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  • KOBV  (15)
  • DNB  (1)
  • 2010-2014  (16)
  • Deskribierung zurückgestellt
  • Electronic books
  • Musicology  (16)
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Language
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Year
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    Punk in Russia : cultural mutation from the "useless" to the "moronic" (2014)
    New York : Routledge
    Details
    ISBN: 9781315850573
    Language: English
    Pages: Online-Ressource (xiii, 223 p.) , ill.
    Series Statement: Routledge contemporary Russia and Eastern Europe series 55
    Parallel Title: Erscheint auch als Gololobov, Ivan Valerʹevič, 1975 - Punk in Russia
    DDC: 305.2350947
    RVK:
    LQ 86300
    RVK:
    MS 1225
    RVK:
    MS 2350
    RVK:
    LC 86326
    RVK:
    LB 42326
    Keywords: Youth Russia (Federation) ; Subculture Russia (Federation) ; Punk culture Russia (Federation) ; Electronic books ; Youth ; Subculture ; Punk culture ; Aufsatzsammlung ; Aufsatzsammlung ; Russland ; Punk
    Abstract: 1. Punk, but not as we know it : rethinking punk from a post-socialist perspective / Hilary Pilkington -- 2. The evolution of punk in Russia / Ivan Gololobov and Yngvar B. Steinholt -- 3. St Petersburg : big city : small scenes / Yngvar B. Steinholt, Ivan Gololobov and Hilary Pilkington -- 4. Krasnodar : perpendicular culture in the biggest village on Earth / Ivan Gololobov -- 5. Vorkuta : a live scene in a 'rotting city' / Hilary Pilkington -- 6. Conclusion / Hilary Pilkington, Ivan Gololobov and Yngvar B. Steinholt
    Abstract: "Punk culture is currently having a revival worldwide, and is poised to grow even more as youth unemployment and youth alienation increase in many countries of the world. In Russia, its power to have an impact and to shock is well illustrated by the girl punk band Pussy Riot. This book, based on extensive original research, examines the nature of punk culture in contemporary Russia. It considers the music and lyrics of classic and new punk bands, explores social media underpinning punk scenes, and reports on interviews and extensive observation in three key Russian cities. It relates punk to wider contemporary culture, and uses the Russian example to discuss generally what constitutes punk subculture"--
    Abstract: "Punk culture is currently having a revival worldwide, and is poised to grow even more as youth unemployment and youth alienation increase in many countries. In Russia, its power to have an impact and to shock is well illustrated by the girl punk band Pussy Riot. This book, based on extensive original research, examines the nature of punk culture in contemporary Russia, considering the music and lyrics of classic and new punk bands, exploring social media, and reporting on interviews and extensive observation in three key Russian cities. It relates punk to wider contemporary culture, and uses the Russian example to discuss generally what constitutes punk subculture"--
    Note: Includes bibliographical references and index
    DOI: 10.4324/9781315850573
    URL: Volltext
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    BSZ
    GBV
    KOBV
  • 2
    Online Resource
    Online Resource
    The global sixties in sound and vision : media, counterculture, revolt (2014)
    New York : Palgrave Macmillan
    Details
    ISBN: 9781306837965 , 9781137375230 , 9781137375223
    Language: English
    Pages: 1 Online-Ressource (VIII, 296 Seiten)
    DDC: 306.400904
    RVK:
    LS 48070
    RVK:
    AP 19000
    Keywords: Geschichte 1960-1970 ; Counterculture History 20th century ; Art and society History 20th century ; Mass media Social aspects 20th century ; Gegenkultur ; Massenmedien ; Rebellion ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Massenmedien ; Gegenkultur ; Rebellion ; Geschichte 1960-1970
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    BSZ
    GBV
    KOBV
    HBZ
  • 3
    Online Resource
    Online Resource
    The Sounding Museum: Box of Treasures (2014)
    transcript Verlag
    Details
    ISBN: 9783839428566
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Edition Museum 11
    Parallel Title: Erscheint auch als
    RVK:
    AP 14900
    RVK:
    LB 34610
    RVK:
    LC 87610
    RVK:
    LR 57790
    RVK:
    MS 9400
    Keywords: Schoer, Hein ; Museum ; Education ; Cultural Education ; Museology ; Sound ; Museum Education ; Ethnographic Museum ; Intangible Cultural Heritage ; Indigeneity ; Coevalness ; Ethnologisches Museum ; Klangkunst ; Klang ; Electronic books ; Klang ; Ethnologisches Museum ; Schoer, Hein 1976- ; Klangkunst
    Abstract: The »Sounding Museum« fuses anthropology, acoustic ecology, soundscape composition, and trans-cultural communication inside the context of museum education.Based on the piece »Two Weeks in Alert Bay«, it supplies researchers, practitioners, and audiences with an instrument to gain an acoustic image of the contemporary cultural and everyday life of the Kwakwaka'wakw of Alert Bay, BC. The project mediates intercultural competence thorough the affective agency of sound.With the coeval »Session Musician's Approach«, introduced and analysed in text, audio, and interactive form, it also bridges the gap between art, science, and education.With a foreword by Barry Truax.The box includes a book, 2 DVD and 1 CD.
