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  • DNB  (4)
  • MPI Ethno. Forsch.  (4)
  • Undetermined  (8)
  • Turkish
  • Musicology  (8)
Datasource
Language
  • 1
    Journal/Serial
    Journal/Serial
    Yerûšālayim : Univ. | Berlin : De Gruyter Oldenbourg | Jerusalem : Magnes ; 1.1968=[1.]5728; 2.1971=5731 - 6.1994=5754; 7.2002; 8.2014 -
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    ISSN: 0084-439X , 2657-6694 , 2657-6694
    Language: Undetermined
    Dates of Publication: 1.1968=[1.]5728; 2.1971=5731 - 6.1994=5754; 7.2002; 8.2014 -
    Parallel Title: Erscheint auch als Yuval
    DDC: 780
    RVK:
    Keywords: Zeitschrift ; Juden ; Musik ; Juden ; Musik ; Zeitschrift ; Juden ; Musik
    Note: Ersch. unregelmäßig
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  • 2
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    ISBN: 9781003259282 , 9781000580631 , 9781032194578 , 9781032194608
    Language: Undetermined
    Pages: 1 Online-Ressource (154 p.)
    Series Statement: Royal Musical Association Monographs
    RVK:
    Keywords: Music ; Sacred & religious music
    Abstract: Questions of authorship are central to the late thirteenth-century motet repertoire represented by the seventh section or fascicle of the Montpellier Codex (Montpellier, Bibliothèque interuniversitaire, Section de médecine, H. 196, hereafter Mo). Mo does not explicitly attribute any of its compositions, but theoretical sources name Petrus de Cruce as the composer of the two motets that open fascicle 7, and three later motets in this fascicle are elsewhere ascribed to Adam de la Halle. This monograph reveals a musical and textual quotation of Adam’s Aucun se sont loe incipit at the outset of Petrus’s Aucun ont trouve triplum, and it explores various invocations of Adam and Petrus – their works and techniques – within further anonymous compositions. Authorship is additionally considered from the perspective of two new types of motets especially prevalent in fascicle 7: motets that name musicians, as well as those based on vernacular song or instrumental melodies, some of which are identified by the names of their creators. This book offers new insights into the musical, poetic, and curatorial reception of thirteenth-century composers’ works in their own time. It uncovers, beneath the surface of an anonymous motet book, unsuspected interactions between authors and traces of compositional identities
    Note: English
    URL: Volltext  (kostenfrei)
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  • 3
    ISBN: 9781501345524
    Language: Undetermined
    Pages: 1 Online-Ressource (224 p.)
    DDC: 338.4/778
    RVK:
    Keywords: Music industry ; Gender studies: women
    Abstract: Gender inequality is universally understood to be a continued problem in the music industry. This open access book presents research that uses an industry-based approach to examine why this gender imbalance has proven so hard to shift, and explores strategies that are being adopted to try and bring about meaningful change in terms of women and gender diverse people establishing ongoing careers in music. The book focuses on three key areas: music education; case studies that explore practices in the music industry; and activist spaces. Sitting at the intersection between musical production, the creative industries and gender politics, this volume brings together research that considers the gender politics of the music industry itself. It takes a global approach to these issues, and incorporates a range of genres and theoretical approaches. At a time when more attention than ever is being paid to gender and music, this volume presents cutting edge research that contributes to current debates and offers insights into possible solutions for the future. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by Knowledge Unlatched
    Note: English
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  • 4
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Amsterdam University Press | The Hague : Oapen Foundation
    ISBN: 9789462984035
    Language: Undetermined
    Pages: 1 Online-Ressource
    DDC: 950
    RVK:
    Abstract: From the 1920s on, popular music in Southeast Asia was a mass-audience phenomenon that drew new connections between indigenous musical styles and contemporary genres from elsewhere to create new, hybrid forms. This book presents a cultural history of modern Southeast Asia from the vantage point of popular music, considering not just singers and musicians but their fans as well, showing how the music was intrinsically bound up with modern life and the societal changes that came with it. Reaching new audiences across national borders, popular music of the period helped push social change, and at times served as a medium for expressions of social or political discontent.
