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  • GBV  (144)
  • MPI Ethno. Forsch.  (24)
  • DNB  (1)
  • History  (165)
  • Art History  (165)
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  • 1
    ISBN: 9781478093718
    Language: English
    Pages: 1 Online-Ressource (568 p.)
    Parallel Title: Erscheint auch als Future/present
    RVK:
    Keywords: Anti-racism History 21st century ; Arts and society History 21st century ; Arts Political aspects 21st century ; History ; ART / American / General ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity.Selected contributors. Dahlak Brathwaite, adrienne maree brown, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu
    Note: Frontmatter , CONTENTS , INTRODUCTION , The Call , vestibular mantra (or radical virtuosities for a brave new dance) , PART 1 / CULTURAL PRESENCE: PLACEKEEPING AND BELONGING , Introduction , Aqui Estoy , Beauty, Justice, and the Ritual of Performance , An Accumulation of Things That Refuse to Be Discarded , Counting Coup on the Compartmentalization of Indigenous-Made Rap Music , Cultural Resiliency in the Face of Crisis: Learning from New Orleans , Collectively Directing the Current , The New Eagle Creek Saloon , Notes from Technotopia 3.0: On the "Creative City" Gone Wrong-an Antigentrification Philosophical Tantrum, 2012 - 2016 , "Building Temples for Tomorrow": Cultural Workers as Construction Crews , Invasive Species , Sunny and 150 Years of Placekeeping in Little Tokyo , Local Fruit Still Life , Stage One: Establishing Community , Red 40 , More Nodes from the Performance Essay Los Giros De La Siguiente/the turns of the Next , PART 2 / DISMANTLING BORDERS, BUILDING BRIDGES: MIGRATION AND DIASPORAS , Introduction , Mano Poderosa , A Cosmos of Dis/Joints , Cross-Border Citizens , Indian Alley, Where Art Is Healing , Vessels: A Conversation , Fence , A Touch of Otherness , Harmattan Haze , Who Is the #EmergingUS? , Justice and Equity: We're Coming for It All , building bricks for communal healing , We Never Needed Documents to Thrive , prop·er , Alongside: On Chinese Students in the United States and the Fight for Black Lives , Love Spirals: Notes on Brown Feelings , PART 3 / CREATING A WORLD WITHOUT PRISONS: CULTURE AND THE CARCERAL STATE , Introduction , To Create in Prison , A Measure of Joy , There Is No Abolition or Liberation without Disability Justice , HOGAR , I Remember , Coming Home , Singing Our Way to Abolition , Standing in the Gap: Music as First Responder , Locked in a Dark Calm , As Crazy as the World Is, I Do Believe , Jumpsuit Project , The Bonds of Aloha: Connecting to Culture Can Free Us , The Nail That Sticks Out , Art Is a Trojan Horse: Reclaiming Our Narratives , Try/Step/Trip (Excerpt) , The Evanesced Series (2016 - ) , PART 4 / EMBODIED CARTOGRAPHIES: RENEGOTIATING RELATIONSHIPS WITH LAND , Introduction , Kiksuya , America Doesn't Exist , Between the Real and the Imagined: A Conversation with Lyla June and Tanaya Winder , Sopa de Ostión , Island Earth: Water, Wayfinding, and the Currents That Connect Us , ACCESS DENIED: Creating New Spatial Understandings , Essential Economy , Earth Mama II , We Are Part of This Land , Mauka House , Withholding an Image: Disciplinary Disobedience and Reciprocity in the Field , Thinking through Fragments: Speculative Archives, Contested Histories, and a Tale of the Palestine Archaeological Museum , Secrets That the Wind Carries Away , Ohiŋniyaŋ ded wati kte: This Place Will Always Be Home , Ballers , PART 5 / LIVING OUR LEGACY: ANCESTRAL KNOWLEDGE AS RADICAL FUTURITY , Introduction , These Roots Run Deep , The Future Is Ancient , Being in Oneness: Conversations with Nobuko Miyamoto, Kamau Ayubbi, and Asiyah Ayubbi , 1619 , Encircling the Circle: Blood Memory and Making the Village-a Conversation between Cleo Parker Robinson and Malik Robinson , Culture and Tradition: A Monument to Our Resilience , Español , Apsáalooke Feminist #4 , Mother's Words and Grandmother's Thoughts: Living the Right Way (a Conversation) , The AIM Song , Gullah/Geechee Sea Island Reflections of Futurity , For Paradise , What Is the New Basket That We're Going to Weave? , I ka wā ma mua, i ka wā ma hope: 'Ōiwi Orientations toward a Radical Futurity , The Art of Peer Pressure: Black Fire UVA! , PART 6 / CURRENTS BEYOND: ARTISTS SHIFTING PARADIGMS OF INEQUITY , Introduction , Bang Bang , The Cultural New Deal for Cultural and Racial Justice , We Begin by Listening , EMERGENYC: An Artistic Home for Emerging Artists , Listening through Dance , Scenes & Takes , Feminist Coalition and Queer Movements across Time: A Conversation between Alok Vaid-Menon and Urvashi Vaid , What Would Upski Think? , all organizing is science fiction , Rebirth Garments , A Call to Action , Huliau , SOVEREIGN , Flexing Hope Is a Practice , Azadi , AFTERWORD , emergence (after adrienne maree brown) , Acknowledgments , In English
    URL: Cover  (lizenzpflichtig)
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  • 2
    ISBN: 9781478025160 , 9781478020271
    Language: English
    Pages: 554 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Alvarez, Daniela Future/present
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    RVK:
    Keywords: Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: "FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity. Selected contributors. adrienne maree brown, Dahlak Brathwaite, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu"--
    Description / Table of Contents: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Note: Includes bibliographical references
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  • 3
    ISBN: 9781478027256 , 1478027258 , 9781478093718 , 1478093714
    Language: English
    Pages: 1 online resource (554 pages) , illustrations
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Future/present
    RVK:
    Keywords: Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Note: Includes bibliographical references and index. - Description based on print version record
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  • 4
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    New Haven : Yale University Press
    ISBN: 9780300259247
    Language: English
    Pages: xvii, 517 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    DDC: 306.094309045
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    Keywords: 20. Jahrhundert (1900 bis 1999 n. Chr.) ; Europäische Geschichte ; Geschichte allgemein und Weltgeschichte ; HISTORY / Europe / Germany ; HISTORY / Modern / 20th Century ; HISTORY / Social History ; History ; Sozial- und Kulturgeschichte ; Deutschland ; Westdeutschland ; Sozialgeschichte ; Kultur ; Geschichte 1900-1999 ; Westdeutschland ; Künste ; Gesellschaft ; Geschichte 1945-1990
    Abstract: "After World War II a mood of despair and impotence pervaded the arts in West Germany. The culture and institutions of the Third Reich were abruptly dismissed, yet there was no immediate return to the Weimar period's progressive ideals. In this moment of cultural stasis, how could West Germany's artists free themselves from their experiences of Nazism? Moving from 1945 to reunification, Michael H. Kater explores West German culture as it emerged from the darkness of the Third Reich. Examining periods of denial and complacency as well as attempts to reckon with the past, he shows how all postwar culture was touched by the vestiges of National Socialism. From the literature of Günter Grass to the happenings of Joseph Beuys and Karlheinz Stockhausen's innovations in electronic music, Kater shows how it was only through the reinvigoration of the cultural scene that West Germany could contend with its past - and eventually allow democracy to reemerge"--
    Abstract: A wide-ranging, insightful history of culture in West Germany-from literature, film, and music to theater and the visual arts
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
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  • 5
    ISBN: 9780774890649
    Language: English
    Pages: 255 Seiten , Illustrationen , 28 cm
    DDC: 704.03/96071
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    Keywords: Art, Black ; Artists, Black History ; Black people History ; Art museums Curatorship ; Social aspects ; Art noir - Canada ; Artistes noirs - Canada - Histoire ; Personnes noires - Canada - Histoire ; Musées d'art - Conservation - Aspect social - Canada ; Art, Black ; Artists, Black ; Black people ; History ; Canada ; Canada History ; Aufsatzsammlung ; Canada History ; Aufsatzsammlung ; Kanada ; Kunst ; Künstler ; Person of Color ; Geschichte 2000- ; Kanada ; Schwarze ; Kunst ; Schwarzenbild ; Museum ; Kulturelle Einrichtung ; Kunstgeschichtsschreibung ; Geschichte
    Abstract: "Making History is an unprecedented reflection on the positioning of Black history and art within the Canadian cultural landscape. Featuring boundary-breaking artists and others from the art world, Making History brings together poems, artist statements, and art portfolios that showcase a careful and thoughtful understanding of Black aesthetics. This beautifully illustrated book also discusses the presence of Black contemporary art in Canadian institutions and offers artistic perspectives on contemporary and historical art practices. The many voices and points of view within this publication present ideas that corroborate the state of cultural emergency in which we are living, where museums are rethinking and rewriting the stories of their collections. The book explores alternate ways of approaching the relationship between institutions, artists, and audiences, emphasizing the significance of collaboration, resisting hierarchical and hegemonic curatorial practices, and making room for multiple perspectives to bring about transformative change. Through powerful essays and striking visual art, Making History highlights the dynamism and complexity of African and diasporic experiences seen through the lens of museological interventions and artistic practices at large."--
    Note: Includes bibliographical references , Of Africa: A Reflection on "Speaking Back" / , Opening Spaces: Of Africa, Hauntings, Hesitations, and Possible Futures / , The Into the Heart of Africa Exhibition and the Coalition for the Truth about Africa: A Personal Journey / , Lessons Learned from the Heart of Afro-Canada: Into the Heart of Africa 30 Years Later / , A Life in the Day of an Object / , Here We Are Here: Creating in the Black Atlantic / , Sweet Childhood, Art, and Memory / , From Souvenir to How She Read: The Poetry behind the Design / , Between Absence and Presence: The Politics and Poetics of (In)Visibility in the Work of Sandra Brewster / , On Sucking Teeth / , Hoodies and Regimentals: Black Attire and Access in the Canadian Art Museum / , What to Wear in Canada in Winter / , Longing and Belonging: A Personal Journey through Art and Identity / , Singularity and Strangeness: One-on-One with Eddy Firmin / , On Quiet Happiness, Charcoal, Wood, and Metal: Charmaine Lurch's Being, Belonging and Grace / , Esmaa Mohamoud: Playing the Game / , Twisted Together: The Sweet Ironies of Belonging in the Art of Bushra Junaid / , A Self-Portrait of Creation: Depi m sòti nan Ginen / , Digging Us: Making Visible Black Canadian Narratives / , Travelling Exhibition: Here We Are Here at the Montreal Museum of Fine Arts / , Why Are There No Famous Black Canadian Artists? Here We Are Here and How Diversity and Inclusion Trump Aesthetic Critique / , The Pervasive Persistence of Primitivism: Face-to-Face and Exhibition Practices in the 21st Century /
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  • 6
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    London : Thames and Hudson
    ISBN: 9780500024621 , 0500024626
    Language: English
    Pages: 303 Seiten , 25 cm
    DDC: 700.8996041
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    Keywords: Arts, Black Exhibitions 21st century ; Arts, Black ; History ; Bildband ; Ausstellungskatalog Hayward Gallery 29.06.2022-18.09.2022 ; Bildband ; Ausstellungskatalog Hayward Gallery 29.06.2022-18.09.2022 ; Afrikaner ; Fotografie ; Malerei ; Videokunst ; Plastik ; Mixed media ; Schwarze ; Kunst ; Identität ; Geschichte 2000-2020
    Note: Titelblattrückseite: This book was published on the occasion of the exhibition In the Black Fantastic" at the Hayward Gallery, London (29 June-18 September 2022) , Includes bibliographical references, filmography, discography and index
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  • 7
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    London : Ridinghouse
    ISBN: 1909932698 , 9781909932692
    Language: English
    Pages: 253 Seiten , Illustrationen , 23 cm
    DDC: 306.76094237
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    Keywords: Sexual minorities History ; Arts History ; Arts ; Manners and customs ; Sexual minorities ; History ; St. Ives (Cornwall, England) Social life and customs ; St. Ives (Cornwall, England) History ; England ; St. Ives (Cornwall) ; Saint Ives ; Kunst ; LGBT ; Geschichte 1945-1980
    Abstract: This first ever queer history of St Ives weaves together biography with art and social history to shine new light on a pivotal era in the development of British modernism. At its centre is the sculptor John Milne (1931-1978), who arrived in the town in 1952 to work as an assistant to Barbara Hepworth.0Hidden behind 20-foot-high granite walls, Milne's house, Trewyn, became a meeting point for queer figures from the arts as well as the scene of legendary parties. The large cast - both queer and otherwise - featured in Queer St Ives and Other Stories includes artists Francis Bacon, Alan Lowndes, Marlow Moss, Patrick Procktor, Mark Tobey, Keith Vaughan and Brian Wall; Whitechapel Art Gallery director Bryan Robertson; actors Keith Barron and Richard Wattis; potter Janet Leach; and writers Tony Warren and Richard Blake Brown. There is also the extraordinary Julian Nixon, a queer Everyman whose involvement in the group has been little explored until now.0Based on original interviews and previously unpublished letters and diaries, Queer St Ives and Other Stories reveals a fascinating, previously undocumented history, adding vital new insights into the history of this fabled Cornish art colony. Publication supported by the Paul Mellon Centre
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  • 8
    ISBN: 1734248513 , 9781734248517
    Language: English
    Pages: 269 Seiten , 27 cm
    Edition: First edition
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    Keywords: Taylor, Breonna Exhibitions ; Racism Exhibitions History 21st century ; Social movements in art Exhibitions ; African Americans Exhibitions Social conditions 21st century ; African American artists Exhibitions ; African American artists ; African Americans ; Social conditions ; Race relations ; Racism ; Social movements in art ; Exhibition catalogs ; Exhibition catalogs ; Louisville (Ky.) Exhibitions Race relations 21st century ; History ; Kentucky ; Louisville ; United States ; Ausstellungskatalog Speed Art Museum 07.04.2021-13.06.2021 ; Bildband ; Ausstellungskatalog Speed Art Museum 07.04.2021-13.06.2021 ; Bildband ; Kentucky ; Kunst ; Rassismus ; Protestbewegung ; Geschichte 2020- ; Louisville, Ky. ; Rassismus ; Polizei ; Gewalttätigkeit ; Schwarze Frau ; Geschichte 2020-2022 ; Rezeption ; Kunst ; Taylor, Breonna 1993-2020
    Abstract: The New York Times called the Speed Art Museum's Promise, Witness, Remembrance--centered around artist Amy Sherald's portrait of Breonna Taylor and originally commissioned by Ta-Nehisi Coates for the cover of Vanity Fair magazine--one of the best art exhibitions of 2021. In the words of critic Holland Cotter, "the show was assembled in four months--warp speed in museum-time--and created a prototype for institutional responses to history-as-it's-happening." This breathtaking book documents not just the 32 works featured in the exhibition, but also the process by which the Speed used this opportunity to memorialize the life of Breonna Taylor, who was killed by Louisville police in March 2020, and to serve its community through art, featuring real-time quotations from Curator Allison Glenn, Community Engagement Strategist Toya Northington, Director Stephen Reily, Tamika Palmer (Breonna Taylor's mother), artist Amy Sherald, and others. With 200 photos, featuring work by 22 Black artists, including Sam Gilliam, Lorna Simpson, Kerry James Marshall, Hank Willis Thomas, and Theaster Gates, Promise, Witness, Remembrance is a vital addition to the canon of Black American art
    Note: Titelblattrückseite: Published to document the exhibition "Promise, Witness, Remembrance", organized by the Speed Art Museum in Louisville, Kentucky, on view from April 7 to June 13, 2021 , Includes bibliographical references
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  • 9
    ISBN: 9781787331785
    Language: English
    Pages: 406 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 306.09410904
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    Keywords: Bewohner ; Alltag ; Herrenhaus ; Instandhaltung ; Großbritannien ; Historic buildings / Great Britain / History / 20th century ; Aristocracy (Social class) / Dwellings / Great Britain / History / 20th century ; Country life / Great Britain / History / 20th century ; Great Britain / Social conditions / 1945- ; Country life ; Historic buildings ; Social conditions ; Great Britain ; Since 1900 ; History ; Großbritannien ; Herrenhaus ; Bewohner ; Alltag ; Instandhaltung
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  • 10
    ISBN: 9780691208190
    Language: English
    Pages: vii, 254 Seiten , Illustrationen, Pläne
    DDC: 745.40973/0904
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    Keywords: Design Social aspects 20th century ; History ; Modernism (Aesthetics) Social aspects ; Decorative arts Marketing ; Power (Social sciences) History 20th century ; USA ; Kunsthandwerk ; Industriedesign ; Künste ; Geschlecht ; Ethnische Gruppe ; Geschichte 1950-1960
    Note: Includes bibliographical references and index
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  • 11
    ISBN: 9781941366325 , 1941366325
    Language: English
    Pages: 627 Seiten , Illustrationen , 23 cm
    DDC: 704.03/096/073
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    Keywords: African American art 20th century ; African American artists History 20th century ; Art and society History 20th century ; Black power History 20th century ; Black Arts movement ; Arts Political aspects ; African American art ; African American artists ; Art and society ; Arts ; Political aspects ; Black Arts movement ; Black power ; Art criticism ; Essays ; History ; Essays ; Art criticism ; United States ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kunstsoziologie ; Schwarze ; Künstler ; Person of Color ; Black power ; Geschichte 1960-1980
    Abstract: "A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition. What is “Black art”? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what “Black art” meant. Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as “Black art” in the first place. Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time. Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever." --
    Note: "Originating in research for the landmark traveling exhibition Soul of a nation: art in the age of Black power, this anthology brings together more than two hundred texts, most of them rare and long out of print"--Page 4 of cover , Contributors include: Lawrence Alloway, Emma Amos, Benny Andrews, Tomie Arai, Ralph Arnold, Dore Ashton, Malcolm Bailey, Amiri Baraka, Romare Bearden, Fred Beauford, Cleveland Bellow, LeGrace G. Benson, Dawoud Bey, Camille Billops, Gloria Bohanon, Claude Booker, Frank Bowling, David Bradford, Peter Bradley, Gwendolyn Brooks, Kay Brown, Milton Brown, Vivian Browne, Linda Goode Bryant, Margaret G. Burroughs, Debbie Butterfield, Steve Cannon, Yvonne Parks Catchings, Elizabeth Catlett, Dana Chandler, Claudia Chapline, Charles Childs, Edward Clark, A.D. Coleman, Dan Concholar, John Coplans, Hugh M. Davies, Douglas Davis, Bing Davis, Alonzo Davis, Dale Davis, Melvin Dixon, Jeff Donaldson, Robert Doty, Emory Douglas, John Dowell, Louis Draper, David C. Driskell, Tony Eaton, Eugene Eda, Melvin Edwards, Ray Elkins, Ralph Ellison, Marion Epting, Elton Fax, Elsa Honig Fine, Frederick Fiske, Babatunde Folayemi, Clebert Ford, Edmund Barry Gaither, Addison Gayle, Henri Ghent, Ray Gibson, Sam Gilliam, Robert H. Glauber, Lynda Goode-Bryant, Allan M. Gordon, Earl G. Graves, Carroll Greene, Abdul Alkalimat, David Hammons, David Henderson, Napoleon Henderson, M.J. Hewitt, Richard Hunt, Sam Hunter, Josine Ianco-Starrels, Nigel Jackson, Jay Jacobs, Jae Jarrell, Wadsworth Jarrell, Daniel LaRue Johnson, Marie Johnson, Walter Jones, Lois Mailou Jones, Barbara Jones-Hogu, Cliff Joseph, Paul Keene, Martin Kilson, Wee Kim, April Kingsley, Hilton Kramer, Jacob Lawrence, Carolyn Lawrence, Don L. Lee, Hughie Lee-Smith, Samella Lewis, Tom Lloyd, Al Loving, Howard Mallory, Earl Roger Mandle, Jan van der Marck, Phillip Mason, James Mellow, Paul Mills, Evangeline J. Montgomery, Toni Morrison, Keith Morrison, Larry Neal, Cindy Nemser, Senga Nengudi, Robert Newman, Lorraine O'Grady, Ademola Olugebefola, John Outterbridge, Joe Overstreet, Marion Perkins, Marcy S. Philips, Howardena Pindell, Mimi Poser, Helaine Posner, Noah Purifoy, Ishmael Reed, Gary Rickson, Clayton Riley, Faith Ringgold, Mark Rogovin, Barbara Rose, Victoria Rosenwald, Joseph Ross, Bayard Rustin, Betye Saar, Raymond Saunders, Robert Sengstacke, Jeanne Siegel, Lowery Stokes Sims, Steve Smith, Beuford Smith, Frank Smith, Val Spaulding, Edward Spriggs, Nelson Stevens, James Stewart, Edward K. Taylor, Alma Thomas, Ruth Waddy, William Walker, Francis and Val Gray Ward, Timothy Washington, Burton Wasserman, Diane Weathers, John Weber, JoAnn Whatley, Charles White, Jack Whitten, Roy Wilkins, William T. Williams, Gerald Williams, Randy Williams, William Wilson, Hale Woodruff and Cherilyn C. Wright , Includes bibliographical references
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  • 12
    ISBN: 9781606066683
    Language: English
    Pages: vii, 191 Seiten , Illustrationen, Karten
    Series Statement: Issues & debates / Getty Research Institute
    Uniform Title: French colonial collections at the Getty Research Institute
    Parallel Title: Erscheint auch als Visualizing empire
    DDC: 325/.34406
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    Keywords: ACHAC Collection (Getty Research Institute) ; Imperialism in popular culture ; Propaganda, French History 19th century ; Propaganda, French History 20th century ; Kolonialismus ; Massenkultur ; Populäre Grafik ; Präsentation ; France Colonies ; History ; France Colonies ; History ; Frankreich ; Aufsatzsammlung ; Aufsatzsammlung ; Frankreich ; Afrika ; Kolonie ; Propaganda ; Gebrauchsgrafik ; Geschichte 1880-1970
    Abstract: French Colonial Collections at the Getty Research Institute / Frances Terpak -- The History and Future of ACHAC / Pascal Blanchard and Dominic Thomas -- Decolonizing the ACHAC Collection / Patricia Morton -- Fragments of Empire : Ephemera, Representation, and the Dynamics of Colonial Memory / Charles Forsdick -- Intersecting Legacies of bandes dessinées and Belgian Colonial Instruction : Les aventures de Mbumbulu in Nos images (1948-55) / Peter J. Bloom -- French Colonialism : The Rules of the Game / Dominic Thomas -- The Myth of the Sahara / Michelle H. Craig -- Representations of the tirailleurs sénégalais and World War I / David Murphy -- On Posters and Postures : Colonial Enlistment Posters and the Nationalist Imagination in France / Lauren Taylor -- La France et ses colonies : Mapping, Representing, and Visualizing Empire / Steven Nelson.