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  • 4
    Online Resource
    Online Resource
    Technologische Dramen : Radiokulturen und Medienwandel in Benin (Westafrika) (2014)
    Bielefeld : transcript Verlag
    Details
    ISBN: 9783839425916
    Language: German
    Pages: Online-Ressource
    Series Statement: Locating Media/Situierte Medien 6
    Series Statement: Locating Media/Situierte Medien
    Parallel Title: Druckausg.
    Parallel Title: Erscheint auch als Grätz, Tilo Technologische Dramen
    DDC: 302.2344096683
    RVK:
    AP 19748
    RVK:
    LS 46774
    Keywords: Medien ; Wandel ; Hörfunk ; Alltag ; Medienkonsum ; Hörfunksendung ; Kommunikation ; Öffentlichkeit ; Benin ; (Produktform)Electronic book text ; Westafrika ; Benin ; Medienwandel ; Technologie ; Medien ; Ethnologie ; Analoge Medien ; Medienwissenschaft ; Afrika ; Media ; Ethnology ; Analogue Media ; Media Studies ; Africa ; (BISAC Subject Heading)SOC052000 ; (BIC subject category)JFD ; (VLB-WN)9752 ; Radio ; (DDC 22 ger)300 ; (BISAC Subject Heading)SOC002010 ; (BIC subject category)JHMC ; Electronic books ; Benin ; Medien ; Wandel ; Hörfunk ; Alltag ; Medienkonsum ; Hörfunksendung ; Kommunikation ; Öffentlichkeit
    Note: Lizenzpflichtig
    URN: urn:nbn:de:101:1-2015120114210
    URL: http://nbn-resolving.org/urn:nbn:de:101:1-2015120114210
    URL: http://d-nb.info/1079534717/34
    URL: http://www.transcript-verlag.de/978-3-8376-2591-2
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    URL: https://elibrary.utb.de/doi/book/10.5555/9783839425916
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    DNB
    BSZ
    GBV
    HeBIS
    BVB
  • 5
    Online Resource
    Online Resource
    Aurality : listening and knowledge in nineteenth-century Colombia (2014)
    Durham : Duke University Press
    Details
    ISBN: 9780822376262
    Language: English
    Pages: Online-Ressource (281 p)
    Edition: Online-Ausg.
    Series Statement: Sign, Storage, Transmission
    Series Statement: Sign, Storage, Transmission Ser.
