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  • 1
    ISBN: 9781137573759
    Sprache: Englisch
    Seiten: 1 online resource (280 pages)
    Paralleltitel: Contemporary film music
    Paralleltitel: Print version Coleman, Lindsay Contemporary Film Music : Investigating Cinema Narratives and Composition
    DDC: 780.2
    RVK:
    RVK:
    Schlagwort(e): Motion pictures ; Motion picture music History and criticism ; Electronic books ; Filmmusik ; Film ; Komponist ; Geschichte 1990-2016
    Kurzfassung: Acknowledgements -- Contents -- Notes on Contributors -- List of Figures -- Chapter 1: Introduction -- Notes -- Bibliography -- Chapter 2: A.R. Rahman Interview -- Chapter 3: The 'Alternate Space' of A.R. Rahman's Film Music -- Introduction -- Comparative Conventions in Indian and Western Film Music -- Aspects of Tonality and Extra-Musical Meaning in Indian and Western Music -- Roja, 1992 and Bombay, 1995 -- Fire, 1996 -- Slumdog Millionaire, 2008 and 127 Hours, 2010 -- Conclusion -- Notes -- Bibliography -- Internet -- Chapter 4: Zbigniew Preisner Interview -- Chapter 5: Music by Zbigniew Preisner? Fictional Composers and Compositions in the Kieślowski Collaborations -- Fictional Music in Theory and Practice -- Composing Fiction -- The Fictional and the Real -- Notes -- Bibliography -- Chapter 6: Carter Burwell Interview -- Chapter 7: Burwell and Space: Inner, Outer, Environmental and Acoustical -- Introduction -- The Materials -- Motive, Acoustical Space, and Place -- Narrative Disconnect to Emotional Synchrony: Motive, Image and Affect -- Conclusion: Film as Music -- Notes -- Bibliography -- Chapter 8: Rachel Portman Interview -- Chapter 9: Eero Tarasti and the Narratological Construction of Rachel Portman's Emma -- Notes -- Bibliography -- Chapter 10: Dario Marianelli Interview -- Chapter 11: Solo Instruments and Internal Focalization in Dario Marianelli's Pride & Prejudice and Atonement -- Pride & Prejudice -- Lizzie's Theme -- The Secret Life of Daydreams -- The Solo Cello in Pride & Prejudice -- The Role of the Orchestra -- Atonement -- 'Elegy for Dunkirk' and the Solo Cello -- The Love Theme -- Denouement and a Change of Narrative Perspective -- Conclusion -- Notes -- Bibliography -- Chapter 12: Mychael Danna Interview -- Chapter 13: Mychael Danna: Music as Metaphor -- The Ice Storm -- Moneyball -- Life of Pi -- Epilogue -- Notes
    Kurzfassung: Bibliography -- Chapter 14: John Williams and Contemporary Film Music -- A Background of Contemporary Hollywood Music -- John Williams and Contemporary Hollywood -- Notes -- Bibliography -- Chapter 15: Musical Syntax in John Williams's Film Music Themes -- Sentence -- Period -- Trifold Sentence -- Sentence with a Dissolving Third Statement -- Unfolding Sentence -- Conclusion -- Notes -- Appendix -- Sentence -- Sentence with Dissolving Third Statement -- Trifold Sentence -- Unfolding Sentence -- Period -- Bibliography -- Index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    London, England : Palgrave Macmillan
    ISBN: 9781137531759
    Sprache: Englisch
    Seiten: 1 online resource (282 pages)
    Paralleltitel: Erscheint auch als Filmurbia
    Paralleltitel: Print version Forrest, David Filmurbia : Screening the Suburbs
    DDC: 791.4301
    RVK:
    RVK:
    Schlagwort(e): Ethnology ; Suburbs ; Suburbs in motion pictures ; Electronic books ; Aufsatzsammlung ; Vorstadt ; Film
    Kurzfassung: Contents -- Notes on Contributors -- List of Figures -- Chapter 1: Introduction. Filmurbia: Cinema and the Suburbs -- Bibliography -- Section I: Suburban Realisms -- Chapter 2: `Society Stinks´: Suburban Alienation and Violence in the Early Films of Penelope Spheeris -- Notes -- Bibliography -- Chapter 3: Dis-Locations: Mapping the Banlieue -- Generic Location? Banlieue Film -- Girl/Hood -- Conflict Zones -- Shifting Suburban Sites -- Notes -- Bibliography -- Chapter 4: Mike Leigh and the Poetics of English Suburbia -- Three Films About the Suburbs -- Bibliography -- Section II: Suburban Nations -- Chapter 5: Estate of the Nation: Social Housing as Cultural Verisimilitude in British Social Realism -- Understanding British