    Abstract: "The essays in this book analyze aspects of colonialism through investigations into the art, popular literature, material culture, film, and exhibitions that represented, celebrated, or were created for France's colonies across the seas. These studies draw from documents and media-photographs, albums, postcards, maps, posters, advertisements, and children's games-related to the nineteenth- and twentieth-century French Empire"--
    Note: Literaturangaben
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  • 13
    ISBN: 9781478000426 , 9781478000563
    Language: English
    Pages: xxvi, 292 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Jarrell, Wadsworth Aikens, 1929- AFRICOBRA
    DDC: 704.9/42
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    Keywords: AFRICOBRA (Group of artists) ; Black Arts movement ; Ethnicity in art ; Art Political aspects 20th century ; History ; Africobra ; Geschichte 1965-1980
    Abstract: "AFRICOBRA (African Commune of Bad Relevant Artists) was a multidisciplinary collective of black artists who created socially conscious art in Chicago during the Black Arts Movement of the 1960's and 1970's. Artists Wadsworth Jarrell, Nelson Stevens, Jae Jarrell, Gerald Williams, and Napoloen Jones-Henderson produced textiles, paintings, sculpture and public art that sought to develop an aesthetic language that resonated with the black community. AFRICOBRA's abstract works convey the rhythmic dynamism of black culture and social life, while the structure of the collective offered a model of artistic practice embedded in the political realities and histories of the community. In this volume, Wadsworth Jarrell, one of the founding members of the AFRICOBRA collective, offers an account of the history of the group and it's founding aesthetic and political principles. The bulk of the manuscript is selected from his archive of materials ranging from exhibition ephemera to photos that show the development of the group's art practice that collectively form a sourcebook history of the group.The sourcebook intersperses documentation of exhibitions, artworks, and the members of the collective in Chicago; documents that outline the aesthetic and political goals of the group written by its members; and writing from Jarrell that narrates the history of the collective from the point of view of its founder. The writing emphasizes the importance of the group's political principles to some of its largest projects, like the Wall of Respect, a public mural in Chicago's Black Belt neighborhood. While work by AFRICOBRA has been shown at the Brooklyn Museum, the Tate, and elsewhere, this will be the first book to present an extensive record of the group's history, practice, and principles. This book will be of interest to our readers in art, African American studies, and cultural studies"--
    Note: Includes bibliographical references and index
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  • 14
    ISBN: 9789004414433
    Language: English
    Pages: xii, 356 Seiten , Illustrationen, Diagramme
    Parallel Title: Erscheint auch als Saaler, Sven, 1968 - Men in metal
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    Keywords: Public sculpture Japan ; Bronze sculpture, Japanese ; Collective memory Japan ; History ; Japan ; Bronzestatue ; Öffentlichkeit ; Topografie
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  • 15
    ISBN: 9781478001409 , 9781478001003
    Language: English
    Pages: xx, 395 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Zorach, Rebecca, 1969 - Art for people's sake
    DDC: 700.89/96073
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    Keywords: AFRICOBRA (Group of artists) History ; Organization of Black American Culture History ; City planning Social aspects 20th century ; History ; Artists and community History 20th century ; Black Arts movement ; African American arts History 20th century ; Chicago (Ill.) Race relations 20th century ; History ; Chicago, Ill. ; Kunst ; Person of Color ; Schwarze ; Africobra ; Geschichte 1965-1975
    Abstract: Claiming space, being in public -- Cultural nationalism and community culture : on the beach, opportunity please knock, and the Affro-Arts Theater -- An experimental friendship -- The Black family -- Until the walls come down -- Superreal images and superreal people
    Note: Includes bibliographical references and index
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  • 16
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    New York : Hunter College Art Galleries
    ISBN: 9781732009929 , 1732009929
    Language: English
    Pages: 103 Seiten , Illustrationen , 23 cm
    DDC: 700.411
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    Keywords: Black Emergency Cultural Coalition ; Black Emergency Cultural Coalition ; Rebuttal to the Whitney Museum Exhibition: Black Artists in Rebuttal (Exhibition) ; African American art Exhibitions 20th century ; African American art Exhibitions 20th century ; African American artists History 20th century ; Exhibitions ; African American artists Exhibitions History 20th century ; Race awareness in art Exhibitions ; Art, American Exhibitions 20th century ; African American art ; African American artists ; Art, American ; Race awareness in art ; History ; Exhibition catalogs ; New York (State) ; New York ; Ausstellungskatalog Leubsdorf Gallery 04.10.2018-25.11.2018 ; Ausstellungskatalog Leubsdorf Gallery 04.10.2018-25.11.2018 ; USA ; Künstler ; Person of Color ; Geschichte 1971 ; New York, NY ; Kunstbetrieb ; Schwarze ; Kunst ; Ausstellung ; Protest ; Geschichte 1971
    Abstract: This exhibition revisits the 1971 exhibition "Rebuttal to the Whitney Museum Exhibition: Black Artists in Rebuttal", which was organized by members of the Black Emergency Cultural Coalition at Acts of Art, a small, artist-run gallery in Greenwich Village. The original exhibition was mounted in response to the Whitney Museum?s refusal to appoint a Black curator for their survey 'Contemporary Black Artists in America'. The exhibition at Hunter presents ten of the 47 artists from the original Rebuttal show, including Benny Andrews, Betty Blayton-Taylor, Vivian Browne, James Denmark, Cliff Joseph, Richard Mayhew, Dindga McCannon, Ademola Olugebefola, Haywood "Bill" Rivers, and Frank Wimberley. It is a selection intended to represent the stylistic diversity of the original exhibition, with works ranging from sardonic social satire and biting figurative expressionism to Yoruban-inspired symbolism and lyrical abstraction. Through these artists, the exhibition also traces a network of organizations and groups that supported the aspirations of Black artists and the community in the 1960s and early 1970s. Through its survey of the history of the short-lived Acts of Art gallery and the events leading up to the Rebuttalshow, the exhibition and its accompanying catalogue explore the intersections between Black cultural communities and cultural politics in Greenwich Village, the Lower East Side, and Harlem in the late 1960s and early 1970s.00Exhibition: Leubsdorf Gallery, New York, USA (04.10.-25.11.2018)
    Note: "Benny Andrews, Betty Blayton-Taylor, Vivian Browne, James Denmark, Cliff Joseph, Richard Mayhew, Dindga McCannon, Ademola Olugebefola, Haywood Bill Rivers, Frank Wimberley"--Back cover , Catalog of an exhibition at the Hunter College Art Galleries' Bertha and Karl Leubsdorf Gallery in the fall of 2018 , "Edition of 400"--Colophon , Includes bibliographical references
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  • 17
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    Chicago, Illinois : Smart Museum of Art | Chicago, Illinois : The University of Chicago Press
    ISBN: 9780935573589
    Language: English
    Pages: 271 Seiten , Karten
    DDC: 700.89/96073
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    Keywords: Arts and society Exhibitions History 20th century ; African American arts Exhibitions History 20th century ; Arts and society Exhibitions ; History ; 20th century ; Illinois ; Chicago ; African American arts Exhibitions ; History ; 20th century ; Illinois ; Chicago ; ART / General ; ART / History / General ; African American arts ; Arts and society ; Civilization ; South Side (Chicago, Ill.) Exhibitions Civilization 20th century ; South Side (Chicago, Ill.) Exhibitions ; Civilization ; 20th century ; Illinois ; Chicago ; Ausstellungskatalog David and Alfred Smart Museum of Art 2018 ; Bildband ; Ausstellungskatalog Smart Museum of Art 13.09.2018-30.12.2018 ; Ausstellungskatalog David and Alfred Smart Museum of Art 2018 ; Bildband ; Ausstellungskatalog Smart Museum of Art 13.09.2018-30.12.2018 ; Chicago, Ill. ; Schwarze ; Kunst ; Black power ; Black arts movement ; Geschichte 1960-1980
    Abstract: "During the 1960s and 70s, Chicago was shaped by art and ideas produced and circulated on its South Side. Informed by the city's social, political, and geographic divides, this history of creative expression left behind a cultural legacy whose impact continues to unfold nationally and internationally. The Time is Now! Art Worlds of Chicago's South Side, 1960-1980, published in tandem with a major exhibition at the Smart Museum of Art, examines this cultural moment--ripe with change and conflict--and the figures who defined it. Focusing primarily on the Black Arts Movement, The Time is Now re-examines watershed cultural moments: from the Hairy Who to the Wall of Respect, from the Civil Rights Movement to AfriCOBRA, from vivid protest posters to visionary outsider art, and from the Free University movement to the radical jazz of the Association for the Advancement of Creative Musicians. The book contains a series of essays, interviews, and other contextual material, along with full-color images of all works included in the exhibition and extensive reproductions of ephemera and historical photographs"--
    Note: Includes bibliographical references , Letzte Seite: "Published on the occasion of the exhibition The Time is Now! Art Worlds of Chicago's South Side, 1960-1980, organized by the Smart Museum of Art, The University of Chicago, presented September 13-December 30, 2018.'"
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  • 18
    ISBN: 9783791356808
    Language: English
    Pages: 376 Seiten , 28 cm
    DDC: 700.98/0904
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    Keywords: Geschichte 1960-1985 ; Arts Exhibitions Political aspects 20th century ; History ; Arts Exhibitions Political aspects 20th century ; History ; Arts, Latin American Exhibitions 20th century ; Hispanic American arts Exhibitions 20th century ; Women artists Exhibitions ; Hispanic American women artists Exhibitions ; Künstlerin ; Kunst ; Lateinamerika ; Ausstellungskatalog Hammer Museum 15.09.2017-31.12.2017 ; Ausstellungskatalog Brooklyn Museum 13.04.2018-22.07.2018 ; Bildband ; Ausstellungskatalog Hammer Museum 15.09.2017-31.12.2017 ; Lateinamerika ; Frauenkunst ; Frau ; Geschichte 1960-1985
    Abstract: "This stunning reappraisal offers long overdue recognition to the enormous contribution to the field of contemporary art of women artists in Latin America and those of Latino and Chicano heritage working during a pivotal time in history. Amidst the tumult and revolution that characterized the latter half of the 20th century in Latin America and the US, women artists were staking their claim in nearly every field. This wide ranging volume examines the work of more than 100 female artists with nearly 300 works in the fields of painting, sculpture, photography, video, performance art, and other experimental media. A series of thematic essays, arranged by country, address the cultural and political contexts in which these radical artists worked, while other essays address key issues such as feminism, art history, and the political body. Drawing its design and feel from the radical underground pamphlets, catalogs, and posters of the era, this is the first examination of a highly influential period in 20th-century art history"--
    Note: Seite 375: "Published on the occasion of the exhibition Radical Women: Latin American Art, 1960-1985, organized and presented by the Hammer Museum, Los Angeles, as part of Pacific Standard Time: LA/LA ... The exhibition is guest curated by Cecilia Fajardo-Hill and Andrea Giunta with Marcela Guerrero ... Exhibition Itinerary Hammer Museum, Los Angeles September 15-December 31, 2017, Brooklyn Museum April 13-July 22, 2018." , Includes bibliographical references and index , Text englisch
    URL: Cover
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  • 19
    ISBN: 9780872731837
    Language: English
    Pages: 319 Seiten , Illustrationen
    DDC: 305.48/896073
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    Keywords: African American feminists Exhibitions History 20th century ; African American women authors Exhibitions History 20th century ; African American radicals Exhibitions 20th century ; African American women Exhibitions Political activity 20th century ; Feminist literature Exhibitions History 20th century ; Feminism Sources History ; Exhibitions ; African American feminists Exhibitions ; History ; 20th century ; African American women authors Exhibitions ; History ; 20th century ; African American radicals Exhibitions ; 20th century ; African American women Exhibitions ; Political activity ; 20th century ; Feminist literature Exhibitions ; History ; 20th century ; United States ; Feminism Sources ; Exhibitions ; History ; Aufsatzsammlung ; Quelle ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.217-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; Aufsatzsammlung ; Quelle ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.217-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; USA ; Black arts movement ; Schwarze Frau ; Frauenkunst ; Engagierte Kunst ; Geschichte 1965-1994
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Published on the occasion of an exhibition organized by the Brooklyn Museum and on view at the museum from April 21-September 17, 2017
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  • 20
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    Ottawa, Ontario : National Gallery of Canada
    ISBN: 9780888849823
    Language: English
    Pages: 257 Seiten
    DDC: 709.71
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    Keywords: Art, Canadian History ; Art canadien ; Musée des beaux-arts du Canada ; History ; Katalog ; Ausstellungskatalog ; Bildband ; Katalog ; Ausstellungskatalog ; Bildband ; National Gallery of Canada ; Kanada ; Kunst ; Geschichte
    Abstract: Discover the many themes and movements that have shaped Canada's visual arts landscape since 1968. Continuing the storylines from the new Canadian and Indigenous Galleries, this special exhibition invites visitors to experience more than 150 works in all media, including sculpture, painting, video art, installation, drawing and photography. From the feminist art movement of the 1970s to present-day Inuit art, the richness of the national Canadian and Indigenous contemporary art collections is on full display. Exhibition: National Gallery of Canada, Ottawa, Ontario (03.05.2017 - 06.05.2018).
    Abstract: Art in Canada / Marc Mayer -- A brief history of the National Gallery of Canada / Katherine Stauble -- Message from the National Gallery of Canada Foundation
    Note: Katalog zur Ausstellung in Ottawa, 3. Mai 2017 - 6. Mai 2018
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  • 21
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822371458 , 9780822358978
    Language: English
    Pages: XVI, 344 Seiten , Illustrationen, Porträts , 27 cm
    Series Statement: Art history publication initiative
    Parallel Title: Erscheint auch als Cahan, Susan Mounting frustration
    DDC: 704.03/9607300747471
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    Keywords: Geschichte 1960-1990 ; African American art Exhibitions 20th century ; History ; Racism in museum exhibits History 20th century ; Museum exhibits Social aspects 20th century ; History ; Museum exhibits Political aspects 20th century ; History ; Künstler ; Kunst ; Schwarze ; Kunstmuseum ; Kunstausstellung ; Kunstpolitik ; Rassismus ; USA ; Aufsatzsammlung ; New York ; Kunst ; Schwarze ; New York ; Ausstellung ; Museum ; Rassismus ; Geschichte 1900-2000
    Description / Table of Contents: Electronic refractions II at the Studio Museum in HarlemHarlem on my mind at the Metropolitan Museum of Art -- Contemporary Black artists in America at the Whitney Museum of American Art -- Romare Bearden : the prevalence of ritual and the sculpture of Richard Hunt at the Museum of Modern Art.