    Parallel Title: Print version Aurality : Listening and Knowledge in Nineteenth-Century Colombia
    DDC: 302.2/24209861
    RVK:
    LQ 90304
    Keywords: Oral communication History 19th century ; Listening Social aspects 19th century ; History ; Voice Social aspects 19th century ; History ; Sound Social aspects 19th century ; History ; Sound - Social aspects - Colombia - History - 19th century ; Sound - Social aspects - Colombia - History - 19th century ; Electronic books ; Electronic books ; Electronic books ; Electronic books
    Abstract: 〈div〉Ochoa Gautier's groundbreaking book draws primarily from nineteenth-century Colombian sources to explore how listening has been central to the production of notions of language, music, voice, and sound.〈/div〉
    Description / Table of Contents: Contents; Preface and Acknowledgments; Introduction. The Ear and the Voice in the Lettered City's Geophysical History; Chapter 1. On Howls and Pitches; Chapter 2. On Popular Song; Chapter 3. On the Ethnographic Ear; Chapter 4. On Vocal Immunity; Epilogue. The Oral in the Aural; Notes; References; Index
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
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    URL: http://dx.doi.org/10.1215/9780822376262
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  • 6
    Online Resource
    Online Resource
    Cairo Pop : Youth music in contemporary Egypt (2014)
    Minneapolis, London : University of Minnesota Press
    Details
    ISBN: 9781452942797
    Language: English
    Pages: 1 online resource (xi, 256 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    MI 12930
    RVK:
    LS 35200
    Keywords: Geschichte 2000- ; Popmusik ; Jugendkultur ; Musiksoziologie ; Kairo ; Music ; Social aspects ; Egypt ; Cairo ; History ; 21st century ; Music and youth ; Egypt ; Cairo ; History ; 21st century ; Popular culture ; Egypt ; Cairo ; History ; 21st century ; Popular music ; Egypt ; Cairo ; History and criticism ; Electronic books ; Kairo ; Jugendkultur ; Popmusik ; Musiksoziologie ; Geschichte 2000-
    Abstract: Cairo Pop is the first book to examine the dominant popular music of Egypt, shababiyya. Scorned or ignored by scholars and older Egyptians alike, shababiyya plays incessantly in Cairo, even while Egyptian youth joined in mass protests against their government, which eventually helped oust longtime Egyptian president Hosni Mubarak in early 2011. Living in Cairo at the time of the revolution, Daniel Gilman saw, and more importantly heard, the impact that popular music can have on culture and politics. Here he contributes a richly ethnographic analysis of the relationship between mass-mediated popular music, modernity, and nationalism in the Arab world.Before Cairo Pop, most scholarship on the popular music of Egypt focused on musiqa al-ṭarab. Immensely popular in the 1950s and '60s and even into the '70s, musiqa al-ṭarab adheres to Arabic musical theory, with non-Western scales based on tunings of the strings of the 'ud-the lute that features prominently, nearly ubiquitously, in Arabic music. However, today one in five Egyptians is between the ages of 15 and 24; half the population is under the age of 25. And shababiyya is their music of choice. By speaking informally with dozens of everyday young people in Cairo, Gilman comes to understand shababiyya as more than just a musical genre: sometimes it is for dancing or seduction, other times it propels social activism, at others it is simply sonic junk food.In addition to providing a clear Egyptian musical history as well as a succinct modern political history of the nation, Cairo Pop elevates the aural and visual aesthetic of shababiyya-and its role in the lives of a nation's youth
    Abstract: Cover -- Contents -- Preface -- Acknowledgments -- Note on Transliteration and Pseudonyms -- Introduction: Good Music, Bad Music, and Youth Music -- 1. "My Patience Is Short": Youth Talk about Grandpa's Music -- 2. " Oh, My Brown Skinned Darling": Sex, Music, and Egyptianness -- 3. "The Hardest Thing to Say": Taxonomies of Aesthetics -- 4. " A Poem Befitting of Her": Ambiguity and Sincerity in Revolutionary Pop Culture -- Epilogue: On the Counterrevolution -- Notes -- Glossary -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z.
