ISBN:
9781526117519
,
9781526117502
Sprache:
Englisch
Seiten:
1 Online-Ressource (xi, 205 Seiten)
,
Illustrationen
Serie:
Studies in imperialism
Paralleltitel:
Elektronische Reproduktion von Cultural identities and the aesthetics of Britishness
DDC:
305.800941
Schlagwort(e):
Geschichte 1760-1902
;
Humanities / History / bicssc
;
Colonialism & imperialism / bicssc
;
HISTORY / Europe / Great Britain / bisach
;
Colonialism & imperialism / European history / United Kingdom, Great Britain / thema
;
National characteristics, British
;
Group identity / Great Britain
;
National characteristics, Irish
;
Ethnology / Great Britain
;
Aesthetics, British
;
Imperialism
;
Ästhetik
;
Nationalbewusstsein
;
Imperialismus
;
Great Britain / Ethnic relations
;
Great Britain / Civilization
;
Europe / United Kingdom, Great Britain / bicssc
;
Großbritannien
;
Aufsatzsammlung
;
Großbritannien
;
Nationalbewusstsein
;
Imperialismus
;
Ästhetik
;
Geschichte 1760-1902
Kurzfassung:
Considers how notions of Britishness were constructed and promoted through architecture, landscape, painting, sculpture and literature. Maps important moments in the self-conscious evolution of the idea of ‘nation’ against a broad cultural historical framework. An important addition to the field of postcolonial studies as it looks at how British identity creation affected those living in England – most study in this area has thus far focused on the effect of such identity creation upon the colonial subject. Broad appeal due to wide subject matter covered. Examines just how ‘constructed’ a national identity is – past and present
Kurzfassung:
The need for a single public culture - or the creation of an authentic identity - is fundamental to our understanding of nationalism and nationhood. But how are these cultural identities expressed? This book examines British imperial and colonial national identities within their political and social contexts. By considering the export, adoption and creation of such cultural identities, these essays show how nationhood and nationalism are self-consciously defined tools designed to focus and inspire loyalty. As such, they are integral to the larger process of constructing a public culture
Beschreibung / Inhaltsverzeichnis:
List of figures -- General editor’s introduction -- Notes on contributors -- - Introduction - Dana Arnold -- - 1. Robert Bowyer’s historic gallery and the feminization of the ‘nation’ - Cynthia E. Roman -- - 2. Re-visioning landscape in Wales and New South Wales c.1760–1840 - Jocelyn Hackforth-Jones -- - 3. The country house is just like a flag - Sophia Cross -- - 4. Trans-planting national cultures: The Phoenix Park, Dublin (1832–49), an urban heterotopia - Dana Arnold -- - 5. Two nations, twice: National identity in The Wild Irish Girl and Sybil - Andrew Ballantyne - 6. Monumental nationalism: Layard’s Assyrian discoveries and the formations of British national identity - Frederick N. Bohrer -- - 7. Union and display in nineteenth-century Ireland - Fintan Cullen -- - 8. Gentlemen connoisseurs and capitalists: Modern British imperial identity in the 1903 Delhi Durbar’s exhibition of Indian art - Julie F. Codell -- - 9. Albion’s legacy: Myth, history and the matter of Britain - Sam Smiles -- - 10. Architecture and ‘national projection’ between the wars - Mark Crinson
Anmerkung:
Auf der Landingpage (Manchester Hive): "Online Publication Date: 01 Mar 2017"
DOI:
10.7765/9781526117519
URL:
Volltext
(URL des Erstveröffentlichers)
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