    Note: Includes bibliographical references (pages 319-333) and index
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  • 22
    ISBN: 9783658116057 , 9783658116040
    Language: English
    Pages: 1 Online-Ressource (XV, 192 p. 52 illus)
    Edition: 1st ed. 2016
    DDC: 306
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    Keywords: Social sciences ; History ; Cultural studies ; Area studies ; Hochschulschrift
    URL: Volltext  (lizenzpflichtig)
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  • 23
    ISBN: 9782735508464
    Language: French
    Pages: 367 Seiten , Illustrationen , 22 cm
    Series Statement: L'art et l'essai 16
    Series Statement: L' art & l'essai
    DDC: 720
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    Keywords: Architecture Indochina ; French influences ; Architecture Indochina ; History ; 19th century ; Architecture Indochina ; History ; 20th century ; Architecture, French colonial Indochina
    Note: C. Herbelin teaches at the University of Toulouse-Jean-Jaurès , Includes bibliographical references (pages 245-360) and index
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  • 24
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    Mumbai, India : Marg Foundation
    ISBN: 9789383243143 , 9383243147
    Language: English
    Pages: 141 Seiten , Illustrationen, Karten , 32 cm
    Series Statement: Marg's quarterly publications vol. 68, no. 1
    Series Statement: Mārg publications
    DDC: 720.47
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    Keywords: Water and architecture History ; Water and architecture History ; Water resources development History ; Water resources development History ; Water resources development Environmental aspects ; History ; Water resources development Environmental aspects ; History ; Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; Bildband ; Rajasthan ; Wasserbau ; Bewässerung ; Teich ; Tīrtha
    Note: Includes bibliographical references and index , Introduction , Urban planning at Bundi: subterranean water structures , Jaigarh in amber: techniques of water harvesting , Ecomoral aesthetics at Mathura's Vishram Ghat: three ways of seeing a river , "waters should be made to flow ..." : Babur's obsession with running water , Barapula Nallah and its tributaries: watershed architecture in Sultanate and Mughali Delhi , Jaipur's waterscape : a cultural perspective , Jaina sites: water structures and symbolism , Water in South Indian temples: tirthas, tanks and vasanta-mandapas , Ellora-Khuldabad-Daulatabad: water and sacred spaces
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  • 25
    ISBN: 9789188031341 , 9188031349
    Language: English , Swedish
    Pages: 187 Seiten , Illustrationen , 23 cm
    DDC: 306.4709485
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    Keywords: Women designers Exhibitions History 20th century ; Design Exhibitions History 20th century ; Interior decoration Exhibitions History 20th century ; Industrial design Exhibitions History 20th century ; Women designers Exhibitions ; History ; 20th century ; Sweden ; Design Exhibitions ; History ; 20th century ; Sweden ; Interior decoration Exhibitions ; History ; 20th century ; Sweden ; Industrial design Exhibitions ; History ; 20th century ; Sweden ; Design ; Industrial design ; Interior decoration ; Women designers ; Ausstellungskatalog 2016$xMalmö Konsthall ; 2016 ; Aufsatzsammlung ; Ausstellungskatalog Malmö Konstmuseum 04.06.2016-04.09.2016 ; Ausstellungskatalog 2016$xMalmö Konsthall ; 2016 ; Aufsatzsammlung ; Ausstellungskatalog Malmö Konstmuseum 04.06.2016-04.09.2016 ; Designerin ; Schweden ; Industriedesign ; Geschichte 1940-1958
    Abstract: Oomph' is a book about the women who brought on a revolution in Swedish kitchens, linen closets, living rooms, and in the country's textile and fashion industries. With their work in glass, textiles, and ceramics, and their radical ideas about the future of domestic life, they put Sweden on the industrial design map in the middle of the twentieth century. Many women designers were engaged in the increasingly acute housing crisis, and questioned the way homes were traditionally designed. After the Second World War, new manufacturing opportunities emerged: new customs demanded new designs and materials. But many doors still remained closed to women designers
    Note: Literaturangaben , Text in englischer und schwedischer Sprache
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  • 26
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    Chicago : The University of Chicago Press
    ISBN: 9780226131054 , 022613105X
    Language: English
    Pages: 285 Seiten , illustrationen , 24 cm
    DDC: 700.89/96073
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    Keywords: Contemporary Black Artists in America (Exhibition) 〈(1971〉 ; De Luxe Show (Exhibition) 〈(1971〉 ; Contemporary Black Artists in America (Exhibition) ; De Luxe Show (Exhibition) ; African American art Exhibitions ; History ; Art, Abstract Exhibitions ; History ; Art, American Exhibitions 20th century ; History ; Art and race ; Art and society ; Modernism (Art) Social aspects ; Nineteen seventy-one, A.D ; African American art Exhibitions ; History ; Art, Abstract Exhibitions ; History ; United States ; Art, American Exhibitions ; History ; 20th century ; Art and race ; Art and society United States ; Modernism (Art) Social aspects ; United States ; Nineteen seventy-one, A.D ; African American art Exhibitions ; 20th century ; USA ; Schwarze ; Person of Color ; Kunst ; Kulturpolitik ; Kunstausstellung ; Rassismus ; Geschichte 1971
    Abstract: Introduction: Social experiments with modernism -- The figure of the black modernist -- Making a show of discomposure: Contemporary Black Artists in America -- Local color and its discontents: the DeLuxe show -- Appendix: Raymond Saunders, Black is a color
    Abstract: In this book, art historian Darby English explores the year 1971, when two exhibitions opened that brought modernist painting and sculpture into the burning heart of United States cultural politics: Contemporary Black Artists in America, at the Whitney Museum of American Art, and The DeLuxe Show, a racially integrated abstract art exhibition presented in a renovated movie theater in a Houston ghetto. 1971: A Year in the Life of Color looks at many black artists' desire to gain freedom from overt racial representation, as well as their efforts〈U+2014〉and those of their advocates〈U+2014〉to further that aim through public exhibition. Amid calls to define a black aesthetic, these experiments with modernist art prioritized cultural interaction and instability. 'Contemporary Black Artists in America' highlighted abstraction as a stance against normative approaches, while 'The DeLuxe Show' positioned abstraction in a center of urban blight. The importance of these experiments, English argues, came partly from color's special status as a cultural symbol and partly from investigations of color already under way in late modern art and criticism. With their supporters, black modernists〈U+2014〉among them Peter Bradley, Frederick Eversley, Alvin Loving, Raymond Saunders, and Alma Thomas〈U+2014〉rose above the demand to represent or be represented, compromising nothing in their appeals for interracial collaboration and, above all, responding with optimism rather than cynicism to the surrounding culture〈U+2019〉s preoccupation with color
    Note: Includes bibliographical references and index , Introduction: Social experiments with modernism , How it looks to be a problem , Making a show of discomposure: Contemporary Black Artists in America , Local color and its discontents: the DeLuxe show , Appendix: Raymond Saunders, Black is a color (1967)
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  • 27
    ISBN: 9782503553337
    Language: English
    Pages: XI, 168 Seiten , Illustrationen, 1 Diagramm
    Series Statement: Studies in European urban history 37
    Series Statement: Studies in European urban history
    Parallel Title: Erscheint auch als The Seven Sorrows Confraternity of Brussels
    DDC: 232.91
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    Keywords: Civilization ; Sorrows of the Blessed Virgin Mary, Devotion to ; Sorrows of the Blessed Virgin Mary, Devotion to History ; Belgium ; Brussels ; Belgium Civilization ; Belgium ; Belgium ; Brussels ; Church history ; History ; Brussels (Belgium) Church history ; Brussels (Belgium) History ; Aufsatzsammlung ; Aufsatzsammlung ; Niederlande ; Brüssel ; Bruderschaft ; Marienverehrung ; Sieben Schmerzen Mariä ; Schmerzensmutter ; Religiöses Leben ; Stadtleben ; Geschichte
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  • 28
    ISBN: 9782752102546
    Language: French
    Pages: 265 Seiten , 25 cm
    Series Statement: Collection Avant-gardes
    DDC: 700.943
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    Keywords: Arts, German Congresses 20th century ; Art Congresses history 20th century ; Arts Congresses Political aspects 20th century ; History ; Auswärtige Kulturpolitik ; Nachkriegszeit ; Auswirkung ; Kunst ; Künstler ; Kulturkontakt ; Umerziehung ; Diskussion ; Germany Congresses Intellectual life 20th century ; Germany Congresses History 1945-1955 ; Deutschland ; Aufsatzsammlung ; Konferenzschrift 2014 ; Kunst ; Geschichte 1945-1949 ; Deutschland ; Besetzung ; Künste ; Kulturpolitik ; Geschichte 1945-1949
    Description / Table of Contents: Sur les traces d'une "esthétique du traumatisme" : La face (un)heimlich du renouveau de l'art allemand (1945-1949) -- Karlheinz Stockhausen et Gesang der Jiinglinge : Convergences et métamorphoses de la pensée sérielle d'un ancien "Adolescent dans la fournaise" -- Paul Celan et la poésie de la destruction -- L'enseignement artistique comme moyen de rééducation dans l'immédiat après-guerre : L'exemple de la Sarre en zone française d'occupation -- Cinéma et rééducation en zone française d'occupation (1945-1949) -- La politique culturelle dans les zones d'occupation française et américaine : Quelle place pour l'art moderne ? -- La rééducation du peuple allemand entre 1945 et 1949 : Place et rôle de l'art dans l'organe officiel du gouvernement militaire américain -- Catharsis et rééducation : La résistance allemande contre le nazisme dans le théâtre d'après-guerre en Allemagne (1945-1949) -- "Thomas Mann doit-il rentrer en Allemagne ?"Enjeux des adversaires dans la "grande controverse" -- Les politiques musicales dans la zone d'occupation soviétique -- Groupes littéraires et esthétique moderniste : La formation du champ littéraire en zone d'occupation soviétique -- Le "débat Lucullus" (1949-1952) : Procès de l'esthétique brechtienne en RDA -- Les Ferienkurse de Darmstadt entre 1946 et 1949: Enjeux musicaux français en zone d'occupation américaine -- Résumés et Biographies
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  • 29
    Book
    Book
    [London] : Allen Lane an imprint of Penguin books
    ISBN: 9781846147685
    Language: English
    Pages: 612 Seiten , Illustrationen (schwarz-weiß)
    Edition: First published
    DDC: 720.94309045
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    Keywords: Communism and architecture History ; Architecture History ; Architecture Political aspects 20th century ; History ; City planning History 20th century ; Land use, Urban History 20th century ; Architecture and society ; Osteuropa ; Kommunismus ; Städtebau ; Architektur ; Geschichte
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  • 30
    Book
    Book
    Abingdon, Oxon : Routledge
    ISBN: 9781138687189 , 9781138844957 , 9781315728469
    Language: English
    Pages: xv, 266 Seiten , Illustrationen , 24 cm
    Series Statement: Routledge contemporary Russia and Eastern Europe series 61
    Series Statement: Routledge contemporary Russia and Eastern Europe series
    DDC: 701/.0309470905
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    Keywords: Art Political aspects 21st century ; History ; Art and society History 21st century ; Protest movements History 21st century ; Russland ; Gegenkultur ; Politischer Protest ; Geschichte 2000-2014 ; Russland ; Gegenkultur ; Politischer Protest ; Kunst ; Geschichte 2000-2014
    Abstract: A history of dissensus, consensus and illusions of a new era -- An other gaze in art -- Art on trial -- Dissent in art -- Art of engagement: a counterculture in the making -- Political action -- Art and protest after Bolotnaya
    Description / Table of Contents: A history of dissensus, consensus and illusions of a new eraAn other gaze in art -- Art on trial -- Dissent in art -- Art of engagement: a counterculture in the making -- Political action -- Art and protest after Bolotnaya.
    Note: Includes bibliographical references and index
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  • 31
    Book
    Book
    London : Victoria & Albert Museum
    ISBN: 9781851778508 , 1851778500
    Language: English
    Pages: 344 S , zahlr. Ill
    DDC: 391
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    Keywords: Fashion design History 20th century ; Fashion History 20th century ; Fashion ; Fashion ; Fashion design ; England ; Fashion design ; England ; History ; London ; England ; London ; History ; London ; 1900-1999 ; 20th century ; History ; Verzeichnis ; London ; Mode ; Design ; Haute couture ; Modeschöpfer ; Modeschöpferin ; Geschichte 1923-1975
    Abstract: An academically rigorous and beautiful new publication on a crucial chapter in fashion history, London Couture is the first book to examine, in detail, the luxurious garments produced by the rarefied London couture industry - from lavish ballgowns to sharply tailored suits and spectacular court dress - as well as the designers who conceived them, their clients and the prestigious publications that disseminated and promoted the 'London Look' to an international audience. Expert authors from around the world have delved into museum collections, as well as the archives of prestigious designers, textile suppliers and fashionable journals, to bring together this pioneering study of the London couture houses of the early to mid-twentieth century, renowned for their superb craftsmanship and attention to detail. The full breadth of London's offering is examined, from royal favourite Norman Hartnell to pioneer Charles James, and prestigious houses such as Lucile, Worth and Hardy Amies. The ancillary dressmaking trades in London are also considered, as are the international markets for London couture, and the impact of royal dress on high-end fashion. A wealth of visual material supports the extensive, original research - from beautiful features by celebrated photographer Norman Parkinson to the elegant illustrations of Francis Marshall. Previously unseen garments are illustrated throughout the book, alongside historical photography that documents the houses of the great designers, their favoured fabrics and their most glamorous clients, including Queen Elizabeth II, Margot Fonteyn, and many stars of stage and screen
    Abstract: An academically rigorous and beautiful new publication on a crucial chapter in fashion history London Couture is the first book to examine, in detail, the luxurious garments produced by the rarefied London couture industry - from lavish ballgowns to sharply tailored suits and spectacular court dress - as well as the designers who conceived them, their clients and the prestigious publications that disseminated and promoted the 'London Look' to an international audience. Expert authors from around the world have delved into museum collections, as well as the archives of prestigious designers, textile suppliers and fashionable journals, to bring together this pioneering study of the London couture houses of the early to midtwentieth century, renowned for their superb craftsmanship and attention to detail. The full breadth of London's offering is examined, from royal favourite Norman Hartnell to pioneer Charles James, and prestigious houses such as Lucile, Worth and Hardy Amies. The ancillary dressmaking trades in London are also considered, as are the international markets for London couture, and the impact of royal dress on high-end fashion.A wealth of visual material supports the extensive, original research - from beautiful features by celebrated photographer Norman Parkinson to the elegant illustrations of Francis Marshall.0Previously unseen garments are illustrated throughout the book, alongside historical photography that documents the houses of the great designers, their favoured fabrics and their most glamorous clients, including Queen Elizabeth II, Margot Fonteyn, and many stars of stage and screen
    Note: Includes bibliographical references (pages 331-334) and index
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  • 32
    ISBN: 1851778314 , 9781851778317
    Language: English
    Pages: 160 S , überwiegend Ill., Kt. , zahlr. Ill
    Edition: 1. publ.
    DDC: 391.0094109041
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    Keywords: Firbank, Heather Clothing ; Firbank, Heather Clothing ; Fashion History ; 20th century ; Great Britain ; Fashion Pictorial works ; History ; 20th century ; Great Britain ; Needlework, Edwardian ; Fashion History ; 20th century ; Great Britain ; Fashion Pictorial works ; History ; 20th century ; Great Britain ; Needlework, Edwardian ; Firbank, Heather ; Sammlung ; Großbritannien ; Damenmode ; Geschichte 1905-1925 ; Bildband ; Katalog ; Firbank, Heather 1888-1954 ; Kleidung ; Mode ; Geschichte 1905-1925 ; Victoria and Albert Museum ; Firbank, Heather 1888-1954 ; Sammlung
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  • 33
    ISBN: 9782600005586 , 2600005587
    Language: French
    Pages: 380 S. , Ill.
    Series Statement: Titre courant 58
    Series Statement: Titre courant
    DDC: 306.09
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    Keywords: Villard, active 13th century *de Honnecourt* ; Architectural design France ; History ; To 1500 ; Architecture, Medieval France ; Hochschulschrift ; Frankreich ; Architektur ; Baumeister ; Geschichte 1200-1300 ; Villard de Honnecourt
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  • 34
    ISBN: 9783487085616 , 3487085615 , 9789996905506 , 9996905500 , 9783487085609 , 3487085607 , 9789996905490 , 9996905497
    Language: English
    Pages: 320 Seiten , zahlreichen Abbildungen, durchgehend 4farbig , 33.6 cm x 42 cm, 7925 g
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 725.822095353022
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    Keywords: Dār al-Ūbirā al-Sulṭānīyāh Masqaṭ ; Dār al-Ūbirā al-Sulṭānīyāh Masqaṭ History ; Opera History ; Theaters History ; Royal Opera House Muscat ; Dār al-Ūbirā al-Sulṭānīyāh Masqaṭ ; Opera ; Theaters ; Oman ; Muscat ; History ; Bildband ; Royal Opera House Muscat ; Oman ; Maskat ; Theaterbau ; Opernhaus ; Musiktheater ; Oper ; Geschichte ; Royal Opera House Muscat ; Ibn-az-Zubair, Muḥammad
    Note: Nebentitel in arabischer Schrift , Includes bibliographical references (page 312)
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  • 35
    Online Resource
    Online Resource
    Dordrecht : Springer Netherlands
    ISBN: 9789401792400
    Language: English
    Pages: Online-Ressource (XII, 736 p. 1332 illus., 1135 illus. in color, online resource)
    Series Statement: Stichting Foundation Rembrandt Research Project 6
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg. A corpus of Rembrandt paintings ; 6: Rembrandt's paintings revisited
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    Keywords: Humanities ; History ; Arts ; Humanities / Arts ; Humanities ; History ; Arts ; Werkverzeichnis ; Rembrandt Harmensz van Rijn 1606-1669 ; Genremalerei ; Rembrandt Harmensz van Rijn 1606-1669 ; Historienmalerei
    Abstract: A revised survey of Rembrandt’s complete painted oeuvre. The question of which 17th-century paintings in Rembrandt’s style were actually painted by Rembrandt himself had already become an issue during his lifetime. It is an issue that is still hotly disputed among art historians today. The problem arose because Rembrandt had numerous pupils who learned the art of painting by imitating their master or by assisting him with his work as a portrait painter. He also left pieces unfinished, to be completed by others. The question is how to determine which works were from Rembrandt’s own hand. Can we, for example, define the criteria of quality that would allow us to distinguish the master’s work from that of his followers? Do we yet have methods of investigation that would deliver objective evidence of authenticity? To what extent do research techniques used in the physical sciences help? Or are we, after all, still dependent on the subjective, expert eye of the connoisseur? The book provides answers to these questions. Prof. Ernst van de Wetering, the author of our forthcoming book which deals with these questions, has been closely involved in all aspects of this research since 1968, the year the renowned Rembrandt Research Project (RRP) was founded. In particular, he played an important role in developing new criteria for authentication. Van de Wetering was also witness to the way the often overly zealous tendency to doubt the authenticity of Rembrandt’s paintings got out of hand. In this book he re-attributes to the master a substantial number of unjustly rejected Rembrandts. He also was closely involved in the (re)discovery of a considerable number of lost or completely unknown works by Rembrandt. The verdicts of earlier specialists - including the majority of members of the original RRP (up to 1989) - were based on connoisseurship: the self-confidence in one’s ability to recognise a specific artist’s style and ‘hand’. Over the years, Van de Wetering has carried out seminal research into 17th-century studio practice and ideas about art current in Rembrandt’s time. In this book he demonstrates the fallibility of traditional connoisseurship, especially in the case of Rembrandt, who was par excellence a searching artist. The methodological implications of this critical view are discussed in an introductory chapter which relates the history of the developments in this turbulent field of research. Van de Wetering’s account of his own i ...
    Note: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 36
    ISBN: 9781409455967
    Language: English
    Pages: XXVI, 307 S. , Ill. , 24 cm
    Series Statement: Empires and the making of the modern world, 1650 - 2000
    DDC: 704.03/9915009034
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    Keywords: Art, Aboriginal Australian ; Indigenous art ; Aboriginal Australians Colonization ; Indigenous peoples Colonization ; Artists, Aboriginal Australian Attitudes ; Philosophy, Aboriginal Australian ; Postcolonialism and the arts ; Arthur, George, ; Sir, 1784-1854 ; Blandowski, William, 1822-1878 ; Intercultural communication ; Great Britain ; Colonies ; History ; 19th century ; Art and society ; Great Britain ; Colonies ; History ; 19th century ; Intercultural communication in art ; Material culture ; Collectors and collecting ; Great Britain ; Colonies ; History ; 19th century ; Indigenous art ; History ; 19th century ; Art, Colonial ; Art, Colonial ; Australia ; Australien ; Aborigines ; Kolonialismus ; Kunst ; Kulturaustausch
    Note: Includes bibliographical references and index
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  • 37
    Online Resource
    Online Resource
    Madison, Wisconsin : The University of Wisconsin Press
    ISBN: 1306866960 , 9781306866965 , 9780299298937 , 0299298930 , 9780299298944 , 0299298949
    Language: English
    Pages: Online Ressource
    Parallel Title: Druckausg.: Thinking Orthodox in modern Russia
    DDC: 306.6
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    Keywords: Russkai︠a︡ pravoslavnai︠a︡ t︠s︡erkovʹ Influence ; Russkai︠a︡ pravoslavnai︠a︡ t︠s︡erkovʹ ; Russkai︠a︡ pravoslavnai︠a︡ t︠s︡erkovʹ Influence ; Russkai︠a︡ pravoslavnai︠a︡ t︠s︡erkovʹ ; Religion and civil society History ; Russia ; Religion and civil society History ; Soviet Union ; Christianity and culture History ; Russia ; Christianity and culture History ; Soviet Union ; Religion and civil society History ; Religion and civil society History ; Christianity and culture History ; Christianity and culture History ; SOCIAL SCIENCE ; Popular Culture ; Christianity and culture ; Influence (Literary, artistic, etc.) ; Religion and civil society ; SOCIAL SCIENCE ; Anthropology ; Cultural ; POLITICAL SCIENCE ; Public Policy ; Cultural Policy ; Church history ; History ; Russia Church history ; Russia ; Soviet Union ; Russia Church history ; Russia ; Soviet Union ; Electronic books Church history ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Russland ; Russisch-Orthodoxe Kirche ; Religion ; Kultur ; Geschichte 1780-1930
    Abstract: " ... illuminates the significant role of Russian Orthodox thought in shaping the discourse of educated society during the imperial and early Soviet periods. Bringing together an array of scholars, this book demonstrates that Orthodox reflections on spiritual, philosophical, and aesthetic issues of the day informed much of Russia's intellectual and cultural climate. Volume editors Patrick Lally Michelson and Judith Deutsch Kornblatt provide a historical overview of Russian Orthodox thought and a critical essay on the current state of scholarship about religious thought in modern Russia. The contributors explore a wide range of topics, including Orthodox claims to a unique religious Enlightenment, contests over authority within the Russian Church, tensions between faith and reason in academic Orthodoxy, the relationship between sacraments and the self, the religious foundations of philosophical and legal categories, and the effect of Orthodox categories in the formation of Russian literature."--Provided by publisher
    Note: Includes bibliographical references and index. - Print version record
    URL: Volltext  (lizenzpflichtig)
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  • 38
    ISBN: 9780226060422 , 9780226060569
    Language: English
    Pages: VIII, 295 S. , Ill.