    Note: Description based on publisher supplied metadata and other sources
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  • 7
    Online Resource
    Online Resource
    Musical performance and the changing city : post-industrial contexts in Europe and the United States (2013)
    New York : Routledge
    Details
    ISBN: 9780203078921
    Language: English
    Pages: 1 Online-Ressource (xiii, 309 Seiten)
    Series Statement: Routledge research in music 4
    Series Statement: Routledge research in music
    Parallel Title: Erscheint auch als Musical performance and the changing city
    DDC: 306.4/8424
    RVK:
    LR 56608
    Keywords: Popular music Social aspects ; Popular music History and criticism ; Popular music Social aspects ; Electronic books ; Popmusik ; Musiksoziologie ; USA ; Europa ; Popmusik ; Nachindustrielle Gesellschaft ; Urbanität
    Note: Includes bibliographical references at the end of each chapters and index
    DOI: 10.4324/9780203078921
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    HU Berlin
    München BSB
    BSZ
    GBV
    KOBV
    BVB
  • 8
    Online Resource
    Online Resource
    Listening in detail : performances of Cuban music (2013)
    Durham : Duke University Press
    Details
    ISBN: 9780822378877 , 0822378876
    Language: English
    Pages: 1 Online-Ressource (xviii, 333 pages) , illustrations
    Series Statement: Refiguring american music
    Parallel Title: Erscheint auch als
    DDC: 780.97291
    RVK:
    LS 48700
    Keywords: Music / History and criticism / Cuba ; Music / Performance / Cuba ; Unterhaltungsmusik ; Aufführung ; Kuba ; Aufsatzsammlung ; Electronic books ; Electronic books ; Kuba ; Unterhaltungsmusik ; Aufführung
    Abstract: Introduction -- Performing anthology : the mystical qualities of Alfredo Rodriguez's Cuba linda -- "Una escuela rara" : the Graciela School -- Itinerant outbursts: the grunt of Dámaso Pérez Prado -- Visual arrangements, sonic impressions: the Cuban musical documentaries of Rogelio París and Sara Gómez -- Cold war kids in concert
    Note: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1215/9780822378877
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822378877
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  • 9
    Online Resource
    Online Resource
    Making samba : a new history of race and music in Brazil (2013)
    Durham : Duke University Press
    Details
    ISBN: 0822391902 , 0822354152 , 0822354306 , 9780822391906 , 9780822354154 , 9780822354307
    Language: English
    Pages: Online-Ressource (xvii, 364 pages) , illustrations
    Edition: Online-Ausg.
    Parallel Title: Print version Making samba
    DDC: 781.640981
    RVK:
    LS 48800
    Keywords: Blacks Race identity ; Blacks Music ; History ; Music and race History ; Sambas History ; Sambas Social aspects ; History ; Sambas -- Brazil -- History ; Sambas -- Social aspects -- Brazil -- History ; Blacks -- Brazil -- Music -- History ; Music and race -- Brazil -- History ; Blacks -- Race identity -- Brazil ; Electronic books ; Electronic books ; Electronic books ; Electronic books
    Abstract: 〈DIV〉By tracing the careers of Rio's pioneering black musicians from the late nineteenth century until the 1970s, Marc A. Hertzman revises the histories of samba and of Brazilian national culture.〈/div〉
    Description / Table of Contents: Contents; A Note about Brazilian Terminology, Currency, and Orthography; Abbreviations; Acknowledgments; Introduction; One. Between Fascination and Fear, Musicians' Worlds in Nineteenth-Century Rio de Janeiro; Two. Beyond the Punishment Paradigm, Popular Entertainment and Social Control after Abolition; Three. Musicians Outside the Circle, Race, Wealth, and Property in Fred Figner's Music Market; Four. "Our Music", "Pelo telefone," the Oito Batutas, and the Rise of "Samba""; Five. Mediators and Competitors, Musicians, Journalists, and the Roda do Samba
    Description / Table of Contents: Six. Bodies and Minds: Mapping Africa and Brazil during the Golden AgeSeven. Alliances and Limits: The SBAT and the Rise of the Entertainment Class; Eight. Everywhere and Nowhere: The UBC and the Consolidation of Racial and Gendered Difference; Nine. After the Golden Age: Reinvention and Political Change; Conclusion; Notes; Bibliography; Index
    Note: Includes bibliographical references (pages [299]-335) and index
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    URL: http://dx.doi.org/10.1215/9780822391906
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  • 10
    Online Resource
    Online Resource
    Assimilate : a critical history of industrial music (2013)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190268305
    Language: English
    Pages: 1 Online-Ressource (XIV, 361 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64809
    RVK:
    LS 48015
    RVK:
    LS 48900
    Keywords: Geschichte ; Industrial music History and criticism ; Industrial Rock ; Electronic books ; Electronic books ; Industrial Rock ; Geschichte
    Abstract: Noisy, confrontational, and controversial, industrial music first emerged in the mid-1970s around bands and performance groups who combined avant-garde electronic music with the provocative attitude and style of punk rock. In its early days, bands such as Throbbing Gristle and Cabaret Voltaire produced a genuinely radical form of music bent on recontextualizing the signs and methods of cultural authority in an attempt to liberate listeners from the trappings of modernity. But, as industrial music took on more and more elements of popular music over the course of the 1980s it slowly abandoned its mission. By the mid-1990s, it was seen as simply another style of pop music, and had ironically fallen into the trappings it sought by its very existence to destroy. In "Assimilate", S. Alexander Reed provides the first ever critical history of this fascinating and enigmatic genre tracing industrial music's trajectory from Throbbing Gristle's founding of the record label Industrial Music in 1976, to its peak in popularity on the back of the band Nine Inch Nails in the mid-1990s, and through its decline to the present day. Through a series of revealing explorations of works spanning the entirety of industrial music's past, and drawing on extensive interviews with musicians, record label owners, DJs, and concert promoters, Reed paints a thorough historical picture that includes not only the bands, but the structures that supported them, and the scenes they created. In so doing, he reveals an engaging story of an ideological disintegration and its aftermath. The definitive text on the genre, "Assimilate" is essential reading for fans of industrial music, and scholars and students of popular music alike.
