaime Guzman and Raisa Alvarado Uchima -- Bridge and tunnel: transcultural border crossings in The Bridge and Sicario / Marcel Brousseau -- Red land, white power, blue sky: settler colonialism and indigeneity in Breaking Bad / James H. Cox
    Anmerkung: Ressource lag 2018 vor , Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    Buch
    Buch
    New Brunswick : Rutgers University Press
    ISBN: 9781978803596 , 9781978803589
    Sprache: Englisch
    Seiten: xiii, 246 Seiten , Illustrationen , 23 cm
    DDC: 306.484243
    RVK:
    Schlagwort(e): Geschichte 1970- ; Schwarze ; Rhythm and Blues ; Identität ; Sexualität ; Neoliberalismus ; USA
    Kurzfassung: Despite rhythm and blues culture’s undeniable role in molding, reflecting, and reshaping black cultural production, consciousness, and politics, it has yet to receive the serious scholarly examination it deserves. Destructive Desires corrects this omission by analyzing how post-Civil Rights era rhythm and blues culture articulates competing and conflicting political, social, familial, and economic desires within and for African American communities. As an important form of black cultural production, rhythm and blues music helps us to understand black political and cultural desires and longings in light of neo-liberalism’s increased codification in America’s racial politics and policies since the 1970s. Robert J. Patterson provides a thorough analysis of four artists—Kenneth “Babyface” Edmonds, Adina Howard, Whitney Houston, and Toni Braxton—to examine black cultural longings by demonstrating how our reading of specific moments in their lives, careers, and performances serve as metacommentaries for broader issues in black culture and politics.
    Anmerkung: Literaturverzeichnis: Seite 225-236
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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