    Series Statement: Chicago studies in practices of meaning
    DDC: 306.0952/09034
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    Keywords: Geschichte 1800-1900 ; Geschichte 1600-1900 ; Geschichte ; Politik ; Arts, Political aspects History 19th century ; Popular culture Government policy ; History ; Human body in popular culture Political aspects ; Human body Political aspects ; Kabuki Government policy ; History ; Japanese wit and humor Political aspects ; Kulturpolitik ; Massenkultur ; Japan Cultural policy 19th century ; History ; Japan History Tokugawa period, 1600-1868 ; Japan Politics and government 1600-1868 ; Japan ; Japan ; Kulturpolitik ; Massenkultur ; Geschichte 1600-1900
    Note: Includes bibliographical references and index
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  • 39
    Book
    Book
    London [u.a.] : Routledge
    ISBN: 9780415505369 , 9780415505352
    Language: English
    Pages: X, 214 S. , Ill., Kt. , 25 cm
    Additional Information: Rezensiert in Rak, Joanna, 1990 - [Rezension von: The struggle for Jerusalem's holy places] 2019
    DDC: 720.1/0309569442
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    Keywords: Architecture and society ; Architecture Political aspects ; Sacred space Political aspects ; Social conflict ; Jerusalem Buildings, structures, etc ; Sacred space ; Political aspects ; Jerusalem ; Arab-Israeli conflict ; Religious aspects ; Jerusalem ; History ; Jerusalem ; Politics and government ; Jerusalem ; Nahostkonflikt ; Religiöser Konflikt ; Stadtentwicklung ; Geschichte ; Jerusalem ; Heiligtum ; Stadtentwicklung
    Abstract: "The Struggle for Jerusalem's Holy Places investigates the role of architecture and urban identity in relation to the political economy of the city and its wider state context seen through the lens of the holy places. Reflecting the broad disciplinary backgrounds of the authors, this book provides perspectives from architecture, urbanism, and politics, and provides in-depth investigations of historical, ethnographic and policy-related case studies. The research is substantiated by fieldwork carried out in Jerusalem over the past ten years as part of the ESRC Large Grants project 'Conflict in Cities'. By analysing new dynamics of radicalisation through land seizure, the politicisation of parklands and tourism, the strategic manipulation of archaeological and historical narratives and material culture, and through examination of general appropriation of Jerusalem's varied rituals, memories and symbolism for factional uses, the book reveals how possibilities of co- existence are seriously threatened in Jerusalem. Shedding new light on the key role played by everyday urban life and its spatial settings for any future political agreements about the city and its religious sites, this book is a useful reference work for students and scholars of Middle East Studies, Architecture, Religion and Urban Studies"--
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  • 40
    ISBN: 9780815629078 , 9780815633013
    Language: English
    Pages: XL, 266 S. , Ill.
    Edition: First ed.
    Series Statement: Contemporary issues in the Middle East
    DDC: 700.1/0309567
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    Keywords: Arts Political aspects 21st century ; History ; Arts, Iraqi 21st century ; Iraq History 2003- ; Aufsatzsammlung ; Irak ; Kunst ; Politik ; Geschichte 2003-2012 ; Bürgerkrieg
    Description / Table of Contents: Includes bibliographical references
    Note: What every driver must know , Bifurcations of Iraq's visual culture , A barbarian in Rome: excerpts from a diary , Putting contemporary Iraqi art on the map: a conversation with Maysaloun Faraj , The assassination of Iraqi academic life: a personal testimony , My own private Munich , Hassan Abdulrazzak: a selection , Reframing Sunni and Shii discussions , Invisible mirror: aggression and the thumb-generation response , Iraq: a long phantasmagorical dream for those who are not part of the new capitalism or retired communism , Migratory sacred spaces: (re)creating ʻAshūrāʼ ; Dena Al-Adeeb ; Liberal mass media (mis)communication and Iraqi (dis)connections , Sophisticated ways: destruction of an ancient city , My trips to the unknown , A tale of two exiles , 1001 nights , Arab-Jews, diasporas, and multicultural feminism: a conversation with Ella Habiba Shohat , A film-training project for young Iraqis , Lyrical resistance: the example of Saadi Youssef , Larsa , Ur's echo: cosmopolitans and radical loss , Identity of the numbers
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  • 41
    ISBN: 9789004263208
    Language: English
    Pages: XXII, 271 S. , Ill.
    Series Statement: Russian history and culture Vol. 14
    Series Statement: Russian history and culture
    DDC: 947.084
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    Keywords: Utopias History ; Utopias in literature ; Utopias in art ; Arts, Soviet History ; Avant-garde (Aesthetics) History ; Cultural pluralism History ; Visual communication History ; Politics and culture Soviet Union ; History ; Soviet Union Intellectual life 1917-1970 ; Soviet Union Politics and government 1917-1936 ; Konferenzschrift 2011 ; Sowjetunion ; Kunstpolitik ; Kunst ; Architektur ; Utopie ; Geschichte 1920-1950
    Note: Includes bibliographical references and index , Introduction: Utopia and dystopia : the impulse of history , Utopian sex : the metamorphosis of androgynous imagery in Russian art of the pre- and post-revolutionary period , The Soviet Icarus : from the dream of free flight to the nightmare of free fall , Theo van Doesburg and Russia : utopia thwarted , Fighting for a utopian childhood : militarism in children's periodicals of the early Soviet Union , Spectral geographies in Russian emigre prose : the cases of Petr Krasnov and Georgii Peskov , Twice removed : Pavel Filonov and Nikolai Glebov-Putilovskii , Exhibiting Malevich under Stalin , Solomon Nikritin : the old and the new , The ghost in the machine : the modernist architectural utopia under Stalin , Socialist realism and stasis , Utopia in retreat : the closure of the State Museum of New Western Art in 1948 , The art of cybernetic communism , Geometry after utopia
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  • 42
    Image
    Image
    [London] : Royal Collection Trust
    ISBN: 1905686447 , 9781905686445
    Language: English
    Pages: 299 S. , zahlr. Ill.
    DDC: 391.0094109031
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    Keywords: Tudor, House of Clothing ; Stuart, House of Clothing ; Clothing and dress History 16th century ; Tudor, House of ; Clothing ; Stuart, House of ; Clothing ; Clothing and dress ; England ; History ; 16th century ; Ausstellungskatalog 2013 ; Tudor Familie ; Stuart Familie ; Kleidung ; Geschichte 1500-1700 ; Großbritannien ; Hof ; Kleidung ; Geschichte 1500-1700 ; Royal Collection ; Großbritannien ; Herrscherbildnis ; Kleidung ; Geschichte 1500-1700
    Note: Exhibition In Fine Style: The Art of Tudor and Stuart Fashion is at The Queen’s Gallery, Buckingham Palace, 10 May – 3 October 2013
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  • 43
    ISBN: 9783865688996 , 3935283288
    Language: German
    Pages: 255 S. , zahlr. Ill. , 29 cm
    DDC: 700.943
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    Keywords: Sommer, Giorgio Exhibitions ; Art, German Exhibitions Foreign influences 19th century ; History ; Other (Philosophy) in art Exhibitions ; Landscape painting, German Exhibitions ; Orientalism in art Exhibitions ; Travel photography Exhibitions 19th century ; Art, German Exhibitions ; Ausstellungskatalog 2013 ; Rhein-Main-Gebiet ; Malerei ; Exotismus ; Geschichte 1780-1920 ; Kunst ; Fremdheit ; Exotismus
    Abstract: Eindrucksvolle Naturlandschaften und exotische Kulturen lockten Künstler aus dem Rhein-Main-Gebiet in zahlreiche europäische Länder, in den Orient und sogar bis nach Amerika. Ausstellung und begleitender Katalog thematisieren die Faszination dieser Künstler für fremde Bildwelten vom späten 18. bis ins frühe 20. Jahrhundert. Ihre künstlerischen Interessen an den fremden Orten waren sehr vielfältig: Sie suchten nach exotischen Bildmotiven, dokumentierten wissenschaftliche Expeditionen oder experimentierten mit fremden Lichtverhältnissen. Die gesammelten Reiseeindrücke hielten die Künstler in Bleistiftskizzen, Aquarellen, Ölstudien und Fotografien fest. Diese dienten nach der Rückkehr zumeist als Bildvorlagen für aufwändigere Ölgemälde. Angesichts einer steigenden Nachfrage spezialisierten sich einige Künstler auf bestimmte Bildsujets und trugen so teilweise zur Verbreitung stereotyper Vorstellungen von der Fremde bei. Exhibition: Museum Giersch, Frankfurt a.M., Germany (17.3.-14.7.2013)
    Note: Literaturverz. S. 242 - 248 , Faszination Fremde : Kulturgeschichtliche Aspekte aus Vergangenheit und Gegenwart , Mythos Italien : Kat. Nr. 1-22 , Barbizon : Zentrum einer neuen Kunstauffassung : Kat. Nr. 23-28 , Berg- und Eiswelten : Kat. Nr. 29-35 , Faszination Orient : Kat. Nr. 36-46 , Bilder aus der Neuen Welt : Kat. Nr. 47-58 , Fremde Menschen im Bild : Kat. Nr. 59-84 , Künstlerische Aneignung der Fremde : Fallbeispiele : Kat. Nr. 85-94 , Faszination Fremde als Trend : Marktorientierung und Spezialisierung : Kat. Nr. 95-100 , Aufbruch zu neuem Sehen und Gestalten : die Fremde in der Moderne : Kat. Nr. 101-112 , Imaginationen der Fremde : Kat. Nr. 113-120 , Die schöpferische Kraft des Archaischen : Willi Baumeister und Leo Frobenius : Kat. Nr. 121-129 , AnhangLiteraturAbbildungsnachweisFotonachweisAbkürzungsverzeichnisPersonenregisterImpressum.
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  • 44
    ISBN: 9783865688996 , 3935283288
    Language: German
    Pages: 255 S. , zahlr. Ill. , 29 cm
    DDC: 700.943
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    Keywords: Sommer, Giorgio Exhibitions ; Art, German Exhibitions Foreign influences 19th century ; History ; Other (Philosophy) in art Exhibitions ; Landscape painting, German Exhibitions ; Orientalism in art Exhibitions ; Travel photography Exhibitions 19th century ; Art, German Exhibitions ; Ausstellungskatalog 2013 ; Rhein-Main-Gebiet ; Malerei ; Exotismus ; Geschichte 1780-1920 ; Kunst ; Fremdheit ; Exotismus
    Abstract: Eindrucksvolle Naturlandschaften und exotische Kulturen lockten Künstler aus dem Rhein-Main-Gebiet in zahlreiche europäische Länder, in den Orient und sogar bis nach Amerika. Ausstellung und begleitender Katalog thematisieren die Faszination dieser Künstler für fremde Bildwelten vom späten 18. bis ins frühe 20. Jahrhundert. Ihre künstlerischen Interessen an den fremden Orten waren sehr vielfältig: Sie suchten nach exotischen Bildmotiven, dokumentierten wissenschaftliche Expeditionen oder experimentierten mit fremden Lichtverhältnissen. Die gesammelten Reiseeindrücke hielten die Künstler in Bleistiftskizzen, Aquarellen, Ölstudien und Fotografien fest. Diese dienten nach der Rückkehr zumeist als Bildvorlagen für aufwändigere Ölgemälde. Angesichts einer steigenden Nachfrage spezialisierten sich einige Künstler auf bestimmte Bildsujets und trugen so teilweise zur Verbreitung stereotyper Vorstellungen von der Fremde bei. Exhibition: Museum Giersch, Frankfurt a.M., Germany (17.3.-14.7.2013)
    Note: Literaturverz. S. 242 - 248 , Faszination Fremde : Kulturgeschichtliche Aspekte aus Vergangenheit und Gegenwart , Mythos Italien : Kat. Nr. 1-22 , Barbizon : Zentrum einer neuen Kunstauffassung : Kat. Nr. 23-28 , Berg- und Eiswelten : Kat. Nr. 29-35 , Faszination Orient : Kat. Nr. 36-46 , Bilder aus der Neuen Welt : Kat. Nr. 47-58 , Fremde Menschen im Bild : Kat. Nr. 59-84 , Künstlerische Aneignung der Fremde : Fallbeispiele : Kat. Nr. 85-94 , Faszination Fremde als Trend : Marktorientierung und Spezialisierung : Kat. Nr. 95-100 , Aufbruch zu neuem Sehen und Gestalten : die Fremde in der Moderne : Kat. Nr. 101-112 , Imaginationen der Fremde : Kat. Nr. 113-120 , Die schöpferische Kraft des Archaischen : Willi Baumeister und Leo Frobenius : Kat. Nr. 121-129 , AnhangLiteraturAbbildungsnachweisFotonachweisAbkürzungsverzeichnisPersonenregisterImpressum.
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  • 45
    Book
    Book
    Durham [u.a.] : Duke University Press
    ISBN: 9780822353089 , 9780822352945 , 082235294X , 0822353083
    Language: English
    Pages: XIII, 392 S. , Ill., Kt. , 24 cm
    Parallel Title: Erscheint auch als Akcan, Esra Architecture in translation
    DDC: 720.943/09561
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    Keywords: Architecture History 20th century ; City planning History 20th century ; Architecture and state History 20th century ; Turkey Relations ; Germany Relations ; Architecture ; Turkey ; History ; 20th century ; City planning ; Turkey ; History ; 20th century ; Architecture and state ; Turkey ; History ; 20th century ; Turkey ; Relations ; Germany ; Germany ; Relations ; Turkey ; Deutschland ; Beziehung ; Türkei ; Städtebau ; Wohnungsbau ; Wohnsiedlung ; Stadtplanung ; Geschichte 1920-1940
    Abstract: Introduction: Translation beyond language -- Modernism from above. conviction about its own translatability -- Melancholy in translation -- Siedlung in subaltern exile -- Convictions about untranslatability -- Towards a cosmopolitan architecture
    Description / Table of Contents: Introduction: Translation beyond language -- Modernism from above. conviction about its own translatability -- Melancholy in translation -- Siedlung in subaltern exile -- Convictions about untranslatability -- Towards a cosmopolitan architecture.
    Note: Includes bibliographical references and index. - Introduction: Translation beyond language -- Modernism from above. conviction about its own translatability -- Melancholy in translation -- Siedlung in subaltern exile -- Convictions about untranslatability -- Towards a cosmopolitan architecture
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  • 46
    ISBN: 9789004204751 , 900420475X
    Language: English
    Pages: xxii, 325 Seiten, 88 ungezählte Seiten Bildtafeln , Illustrationen
    Series Statement: Russian history and culture 9
    Series Statement: Russian history and culture
    Parallel Title: Erscheint auch als
    DDC: 709.2
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    Keywords: Punin, N. N ; Art critics Biography ; Art critics Biography ; Art, Russian History 20th century ; Art, Russian History ; Avant-garde (Aesthetics) History ; Avant-garde (Aesthetics) History ; Punin, N. N ; (Nikolaĭ Nikolaevich) ; Art critics ; Russia ; Biography ; Art critics ; Soviet Union ; Biography ; Art, Russian ; 20th century ; History ; Avant-garde (Aesthetics) ; Russia ; Avant-garde (Aesthetics) ; Soviet Union ; Biografie ; Punin, Nikolaj Nikolaevič 1888-1953 ; Sowjetunion ; Kunst ; Avantgarde ; Geschichte 1917-1953 ; Punin, Nikolaj Nikolaevič 1888-1953 ; Russland ; Kunst ; Geschichte 1900-1950
    Note: Includes bibliographical references and index
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  • 47
    ISBN: 9783942885317
    Language: English
    Pages: 157 Seiten , Illustrationen
    Series Statement: Witnessed 1
    Series Statement: Witnessed
    DDC: 700.452996043
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    Keywords: Artists, Black ; Arts, Black ; Arts, German 21st century ; Multiculturalism in art ; Germany Cultural policy 21st century ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Künstler ; Schwarze ; Soziale Stellung ; Kulturleben
    Note: Literaturangaben
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  • 48
    ISBN: 1851496904 , 9781851496907
    Language: English
    Pages: 271 S. , zahlr. Ill , 30 cm
    DDC: 306.094109046
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    Keywords: Popular culture History 20th century ; Popular culture History 20th century ; Pop art ; Pop art ; Design History 20th century ; Design History 20th century ; Popular culture ; Great Britain ; History ; 20th century ; Popular culture ; United States ; History ; 20th century ; Pop art ; Great Britain ; Pop art ; United States ; Design ; Great Britain ; History ; 20th century ; Design ; United States ; History ; 20th century ; Bildband ; USA ; Pop-Art ; Mode ; Design ; Industriedesign ; Gebrauchsgrafik ; Geschichte 1956-1976 ; Großbritannien
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  • 49
    ISBN: 9783037642412 , 3037642416
    Language: English
    Pages: 224 S. , zahlr. Ill.
    DDC: 759.13
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    Keywords: Artistic collaboration ; United States ; History ; 20th century ; K.O.S. (Group of artists) ; Rollins, Tim, 1955 ; -Criticism and interpretation ; Ausstellungskatalog 2011 ; Rollins, Tim 1955-2017 ; Kids of Survival
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  • 50
    Image
    Image
    London [u.a.] : Merrell
    ISBN: 1858945828 , 9781858945828
    Language: English
    Pages: 157 S. , zahlr.Ill. , 26 cm
    Edition: 1. publ.
    DDC: 759.409/034
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    Keywords: Impressionism (Art) ; Painting, French Themes, motives 19th century ; Fashion in art ; Clothing and dress in art ; Fashion in art ; Painting, French ; 19th century ; Themes, motives ; Impressionism (Art) ; France ; Paris ; Fashion ; France ; Paris ; History ; 19th century ; Sources ; Ausstellungskatalog 2012 ; Paris ; Kunst ; Impressionismus ; Mode ; Geschichte 1860-1900
    Description / Table of Contents: The style of modernity -- Cutting a figure -- On the street -- At home -- In the park -- Making the scene -- On holiday.