    Note: Published to Oxford Scholarship Online: May 2015
    DOI: 10.1093/acprof:osobl/9780199832583.001.0001
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    München BSB
    BSZ
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    BVB
    Bayreuth UB
  • 11
    Online Resource
    Online Resource
    Musikkommunikatoren : Berufsrollen, Organisationsstrukturen und Handlungsspielräume im Popmusikjournalismus (2011)
    Bielefeld : transcript Verlag
    Details
    ISBN: 9783839418987
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: texte zur populären musik 7
    DDC: 781.640943
    RVK:
    AP 24350
    RVK:
    AP 26100
    RVK:
    AP 26660
    RVK:
    LR 57400
    RVK:
    LS 48015
    Keywords: Sociology of Work and Industry ; Arbeit ; Musikzeitschriften ; Media ; Pop Music ; Musikwissenschaft ; Arbeits- und Industriesoziologie ; Musikjournalismus ; Work ; Popular Culture ; Popkultur ; Musiksoziologie ; Musik ; Popmusik ; Musicology ; Music ; Electronic books ; Hochschulschrift ; Hochschulschrift ; Musikjournalist ; Popmusik ; Berichterstattung ; Habitus ; Berufsrolle ; Berufsethik ; Berufspraxis
    Abstract: Biographical note: André Doehring (Dr. phil.) ist Musikwissenschaftler an der Universität Gießen. Zu seinen Forschungsschwerpunkten zählen Themen der populären Musik, der Musiksoziologie und der musikalischen Analyse.
    Abstract: Long description: Obwohl Popmusikzeitschriften unsere Vorstellungen von Popmusik wesentlich prägen, ist ihr Entstehungsprozess bisher kaum wissenschaftlich erfasst. André Doehring stellt die Musikredakteure deutscher Musikzeitschriften in den Mittelpunkt und beleuchtet die Sicht dieser Medienakteure auf die eigene Rolle inmitten der handlungsleitenden sowie -begrenzenden Strukturen und Produktionsverhältnisse. In einer Zusammenführung von Perspektiven der Musiksoziologie und der Journalistik wirft die materialreiche und interessante Studie einen Blick hinter die Kulissen des gegenwärtigen Popmusikjournalismus, der durch das immense persönliche Engagement der Musikkommunikatoren überhaupt erst ermöglicht und aufrechterhalten wird.; Review quote: Besprochen in: Trust, 154/3 (2012)
    Description / Table of Contents: Cover Musikkommunikatoren; INHALT; Vorwort; 1. Grundlegendes; 1.1 Arbeitsdefinitionen; 1.2 Popmusikmagazine und Popmusikredakteure - der Forschungsstand; 1.3 Exkurs: Popmusikmagazine und Popmusikredakteure im kulturellen Diskurs; 2. Soziologische Perspektiven auf Popmusikjournalismus; 2.1 Popmusikjournalismus als System; 2.2 Popmusikjournalismus als Feld; 2.3 Popmusikjournalismus als Diskurs; 2.4 Popmusikjournalismus als eigensinniges Handeln von Medienakteuren; 3. Das Feld der Popmusikmagazine; 3.1 Begründung und Vorstellung der ausgewählten Magazine; Rolling Stone; Spex; Intro
    Description / Table of Contents: 3.2 Der Blick über den disziplinären Tellerrand: JournalistikZum Begriff der Journalistik; Themen und Bereiche der Journalistik; 3.3 Die Ordnung des Feldes der Musikmagazine mit den Begriffen der Journalistik; Normenkontext: Rechtliche und (standes-)ethische Aspekte; Strukturkontext: Ökonomische und organisatorische Aspekte; Ökonomische Aspekte der Zeitschriftenproduktion; Organisatorische Aspekte der Zeitschriftenproduktion; Zur Autonomie der redaktionellen Arbeit; Funktionskontext: Aspekte journalistischer Wahrnehmungsroutinen; Zur Selektion und Gewichtung des Nachrichtenstoffes
    Description / Table of Contents: Bezugsgruppen, Publikumsvorstellungen und Deutungsmacht von JournalismusRollenkontext: Zur Situation deutscher Journalisten; 4. Die Wirklichkeit der Musikkommunikatoren; 4.1 Zur empirischen Rekonstruktion der Wirklichkeitskonstruktionen; 4.2 Ergebnisse; Rollenkontext; Musikalische und berufliche Sozialisation; Selbstbild, Aufgaben und Kompetenzen: Konstruktionen des Musikredakteurs und des Musikmagazins; Musikverständnis und Werturteil: Der professionelle Umgang mit Musik; Berufszufriedenheit; Funktionskontext; Die Wirklichkeit der Musiknachrichten - Dimensionen der Auswahl und Darstellung