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  • 5
    ISBN: 9780822378280 , 9780822354680 , 9780822354796
    Language: Undetermined
    Pages: 1 Online-Ressource (1 electronic resource (360 p.))
    DDC: 780.89/9274
    RVK:
    Keywords: Music ; Music ; Music ; Palästinensische Autonomiegebiete ; Israel ; Israel ; Gazastreifen ; Westjordanland ; Nahostkonflikt ; Politisches Lied ; Politische Lyrik ; Musikwissenschaft ; Arabische Musik
    Abstract: David A. McDonald rethinks the conventional history of the Palestinian crisis through an ethnographic analysis of music and musicians, protest songs, and popular culture. Charting a historical narrative that stretches from the late-Ottoman period through the end of the second Palestinian intifada, McDonald examines the shifting politics of music in its capacity to both reflect and shape fundamental aspects of national identity. Drawing case studies from Palestinian communities in Israel, in exile, and under occupation, McDonald grapples with the theoretical and methodological challenges of tracing "resistance" in the popular imagination, attempting to reveal the nuanced ways in which Palestinians have confronted and opposed the traumas of foreign occupation. The first of its kind, this book offers an in-depth ethnomusicological analysis of the Israeli-Palestinian conflict, contributing a performative perspective to the larger scholarly conversation about one of the world's most contested humanitarian issues. This title was made Open Access by libraries from around the world through Knowledge Unlatched
    URL: Volltext  (kostenfrei)
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  • 6
    ISSN: 0039-3266 , 1588-2888 , 1588-2888
    Language: Undetermined
    Dates of Publication: 1.1961 - 47.2006
    Additional Information: Index Magyar Tudományos Akadémia Acta et studia Academiae Scientiarum Hungaricae
    Additional Information: 7=17,2 von International Folk Music Council Journal of the International Folk Music Council Cambridge : Heffer, 1949 0950-7922
    Additional Information: 7=17,2 von Enzyme kinetics and mechanism New York : Academic Press, 1979 0121819639
    Additional Information: 9780121819637
    Additional Information: 5=2 von International Musicological Conference (ZDB) Bericht über die ... Internationale Musikwissenschaftliche Konferenz Budapest : Akad., 1963
    Additional Information: 15=3 von International Folk Music Council. Study Group on Historical Sources of Folk Music Arbeitstagung / International Folk Music Council, Studiengruppe zur Erforschung und Edition Älterer Volksmusikquellen Budapest, 1973
    Parallel Title: Erscheint auch als Magyar Tudományos Akadémia Studia musicologica Academiae Scientiarum Hungaricae
    Subsequent Title: Forts. Studia musicologica
    DDC: 780
    RVK:
    Keywords: Zeitschrift ; Musikwissenschaft ; Volksmusik
    Note: Index 1/20.1961/78=21.1979,1; 21/40.1979/99 in: 41.2000,1/3; ersch. auch als Sonderdr.
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  • 7
    Journal/Serial
    Journal/Serial
    Roma : Consociatio | Maria Laach : Inst. für Hymnologische und Musikethnologische Studien ; Nachgewiesen 1980-2000/2001 ; damit Erscheinen eingestellt
    Language: Undetermined
    Dates of Publication: Nachgewiesen 1980-2000/2001 ; damit Erscheinen eingestellt
    DDC: 780
    RVK:
    Keywords: Zeitschrift ; Kirchenmusik
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  • 8
    Journal/Serial
    Journal/Serial
    London : Hinrichsen ; 11.1959(1961); damit Ersch. eingest.
    Language: Undetermined
    Dates of Publication: 11.1959(1961); damit Ersch. eingest.
    Additional Information: 11=5 von Music libraries and instruments London [u.a.] : Hinrichsen, 1961
    Former Title: Vorg. Music book
    Former Title: Musical yearbook. 1959
    DDC: 780
    RVK:
    Keywords: Zeitschrift
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