    Note: Published to accompany an exhibition held at the Musée d'Orsay, Paris, the Metropolitan Museum of Art, New York, and the Art Institute of Chicago in 2012-12
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  • 51
    ISBN: 9788020018953
    Language: Czech
    Pages: 227 S. , Ill
    Edition: Vyd. 1.
    DDC: G:fr S:kg Z:91
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    Keywords: Národní galerie v Praze ; Art, Modern Collectors and collecting 20th century ; History ; Art, French Collectors and collecting 20th century ; History ; Czechoslovakia Cultural policy ; Czechoslovakia Relations ; France Relations ; Böhmische Länder ; Kulturpolitik ; Frankreich ; Kunst ; Geschichte 1900-1914 ; Tschechoslowakei ; Kulturpolitik ; Frankreich ; Kunst ; Geschichte 1923-1937 ; Böhmische Länder ; Frankreich ; Tschechoslowakei ; Kunst ; Kulturpolitik ; Geschichte 1900-1939
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  • 52
    ISBN: 0306819430 , 9780306819438 , 0306818884 , 9780306818882
    Language: English
    Pages: XVI, 424 S , zahlr. Ill , 25 cm
    DDC: 306/.1
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    Keywords: Sanders, Ed ; Peace Eye Bookstore ; Fuck You Press ; Fugs (Musical group) ; Underground press publications ; Counterculture History 20th century ; Lower East Side (New York, N.Y.) Intellectual life 20th century ; Sanders, Ed ; Fugs (Musical group) ; Fuck You Press (Firm) ; Peace Eye Bookstore ; Counterculture ; New York (State) ; New York ; History ; 20th century ; New York (N.Y.) ; Social life and customs ; 20th century ; New York, NY ; Subkultur ; Geschichte 1960-1970
    Abstract: "Fug You is Ed Sanders's unapologetic and often hilarious account of eight key years of "total assault on the culture," to quote his novelist friend William S. Burroughs. Fug You traces the flowering years of New York's downtown bohemia in the sixties, starting with the marketing problems presented by publishing Fuck You / A Magazine of the Arts, as it faced the aboveground's scrutiny, and leading to Sanders's arrest after a raid on his Peace Eye Bookstore. The memoir also traces the career of the Fugs--formed in 1964 by Sanders and his neighbor, the legendary Tuli Kupferberg (called "the world's oldest living hippie" by Allen Ginsberg)--as Sanders strives to find a home for this famous postmodern, innovative anarcho-folk-rock band in the world of record labels"--
    Note: Includes index
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  • 53
    Online Resource
    Online Resource
    Wien : Böhlau
    ISBN: 9783205786269
    Language: German
    Pages: 1 electronic resource (322 Seiten p.)
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    Keywords: History
    Abstract: Die vorliegende Monographie über den Maler Joseph Ignaz Mildorfer (1719-1775) umfasst vierzehn Kapitel, die mit dem Lebenslauf beginnend die verschiedenen Etappen im Werk des Malers veranschaulichen. Dabei wurde grosser Wert auf die soziologischen, politischen und ästhetischen Kriterien gelegt, welche die Entwicklung dieses eigenwilligen Künstlers bestimmten. In eine angesehene Malerfamilie in Innsbruck geboren, erlebte Mildorfer neben seiner konventionellen Ausbildung in der väterlichen Werkstatt hier auch den Beginn einer internationalen Monumentalmalerei, die erst durch den Import süddeutscher Maler auf tiroler Boden um sich griff. Mit diesen frühen Anregungen versehen, gelang es dem jungen Maler bei seiner Ankunft in der Kaiserstadt denn auch mit erstaunlicher Sicherheit den, für eine erfolgreiche Karriere imperativen, grossen Preis der Wiener Akademie zu gewinnen. Im Fahrwasser Paul Trogers, als dessen begabtester Schüler er von den Zeitgenossen gerühmt wurde, stellten sich in rascher Folge prestigereiche Angebote ein. Dem erstaunlich grossen Erstlingswerk, der malerischen Gesamtausstattung der Wallfahrtskirche am Hafnerberg, schloss sich bald der erste kaiserliche Auftrag an. Doch Österreich befand sich im Erbfolgekrieg, der die künstlerische Auftragssituation ernstlich bedrohte und auch Mildorfer zwang, nach Alternativen zu suchen. Und solche fand er in der Schlachtenmalerei. In diesem Genre schuf der junge Künstler Werke von einer aufrührenden Intensität, die ihn weit über seine Kollegen an der Akademie herausragen liessen, und ihm eine eigene Nische boten. Sicherlich machten gerade diese Bilder die letzten grossen Mäzene der Monarchie auf Mildorfer aufmerksam, was zu seiner Berufung als Hofmaler der Herzogin Maria Theresia von Savoyen, geborener Prinzessin von Liechtenstein führte, und eine lang anhaltende Zusammenarbeit mit den verschiedenen Zweigen der Familie Esterházy nach sich zog. Als Krönung rief Nikolaus Fürst Esterházy Mildorfer schliesslich nach Esterháza, um jenes Schloss zu freskieren, dessen aufwendige Gestaltung seinem Besitzer den Beinamen "der Prachtliebende" bescherte. (Die gründliche Aufarbeitung des Fürstlich Liechtensteinischen Archivs in Vaduz beantwortet nun endlich die Frage nach Art und Ausmass des tradierten, aber nie geklärten Arbeitsverhältnisses unseres Malers mit dem Hause Liechtenstein). Mildorfers Wahl zum wiener Akademieprofessor markierte nicht nur den Höhepunkt dieses Künstlerlebens, so ...
    Abstract: This monograph on Joseph Ignaz Mildorfer (1719-1775) consists of forteen chapters, that after having given an overall curriculum, depict the various stations in the painter's working process. Special emphasis has been given to such criteria as the socio-economic, political and esthetic impacts, that shaped the development of this intriguing artist. Mildorfer was born into a distinguished family of painters in Innsbruck, where he was taught the basics of his profession. However, he was also exposed to the newly imported paintings from southern Germany, which at this time sparked Tyrolian tradition with international flavor. Partly due to those early stimuli, the young painter managed to instantly gain the renowned "big prize" of the Academy, upon his arrival in Imperial Vienna. This distinction was a prerequisite to any further career. Praised by his contemporaries as the most prodigious pupil of Paul Troger, Mildorfer soon was offered remarkable employments. His first major task, the complete decoration of the pilgrimage church at Hafnerberg near Vienna, comprising works in fresco and oil was soon to be followed by a commission from the Imperial court. But Austria was plagued by a raging War of Succession, which cast its shadow upon the job market, forcing Mildorfer to venture out into alternative fields. This he found in the painting of battlescenes. In this genre the young artist produced works of such rebellious intenseness that surpassed all his colleagues' endeavors and saved him a special niche. It might well be that those particular paintings drew the attention of the last great sponsers of the monarchy to Mildorfer, resulting in his being appointed painter of the court to the Duchess of Savoy, neé Maria Theresia Princess of Liechtenstein. (By way of scholarly work in the Princely Archives of Liechtenstein we have now established answers to questions regarding character and extend of Mildorfers work for the Duchess, that up till now has been obscured). In addition this period marked the beginning of a long lasting relationship with various branches of the Esterházy family, culminating in Mildorfer's appointment to Esterháza. Here he was commissioned to paint al fresco in Duke Nikolaus Esterházy's castle, one of the last manifestations of feudal style, the elaborate adornment of which promted the Duke with the attribute "The Magnificent". When Mildorfer was elected Professor at the Academy (kaiserlich-königliche Hofakademie der Mahler, Bildhauer ...
    Note: de
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  • 54
    ISBN: 9781409401360 , 1409401367
    Language: English
    Pages: XX, 327 S. , Ill., graph. Darst., Kt. , 24 cm
    Additional Information: Rezensiert in Nohlen, Marie-José Rezension von Charlotte A. Stanford: Commemorating the Dead in Late Medieval Strasbourg. The Cathedral’s Book of Donors and Its Use (1320–1521) Aldershot 2012
    Additional Information: Rezensiert in Klapp, Sabine [Rezension von: Charlotte A. Stanford, Commemorating the Dead in Late Medieval Strasbourg] 2013
    Additional Information: Rezensiert in Baum, Jacob Mixed metaphors. The danse macabre in medieval and early modern Europe. Edited by Sophie Oosterwijk and Stefanie Knöll. Pp. xxiii+449 incl. 116 ills + 16 colour plates. Newcastle-upon-Tyne: Cambridge Scholars Publishing, 2011. £59.99. 978 1 44438 2900 7 - Commemorating the dead in late medieval Strasbourg. The cathedral book of donors and its use (1320–1521). By Charlotte A. Stanford. (Church, Faith and Culture in the Medieval West.) Pp. xx+327 incl. 37 figs and 40 tables. Farnham–Burlington, Vt: Ashgate, 2011. £70. 978 1 4094 0136 0 2013
    Series Statement: Church, faith and culture in the Medieval West
    DDC: 393.0944/39540902
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    Keywords: Funeral rites and ceremonies History Middle Ages, 600-1500 ; Death Religious aspects Middle Ages, 600-1500 ; Christianity ; History ; Death Religious aspects Middle Ages, 600-1500 ; Catholic Church ; History ; Geschichte 1320-1521 ; Strassburg ; Dom ; Totengedächtnis ; Stifter ; Strasbourg (France) Church history ; Strasbourg (France) Social life and customs ; Quelle ; Quelle ; Straßburg ; Totengedächtnis ; Geschichte 1320-1521 ; Münster Straßburg ; Stifter ; Geschichte 1320-1521
    Note: Includes bibliographical references and index
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  • 55
    Online Resource
    Online Resource
    Dordrecht : Springer Netherlands
    ISBN: 9781402057861
    Language: English
    Pages: Online-Ressource (XVIII, 674 p. 898 illus., 629 illus. in color, online resource)
    Series Statement: Stichting Foundation Rembrandt Research Project 5
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg. A corpus of Rembrandt paintings ; 5: Small-scale history paintings
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    Keywords: Humanities ; History ; Arts ; Humanities / Arts ; Humanities ; History ; Arts ; Werkverzeichnis ; Rembrandt Harmensz van Rijn 1606-1669 ; Malerei ; Rembrandt Harmensz van Rijn 1606-1669 ; Genremalerei ; Rembrandt Harmensz van Rijn 1606-1669 ; Historienmalerei
    Abstract: This is the fifth volume of A CORPUS OF REMBRANDT PAINTINGS, which will consist of six volumes in total. The CORPUS is dedicated to the painted works of Rembrandt. It aims to isolate Rembrandts own works from the great volume of Rembrandt-like paintings, produced by his many pupils and followers, sometimes with the involvement of the master himself. The fourth volume (Springer 2005) was dedicated to Rembrandts self-portraits. This fifth volume is about the small-scale history and genre paintings. The so-called histories (paintings, etchings and drawings with biblical or mythological scenes) were considered to be the most challenging assignments for an artist. All kinds of artistic insights and skills known in Rembrandts time as the basic aspects of the art of painting - played a role in the creation of this kind of work, especially in the history paintings. Systematic research into this hitherto little known area has revealed a rich, and often fresh understanding of Rembrandts own way of thinking about these basic aspects, which makes the present volume a unique and innovative contribution to the history of art. A detailed comparison of Rembrandts own work with that of his pupils has furthermore provided a detailed access to Rembrandts own criteria regarding artistic quality
    Abstract: This is the fifth volume of A CORPUS OF REMBRANDT PAINTINGS, which will consist of six volumes in total. The CORPUS is dedicated to the painted works of Rembrandt. It aims to isolate Rembrandt’s own works from the great volume of Rembrandt-like paintings, produced by his many pupils and followers, sometimes with the involvement of the master himself. The fourth volume (Springer 2005) was dedicated to Rembrandt’s self-portraits. This fifth volume is about the small-scale history and genre paintings. The so-called ‘histories’ (paintings, etchings and drawings with biblical or mythological scenes) were considered to be the most challenging assignments for an artist. All kinds of artistic insights and skills - known in Rembrandt’s time as the basic aspects of the art of painting - played a role in the creation of this kind of work, especially in the history paintings. Systematic research into this hitherto little known area has revealed a rich, and often fresh understanding of Rembrandt’s own way of thinking about these basic aspects, which makes the present volume a unique and innovative contribution to the history of art. A detailed comparison of Rembrandt’s own work with that of his pupils has furthermore provided a detailed access to Rembrandt’s own criteria regarding artistic quality
    Description / Table of Contents: PrefaceBibliographical and other Abbreviations -- Essays: -- I. Towards a Reconstruction of Rembrandt’s Art Theory -- II. An Illustrated Chronological Survey of Rembrandt’s Small-Scale ‘Histories’: Paintings, Etchings and a Selection of Drawings, with Remarks on Art-Theoretical Aspects, Function and Questions of Authenticity -- III. Rembrandt’s Prototypes and Pupils’ Production of Variants -- IV. On Quality: Comparative Remarks on the Functioning of Rembrandt’s Pictorial Mind -- V. More than One Hand in Paintings by Rembrandt -- Catalogue of the Small-Scale History and Genre Paintings 1642-1669 by Rembrandt and his Pupils -- Corrigenda et Addenda -- Indexes.
    Note: At head of title: Stichting Foundation Rembrandt Research Project , Accompanied by folded leaf of small history paintings , Includes bibliographical references and indexes
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 56
    ISBN: 9783775730174
    Language: German
    Pages: 183 S. , Ill. , 24 cm
    DDC: 700.74
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    Keywords: Spoerri, Daniel Influence ; Kölnischer Kunstverein History 20th century ; Art Exhibition techniques 20th century ; History ; Exhibitions History 20th century
    Note: Literaturverz. S. 182 - 183
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  • 57
    Online Resource
    Online Resource
    Durham : Duke University Press
    Language: English
    Pages: 1 Online-Ressource (xi, 254 Seiten) , Illustrationen
    Series Statement: Perverse modernities
    Parallel Title: Erscheint auch als Sharpe, Christina Elizabeth Monstrous intimacies
    DDC: 305.896/073
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    Keywords: African Americans in popular culture ; Women slaves Social conditions ; United States Race relations ; History ; USA ; Sklaverei ; Schwarze Frau ; Gewalt ; Sexualität ; Massenkultur
    Note: Literaturverzeichnis: Seiten 223-242
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 58
    Book
    Book
    New York, NY [u.a.] : Palgrave Macmillan
    ISBN: 0230620299 , 9780230620292
    Language: English
    Pages: XVII, 267 S., [4] Bl. , zahlr. Ill., Kt. , 24 cm
    Edition: 1. ed., 1. publ.
    Series Statement: History of text technologies
    DDC: 769.94309
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    Keywords: Prints History ; Cartography History ; Ethnology in art ; Prints ; Germany ; History ; Cartography ; Germany ; History ; Ethnology in art ; Deutschland ; Frühdruck ; Illustration ; Amerika ; Asien ; Deutschland ; Frühdruck ; Ethnologie ; Reiseliteratur ; Deutschland ; Frühdruck ; Illustration ; Amerika ; Asien ; Deutschland ; Frühdruck ; Ethnologie ; Reiseliteratur
    Note: Literaturverz. S. [245] - 261
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
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  • 59
    Language: English
    Pages: VII, 183 S. , Ill., Kt.
    Edition: 1. ed.
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    Keywords: Architecture ; Art ; Monuments ; Antiquities ; Architecture ; Architecture ; Arts, Burmese ; Burma ; Arts, Burmese ; Buddhist architecture ; Pagan ; Burma ; Buddhist architecture ; Burma ; Pagan ; Burma ; Burma ; Burma ; Burma ; History ; Pagan ; Antiquities ; History ; Pagan ; Pagan period, 849-1287 ; 849-1287 ; Pagan (Burma) History ; Pagan ; Buddhistische Kunst ; Geschichte
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  • 60
    ISBN: 9789639738225
    Language: English
    Pages: 219 S. , zahlr. Ill., Kt.
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    Keywords: Hopp Ferenc Kelet-Ázsiai Művészeti Múzeum (Hungary) Exhibitions ; Hopp Ferenc Kelet-Ázsiai Művészeti Múzeum (Hungary) ; 1800 - 1899 ; Hopp Ferenc Kelet-Ázsiai Művészeti Múzeum (Hungary) Exhibitions ; Hopp Ferenc Kelet-Ázsiai Művészeti Múzeum (Hungary) ; 1800 - 1899 ; Art, Iranian ; Islamic art Iran ; Art, Iranian ; Islamic art ; Arts, Iranian Exhibitions ; Arts, Iranian ; Civilization ; Art, Iranian ; Arts, Iranian ; Arts, Iranian Exhibitions ; Civilization ; Islamic art ; Islamic art Iran ; Art ; Iran ; Catalogs ; Exhibitions ; Hopp Ferenc Kelet-Ázsiai Művészeti Múzeum (Hungary) ; Iran ; Exhibitions ; Catalogs ; Civilization ; Exhibition catalogs ; 19th century ; 1800-1899 ; Iran History ; Qajar dynasty, 1779-1925 ; Iran ; Catalogs ; History ; Iran Civilization ; 19th century ; Iran ; Exhibition catalogs ; Iran Civilization ; 19th century ; Iran ; Exhibition catalogs ; Iran History ; Qajar dynasty, 1779-1925 ; Iran ; Catalogs ; History ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Iran ; Kunsthandwerk ; Miniatur ; Geschichte 1796-1925
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  • 61
    ISBN: 9780300158960 , 0300158963
    Language: English , Spanish
    Pages: 283 S , zahlr. Ill , 26 cm
    DDC: 709.74710904
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    Keywords: Art, American 20th century ; Art, Latin American 20th century ; Art, Caribbean 20th century ; Art and society History 20th century ; New York (N.Y.) Cullen 20th century ; Intellectual life ; Art, American ; New York (State) ; New York ; 20th century ; Art, Latin American ; 20th century ; Art, Caribbean ; 20th century ; Art and society ; New York (State) ; New York ; History ; 20th century ; New York (N.Y.) ; Intellectual life ; 20th century ; Ausstellungskatalog 2009 ; Lateinamerikaner ; New York, NY ; Kunst ; Geschichte 1900-1950
    Description / Table of Contents: Nexus New York : Latin/American artists in the modern metropolis : an introduction, 1900-1942 / Deborah CullenArt school as contact zone : Latin American artists and their teachers / Katherine E. Manthorne -- Havana-New York : a missing link in the history of modern Cuban art / Elvis Fuentes -- Marius de Zayas : transatlantic visionary of modern art / Antonio Saborit -- Torres-García's New York : the city as icon of modern art / Cecilia de Torres -- The allure of Harlem : correlations between Mexicanidad and the new Negro movements / Deborah Cullen -- Seeing red : Mexican revolutionary artists in New York / James Wechsler -- From indigenism to surrealism : Camilo Egas in New York, 1927-1946 / Michele Greet -- To transform the world : Matta and Motherwell in New York and Mexico / Katy Rogers.
    Description / Table of Contents: Nexus New York : Latin/American artists in the modern metropolis : an introduction, 1900-1942 / Deborah Cullen -- Art school as contact zone : Latin American artists and their teachers / Katherine E. Manthorne -- Havana-New York : a missing link in the history of modern Cuban art / Elvis Fuentes -- Marius de Zayas : transatlantic visionary of modern art / Antonio Saborit -- Torres-García's New York : the city as icon of modern art / Cecilia de Torres -- The allure of Harlem : correlations between Mexicanidad and the new Negro movements / Deborah Cullen -- Seeing red : Mexican revolutionary artists in New York / James Wechsler -- From indigenism to surrealism : Camilo Egas in New York, 1927-1946 / Michele Greet -- To transform the world : Matta and Motherwell in New York and Mexico / Katy Rogers.
    Note: Text in engl. und span. Sprache
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  • 62
    ISBN: 9780822343905 , 9780822344087
    Language: English
    Pages: XV, 277 S., [4] Bl. , Ill.