    Description / Table of Contents: Quellen und BezugsgruppenStrukturkontext; Die Redaktion als Organisations- und Entscheidungszentrum; Technologische und zeitliche Aspekte der Produktion; Ökonomische Aspekte der Produktion; Normenkontext; Ethik und Aufgabe des Musikjournalismus; 4.3 Zusammenfassung am Beispiel der Hype-Konstruktionen in Popmusikmagazinen; 5. Diskussion und Ausblick; 5.1 Musiksoziologie und Popmusikmagazine; 5.2 Popmusikmagazine und das Internet; 5.3 Zur Typik und Notwendigkeit der Berufsauffassung im Popmusikjournalismus; Literaturverzeichnis
    Note: Description based upon print version of record
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  • 12
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    Brazilian popular music and citizenship (2011)
    Durham, NC : Duke University Press
    Details
    ISBN: 0822348845 , 1283265923 , 082234906X , 9781283265928 , 9780822348849 , 9780822349068
    Language: English
    Pages: Online-Ressource (1 online resource (x, 364 p.)) , ill
    Edition: Online-Ausg.
    Parallel Title: Print version Brazilian Popular Music and Citizenship
    DDC: 306.4/84240981
    RVK:
    LS 48800
    Keywords: Popular music Political aspects ; Popular music History and criticism ; Popular music Social aspects ; Popular music -- Social aspects -- Brazil ; Popular music -- Political aspects -- Brazil ; Popular music -- Brazil -- History and criticism ; Electronic books ; Electronic books ; Electronic books ; Electronic books
    Abstract: Covering more than one hundred years of history, this multidisciplinary collection of essays illuminates the important links between citizenship, national belonging, and popular music in Brazil
    Description / Table of Contents: Contents; Acknowledgments; Introduction. Music as Practice of Citizenship in Brazil - Idelber Avelar and Christopher Dunn; Dissonant Voices under a Regime of Order-Unity: Popular Music and Work in the Estado Novo - Adalberto Paranhos; Orpheonic Chant and the Construction of Childhood in Brazilian Elementary Education - Flávio Oliveira; Farewell to MPB - Carlos Sandroni; From Mr. Citizen to Defective Android: Tom Zé and Citizenship in Brazil - Christopher Dunn; Rude Poetics of the 1980s: The Politics and Aesthetics of Os Titãs - Angélica Madeira
    Description / Table of Contents: "We Live Daily in Two Countries": Audiotopias of Postdictatorship Brazil - Frederick MoehnSoundtracking Landlessness: Music and Rurality in the Movimento dos Trabalhadores Rurais Sem Terra - Malcolm K. McNee; Zhen Brasil's Japanese Brazilian Groove - Shanna Lorenz; Embodying the Favela: Representation, Mediation, and Citizenship in the Music of Bezerra da Silva - Aaron Lorenz; Hip-Hop in São Paulo: Identity, Community Formation, and Social Action - Wivian Weller and Marco Aurélio Paz Tella; "Conquistando Espaço": Hip-Hop Occupations of São Paulo - Derek Pardue
    Description / Table of Contents: Funk Music Made in Brazil: Media and Moral Panic - João Freire Filho and Micael HerschmannTechnobrega, Forró, Lambadão: The Parallel Music of Brazil - Hermano Vianna; "Tradition as Adventure": Black Music, New Afro-Descendant Subjects, and Pluralization of Modernity in Salvador da Bahia - Osmundo Pinho; Modernity, Agency, and Sexuality in the Pagode Baiano - Ari Lima; Candeal and Carlinhos Brown: Social and Musical Contexts of an Afro-Brazilian Community - Goli Guerreiro; Of Mud Huts and Modernity: The Performance of Civic Progress at Arcoverde's São João Festival - Daniel Sharp
    Description / Table of Contents: Mangue Beat Music and the Coding of Citizenship in Sound - Idelber AvelarWorks Cited; Contributors; Index
    Note: Description based on print version record , Includes bibliographical references and index