Social Housing -- New Labour and the Problematisation of Council Estates -- Contemporary Representations of Social Housing -- Attack the Block as Radical Verisimilitude -- Conclusions -- Bibliography -- Chapter 6: The Gritty Urban: The Australian Beach as City Periphery in Cinema -- Introduction -- Nature or Nurture: The Urban or Natural Question -- Surfers Paradise: The Pleasure Dome -- Bondi Beach: The Underbelly -- Gritty Realism, `Sandy´ Urbanism -- Bibliography -- Chapter 7: The Suburban Plots of David Bezmozgis´ Films -- Motivation and Domesticity in Victoria Day and Natasha -- Filming Natasha in Suburban Toronto -- Notes -- Bibliography -- Primary -- Secondary -- Further Reading -- Section III: Slumurbia and Social Order -- Chapter 8: The Living Landscape of Jakarta in Leonard Retel Helmrich´s Documentary Triptych -- A Living Landscape -- The Meta-modern Subject -- Subjective Realism: The Meta-modern Film-maker -- Notes -- Bibliography -- Chapter 9: System within the Suburb: Dharavi and Class Depiction in Bollywood -- Introduction -- Dharavi: What It Is and What It Is Not! -- Slum Gala in Foreign Productions
    Kurzfassung: Desi Ghetto: Dharavi Through an Indian Lens -- Conclusion -- Bibliography -- Chapter 10: Outskirts of Reason: The Dream in Días de papel and Chircales -- The Filmed City -- Meeting the Suburb -- Filming the Suburb -- Vigo, Buñuel and the Revolution -- The Nightmare and the Hope -- Questioning the Centre -- Notes -- Bibliography -- Section IV: Suburban Genres -- Chapter 11: Margins versus Centre: Cinematic Tensions and Conflict between the Suburbs and Paris -- From Urbanites Invading the Banlieue to the Changing Connotation of the Cinematic Journey Trope -- The Centre `Killing´ the Old Banlieue: Imposed Urban Developments as the Root of the Reversal in Cinematic Representations -- The New Architectural Form of the Social Housing Estate Engenders the Cinematic Downfall of the Suburbs -- From Endangered to Danger: The Negative Connotation of the Banlieue and Its Inhabitants as a Threat to the Urban Centre -- The Filmic Medium as Document of Changing Spatial Relationships and Terrain for Contestation -- Notes -- Bibliography -- Chapter 12: The Suburban Australian Gothic in Lake Mungo and Beautiful -- Lake Mungo: `The Saddest Thing´ -- Beautiful: `Sometimes Girls Leave´ -- Conclusion -- Note -- Bibliography -- Chapter 13: Claiming the Suburbs: Children and the Children´s Film Foundation in Post-War British Cinema -- Introduction -- The Formation of the CFF -- The Suburban Community of Cup Fever -- The Middle-Class Suburbs of Egghead´s Robot -- From CFF to CFTF -- The Violent Suburbs of Terry on the Fence -- CFTF Television Broadcasts -- Conclusion -- Bibliography -- Section V: Suburban Imaginaries -- Chapter 14: Sides of the Moon: Detroit and the Cinema of Proximity -- Comeback City Robocop -- The Automobile and the Cinema of Proximity -- Transformers: Dark Side of the Moon (2011) -- The Cinema of Proximity and the America Automobile Dream -- Bibliography
    Kurzfassung: Chapter 15: Sirk and Suburbia: Queering the Straightest Space Imaginable -- Magnificent Obsession (1954) -- All That Heaven Allows (1955) -- Written on the Wind (1956) -- Conclusion -- Bibliography -- Chapter 16: `I Looked for You in My Closet Tonight´: Staging the Violence of the Real through `Candy-Colored´ Suburban Dreamsc... -- Small Town Suburban Sheen -- Noir´s Intrusion -- Ear -- Sandy Cries -- `I Looked for You in My Closet Tonight´ -- Candy-Colored Clown -- Yellow Suit -- There´s No Place Like Home -- Blue Velvet -- Welcome to the Neighborhood -- On Broadway -- Jane -- Wail on My Pecks -- Nazi Plates -- Getting High -- American Beauty -- Bibliography -- Filmography -- Index
    Anmerkung: Includes bibliographical references at the end of each chapters, filmographies and index. Description based on print version record
    URL: Volltext  (lizenzpflichtig)
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  • 3
    Online-Ressource
    Online-Ressource
    London, England : Palgrave Macmillan
    ISBN: 9781137506153
    Sprache: Englisch
    Seiten: 1 online resource (315 pages).