    Series Statement: Objects - histories : critical perspectives on art, material culture, and representation
    Parallel Title: Erscheint auch als The Indian craze
    DDC: 709/.01/1
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    Keywords: Indian art Collectors and collecting 19th century ; History ; Indian art Collectors and collecting 20th century ; History ; Indian art Influence ; Indian art History 19th century ; Indian art History 20th century ; Indianer ; Kunst ; Rezeption ; USA ; Künstler ; Gesellschaft ; Geschichte 1890-1915 ; USA ; Indianer ; Künstler ; Geschichte 1890-1915
    Description / Table of Contents: Unpacking the Indian corner -- The white man's Indian art : teaching aesthetics at the Indian schools -- Playing Indian : Native American art and modern aesthetics -- The Indians in Käsebier's studio -- Angel DeCora's cultural politics.
    Note: Literaturverz. S. [263] - 265
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  • 63
    ISBN: 0714124567 , 0714124524 , 9780714124568 , 9780714124520
    Language: English
    Pages: 274 S. , zahlr. Ill., Kt. , 29 cm
    Edition: 1. publ.
    DDC: 726.17095509032
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    Keywords: ʿAbbās Exhibitions Influence ; ʿAbbās I ; Shah of Iran ; 1571-1629 ; Influence ; Shrines Exhibitions History 16th century ; Shrines Exhibitions History 17th century ; Islamic decoration and ornament Exhibitions History 16th century ; Islamic decoration and ornament Exhibitions History 17th century ; Religious articles Exhibitions History 16th century ; Religious articles Exhibitions History 17th century ; Religious architecture Exhibitions ; Architecture, Safavid Exhibitions ; Shrines Decoration ; Iran ; History ; 16th century ; Shrines Decoration ; Iran ; History ; 17th century ; Decoration and ornament, Islamic Iran ; History ; 16th century ; Decoration and ornament, Islamic Iran ; History ; 17th century ; Religious articles Iran ; History ; 16th century ; Religious articles Iran ; History ; 17th century ; Religious architecture Iran ; Architecture, Safavid Iran ; Iran Exhibitions History Ṣafavid dynasty, 1501-1736 ; Iran History ; Safavid dynasty, 1501-1736 ; Ausstellungskatalog 2009〈 ; Ausstellungskatalog 2009 ; Ausstellungskatalog 2009〈 ; Ausstellungskatalog 2009 ; Iran ; Schrein ; Kunst ; Geschichte 1500-1700 ; Abbas I. Iran, Schah 1571-1629 ; Kultur ; Geschichte ; London 〈2009〉 ; Safawiden Dynastie : 1501-1722 ; Kulturelle Identität ; Geschichte 1501-1736
    Note: Formerly CIP
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  • 64
    Image
    Image
    New York : Melcher Media [u.a.]
    ISBN: 9780810975262 , 0810975262
    Language: English
    Pages: 223 S. , überw. Ill. , 23cm
    DDC: 751.73097471
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    Keywords: Graffiti ; Graffiti New York (State) ; New York ; History ; Graffiti New York (State) ; New York ; Pictorial works ; Street art New York (State) ; New York ; History ; Street art New York (State) ; New York ; Pictorial works ; Bildband ; Bildband ; New York, NY ; Streetart ; Geschichte 1970-1980
    Description / Table of Contents: It started in Philadelphia: the gangs and the loners -- Graffiti hits New York: from the walls to the trains -- Mass transit art: graffiti styles and the second generation -- Hitting the outsides of the subway cars: the lay-ups and the yards -- From graffiti writer to graffiti artist: mainstream recognition -- The high period: 1972 to 1973 -- The synthetic period: 1974 -- The late period: 1975 to 1978 -- Is graffiti painted on canvas the same as graffiti painted on subway cars?
    Note: Includes bibliographical references (p. [216]-217) and index
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  • 65
    ISBN: 9781400061204
    Language: English
    Pages: XX, 338 S , Ill., Kt , 24 cm
    Edition: 1. ed.
    DDC: 759.4
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    Keywords: Le Moyne de Morgues, Jacques ; Le Moyne de Morgues, Jacques Relations with Indians ; Le Moyne de Morgues, Jacques d. 1588 ; Le Moyne de Morgues, Jacques d. 1588 Relations with Indians ; French Biography ; Colonists Biography ; Plants History 16th century ; Botanical artists Biography ; Timucua Indians History 16th century ; Spaniards History 16th century ; Botanical artists Biography ; France ; French Biography ; North America ; Colonists Biography ; North America ; Plants History ; 16th century ; Florida ; Timucua Indians History ; 16th century ; Florida ; Spaniards History ; 16th century ; Florida ; Florida History Huguenot colony, 1562-1565 ; Florida Ethnic relations 16th century ; History ; Florida History ; Huguenot colony, 1562-1565 ; Florida Ethnic relations ; History ; 16th century ; Le Moyne de Morgues, Jacques 1533-1588 ; Franzosen ; Florida ; Kolonisation ; Timucua
    Description / Table of Contents: Includes bibliographical references (p. [275]-322) and index
    Note: Includes bibliographical references
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  • 66
    Language: English
    Pages: 80 Seiten , 31 cm
    Edition: [Englische Teilausgabe], Translation of chapters I-III
    Additional Information: Basiert auf Kölner Patrizier- und Bürgerkleidung des 17. Jahrhunderts Riggisberg : Abegg-Stiftung, 2008 9783905014358
    Series Statement: Riggisberger Berichte 15
    Series Statement: Riggisberger Berichte
    DDC: 740
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    Keywords: Hessisches Landesmuseum (Darmstadt, Germany) Catalogs ; Costume Catalogs Collectors and collecting ; Textile fabrics Catalogs ; Middle class Catalogs Clothing 17th century ; History ; Costume History 17th century ; Köln ; Bürgertum ; Kleidung ; Geschichte 1600-1700 ; Hüpsch, Adolf von 1730-1805 ; Patriziat ; Kleidung ; Sammlung ; Geschichte 1600-1700 ; Köln ; Bürgertum ; Kleidung ; Barock ; Hüpsch, Adolf von 1730-1805 ; Patriziat ; Kleidung ; Sammlung ; Barock ; Hessisches Landesmuseum Darmstadt Sammlung Hüpsch ; Kleidung ; Restaurierung ; Abegg-Stiftung
    Abstract: Auszüge aus dem Bericht über die Restaurierung der Kleidung der Sammlung Hüpsch des Hessischen Landesmuseums Darmstadt, durchgeführt durch die Abegg-Stiftung, Riggisberg, in Zusammenarbeit mit dem Hessischen Landesmuseum Darmstadt. - Dokumentation der kostümhistorischen Untersuchung.
    Note: Enthält nur die Kapitel 1-3 in englischer Übersetzung aus dem deutschsprachigen Band "Kölner Patrizier- und Bürgerkleidung des 17. Jahrhunderts : die Kostümsammlung Hüpsch im Hessischen Landesmuseum Darmstadt" (Riggisberg : Abegg-Stifung, 2008. ISBN 978-3-905014-35-8) , Die vorliegende englische Teilausgabe enthält den auf der Titelseite erwähnten Beitrag von Nadine Piechatschek nicht , Literaturangaben in Fußnoten , "Translation: Tradukas GbR. Reader: Maria Hayward, Winchester. English editor: John Stevenson, Seattle. Copy editor: Susanne Beatrix Hohmann" (Seite [2])
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  • 67
    Book
    Book
    Chicago : University of Chicago Press
    ISBN: 0226448371 , 0226450066 , 9780226448374 , 9780226450063
    Language: English
    Pages: 494 S. , Ill.
    Edition: Paperback ed.
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    Keywords: Christian art and symbolism Europe ; History ; 16th century ; Protestantism in art ; Reformation Europe ; Deutschland ; Christliche Kunst ; Reformation ; Geschichte 1500-1600
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  • 68
    ISBN: 9783412202026
    Language: German
    Pages: VIII, 309 S , Ill , 25 cm
    Additional Information: Rezensiert in Ebner von Eschenbach, Silvia [Rezension von: Andreas Seifert, Bildergeschichten für Chinas Massen. Comic und Comicproduktion im 20. Jahrhundert] 2011
    Dissertation note: Zugl.: Tübingen, Univ., Diss., 2007 u.d.T.: Seifert, Andreas: Bildergeschichten für Chinas Massen
    DDC: 900
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    Keywords: Comic books, strips, etc. China ; History ; 20th century ; Hochschulschrift ; China ; Comic ; Geschichte 1900-1999 ; Politisches Plakat ; Politische Kampagne ; Wandzeitung
    Note: Literaturverz. S. 289 - 309 , Dissertationsdaten aus dem Internet
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  • 69
    Book
    Book
    University Park, Pa. : Pennsylvania State University Press
    ISBN: 9780271033389 , 027103338X
    Language: English
    Pages: XIV, 241 S , zahlr. Ill., Kt , 23cm
    Series Statement: Publications of the Pennsylvania German Society 42
    Series Statement: Pennsylvania German history and culture series 9
    Series Statement: Pennsylvania German history and culture series
    DDC: 974.8/00431
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    Keywords: German Americans Ethnic identity ; German Americans History ; German Americans Dwellings ; Architecture, German History ; Material culture History ; German Americans Pennsylvania ; Ethnic identity ; German Americans Pennsylvania ; History ; German Americans Dwellings ; Pennsylvania ; Architecture, German Pennsylvania ; History ; German Americans Material culture ; Pennsylvania ; Pennsylvaniadeutsche ; Architektur ; Sachkultur ; Ethnische Identität
    Description / Table of Contents: German or Georgian? -- Industry, economy, and ignorance -- From awkwardness to civility -- Luxury -- Changes and choices
    Note: Includes bibliographical references and index
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  • 70
    ISBN: 3865602290 , 9783865602299
    Language: German
    Pages: 265 S. , zahlr. Ill., Kt.
    Additional Material: 1 CD (Audiostück, 43 Min., 12 cm)
    DDC: 720.943155
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    Keywords: Internationale Bauausstellung Berlin Anniversaries, etc ; Architecture Germany ; Berlin ; History ; 20th century ; Exhibitions ; City planning Germany ; Berlin ; 20th century ; Exhibitions ; Modern movement (Architecture) Germany ; Berlin ; Exhibitions ; New towns Germany ; Berlin ; Exhibitions ; Berlin (Germany) Buildings, structures, etc. ; Exhibitions ; Hansaviertel (Berlin, Germany) Exhibitions ; Aufsatzsammlung ; CD ; Aufsatzsammlung ; CD ; Hansaviertel ; Baudenkmal ; Stadtteilplanung ; Wohnkultur
    Abstract: 1957 im Rahmen der Interbau errichtet, galt das Hansaviertel in Berlin als Modell einer modernen Stadt: grün, nachbarschaftlich und funktional. Eine Riege namhafter Architekten (Alvar Aalto, Egon Eiermann, Walter Gropius, Arne Jacobsen, Oscar Niemeyer und Max Taut) sicherte der Wohnsiedlung einen Platz in der Architekturgeschichte. Aber die Bedeutung des Hansaviertels reicht weit über modernistische Stilfragen hinaus: Denn als eines der größten Ausstellungsereignisse der 1950er Jahre unternahm die Interbau 57 nichts weniger als eine ästhetische Rückerziehung. Das Buch bietet in wissenschaftlichen und künstlerischen Beiträgen eine kleine Archäologie des Hansaviertels.
    Note: Enth. Literaturangaben , CD u.d.T.: e-Xplo : nothing very very good and nothing very very bad ever lasts for very very long
    URL: Cover
    URL: Cover
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  • 71
    ISBN: 9783905014358
    Language: German
    Pages: 416 S. , zahlr. Ill. , 31 cm
    Additional Information: Abgeleitet Kölner Patrizier- und Bürgerkleidung des 17. Jahrhunderts [Englische Teilausgabe], Translation of chapters I-III Riggisberg : Abegg-Stiftung, 2008
    Series Statement: Riggisberger Berichte 15
    Series Statement: Riggisberger Berichte
    DDC: 740
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    Keywords: Hessisches Landesmuseum (Darmstadt, Germany) Catalogs ; Costume Catalogs Collectors and collecting ; Textile fabrics Catalogs ; Middle class Catalogs Clothing 17th century ; History ; Costume History 17th century ; Köln ; Bürgertum ; Kleidung ; Geschichte 1600-1700 ; Hüpsch, Adolf von 1730-1805 ; Patriziat ; Sammlung ; Barock ; Hessisches Landesmuseum Darmstadt Sammlung Hüpsch ; Restaurierung ; Abegg-Stiftung
    Abstract: Bericht über die Restaurierung der Kleidung der Sammlung Hüpsch des Hessischen Landesmuseums Darmstadt, durchgeführt durch die Abegg-Stiftung, Riggisberg, in Zusammenarbeit mit dem Hessischen Landesmuseum Darmstadt. - Dokumentation der kostümhistorischen Untersuchung.
    Note: Die Abegg-Stiftung präsentiert vom 20.04. bis 02.11.2008 die Ausstellung "Bürgerstolz und Fürstenpracht. Kostüme des 16. bis 18. Jahrhunderts". Diese Sonderausstellung ist eine Kooperation zwischen der Abegg-Stiftung, Riggisberg, Schweiz, und dem Hessischen Landesmuseum Darmstadt. In der Ausstellung werden Kostüme aus den Beständen des Hessischen Landesmuseums Darmstadt gezeigt, ergänzt um Bestände aus den Staatlichen Kunstsammlungen Dresden. Im Zentrum der Ausstellung steht die Kostümsammlung Hüpsch des Hessischen Landesmuseums Darmstadt, das ist Kölner Patrizier- und Bürgerkleidung des 17. Jahrhunderts. - Die Sammlung Hüpsch wurde von der Abegg-Stiftung restauriert und kostümhistorisch dokumentiert. (vgl. https://www.hlmd.de/ausstellungen/archiv/detail/detail/past/buergerstolz-und-fuerstenpracht-kostueme-des-16-bis-18-jahrhunderts.html, Zugriff am 09.09.2020) , Die vorliegende Publikation ergänzt die Ausstellung "Bürgerstolz und Fürstenpracht. Kostüme des 16. bis 18. Jahrhunderts", Abegg-Stiftung, Riggisberg, 20.04.-02.11.2008. - Die Publikation ist kein Ausstellungskatalog, sondern der Bericht von Restaurierung und kostümhistorischer Untersuchung der Kostümsammlung Hüpsch , Literaturverz. S. 405-413 , Mit Glossar und Reg
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  • 72
    ISBN: 3899426606 , 9783899426601
    Language: German
    Pages: 196 S. , Ill , 23 cm, 222 gr.
    Series Statement: Kultur- und Medientheorie
    Parallel Title: Online-Ausg. vidc (Wiener Institut für Entwicklungsfragen und Zusammenarbeit) / kulturen in bewegung Blickwechsel
    DDC: 709.8
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    Keywords: Art Marketing ; History ; 21st century ; Congresses ; Art, Latin American 21st century ; Congresses ; Westliche Länder Lateinamerika ; Internationale Kulturbeziehungen ; Kultur/Sprache/Kunst ; Aufsatzsammlung ; Konferenzschrift 2006 ; Lateinamerika ; Kunst ; Lateinamerika ; Künstler ; Kunstmarkt
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  • 73
    ISBN: 9783932949708
    Language: German
    Pages: X, 209 S. , Ill.
    Series Statement: Neue Veröffentlichungen des Instituts für Ostbairische Heimatforschung der Universität Passau 59
    DDC: 739.7220943355
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    Keywords: Knives Germany ; Passau ; History ; Sword industry Germany ; Passau ; History ; Swords Germany ; Passau ; History ; Swords, Medieval Germany ; Passau ; History ; Passau (Germany) History ; Passau ; Messerschmiedehandwerk ; Prunkschwert ; Klinge ; Geschichte 1200-1680
    Note: Literaturverz. S. 191 - 209
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  • 74
    Book
    Book
    Paris : Éd. de la Maison des Sciences de l'Homme
    ISBN: 9782735111619
    Language: French
    Pages: XIII, 436 S. , zahlr. Ill., graph. Darst. , 24 cm
    Series Statement: Passages vol. 18
    Series Statement: Passagen
    Dissertation note: Zugl.: Paris, Univ., Diss., 2003 u.d.T.: Arnoux, Mathilde: La réception de la peinture germanique par les musées français
    DDC: 750
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    Keywords: Painting, German ; Art museums ; Art Exhibition techniques 19th century ; History ; Art Exhibition techniques 20th century ; History ; Public opinion ; Kunstwissenschaft ; Museum ; Kunst ; Malerei ; Kulturaustausch ; Akkulturation ; Kulturübertragung ; Geschichte ; Einflussgröße ; Frankreich Kunstgeschichte ; Museum ; Kunst ; Malerei ; Deutschland ; Rezeption ; Kulturaustausch ; Kultureinfluss ; Historische Faktoren ; Künstler Ausstellung ; Kulturpolitik ; Öffentliche Kulturförderung ; Frankreich ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Frankreich ; Museum ; Deutschland ; Malerei ; Geschichte 1871-1981 ; Deutschland ; Malerei ; Geschichte 1871-1981 ; Frankreich ; Museum ; Deutschland ; Malerei ; Geschichte 1871-1981 ; Frankreich ; Museum ; Sammeln ; Deutschland ; Malerei ; Geschichte 1871-1981
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  • 75
    ISBN: 9783839407509 , 9783899427509
    Language: German
    Pages: 1 Online-Ressource (XI, 350 Seiten) , Illustrationen, Diagramme, Karten
    Series Statement: Sozialtheorie
    Dissertation note: Dissertation Universität Mainz 2006
    DDC: 940.5421421
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    Keywords: Geschichte Europas ; Historical geography ; Kollektives Gedächtnis ; Rites and ceremonies ; Schlacht um Verdun ; Geschichte ; Normandie Invasion (1944) ; Rites and ceremonies Normandy ; History ; Rites and ceremonies Verdun ; History ; Kollektives Gedächtnis ; Schlacht um Verdun ; Operation Overlord ; Erster Weltkrieg ; Musealisierung ; Frankreich ; Frankreich ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Frankreich ; Erster Weltkrieg ; Schlacht um Verdun ; Kollektives Gedächtnis ; Operation Overlord ; Kollektives Gedächtnis ; Musealisierung
    Description / Table of Contents: Die Orte der Schlacht von Verdun und der Landung der Alliierten in der Normandie werden auch heutzutage alljährlich von tausenden Menschen anlässlich der dort stattfindenden Gedenkrituale aufgesucht. Im kollektiven Erinnern der Weltkriegsschlachten entstehen neben Gedenkräumen - basierend auf den Sphären der Ideologie, des Glaubens und des Wissens - auch andere Räume. Die Studie untersucht vor einem handlungstheoretischen Hintergrund, warum die Feierlichkeiten bis heute wichtig sind und diskutiert erstmals auf theoretischer Ebene die Frage, wie Rituale politische, sakrale und historische Räume konstruieren
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
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  • 76
    Book
    Book
    Berkeley, Calif. [u.a.] : University of California Press
    ISBN: 9780520253841
    Language: English
    Pages: XIII, 348 S. , Ill. , 24 cm
    Edition: 1. paperback print.
    Series Statement: Weimar and now 34
    Series Statement: Weimar and now
    DDC: 745.20943
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    Keywords: Design, Industrial Germany ; History ; Design, Industrial Germany ; History ; Deutschland ; Industriedesign ; Geschichte 1920-1960 ; Deutschland ; Industriedesign ; Geschichte 1945-1965 ; Alltagskultur ; Warenästhetik
    Description / Table of Contents: Literaturverz. S. 319 - 338
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  • 77
    ISBN: 9781856695145 , 185669514X
    Language: English
    Pages: 304 S. , überw. Ill., Kt , 33cm
    DDC: 720.95335
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    Keywords: Architecture Yemen (Republic) ; Architecture Yemen (Republic) ; History ; Architecture, Islamic Yemen (Republic) ; Jemen ; Architektur
    Note: Includes bibliographical references and index. - Formerly CIP
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  • 78
    ISBN: 3631559542 , 9783631559543 , 0820487422
    Language: English
    Pages: 203 Seiten , Illustrationen , 21 cm
    Edition: 1. Aufl.