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    URL: http://dx.doi.org/10.1215/9780822393603
    URL: https://doi.org/10.1515/9780822393603?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9780822393603
    URL: Cover
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822393603?locatt=mode:legacy
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  • 13
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    Buena Vista in the club : rap, reggaetón, and revolution in Havana (2011)
    Durham : Duke University Press
    Details
    ISBN: 9780822393931 , 082239393X
    Language: English
    Pages: 1 Online-Ressource (xii, 410 Seiten) , ill
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    DDC: 782.421649097291
    RVK:
    LQ 90000
    RVK:
    LS 48650
    Keywords: Buena Vista Social Club (Musical group) ; Rap (Music) / Cuba / Havana ; Reggaetón / Cuba / Havana ; Music / Political aspects / Cuba ; Rap ; Hip-Hop ; Kuba ; Electronic books ; Electronic books ; Kuba ; Hip-Hop ; Rap
    Abstract: Hip hop, revolución! : nationalizing rap in Cuba -- The revolution of the body : reggaetón and the politics of dancing -- The Havana you don't know : urban music and the late socialist city -- Cuban hip hop all stars: transnationalism and the politics of representation -- Conclusion: the rise and fall of Havana hip hop
    Note: Description based on print version record. - Includes bibliographical references and index
    DOI: 10.1215/9780822393931
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822393931
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822393931?locatt=mode:legacy
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  • 14
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    Stare in the darkness : the limits of hip-hop and black politics (2011)
    Minneapolis : University of Minnesota Press
    Details
    ISBN: 9780816669875 , 9780816669882
    Language: English
    Pages: Online-Ressource (245 p) , ill
    Edition: Online-Ausg. 2011 Electronic reproduction; Available via World Wide Web
    Parallel Title: Print version Stare in the Darkness : The Limits of Hip-hop and Black Politics
    DDC: 305.896/073
    RVK:
    HD 475
    RVK:
    LS 48650
    Keywords: Hip-hop Social aspects ; African Americans Politics and government ; Hip-hop Political aspects ; African Americans Social life and customs ; Plumbing -- Handbooks, manuals, etc ; Plumbing -- Standards -- Handbooks, manuals, etc ; African Americans ; Politics and government ; African Americans ; Social life and customs ; Hip-hop ; Political aspects ; Hip-hop ; Social aspects ; Electronic books
    Abstract: Rap's critique of police brutality in the 1980s. The Hip Hop Political Convention. The rise (and fall) of Kwame Kilpatrick, the "hip-hop mayor" of Detroit. Barack Obama echoing the body language of Jay-Z on the campaign trail. A growing number of black activists and artists claim that rap and hip-hop are the basis of an influential new urban social movement. Simultaneously, black citizens evince concern with the effect that rap and hip-hop culture exerts on African American communities. According to a recent Pew survey conducted on the opinions of Black Americans, 71 percent of black
    Description / Table of Contents: Cover; Contents; Introduction: Follow Me into a Solo; 1. In This Journey, You're the Journalist: Rap Lyrics, Neoliberalism, and the Black Parallel Public; 2. A Little Knowledge Is Dangerous: Consuming Rap and Political Attitudes; 3. Follow the Leader: Hip-hop Activism and the Circulation of Black Politics; 4. Put Here to Be Much More Than That: The Rise and Fall of Kwame Kilpatrick; Conclusion: Obama and the Future of Hip-hop Politics; Acknowledgments; Appendix A: Political Platforms for the Hip-hop Social Action Network and the Black Panther Party