    Serie: Language and Globalization
    Serie: Language and Globalization Ser.
    Paralleltitel: Dailey-O'Cain, Jennifer Trans-national English in social media communities
    Paralleltitel: Print version Dailey-O’Cain, Jennifer Trans-National English in Social Media Communities
    DDC: 410
    RVK:
    RVK:
    Schlagwort(e): Language policy ; English language Globalization ; Mass media and language ; Electronic books ; Englisch ; Sprachgebrauch ; Sprachkontakt ; Social Media ; Deutsch ; Niederländisch ; Englisch ; Sprachgebrauch ; Sprachkontakt ; Online-Community ; Deutsch ; Niederländisch
    Kurzfassung: "Trans-National English in Social Media Communities" -- "Acknowledgments" -- "Contents" -- "List of Figures" -- "List of Tables" -- "1 Introduction" -- "Computer-mediated Spaces as Communities" -- "Data and Analysis in this Book" -- "Social Media Data: Methods of Collection and Analysis" -- "Interview Data: Methods of Collection and Analysis" -- "Research Ethics" -- "The Structure of this Book" -- "2 Language Ideologies, Multilingualism, and Social Media" -- "Language Ideologies in a Globalizing Europe" -- "The Position of English: Ideologies and Practice" -- "Nationalisms and the Role of Official State Policies" -- "Beyond the State" -- "Language use in Social Media" -- "Features of Social Media Language Use" -- "English and Beyond" -- "Multilingual Language use in Interaction" -- "Language Alternation in Spoken Interaction" -- "Transidiomatic Practices in Social Media Discourse" -- "Toward a Comparative Sociolinguistics of Globalization" -- "3 The Who and the What: Amounts and Types of English" -- "Categories of transidiomatic practices" -- "Single-word/single-phrase switches" -- "English originating in the digital world" -- "Larger English expressions or quotes" -- "Use of English original to the user" -- "Quantitative analysis" -- "Transidiomatic practices in username choice" -- "Summary of trends" -- "4 The How: Interactional Functions of English" -- "Discourse-Related Language Alternation" -- "Switching to English to Mark an Off-topic Aside" -- "Switching to English to Mark a Transition" -- "Switching to English to Mark a Closing" -- "Participant-Related Language Alternation" -- "Switching to English to Provide Information about Gesture, Facial Expression, or Tone of Voice" -- "Switching to English to Lighten or Mitigate an Evaluative Comment" -- "Switching to English to Indicate Lightheartedness among Strong Affect".
    Kurzfassung: 5 The Why: Ideology, Positioning, and Attitudes toward English -- Attitudes Toward Transidiomatic Practices -- Mixing is Common -- Mixing is Neutral -- Mixing is Understandable -- Mixing Triggers More Mixing -- Mixing is Good -- Some Things "Sound Better" in English -- Mixing is More Economical -- Mixing is Useful for Distinguishing a Youth Subculture -- Mixing is Useful for Making Distinctions in Meaning -- Mixing is Bad -- Mixing is Unnecessary -- Mixing is Unpleasant -- Mixing is not Understandable -- Mixing is Lazy -- Mixing is Adversely Affecting the Local Language -- Mixing is Rule-Governed -- The Issue of "Incorrect" English -- English in the Business World -- Differences Between Mixing Online and in Face-to-Face Interaction -- Explanations for Transidiomatic Practices -- Perceptions of Non-Local Influences -- Influence from the English-Speaking Internet -- Influence from the English-Speaking Media -- Influence from Particular English-Speaking Cultures and Subcultures -- Perceptions of the use of English to Evoke a Characteristic or Mood -- Worldliness -- Modernity -- Theatricality -- Lack of Seriousness -- Stances Regarding the Position of English -- English is Self-Evident -- English is a Symbol of English-Speaking Countries -- English is a Symbol of a Larger International World -- Summary of Trends -- 6 English as a Trans-National Language -- Transidiomatic Practices in Social Media Interaction: The Who, the What, the How, and the Why -- From Language Regime to Language Practice -- Implications for Language Policy -- Bibliography -- Index
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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