    Series Statement: Gesellschaften und Staaten im Epochenwandel Band 13
    Series Statement: Gesellschaften und Staaten im Epochenwandel
    Dissertation note: Dissertation Edinburgh 2005
    DDC: 300
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    Keywords: City planning Case studies ; City planning Citizen participation ; Urban renewal Case studies ; Group identity ; Historic buildings Conservation and restoration ; Architecture History ; Dresden ; Architekt ; Stadtbild ; Frauenkirche ; Bürgerbeteiligung ; Regionale Identität ; Dresden (Germany) Buildings, structures, etc ; History ; Germany (East) Politics and government 1989-1990 ; Germany History Unification, 1990 ; Hochschulschrift ; Dresden ; Architektur ; Stadtbild ; Regionale Identität ; Frauenkirche Dresden ; Wiederaufbau ; Bürgerinitiative ; Regionale Identität ; Bürgerbeteiligung
    Abstract: The reunification of Germany in 1990 has prompted far-reaching debates about German identity, history and tradition. One framework for these debates is provided by the extensive urban development and building activities which have commenced in Eastern Germany since 1990. This ethnographic case study of post-communist Dresden explores the complex symbolic meanings of such projects as the rebuilding of the Frauenkirche, Dresden’s quarrels with the UNESCO about a new Elbe bridge, and many others. It traces a history of civic engagement from the time of the GDR through to the present of reunified Germany, and demonstrates the built environment’s importance for identity construction in periods of social transformation.
    Note: Quellen- und Literaturverzeichnis: Seite 193-202
    URL: Cover
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  • 79
    Online Resource
    Online Resource
    Bloomington : Indiana University Press
    ISBN: 9780253219480 , 9780253349811
    Language: English
    Pages: Online-Ressource (xvi, 351 p) , ill , 24 cm
    Edition: Online-Ausg. 2009 Electronic reproduction; Available via World Wide Web
    Parallel Title: Print version Mass Culture and Italian Society from Fascism to the Cold War
    DDC: 302.230945/09044
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    Keywords: Mass media History 20th century ; Mass media Political aspects 20th century ; History ; Mass media ; Italy ; History ; 20th century ; Mass media ; Political aspects ; Italy ; History ; 20th century ; Electronic books
    Abstract: The 1930s to the 1950s in Italy witnessed large increases in film-going, radio-listening, and the sale of music and weekly magazines. The industries that made and sold commercial, cultural products were transformed by the new technologies of reproduction and new approaches to marketing and distribution.Yet historians tend to place the "real" genesis of mass culture in the 1960s, or to generalize about the harnessing of mass culture to the Fascist political project, without considering what kind of mass cu
    Description / Table of Contents: Cover; Contents; Preface and Acknowledgments; List of Abbreviations; Introduction: Culture, Place, and Nation; Part 1. Cultural Consumption and Everyday Life; 1 Patterns of Consumption; 2 Practices of the Self: Intimacy, Sexuality, Sport, Fashion; Part 2. Cultural Industries and Markets; 3 Publishing: Books, Magazines, and Comics; 4 Film Production; 5 The Film Market: Distribution, Exhibition, and Stars; 6 Radio and Recorded Music; Part 3. Politics and Mass Culture; 7 State Intervention in Cultural Activity; 8 Civil Society and Organized Leisure; Conclusion
    Description / Table of Contents: Appendix 1. The Oral History Project, by Marcella FilippaAppendix 2. Table of Interviewees; Appendix 3. Questionnaire; Notes; Bibliography; Index
    Note: Includes bibliographical references (p. [331]-344) and index , Electronic reproduction; Available via World Wide Web
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  • 80
    ISBN: 3412002062 , 9783412002060
    Language: German
    Pages: 480 S. , Ill., Kt. , 25 cm
    Additional Information: Rezensiert in Gaisreiter, Sigrid [Rezension von: Christoph Otterbeck, Europa verlassen. Künstlerreisen am Beginn des 20. Jahrhunderts] 2007
    Series Statement: Studien zur Kunst 4
    Series Statement: Studien zur Kunst
    Dissertation note: Zugl.: Marburg, Univ., Diss., 2004
    DDC: 306.48190887
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    Keywords: Artists Travel 20th century ; History ; Art, European 20th century ; Exoticism in art ; Exotismus ; Japonismus ; Künstler ; Orientalismus ; Primitivismus ; Reise ; Beeh, René ; Hofer, Karl ; Kahler, Eugen von ; Kandinsky, Wassily ; Klee, Paul ; Macke, August ; Moilliet, Louis ; Münter, Gabriele ; Nolde, Emil ; Orlik, Emil ; Pechstein, Max ; Reylaender, Ottilie ; Slevogt, Max ; Dissertation ; Geschichte 1900-1927 ; Deutschland Kulturaustausch/Kulturkontakt ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Künstler ; Reise ; Geschichte 1900-1927 ; Künstler ; Reise ; Reisebericht ; Kulturkontakt ; Exotismus ; Japonismus ; Kunst ; Orientalismus ; Primitivismus ; Geschichte 1900-1927
    Note: Literaturverz. u. Bildnachweis S. 453 - 480
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  • 81
    ISBN: 305004182X , 9783050041827
    Language: German , French
    Pages: XV, 410 S. , Ill. , 24 cm
    Additional Information: Rezension Nikola Doll ... (Hrsg.): Kunstgeschichte nach 1945, Kontinuität und Neubeginn in Deutschland, Köln, Weimar, Wien 2006 und Martin Schieder, Isabelle Ewig (Hrsg.): In die Freiheit geworfen, Positionen zur deutsch-französischen Kunstgeschichte nach 1945, Berlin 2006 2007
    Additional Information: Rezensiert in Steinkamp, Maike, 1974 - [Rezension von: Nikola Doll (Hrsg.), Kunstgeschichte nach 1945. Kontinuität und Neubeginn in Deutschland - Martin Schieder (Hrsg.), In die Freiheit geworfen. Positionen zur deutsch-französischen Kunstgeschichte nach 1945] 2007
    Series Statement: Passagen Bd. 13
    Series Statement: Deutsch-französische Kunstbeziehungen, Kritik und Vermittlung
    Series Statement: Passagen
    DDC: 709.4309045
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    Keywords: Art France ; History ; Art Germany ; History ; Art, French History ; 20th century ; Art, German History ; 20th century ; Frankreich Deutschland ; Bilaterale internationale Beziehungen ; Internationale wissenschaftlich-technologische Zusammenarbeit ; Internationale kulturelle Zusammenarbeit ; Kunstgeschichte ; Kulturvermittlung ; Wissenschaftleraustausch Wissenschaftliche Tätigkeit ; Kulturelle Einrichtung ; Wissenschaftliche Einrichtung ; Internationaler Austausch von Personen ; Internationale wissenschaftlich-technische Kommunikation ; Internationale wissenschaftlich-technologische Beziehungen ; Deutsch-französisches Kulturabkommen (1954-10-23) ; Kunstwissenschaften ; Kunst ; Perzeption ; Aufsatzsammlung ; Deutschland ; Kunst ; Frankreich ; Geschichte 1945-1965
    Note: Beitr. teilw. dt., teilw. franz. - Literaturangaben
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  • 82
    Language: German
    Pages: Online-Ressource
    Series Statement: Semmering Architektur 1
    Series Statement: Semmering-Architektur
    Parallel Title: Druckausg. Vasko-Juhász, Désirée Semmering Architektur ; 1: Die Südbahn
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    Keywords: Hotels History ; Health resorts History ; History ; Südbahn ; Hotelbau ; Geschichte ; Südbahn-Hotel ; Hotelbau ; Geschichte ; Südbahn ; Hotelbau ; Kurort
    Abstract: Das vorgelegte Werk ist als 1. Band einer zweiteilig geplanten Publikation verfasst worden, die sich mit den kulturhistorischen und architekturgeschichtlichen Aspekten der Hotel- und Villenbauten am Semmering im südlichen Niederösterreich beschäftigt. Die Arbeit ist eine Fortsetzung eines vom FWF geförderten Forschungsprojekts (Nr. P 13959 ) unter der wissenschaftlichen Leitung und Begutachtung des Antragstellers (Univ.-Prof.Dr. Mario Schwarz). Gegenstand der Untersuchungen und Ausführungen dieses Bandes ist die kulturgeschichtliche Stellung und Bedeutung der Südbahngesellschaft bei der Erschließung der Semmering-Region als erstrangig bedeutendes Naherholungsgebiet des Wiener Bürgertums im späten 19. Jahrhundertwende bis zum Ersten Weltkrieg. Die Untersuchung zeigt, dass die Aufschließung dieses Gebiets hauptsächlich auf die Initiative des Direktors der Südbahngesellschaft Friedrich Schüler sowie auf den Hofbildhauer Franz Schönthaler zurückgeht. Die Umsetzung der Planungen im Bereich der Hotelarchitektur ist in der ersten Phase auf Architekt Franz Wilhelm, den Mitarbeiter des Erbauers des Wiener Südbahnhofes Wilhelm Flattich zurückzuführen, in einer zweiten Phase auf die Architekten Alfred Wildhack und Robert v. Morpurgo. Die Forschungen der Verfasserin erschließen sowohl zu den bisher gänzlich unbearbeiteten Werken dieser Architekten, als auch zu ihren Biographien wichtige Erkenntnisse. Völlig neue, wichtige Ergebnisse brachte die Untersuchung hinsichtlich der Zusammenhänge der Hotelbauten am Semmering mit den großen Hotelanlagen der Südbahngesellschaft in Toblach (Dobiacco; von Wilhelm Flattich) und Abbazia (Opatija; von Alfred Wildhack u.a.) als Aktivitäten einer corporate identity der Bahngesellschaft. Diese Ergebnisse stellen die Südbahngesellschaft mit an die Weltspitze der berühmten Hotelaanlagen von Eisenbahngesellschaften, für die die Autorin zahlreiche Vergleichsbeispiele von Großbritannien bis in die USA anführt. Die Verfasserin erschließt damit den Bereich eines bisher erst in wenigen Ansätzen erforschten Gebiets der Architekturgeschichte. Sowohl vom Ambiente als auch von den gewählten Stileigenschaften der Bauten bestehen jedoch auch wichtige Bezüge der Hotelarchitektur des Semmering zu den Hotelbauten in der Schweiz. In einem großangelegten Überblick bindet die Autorin die Semmeringhotels in die kulturgeschichtliche Entwicklung der Region um die "Wiener Hausberge" in der zweiten Hälfte des 19. Jahrhundert ...
    Abstract: The present manuscript is intended to be part I of a publication in two volumes, which deals with the historic architecture in the region of "Semmering" in southern Lower Austria from the point of view of art history, cultural history and history of architecture. The study was attempted in continuation of the FWF-project P 13959 under scientifical direction and supervision of the applicant (Prof.Dr. Mario Schwarz). Main topic of this study is the role and importance of the "Suedbahngesellschaft" (Southern Railway Company) in the process of the formation of the Semmering-region as a first-rate holiday resort of the Viennese society during the late 19th century up to the beginning of World War I. The study shows that the forming of this region mainly depended on the initiative of Friedrich Schueler, the Southern Railways Company's director, and Franz Schoenthaler, sculptor in duty of the Imperial Court. The materialization of the planning in the field of hotel-architecture in the first phase was due to architect Franz Wilhelm - collaborator of Wilhelm Flattich, who designed the railway-station of the Southern Railway Company at Vienna, in the second phase due to the architects Alfred Wildhack and Robert v. Morpurgo. The author's research brought a lot of new insight in work and biographies of these architects, who have been neglected so far by the art history. New, important results were achieved by this study concerning the links between the Semmering hotel-architecture and the grand hotel-resorts at Dobiacco (Toblach; architect: Wilhelm Flattich) and Opatija (Abbazia; architect: Alfred Wildhack e.a.), built by the Southern Railway Company as well, which have to be seen as activities in sense of the company's "corporate identity". Thus the company appears among the leading entrepreneurs in the world as founder of railway-hotels. The author presents several famous examples of this kind of hotels from Great Britain to the USA. Here the study is entering a field of architectural research, which still stands at the beginning. There are also important relations between the Semmering hotel-architecture and the historical hotels of Switzerland. In a large panorama the author includes the Semmering hotels in the general regional development of the "Wiener Hausberge" (hills and mountains near Vienna) during the second half of 19th century, especially in the time after the construction of the Semmering railway. The study comprehensively is illustrated with photograph ...
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  • 83
    Online Resource
    Online Resource
    Wien : Böhlau
    ISBN: 9783205774310
    Language: German
    Pages: 1 electronic resource (264 Seiten p.)
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    Keywords: History
    Abstract: Das vorgelegte Werk ist als zweiter - unabhängiger - Band einer zweiteiligen Publikation verfasst worden, die sich mit den kulturhistorischen und architekturgeschichtlichen Aspekten der Hotel- und Villenbauten am Semmering im südlichen Niederösterreich beschäftigt. Die Arbeit ist das Ergebnis eines einjährigen, vom FWF geförderten Forschungsprojektes (Nr. P 13959), das unter der verantwortlichen wissenschaftlichen Leitung des Antragstellers (Univ.-Prof. Dr. Mario Schwarz) gestanden ist. Der forschungsbeauftragte Bearbeiter Dr. Günther Buchinger erstellte im Rahmen einer flächendeckenden Untersuchung eine kunsthistorisch-architekturgeschichtliche Bestandsaufnahme der Landhäuser und Villen am Semmering. Die Arbeit umfasst neben detaillierten bauhistorischen Erhebungen der einzelnen Objekte umfassende Ergebnisse über die Auftraggeber sowie über die Architekten und Baumeister. In weiterer Folge wurden umfangreiche stilgeschichtliche Analysen ausgearbeitet. Durch die Aufklärung der Entstehungsumstände der Objekte, über biographische Untersuchungen der Bauherren und Baumeister, konnte der strukturelle Hintergrund der am Semmering künstlich entstandenen Siedlung verständlich gemacht werden. Es bietet sich das Bild einer in der Wiener Gesellschaft einflussreichen sozialen Gruppe, die hier aus persönlichen, teils über verwandtschaftliche Beziehungen, teils über geschäftliche Interessen vermittelten Motiven das zur Entstehungszeit neuartige, zukunftsweisende Konstrukt eines Urlaubs- und Erholungsortes im Sinne eines "Freizeitparadieses" schuf. Die dabei entstandene Villenkolonie diente durchaus nicht nur zum privaten Gebrauch, sondern wurde gleichzeitig auch fremdenverkehrsorientiert - teils im Zusammenhang mit dem Hotelbau - genutzt. In seinen stilanalytischen Untersuchungen gelingt es Günther Buchinger überzeugend nachzuweisen, dass der vielfach unter dem Begriff "Heimatstil" , "vernakuläre Architektur" oder "Schweizerhausstil" zusammengefasste Typus tatsächlich als eine Sonderform der allgemeinen Entwicklung des Historismus an der Wende vom Strengen Historismus zum Späthistorismus zu bewerten ist. Im Sinne des Strengen Historismus wurden Vorlagenmuster konkreter Architekturvorbilder - vorzugsweise aus Publikationen über historische Schweizer Landhausarchitektur - herangezogen und extensiv zitiert . In der Folge entwickelten sich die Formen im Sinne des Späthistorismus in freier Entfaltung weiter und nahmen auch erste Jugendstilelemente ...
    Abstract: The present manuscript is intended to be part II of a publication in two volumes, but at the same time it can be seen as an independent, complete study. It deals with the different aspects of the historic architecture in the region of "Semmering" in southern Lower Austria. The book is the result of the FWF-project P 13959, in which one year of research under scientifically direction and supervision of the applicant (Prof. Dr. Mario Schwarz) was dedicated to intensive studies in art history, cultural history and history of architecture of this region. The author Dr. Guenther Buchinger - responsible collaborator of the project - attempted a large-scale research of the historical villas and county-houses at Semmering. The study contains a full, detailed documentation of the history and construction of the buildings and much information about the employers and the building contractors and architects as well. Consequently the author elaborated a comprehensive stylistic analyse. By the way of elucidating the circumstances of the construction of the buildings, it was possible to reconsider the background of the creating of this artificial settlement at Semmering. A certain social group of great influence among the Viennese bourgeoisie appears in this study, which created this recreation resort as a "vacation-paradise", at that time a complete new, futuristic project, motivated by personal and commercial interests likewise. The result, a colony of villas, was used not only for private purpose, but at the same time for tourism, partially in connection with the hotel buildings.In his stylistic analyse Guenther Buchinger gives a convincing proof that the phenomenon, which in general is subsumed as "homeland-style", "vernacular architecture" or "Swiss-cottage-style", in fact is a particular form of historicism between "severe historicism" and "late historicism". In the sense of "severe historicism" patterns of genuine architecture - by preference from publications on historical Swiss architecture - were used and extensively quoted. Consequently the forms and details developed in the style of "late historicism" in free evolution and eventually took into the formal repertory also elements of "Jugendstil". The scientific results of this study are important especially concerning the architects Franz von Neumann and Josef Buendsdorf, whose work has not yet been object of detailed research, but likewise for the general oeuvre of the prominent contractor's bureau Fellner & H ...
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  • 84
    ISBN: 9783205992684
    Language: German
    Pages: 1 Online-Ressource (912 p.)
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    Keywords: History
    Abstract: This volume is the last and final part of a trilogy on a detailed history of Vienna. It covers the period from 1790 until the present times. For the decisive forces as well as the inhabitants of the city this era of the urban development of Vienna has to be counted among the most dramatic periods characterised by a great number of real breaks in history. Napoleonic occupation, the revolution of 1848, the constitutional as well as the economic and social changes from the middle of the 19th century onwards, the final end of the position as "Reichshaupt- und Residenzstadt" (capital and residential city of the Austro-Hungarian empire) at the end of World War I, the challenging and complicated inter-war-period, Vienna's fate under Nazi-domination, the air raid of World War II and its end as well as the years after 1945 so far never described in such a comprehensive manner - all these events establish the chronological screen for the description and mark decisive incidents being treated here. In a chronological framework six authors arrange a pattern of Vienna's political, social, economic and cultural history. An innovative step is marked by the attempt to give a description of the ever so decisive periods like the "Fin-de-Siècle" and the complicated years after 1918 considering the intellectual mainstream and including men of letters and their works as contemporary witnesses and references. Vienna's development after 1945 - regarding the political history until the elections of 2001, the social and economic history in some aspects even furthermore - has not been treated in such a profound manner so far. This volume - as its predecessors - imparts the latest state of research to a wide public, supported by many illustrations and a large bibliography as well as a useful register of place names and persons
    Abstract: Der dritte und abschließende Band einer auf drei Bände konzipierten Stadtgeschichte beschäftigt sich mit dem Zeitraum von 1790 bis zur Gegenwart. Diese Epoche der Wiener Stadtentwicklung zählt für die gestaltenden Kräfte in der Stadt wie auch für deren Bewohnerinnen und Bewohner zweifellos zu den besonders dramatischen, von vielen regelrechten Brüchen charakterisierten Zeitspannen. Napoleonische Besetzung, die Revolution des Jahres 1848, die konstitutionellen wie die wirtschaftlichen und sozialen Veränderungen ab der Mitte des 19. Jahrhunderts, das Ende der Stellung als Reichshaupt- und Residenzstadt mit dem Ende des Ersten Weltkrieges, die schwierige Epoche der Zwischenkriegszeit, die Geschicke Wiens unter der NS-Herrschaft, die Bombenjahre des Zweiten Weltkrieges und dessen Ende wie natürlich auch die bislang noch niemals derart umfassend behandelten Jahre seit 1945 - all das bildet die Zeitfolie, vor der die Darstellung abläuft, markiert einschneidende Geschehnisse, denen sie sich widmet. Sechs Autorinnen und Autoren vermitteln in einem vom Grundsatz her chronologischen Aufbau ein Bild, das verwoben in die (politische) Ereignisgeschichte der sozialen, wirtschaftlichen und kulturellen Entwicklung breiten Raum einräumt. Dabei stellt der Versuch, die für Wien so prägenden Epochen des "Fin-de-Siècle" und dann der so ungemein schwierigen Jahre nach 1918 unter starker Berücksichtigung geistesgeschichtlicher Strömungen und mehrfach mittels des Einbaus literarischer Zeitzeugen bzw. -zeugnisse zu behandeln, einen methodisch durchaus innovativen Weg dar. Die Jahre der Wiener Entwicklung nach 1945, im Hinblick auf die politische Geschichte bis zur Gemeinderats- und Landtagswahl von 2001, bezüglich der sozialen und wirtschaftlichen Entwicklung in Ansätzen sogar noch darüber hinaus, haben bislang noch niemals in derart eingehender Form Darstellung gefunden. Wie schon bei den 2001 und 2003 vorgelegten Bänden 1 und 2 dieses dreibändigen Werkes gilt auch für den letzten Band das Bemühen, eine auch breiteren Kreisen zugängliche Darstellung zu bieten. Dies wird durch eine reiche Bebilderung, eine umfangreiche Bibliographie sowie ein Register der Orts- und Personennamen unterstützt
    Note: German
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  • 85
    ISBN: 3631543301
    Language: German
    Pages: 424 S. , Ill., graph. Darst., Kt.