    Description / Table of Contents: Appendix B: National Hip-hop Convention Agenda, 2004Appendix C: Top Hip-hop Albums for the Week of December 1, 2006; Appendix D: Ownership of Top Market Urban-Urban Adult Contemporary Radio Stations; Notes; Bibliography; Discography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y
    Note: Includes bibliographical references and index , Electronic reproduction; Available via World Wide Web
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    URL: http://dx.doi.org/10.5749/minnesota/9780816669875.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 15
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    Queere Tracks : Subversive Strategien in der Rock- und Popmusik (2010)
    Bielefeld : transcript Verlag
    Details
    ISBN: 9783839411933
    Language: German
    Pages: 1 online resource (340 pages) , illustrations
    Series Statement: Gender Studies
    DDC: 781.640866
    RVK:
    AP 14350
    RVK:
    LR 56600
    RVK:
    LR 56610
    RVK:
    LS 48000
    RVK:
    LS 78000
    RVK:
    MS 2850
    RVK:
    MS 8020
    Keywords: Gender identity in music ; Musik ; Queer theory ; Musik ; Music Philosophy and aesthetics ; Electronic books ; Popular music History and criticism ; Rock music History and criticism ; Rockmusik ; Queer-Theorie ; Philosophie ; Popmusik ; Geschlechterforschung ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Rockmusik ; Queer-Theorie ; Geschlechterforschung ; Philosophie ; Popmusik ; Queer-Theorie ; Geschlechterforschung ; Philosophie
    Description / Table of Contents: In dieser spannenden Pionierarbeit werden erstmals Schlüsselkonzepte der aktuellen Gender-Politik und Queer Theorie wie Ironie, Parodie, Camp, Maske/Maskerade, Mimesis/Mimikry, Cyborg, Transsexualität und Dildo wissenschaftlich aufbereitet. Mit Hilfe einer neuen Art der Wissensvermittlung verbindet die Autorin anspruchsvolle sozial- und kulturwissenschaftliche Theorien mit praktischen Beispielen aus den Cultural Studies. Der subversive Charakter queerer Motive wird am Beispiel zeitgenössischer Rock- und Popmusik aufgezeigt und in Beziehung zu klassischen Diskursen der abendländischen Philosophiegeschichte gesetzt
    Note: Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015) , In German
    DOI: 10.14361/9783839411933
    DOI: 10.1515/9783839411933
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  • 16
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    Rock the nation : Latin/o identities and the Latin rock diaspora (2010)
    New York : Continuum
    Details
    ISBN: 9781628928297 , 9781441167972 , 9780826441805
    Language: English
    Pages: 1 Online-Ressource (xii, 228 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.66089/68
    RVK:
    LS 48050
    Keywords: Geschichte 1950-2010 ; MUSIC / Genres & Styles / Punk ; MUSIC / Genres & Styles / Heavy Metal ; MUSIC / Genres & Styles / Rock ; Rock music History and criticism ; Rock music Latin American influences ; Hispanos ; Rockmusik ; Lateinamerika ; USA ; USA ; Electronic books ; USA ; Hispanos ; Rockmusik ; Geschichte 1950-2010
    Description / Table of Contents: Introduction : On Latinos/Hispanics in the United States, "Latino/as", the U.S. census, and other foundational concepts -- Heard it on the X : border radio as public discourse, the Latin/o legacy in popular music, and the roots of multicultural America -- The missing links : zoot suits, original Chicanos, and diasporic Latin/o connections -- Latinos in the garage : Latin/o presence and influence in garage-rock-- and other pop music -- Las ondas de José Agustín : the birth of rock in Mexico and the Latin/o rock diaspora (1970-1990) -- Transnational punk(s) : on the transnational character of the Latin/o rock diaspora -- Conclusion : Alter-Latino, the Latin/o rock diaspora and new Latinidades
    DOI: 10.5040/9781628928297
    URL: Volltext  (URL des Erstveröffentlichers)
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