    Series Statement: Europäische Hochschulschriften - Reihe XXVIII, Kunstgeschichte 418
    Series Statement: Europäische Hochschulschriften - Reihe XXVIII, Kunstgeschichte
    Dissertation note: Zugl.: Regensburg, Univ., Diss., 2005
    DDC: 306.40943
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    Keywords: Geschichte 1900-2000 ; Geschichte 1945-1949 ; Geschichte 1945-1963 ; Geschichte 1949-1965 ; Geschichte ; Kunst ; Art and state History 20th century ; Art Exhibitions History 20th century ; Museum ; Geschichte ; Kunstvermittlung ; Kunstausstellung ; Kunst ; Kulturpolitik ; Ausstellung ; Deutschland ; Germany Cultural policy 20th century ; History ; Deutschland ; Deutschland ; Deutschland ; Deutschland ; Geschichte 1945-1963,ca. ; Ausstellungskatalog ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Ausstellungskatalog ; Hochschulschrift ; Hochschulschrift ; Ausstellungskatalog ; Hochschulschrift ; Deutschland ; Kunstausstellung ; Kunstvermittlung ; Deutschland ; Geschichte 1949-1965 ; Deutschland ; Kunstausstellung ; Kunstvermittlung ; Deutschland ; Geschichte 1945-1949 ; Deutschland ; Kulturpolitik ; Deutschland ; Geschichte 1949-1965 ; Deutschland ; Kulturpolitik ; Deutschland ; Geschichte 1945-1949 ; Deutschland ; Kunst ; Geschichte ; Geschichte 1945-1963 ; Deutschland ; Ausstellung ; Geschichte 1945-1963 ; Deutschland ; Museum ; Geschichte 1945-1963 ; Deutschland ; Museum ; Geschichte 1945-1963 ; Deutschland ; Ausstellung ; Geschichte 1945-1963 ; Deutschland ; Kunst ; Geschichte ; Geschichte 1945-1963
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  • 86
    ISBN: 393359894X , 9783933598943
    Language: German
    Pages: 483 S. , zahlr. Ill. , 230 mm x 158 mm
    Series Statement: Bau + Kunst 13
    Series Statement: Bau + Kunst
    DDC: 390
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    Keywords: Johann Georg 〈II, Elector of Saxony, 1613-1680〉 ; Johann Georg ; Geschichte 1600-1700 ; Geschichte 1660-1679 ; Alltag, Brauchtum ; Geschichte ; Aristocracy (Social class) Social life and customs 17th century ; Festivals History 17th century ; Pageants History 17th century ; Processions History 17th century ; Rites and ceremonies History 17th century ; Kultur ; Hof ; Fest ; Deutschland ; Dresden (Germany) Court and courtiers 17th century ; History ; Dresden (Germany) Social life and customs 17th century ; Dresden ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Johann Georg II. Sachsen, Kurfürst 1613-1680 ; Dresden ; Hof ; Fest ; Kultur ; Geschichte 1660-1679
    Note: Vollst. zugl.: Kiel, Univ., Diss., 2002
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  • 87
    ISBN: 3593380382 , 9783593380384
    Language: German
    Pages: 326 S. , graph. Darst. , 213 mm x 140 mm
    Dissertation note: Zugl.: Bamberg, Univ., Diss., 2005
    DDC: 700
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    Keywords: Warhol, Andy Criticism and interpretation ; Pop art ; Art Economic aspects 20th century ; History ; Art Marketing 20th century ; History ; Art, Modern 20th century ; Hochschulschrift ; Warhol, Andy 1928-1987 ; New York, NY ; Kunstbetrieb ; Ästhetik ; Geschichte 1950-1990 ; Kunstbetrieb ; Ästhetik ; Geschichte 1400-2000
    Note: Literaturverz. S. [301] - 326
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  • 88
    ISBN: 9789004148932 , 904741795X , 9004148930 , 9789047417958
    Language: English
    Pages: 1 Online-Ressource (455 pages)
    Series Statement: Brill's Studies in Intellectual History Ser v. 135
    Parallel Title: Erscheint auch als Rietbergen, Peter J. A. N., 1950 - Power and religion in Baroque Rome
    Parallel Title: Print version Rietbergen, Peter Power and Religion in Baroque Rome : Barberini Cultural Policies
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    Keywords: Barberini, Francesco ; Urban ; Barberini, Francesco ; Urban ; Eggenberg, Johann Anton von ; Papacy History 1566-1799 ; Papacy ; Barberini, Francesco ; Urban ; Urban ; Urban (Papst, VIII.) ; Katholische Kirche ; HISTORY ; Europe ; General ; Civilization ; Christian influences ; Papacy ; Barock ; Gegenreformation ; Kultur ; Kulturpolitik ; Cultuurgeschiedenis ; Pausdom ; Cultuurbeleid ; Katholische Kirche ; Rome (Empire) ; History ; Rome Civilization 17th century ; Christian influences ; History ; Rome ; Electronic books ; Urban VIII. Papst 1568-1644 ; Gegenreformation ; Kulturpolitik ; Legitimation ; Geschichte 1623-1644
    Abstract: APPENDIX Chronological list of the main (collected) editionsof the poems of maffeo barberini CHAPTER THREE THE 'DAYS AND WORKS' OF FRANCESCO, CARDINAL BARBERINI, OR: HOW TO BE A POWERFUL CARDINAL-PADRONE? ; Introduction; How to be a cardinal?; How to be a cardinal and a papal nephew?; Baroque behaviour: Young Francesco's 'days and works'; Piety and patronage as politics: the roles of a cardinal-padrone; Conclusion: the very model of a 'modern' cardinal-padrone?; CHAPTER FOUR PRINCE ECKEMBERGH COMES TO DINNER, OR: POWER THROUGH CULINARY CEREMONY ; Introduction; Preparations
    Abstract: CHAPTER ONE THE BARBERINI BUILD A CHAPEL, OR: RISING TO POWER IN POST-TRIDENTINE ROMEIntroduction; From the periphery to the centre: the vicissitudes of the Barberini from the 12th to the 16th century; A sense of family between Curial careers and social status; Capella aedificatur; Questions of iconography: the influence of Trent; Opus finitum?; Conclusion: Capella sanctificatur; CHAPTER TWO MAFFEO BARBERINI-URBAN VIII, THE POET-POPE, OR: THE POWER OF POETIC PROPAGANDA ; Introduction; A poetic program? "Levan di terra al Ciel nostr'intelletto"-'they lift our understanding towards Heaven'
    Abstract: CHAPTER ONE THE BARBERINI BUILD A CHAPEL, OR: RISING TO POWER IN POST-TRIDENTINE ROMEIntroduction; From the periphery to the centre: the vicissitudes of the Barberini from the 12th to the 16th century; A sense of family between Curial careers and social status; Capella aedificatur; Questions of iconography: the influence of Trent; Opus finitum?; Conclusion: Capella sanctificatur; CHAPTER TWO MAFFEO BARBERINI-URBAN VIII, THE POET-POPE, OR: THE POWER OF POETIC PROPAGANDA ; Introduction; A poetic program? "Levan di terra al Ciel nostr'intelletto"-'they lift our understanding towards Heaven'
    Abstract: POWER AND RELIGION IN BAROQUE ROME; COPYRIGHT ; CONTENTS; FOREWORD; ACKNOWLEDGEMENTS; INTRODUCTION WHEN THE BEES FLEW & ; Historiography; Sources; Problems: power, religion and cultural policy in Baroque Rome; PROLOGUE GIACINTO GIGLI, CHRONICLER, OR: POWER IN THE STREETS OF ROME ; Introduction; The chronicler of Baroque Rome; The powers of nature; The powers of the world; The "Urbs" as a physical manifestation of power; Papal power; The power of the papal relatives; Ceremony and ritual: ephemeral power?; Holy or unholy power?; The ageing of power; Conclusion
    Abstract: The first entry and the first audienceA ceremonial society; The second entry; The second audience, and the papal banquet; Continuing festivities; A propagandistic display: food for thought; The menu; Further food inferences; Table manners; Conclusion; CHAPTER FIVE THE BARE FEET OF ST. AUGUSTINE, OR: THE POWER OF RELIGIOUS IMAGES ; Introduction; Prehistory; An outline of the case; The legal foundations of the case against the new image; The historical reality of the new image; The tradition of Augustinian iconography and the new image; The new image: symbol, meaning and function
    Abstract: The first entry and the first audienceA ceremonial society; The second entry; The second audience, and the papal banquet; Continuing festivities; A propagandistic display: food for thought; The menu; Further food inferences; Table manners; Conclusion; CHAPTER FIVE THE BARE FEET OF ST. AUGUSTINE, OR: THE POWER OF RELIGIOUS IMAGES ; Introduction; Prehistory; An outline of the case; The legal foundations of the case against the new image; The historical reality of the new image; The tradition of Augustinian iconography and the new image; The new image: symbol, meaning and function
    Note: Includes bibliographical references and index , The economic and financial significance of the new image
    URL: Volltext  (kostenfrei)
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  • 89
    Language: English
    Pages: S. 582 - 709 , Ill
    Additional Information: Rezensiert in Denery, Dallas G. [Rezension von: Olson, Roberta J. M., The Biography of the Object in Late Medieval and Renaissance Italy] 2008
    Series Statement: Renaissance studies 19.2005,5
    Series Statement: Renaissance studies
    DDC: 306.46094509031
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    Keywords: Material culture Social aspects ; Italy ; History ; 16th century ; Art objects, Renaissance Social aspects ; Italy ; History ; 16th century ; Art objects, Italian Social aspects ; History ; 16th century ; Antiquities Social aspects ; Italy ; History ; 16th century ; Geschichte ; Italien ; Renaissance ; Geschichte 1420-1600
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  • 90
    ISBN: 8389424282
    Language: Polish , English
    Pages: 183 S , Ill.
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    Keywords: Costume Poland ; History ; Polen ; Männerkleidung ; Geschichte 600-1918 ; Kontusch ; Geschichte
    Note: Mit Zusammenfassung in engl. Sprache S. 179 - 183 , Zsfassung in engl. Sprache
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  • 91
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    Sulgen : Niggli
    ISBN: 3721205197
    Language: German
    Pages: 232 S , zahlr. Ill., graph. Darst , 31 cm
    DDC: 390
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    Keywords: Architecture, Japanese ; Japanese tea ceremony History ; Tearooms Japan ; History ; Japan Social life and customs ; Bildband ; Bildband ; Bildband ; Japan ; Teehaus ; Japan ; Teezeremonie
    Note: Literaturverz. S. 227 - 230
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  • 92
    Book
    Book
    Philadelphia : Univ. of Pennsylvania Press
    ISBN: 0812238427
    Language: English
    Pages: X, 341 S , zahlr. Ill., Kt
    Series Statement: Early American studies
    DDC: 306.4/7/097409033
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    Keywords: Art, American 18th century ; Art, Colonial ; Art patronage History 18th century ; Art and society History 18th century ; Art, American New England ; 18th century ; Art, Colonial New England ; Art patronage New England ; History ; 18th century ; Art and society New England ; History ; 18th century ; Neuengland ; Kunst ; Mäzenatentum ; Geschichte 1700-1800
    Note: Includes bibliographical references and index
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  • 93
    Online Resource
    Online Resource
    Dordrecht : Springer Netherlands
    ISBN: 9781402044410
    Language: English
    Pages: Online-Ressource (XXXII, 690 p, online resource)
    Series Statement: Rembrandt Research Project Foundation 4
    Series Statement: SpringerLink
    Series Statement: Bücher
    Series Statement: Springer-11648
    Parallel Title: Druckausg. A corpus of Rembrandt paintings ; 4: The self-portraits
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    Keywords: History ; Arts ; Humanities ; Humanities / Arts / Design
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 94
    ISBN: 9783666355820
    Language: German
    Pages: 1 Online-Ressource (389 S.) , Ill., Kt.
    Series Statement: Formen der Erinnerung 22
    Series Statement: Formen der Erinnerung
    Parallel Title: Erscheint auch als
    DDC: 830
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    Keywords: Geschichte 1600-1900 ; Geistesgeschichte 1600-1900 ; Geschichte ; Gesellschaft ; Gardens Congresses History ; Gardens Congresses Social aspects ; History ; Landscape architecture Congresses History ; Literatur ; Garten ; Garten ; Institutionalisierung ; Konferenzschrift 2002 ; Garten ; Literatur ; Geschichte 1600-1900 ; Garten ; Institutionalisierung ; Geistesgeschichte 1600-1900
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  • 95
    ISBN: 3422064419
    Language: German
    Pages: 88 S. , Ill.
    Series Statement: Bayerische Museen 29
    Series Statement: Bayerische Museen
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    Keywords: Crèches (Nativity scenes) Conservation and restoration ; Germany ; Oberammergau ; Crèches (Nativity scenes) Germany ; Oberammergau ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Oberammergau Museum ; Krippe ; Geschichte 1700-1900 ; Restaurierung ; Oberammergau ; Krippe ; Restaurierung ; Geschichte 1700-1900
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  • 96
    ISBN: 0415405823 , 9780415297905 , 9780415405829 , 0415297907
    Language: English
    Pages: XVII, 309 S. , Ill. , 24cm
    Edition: 1st publ.
    DDC: 745/.0952
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    Keywords: Yanagi, Muneyoshi Criticism and interpretation ; Folk art History 20th century ; Culture History 20th century ; Identity (Psychology) ; Yanagi Muneyoshi ; 1889-1961 ; Criticism and interpretation ; Folk art Japan ; History ; 20th century ; Culture Japan ; History ; 20th century ; Identity (Psychology) Japan ; Volkskunst ; Kunst ; Orientalismus ; Kulturgeschichte ; Kunsthandwerk ; Japan ; Kulturelle Identität ; Orientalismus ; Mingei ; Geschichte
    Description / Table of Contents: Orientalism: the foundation of Mingei theory. Yanagi's claims to originality ; The Oriental-Occidental hybrid of philosophy and religion ; Utopian colonism, primitivism and orientalism ; 'Art of the people' and medievalism: Ruskin, Morris and Japanese peasant art movements ; Japanese tea masters.Appropriation of Orientalism. The formation of Mingei theory ; Mingei theory: the classification and standardisation of beauty ; Mingei projects: repositioned in a modern context ; Modernity and Japanese cultural and national identity ; Arts and crafts in modern Japan: export craft industry and modern craft movements ; Cultural nationalism in art: invention of 'Japaneseness' and 'Japanese style' ; National discourse by modernist Orientalist designers ; Yanagi's nationalist discourse on 'quentessential Japaneseness' and Japan's North-East (Tōhoku) -- 'Oriental Orientalism'. The creation of 'Others' and Oriental Orientalism ; Korea: the beauty of sadness ; The Okinawans and the Ainu: archetypal beauty of Japan in the peripheral border with the Orient ; Taiwan and North-East China/Manchuria: the beauty of the Orient and Greater East Asia ; Yanagi's Oriental Orientalism. -- Reverse Orientalism: the development of Mingei theory into national and international Modernism. Mystification of Mingei in Zen Buddhist aesthetics ; Mingei as modern visual representation of tea aesthetics ; Mingei theory for studio crafts: the predicament of the Mingei-style artist-craftsmen ; Mingei for national design: the Mingei-style for 'Japanese Modern' design and Kurafuto ; The foundation and deconstruction of the 'Leach tradition' for British studio craft philosophy ; Art or craft.
    Note: Bibliogr. S. 273 - 298 , Includes bibliographical references and index. - Formerly CIP
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  • 97
    Image
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    [New York, NY] : Asia Society
    ISBN: 0878480994
    Language: English
    Pages: 325 S , z.T. farb. Ill , 28 cm
    DDC: 793.095
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    Keywords: Indoor games Exhibitions ; History ; Asia ; Games Exhibitions ; History ; Asia ; New York ; NY, 2004 ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Asien ; Gesellschaftsspiel ; Ballspiel
    Note: Literaturverz. S. 311 - 320
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  • 98
    ISBN: 888746927X , 3927270458
    Language: Italian , German , English
    Pages: 263 S , zahlr. Ill., Kt
    Edition: 1. ed.
    DDC: 947.010743364
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    Keywords: Russia ; Exhibitions ; Colonies ; America ; North Pacific region ; Exhibitions ; Antiquities ; California, Northern ; Exhibitions ; Antiquities ; Alaska ; Exhibitions ; History ; to 1867 ; North Pacific region ; Discovery and exploration ; Russian ; Ausstellungskatalog ; Katalog ; Ausstellungskatalog 2004 ; Ausstellungskatalog ; Katalog ; Ausstellungskatalog 2004 ; Eesti ajaloomuuseum ; Pazifischer Ozean Nord ; Volkskunst ; Russland ; Kolonie ; Volkskunst ; Pazifischer Ozean Nord ; Eskimo ; Volkskunst ; Pazifischer Ozean Nord ; Pazifischer Raum Nord ; Alaska ; Sibirien Nord ; Russen ; Kunsthandwerk ; Eskimo ; Geschichte 1741-1867
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  • 99
    Image
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    London : Philip Wilson
    ISBN: 0856675946
    Language: English
    Pages: 224 S , überw. Ill , 27cm
    Edition: 1. publ.
    DDC: 391.4/4
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    Keywords: Fans 19th century ; Fans 20th century ; Fans Spain ; History ; Bildband ; Spanien ; Fächer ; Geschichte
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  • 100
    Book
    Book
    New Brunswick, N.J. : Rutgers Univ. Press
    ISBN: 0813532167 , 0813532175
    Language: English
    Pages: 252 S. , Ill.
    DDC: 700/.92/368
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    Keywords: Arts, Latin American 20th century ; Ethnicity in art ; Mestizaje History 20th century ; Arts, Latin American 20th century ; Ethnicity in art ; Mestizaje Latin America ; History ; 20th century
    Note: Literaturverz. S. 237 - 247
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